DOCSLIB.ORG

Dc5m United States Music in English Created at 2016-11-21 16:14

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dc5m United States Music in English Created at 2016-11-21 16:14 Announcement DC5m United States music in english 31 articles, created at 2016-11-21 16:14 articles set mostly positive rate 3.3 1 9.1 American Music Awards: Selena Gomez creates romantic speech (15.99/16) Image copyright Reuters Image caption 2016-11-21 00:00 3KB headlinenewstoday.net 2 2.6 'No Trump, no KKK, no fascist USA!' Green Day launched into political chant against president-elect during (6.74/16) AMAs gig 'No Trump, no KKK, no fascist USA,' Green Day's lead singer Billie Joe Armstrong chanted during a performance of their new single 'Bang Bang.' 2016-11-21 02:36 3KB www.dailymail.co.uk 3 1.7 AMAs red carpet sees Hailee Steinfeld dare to bare in plunging bedazzled playsuit (4.18/16) The Oscar-nominated actress, 19, wowed the crowd at the American Music Awards in Los Angeles' Microsoft Theater on Sunday night. 2016-11-21 07:19 2KB www.dailymail.co.uk 4 1.0 Kanye West cancels Sunday night's gig in Los Angeles (1.06/16) Kanye West delivered another public screed before abruptly ending his concert in Sacramento on Saturday. The rapper then canceled his Sunday night performance at the Forum in LA. 2016-11-21 00:42 3KB www.dailymail.co.uk 5 2.1 Kanye West rants about Beyoncé, Hillary Clinton and Mark Zuckerberg – video (1.03/16) Kanye West rants about Beyoncé, Jay Z, Hillary Clinton, ‘the press’ and Mark Zuckerberg before cutting his concert short in Sacramento 2016-11-21 05:34 1KB www.theguardian.com 6 0.6 Gigi Hadid brings supermodel style to AMAs with FIVE glamorous looks (1.03/16) The 21-year-old swapped out her looks five times during her hosting duties for this year's American Music Awards. The model pieces with cut-outs, shimmering fabric and thigh slits. 2016-11-21 03:40 2KB www.dailymail.co.uk 7 0.0 Laura Ingraham blasts Jay Pharoah and Gigi Hadid after AMA opening mocking President-elect Donald Trump (1.03/16) and wife Melania Jay Pharoah and Gigi Hadid’s AMA jokes got laughs from the audience, but their impressions didn’t go over well with Laura Ingraham. 2016-11-21 01:21 2KB feeds.nydailynews.com 8 5.0 Woman gives birth to baby girl at Blue Line station A woman gave birth to a baby girl early Monday on the platform at a CTA Blue Line (1.02/16) station in the Loop. 2016-11-21 06:23 879Bytes chicago.suntimes.com 9 2.3 2016 AMAs: Drake premieres new Apple Music commercial (0.17/16) Drake gets teased for being “soft” in the hip-hop world, and it’s clear that he doesn’t mind making fun of himself for it in his new commercial for Apple Music 2016-11-21 03:38 1KB www.cbsnews.com 10 3.5 The Veronicas' Lisa broke down in tears after watching Ruby Rose music video (0.01/16) Jessica's twin sister Lisa erupted into tears the first time she saw clip 2016-11-21 06:05 3KB www.dailymail.co.uk 11 1.8 Children in Need 2016: Rochelle Humes and Marvin Humes present the appeal show (0.01/16) The Saturdays singer, 27, was truly glowing as she beamed beside her husband of four years, 31, at the exciting charity event - tenderly cradling her blossoming bump in a chic black gown. 2016-11-21 04:37 2KB www.dailymail.co.uk 12 1.5 Justin Timberlake talks THAT iconic outfit he wore with Britney Spears and slams Donald Trump saying he could NEVER bring the look back On The Project on Monday, American singer Justin Timberlake seemingly referred to that iconic moment 2016-11-21 07:44 3KB www.dailymail.co.uk 13 4.3 Soul singer Isaiah Firebrace takes the X Factor crown... just days after his 17th birthday Birthday wishes do come true! Isaiah Firebrace, 17, won The X Factor on Monday night, just days after he turned 17. 