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Awai, Nicole CV (Opens New Window)
https://www.lesleyheller.com/artists/nicole-awai EDUCATION Master of Fine Arts, Multi-media Art, University of South Florida, Tampa, FL (1996) Bachelor of Arts, University of South Florida, Tampa, FL (1991) ACADEMIC APPOINTMENTS & RELATED EXPERIENCE 08/15- Assistant Professor, Painting & Drawing, University of Texas at Austin, Department of Art & Art History, Austin, TX 12/14 Visiting Artist/ Critic, Tyler School of Art, Temple University 9/09-5/15 Critic, Yale School of Art, Department of Painting and Printmaking, New Haven, CT 1/14-5/14 Visiting Assistant Professor, Yale School of Art, Department of Painting and Printmaking, New Haven, CT 9/12-12/12 Visiting Assistant Professor, Cooper Union, School of Art, NY 11/12 Visiting Artist/ Critic, University of Kentucky, College of Fine Arts 04/12 Visiting Artist/ Critic, Parsons, The New School, Art and Design History and Theory, Fine Arts (MFA) 1/11-5/11 Visiting Assistant Professor, Yale School of Art, Department of Painting and Printmaking, New Haven, CT 6/10 Artist/ Instructor, Norfolk Residency Program, Yale School of Art 8/18/08-5/15/09 Visiting Assistant Professor, University of Illinois at Chicago, School of Art and Art History, College of Architecture, Design and the Arts, Chicago, IL 1/08-5/08 Critic, Yale School of Art, Department of Painting and Printmaking, New Haven, CT 9/07 Visiting Artist/ Artist Talk, Parsons, The New School, Art and Design, Fine Art 1/07- 5/08 Visiting Assistant Professor, Pratt Institute, School of Art and Design, Brooklyn, NY 1/07-5/08 Adjunct Instructor, Stern College for Women, NY 8/05-5/15 Adjunct Assistant Professor, York College CUNY, Department of Performing and Fine Arts, Jamaica, Queens, NY 2/02-8/05 Artist/Educator, Whitney Museum of American Art, New York, NY Created and implemented art education programs for students (grades 3-12) based on exhibitions at the museum. -
WOMEN and MIGRATION Women and Migration: Responses in Art and History
WOMEN AND MIGRATION Women and Migration: Responses in Art and History Edited by Deborah Willis, Ellyn Toscano and Kalia Brooks Nelson https://www.openbookpublishers.com © 2019 Deborah Willis, Ellyn Toscano and Kalia Brooks Nelson Copyright of individual chapters is maintained by the chapters’ authors. This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Deborah Willis, Ellyn Toscano and Kalia Brooks Nelson (eds.), Women and Migration: Responses in Art and History. Cambridge, UK: Open Book Publishers, 2019, https://doi. org/10.11647/OBP.0153 In order to access detailed and updated information on the license, please visit, https:// www.openbookpublishers.com/product/840#copyright Further details about CC BY licenses are available at https://creativecommons.org/ licenses/by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Updated digital material and resources associated with this volume are available at https://www.openbookpublishers.com/product/840#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. ISBN Paperback: 978-1-78374-565-4 ISBN Hardback: 978-1-78374-566-1 ISBN Digital (PDF): 978-1-78374-567-8 ISBN Digital ebook (epub): 978-1-78374-568-5 ISBN Digital ebook (mobi): 978-1-78374-569-2 ISBN Digital (XML): 978-1-78374-674-3 DOI: 10.11647/OBP.0153 Cover image: Sama Alshaibi, Sabkhat al-Milḥ (Salt Flats) 2014, from the ‘Silsila’ series, Chromogenic print mounted on Diasec, 47' diameter. -
Around Town 2015 Annual Conference & Meeting Saturday, May 9 – Tuesday, May 12 in & Around, NYC
2015 NEW YORK Association of Art Museum Curators 14th Annual Conference & Meeting May 9 – 12, 2015 Around Town 2015 Annual Conference & Meeting Saturday, May 9 – Tuesday, May 12 In & Around, NYC In addition to the more well known spots, such as The Metropolitan Museum of Art, Museum of Modern Art, , Smithsonian Design Museum, Hewitt, Solomon R. Guggenheim Museum, The Frick Collection, The Morgan Library and Museum, New-York Historical Society, and the Whitney Museum of American Art, here is a list of some other points of interest in the five boroughs and Newark, New Jersey area. Museums: Manhattan Asia Society 725 Park Avenue New York, NY 10021 (212) 288-6400 http://asiasociety.org/new-york Across the Fields of arts, business, culture, education, and policy, the Society provides insight and promotes mutual understanding among peoples, leaders and institutions oF Asia and United States in a global context. Bard Graduate Center Gallery 18 West 86th Street New York, NY 10024 (212) 501-3023 http://www.bgc.bard.edu/ Bard Graduate Center Gallery exhibitions explore new ways oF thinking about decorative arts, design history, and material culture. The Cloisters Museum and Garden 99 Margaret Corbin Drive, Fort Tyron Park New York, NY 10040 (212) 923-3700 http://www.metmuseum.org/visit/visit-the-cloisters The Cloisters museum and gardens is a branch oF the Metropolitan Museum oF Art devoted to the art and architecture oF medieval Europe and was assembled From architectural elements, both domestic and religious, that largely date from the twelfth through fifteenth century. El Museo del Barrio 1230 FiFth Avenue New York, NY 10029 (212) 831-7272 http://www.elmuseo.org/ El Museo del Barrio is New York’s leading Latino cultural institution and welcomes visitors of all backgrounds to discover the artistic landscape of Puerto Rican, Caribbean, and Latin American cultures. -
Eighteen Major New York Area Museums Participate in Instagram Swap
EIGHTEEN MAJOR NEW YORK AREA MUSEUMS PARTICIPATE IN INSTAGRAM SWAP THE FRICK COLLECTION PAIRS WITH NEW-YORK HISTORICAL SOCIETY In a first-of-its-kind collaboration, eighteen major New York City area institutions have joined forces to celebrate their unique collections and spaces on Instagram. All day today, February 2, the museums will post photos from this exciting project. Each participating museum paired with a sister institution, then set out to take photographs at that institution, capturing objects and moments that resonated with their own collections, exhibitions, and themes. As anticipated, each organization’s unique focus offers a new perspective on their partner museum. Throughout the day, the Frick will showcase its recent visit to the New-York Historical Society on its Instagram feed using the hashtag #MuseumInstaSwap. Posts will emphasize the connections between the two museums and libraries, both cultural landmarks in New York and both beloved for highlighting the city’s rich history. The public is encouraged to follow and interact to discover what each museum’s Instagram staffer discovered in the other’s space. A complete list of participating museums follows: American Museum of Natural History @AMNH The Museum of Modern Art @themuseumofmodernart Intrepid Sea, Air & Space Museum @intrepidmuseum Cooper Hewitt, Smithsonian Design Museum @cooperhewitt Museum of the City of New York @MuseumofCityNY New Museum @newmuseum 1 The Museum of Arts and Design @madmuseum Whitney Museum of American Art @whitneymuseum The Frick Collection -
The Studio Museum in Harlem Partners with the Metropolitan Museum of Art to Present We Found Us, the 2019 Exhibition of the Expanding the Walls Photography Program
MEDIA RELEASE The Studio Museum in Harlem 144 West 125th Street New York, NY 10027 studiomuseum.org/press THE STUDIO MUSEUM IN HARLEM PARTNERS WITH THE METROPOLITAN MUSEUM OF ART TO PRESENT WE FOUND US, THE 2019 EXHIBITION OF THE EXPANDING THE WALLS PHOTOGRAPHY PROGRAM Sixx Teague, EMPOWERMENT, 2019. Digital chromogenic print. Courtesy the artist. NEW YORK, NY, July 9, 2019— From July 19, 2019 through August 30, 2019, We Found Us: Expanding the Walls 2019 will present work by the fifteen artists in the 2018–19 cohort of The Studio Musuem in Harlem’s annual residencey program Expanding the Walls: Making Connections Between Photography, History, and Community. During their eight months in the program, the partcipants from New York City–area high schools explore the history and techniques of photography. We Found Us will be on view in The Metropolitan Museum of Art’s Ruth and Harold D. Uris Center for Education while the Studio Museum constructs a new building on the site of their longtime home on West 125th Street. We Found Us reflects on the personal and collective development of the fifteen artists in this year’s program, capturing what they find significant in their daily lives. The exhibition demonstrates their shared interest in storytelling, technical experimentation, and the possibilities of photography as a channel for expression. We Found Us is a declaration born as the artists’, grappling throughout the residency with themes of selfhood, found new perspectives on the world through their cameras and one another. The artists are: Aisha Hashmi, Anthony Trowner, Sixx Teague, Belen Vanesa Bautista, Bryam Franco, Charles Etuk, David Mills, Kenny Peña, Leila Annah Fuentes, Michelle Morocho, Sadia Zaman, Saiida Powell, Skye Mayo, Emmanuel Lugo, and Steeve Hedouville. -