2016-11-21 07:22 1KB www.dailymail.co.uk 14 3.4 Beyond Hamilton: five shows Pence and Trump should see together Following the hip-hop musical’s special message to the US vice-president elect, here’s a selection of great American shows that could enlighten him and his boss 2016-11-21 07:08 5KB www.theguardian.com 15 2.1 Landfill-harmonic: the Mexican music school on the edge of a rubbish dump Young musicians from the makeshift Oaxaca neighbourhood of Vicente Guerrero have defied the odds to offer hope to their blighted community 2016-11-21 07:00 6KB www.theguardian.com 16 1.7 Are aliens watching LIVERPOOL? Two blue 'UFO' spheres are spotted flying erratically above a housing estate The bizarre objects appeared in the skies of Halewood, near Liverpool, on Saturday afternoon and have prompted an online debate as to whether they were balloons, drones, or something else entirely. 2016-11-21 06:14 3KB www.dailymail.co.uk 17 4.8 Is Nevada just another brick in the blue wall? With each election Nevada votes Democrat, it could get less attention from presidential campaigns.. 2016-11-21 06:00 4KB lasvegassun.com 18 1.9 Now it's Harry's turn to go back to work! Prince arrives in Antigua for a two-week royal Caribbean tour - after Meghan Markle returns to the set of Suits in Toronto After a romantic Kensington rendez-vous with Meghan Markle, Prince Harry is back on official royal duties. The prince touched down in Antigua yesterday for a 15-day Caribbean tour. 2016-11-21 05:26 6KB www.dailymail.co.uk 19 1.0 Essential Science: Nano-science promises toxic-free cosmetics Many of the pigments used in packaging, textiles and cosmetics are toxic and generate pollutants. Nanoscience offers an alternative way of producing non-toxic and robust colors. The inspiration comes from blue tarantulas. 2016-11-21 04:40 8KB www.digitaljournal.com 20 0.0 The Last Poets: America in poetry from black power to Black Lives Matter The Last Poets’ fierce performance poetry inspired a whole generation of hiphop and soul musicians, even as they were destroying themselves. Bu they’re back – and as relevant as ever 2016-11-21 04:00 6KB www.theguardian.com 21 0.0 Bismarck couple make unique mix of music with rap and violin One local musician has a different way of spitting rhymes: rapping along to his wife’s violin. 2016-11-21 03:01 3KB www.washingtontimes.com 22 0.0 Niall Horan admits to stage fright before solo performance on live TV without One Direction bandmates at the AMAs The 23-year-old former One Direction boy band member confessed he gets nervous when performing on live television at the 2016 American Music Awards in Los Angeles on Sunday. 2016-11-21 02:53 2KB www.dailymail.co.uk 23 1.0 Sting stresses benefits of 'inclusion' in political AMA acceptance speech... calls USA 'greatest country in the world' The Englishman In New York star claimed it was the country's acceptance of successive waves of immigrants that had made the United States a successful nation. 2016-11-21 02:13 2KB www.dailymail.co.uk 24 1.5 5 Smartphone Industries Booming In India With the world moving on the digital platform, the use of smart gadgets is at the boom. The smartphone manufacturing companies are producing a large count of smartphones for the growing customers. There are many brands that have set up their realm in the Indian market whereas... 2016-11-21 01:53 3KB article.wn.com 25 1.2 Bruno Mars on "60 Minutes": I almost gave up on "Uptown Funk" The singer said on "60 Minutes" that the song was "in the trash can about 10 times" 2016-11-21 01:46 1KB www.cbsnews.com 26 2.9 Royal Oak student removed after noose incident Discovery of noose Friday is second incident with racial or ethnic overtones at school in Nov. 2016-11-21 01:26 3KB rssfeeds.detroitnews.com 27 2.8 Students seek safe spaces, dialogue after election Issues reverberating through college campuses create a need for dialogue, but are a lightning rod for critics. 