Undiscovered New York
Undiscovered New York: An Inside Look Through the Eyes of Its Artists October 11 – 15, 2021 Dear National Trust Traveler: A city of immigrants, innovators, and dreamers, New York is a magical destination with millions of fascinating stories and untold secrets. Yet few travelers ever experience the thrilling diversity of its creative community. In October 2021, with a backdrop of autumn leaves and crisp air, join the National Trust to discover this historic city from a revelatory new perspective—in the company of its leading creators, curators, and exhibitors. Over four days, you will encounter a range of exciting creative voices who will awaken new insights into how New York’s history and art intersect with local culture. Go behind the scenes of the city’s cultural institutions, studios, and galleries with expert guidance. This tour is notable for its level of rare access. You will enjoy an inside look at an art conservation laboratory to witness meticulous restoration work firsthand, and delight in an in-depth tour of a famous auction house. Begin with a private tour and special reception at the Museum of the City of New York, with its beautifully curated exhibitions documenting the city’s history and character. Delve into sublime works by artists of African descent at the Studio Museum in Harlem, and meet exhibitors at Soho’s groundbreaking Drawing Center, home to splendid historical works. In an exclusive, before-hours visit, browse the Klimt collection at the Neue Galerie New York. Conclude with a curator-led, behind-the-scenes tour of the most famous New York museum of them all, The Metropolitan Museum of Art. -
THE STUDIO MUSEUM in HARLEM PRESENTS EXCERPT an Exhibition of Text-Based Works Organized by Adeze Wilford, Inaugural Studio Museum / Moma Curatorial Fellow
MEDIA RELEASE The Studio Museum in Harlem 144 West 125th Street New York, NY 10027 studiomuseum.org/press CONTACT Elizabeth Gwinn Kate Lydecker The Studio Museum in Harlem Polskin Arts and Communications Counselors [email protected] [email protected] 646.214.2142 212.715.1602 THE STUDIO MUSEUM IN HARLEM PRESENTS EXCERPT An exhibition of text-based works organized by Adeze Wilford, inaugural Studio Museum / MoMA Curatorial Fellow NEW YORK, NY, [January 11, 2017] — Exploring how artists challenge conventional histories by manipulating the principal medium through which received ideas are conveyed—printed texts—The Studio Museum in Harlem will present the exhibition Excerpt, opening January 26, 2017. Including artists’ books, photographs, prints, works on paper and multimedia pieces by fifteen artists, selected primarily from the Studio Museum’s unparalleled collection, Excerpt is organized by Adeze Wilford, one of four participants in the inaugural fellowship collaboration of The Studio Museum in Harlem and The Museum of Modern Art. “By physically breaking down the medium of the published text and blurring the lines between written word and visual landscape, the artists in Excerpt confront dominant discourses, make spaces for alternative voices and create fuller narratives,” said Wilford, inaugural Studio Museum / MoMA Curatorial Fellow. “As an emerging curator, the opportunity to add to the art historical discourse in this way Juliana Huxtable, Untitled (Casual Power), 2015. is especially meaningful.” Color inkjet print, 40 x 30 in. The Studio Museum in Harlem; Museum purchase with funds provided by Excerpt includes work by Sadie Barnette, Bethany a gift from Martin and Rebecca Eisenberg and Ber- nard I. -
Places to Visit Empire State Building
Places to visit Empire State Building – 103 story landmark with observation Statue of Liberty – American iconic in New York Harbour Central Park – Children’s attractions in the park Metropolitan Museum of Art – World class art collection Museum of Modern Art – World class sculpture, art & design Rockefeller Center – Iconic Midtown business complex National September 11 Memorial & Museum Grand Central Terminal – Architectural landmark & transit hub High Line – Park built into old elevated rail line Solomon R. Guggenheim Museum – Modern art museum with notable design Ellis Island – Museum, history, monument Chinatown – Dim sun food, walking, shopping, history, culture Radio City Music Hall – Legendary theatre, hone of the Rockettes Brooklyn Bridge – Landmark 19th century bridge Coney Island – Amusement park, beach Madison Square Garden – Iconic venue for sports, concerts & more Intrepid Sea, Air & Space Museum – Flight museum on an aircraft carrier The Cloisters – Medieval air in the a rebuilt monastery New York Harbour – Harbour, sailing, oysters, rivers & whales Little Italy – Walking, history, art Lincoln Center for the Performing arts – Premier New York City arts complex Time Square – Bright lights & Broadway shows Bryant Park – 4 acre urban oasis Staten Island Ferry – Beer, history, rivers, harbours & walking Yankee Stadium – Newest home of the baseball’s Yankees St Patrick’s Cathedral – Iconic church with storied history Whitney Museum of American Art – Museum with 20th & 21st century art Carnegie Hall – World-renowned classical music -
Defining Women Subjects: Photographs in Trinidad (1860S–1960S)
1 The University of the West Indies Institute for Gender and Development Studies Issue 7 – 2013 Defining Women Subjects: Photographs in Trinidad (1860s–1960s) Roshini Kempadoo ___________________________________________________________________ Abstract This article proposes research methodologies for use in analysing photographs that represent and visualise women subjects of colonial Trinidad. Methodology has been developed on the basis of research undertaken into photographic material of the period in Trinidad from the 1860s to 1960s. The researcher encounters the historical photographs in the present, thus providing insight into the ways in which photographic technologies have visualised Trinidadian women and explores how these practices persist in contemporary visual culture. Photography emerged as a mode of communication for ‘a developing capitalist world order’. No previous economy of visual technologies constituted a world order in the same sense, and it is from within this wider context that we may consider the complex creation, production and circulation of colonial photographs representing the woman figure. Photographic practice at the turn of the twentieth century was a contributive part of the imperial attempt to ‘unify the globe’ and equally became associated with the ‘myth’ of a universality of photographic language (Sekula 1981). Photographic practice contributed to a shift in the continuity of European ideas and thinking about the visualisation of the Other. Colonial photography determined the gendered construction of the colonial woman as subjected to heightened, fetishised, visual scrutiny. Kempadoo, Roshini. 2013. Defining Women Subjects: Photographs in Trinidad (1860s–1960s). CRGS, no. 7, ed. Kamala Kempadoo, Halimah DeShong, and Charmaine Crawford, pp. 1-14. 2 Introduction This article explores techniques and methods of the research process that are considered cornerstones to the analysis of colonial photographs of women. -
The Studio Museum in Harlem Magazine Summer/Fall 2015 Studio Magazine Board of Trustees This Issue of Studio Is Underwritten, Editor-In-Chief Raymond J
The Studio Museum in Harlem Magazine Summer/Fall 2015 Studio magazine Board of Trustees This issue of Studio is underwritten, Editor-in-Chief Raymond J. McGuire, Chairman in part, with support from Elizabeth Gwinn Carol Sutton Lewis, Vice-Chair Rodney M. Miller, Treasurer Creative Director The Studio Museum in Harlem is sup- Thelma Golden Dr. Anita Blanchard ported, in part, with public funds provided Jacqueline L. Bradley Managing Editor by the following government agencies and Valentino D. Carlotti Dana Liss elected representatives: Kathryn C. Chenault Joan S. Davidson Copy Editor The New York City Department of Cultural Gordon J. Davis, Esq. Samir S. Patel Aairs; New York State Council on the Dr. Henry Louis Gates, Jr. Arts, a state agency; National Endowment Design Sandra Grymes for the Arts; the New York City Council; Pentagram Arthur J. Humphrey Jr. and the Manhattan Borough President. George L. Knox Printing Nancy L. Lane Allied Printing Services The Studio Museum in Harlem is deeply Dr. Michael L. Lomax grateful to the following institutional do- Original Design Concept Bernard I. Lumpkin nors for their leadership support: 2X4, Inc. Dr. Amelia Ogunlesi Ann G. Tenenbaum Studio is published two times a year Bloomberg Philanthropies John T. Thompson by The Studio Museum in Harlem, Booth Ferris Foundation Reginald Van Lee 144 W. 125th St., New York, NY 10027. Ed Bradley Family Foundation The Ralph and Fanny Ellison Hon. Bill de Blasio, ex-oicio Copyright ©2015 Studio magazine. Charitable Trust Hon. Tom Finkelpearl, ex-oicio Ford Foundation All rights, including translation into other The Horace W. Goldsmith Foundation languages, are reserved by the publisher. -
All in NYC: the Roadmap for Tourism's Reimagining and Recovery
ALL IN NYC: The Roadmap for Tourism’s Reimagining and Recovery JULY 2020 01/ Introduction P.02 02/ What’s at Stake? P.06 03/ Goals P.1 0 The Coalition for NYC Hospitality & Tourism Recovery is an initiative of NYC & Company. 04/ A Program in Three Stages P.1 2 As the official destination marketing and convention and visitors bureau for the five boroughs of New York City, NYC & Company 05/ Our Campaign Platform: ALL IN NYC P.1 6 advocates for, convenes and champions New York City’s tourism and hospitality businesses 06/ Marketing Partnerships P.30 and organizations. NYC & Company seeks to maximize travel and tourism opportunities throughout the five boroughs, build economic 07/ Success Metrics P.32 prosperity and spread the dynamic image of New York City around the world. 08/ Summary P.36 09/ Acknowledgements P38 Table of Contents Table —Introduction In early 2020, as the coronavirus spread from country to country, the world came to a halt. International borders closed and domestic travel froze. Meetings, conventions and public events were postponed or canceled. Restaurants, retail stores, theaters, cultural institutions and sports arenas shuttered. Hotels closed or transitioned from welcoming guests to housing emergency and frontline workers. While we effectively minimized the spread of Covid-19 in New York City, thousands of our loved ones, friends, neighbors and colleagues have lost their lives to the virus. Our city feels, and is, changed. 2 13 We launched The Coalition for NYC our city’s story anew. As in every great New Hospitality & Tourism Recovery in May York story, the protagonists have a deep 2020 to bring together all sectors of our sense of purpose and must work to achieve visitor economy to drive and aid recovery. -
Arts & Culture
ONLINE RESOURCES: ARTS & CULTURE Museum of the City of New York Dear Neighbor, New York, New York Website: https://www.mcny.org We have all been dealing with the isolation caused by the COVID-19 Virtual experience: https://artsandculture.google.com/partner/museum-of-the-city- pandemic, and trying to find new ways to connect. Fortunately, for those of of-new-york us who have access to the internet, there are a host of resources available that can allow us all to remain connected. In October, my office hosted Founded in 1923 as a private, nonprofit corporation, the Museum of the City an online forum that explored arts and cultural resources available online. of New York celebrates and interprets the city, educating the public about its Staff and interns also compiled a selection of those resources, and I distinctive character, especially its heritage of diversity, opportunity, and perpetual wanted to use this newsletter to share them with you. Below you will find transformation. The Museum connects the past, present, and future of New York a collection of virtual experiences from around the world. Experiences City, and serves the people of the city as well as visitors from around the world on this list are not endorsements from our office. Some experiences are through exhibitions, school and public programs, publications, and collections. Or free, while others are ticketed. Please check the host’s website as events join the Museum of the City of New York’s interactive, virtual workshops to see continue to evolve. and discuss visuals from the Museum of the City of New York’s exhibitions and collections.