2016-11-21 01:06 7KB rssfeeds.detroitnews.com 28 1.0 Niche ranks the best private schools in Texas Sending a child to private school can make a sizable dent in anyone's wallet, the institutions that best prepare students for college can often cost as much or more as the universities they prepare them for. For the parents who can afford it, figuring out what... 2016-11-21 01:00 2KB www.chron.com 29 3.1 Disney alters ‘Moana’ title in Italy due to porn overtone The Polynesian-themed family movie will be released under the name ‘Oceania’ due to its possible connotation with a popular ’90s Italian porn star, Moana Pozzi. 2016-11-21 00:00 2KB entertainment.inquirer.net 30 1.0 Family, friends gather at memorial to remember Annie Schmidt BOUNTIFUL, Utah - Friends and family turned out Sunday night in Bountiful to celebrate and remember the life of Annie Schmidt, the daughter of The Piano Guys member Jon Schmidt, who died while hiking in Oregon. But a handful of people stood out from the... 2016-11-21 00:15 2KB fox13now.com 31 0.8 Rebecca Romijn flaunts her bra and toned pins in sheer lace high-low gown at AMAs The 44-year-old X-Men actress went for a daring blue look as she flashed her bra and toned tummy on the red carpet at the 2016 American Music Awards in Los Angeles on Saturday.
Load more

Recommended publications
  • Ronnie Scott's Jazz C
    GIVE SOMEONE THE GIFT OF JAZZ THIS CHRISTMAS b u l C 6 z 1 0 z 2 a r J e MEMBERSHIP TO b s ’ m t t e c o e c D / S r e e i GO TO: WWW.RONNIESCOTTS.CO.UK b n m e OR CALL: 020 74390747 n v o Europe’s Premier Jazz Club in the heart of Soho, London ‘Hugh Masekela Returns...‘ o N R Cover artist: Hugh Masekela Page 36 Page 01 Artists at a Glance Tues 1st - Thurs 3rd: Steve Cropper Band N Fri 4th: Randy Brecker & Balaio play Randy In Brasil o v Sat 5th: Terence Blanchard E-Collective e Sun 6th Lunch Jazz: Atila - ‘King For A Day’ m b Sun 6th: Ronnie Scott’s Jazz Orchestra e Mon 7th - Sat 12th: Kurt Elling Quintet “The Beautiful Day” r Thurs 10th: Late Late Show Special: Brandee Younger: A Tribute To Alice Coltrane & Dorothy Ashby Sun 13th Lunch Jazz: Salena Jones & The Geoff Eales Quartet Sun 13th: Dean Brown - Rolajafufu The Home Secretary Amber Rudd came up with Mon 14th - Tues 15th : Bettye LaVette Wed 16th - Thurs 17th : Marcus Strickland Twi-Life a wheeze the other day that all companies should Fri 18th - Sat 19th : Charlie Hunter: An Evening With publish how many overseas workers they employ. Sun 20th Lunch Jazz: Charlie Parker On Dial: Presented By Alex Webb I, in my naivety, assumed this was to show how Sun 20th: Oz Noy Mon 21st: Ronnie Scott’s Blues Explosion much we relied upon them in the UK and that a UT Tues 22nd - Wed 23rd: Hugh Masekela SOLD O dumb-ass ban or regulated immigration system An additional side effect of Brexit is that we now Thurs 24th - Sat 26th: Alice Russell would be highly harmful to the economy as a have a low strength pound against the dollar, Sun 27th Lunch Jazz: Pete Horsfall Quartet whole.
    [Show full text]
  • 224187395.Pdf
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenEdition Revue de recherche en civilisation américaine 1 | 2009 Varia La musique rap comme forme de résistance ? David Diallo Édition électronique URL : http://journals.openedition.org/rrca/80 ISSN : 2101-048X Éditeur David Diallo Référence électronique David Diallo, « La musique rap comme forme de résistance ? », Revue de recherche en civilisation américaine [En ligne], 1 | 2009, mis en ligne le 12 mai 2009, consulté le 19 avril 2019. URL : http:// journals.openedition.org/rrca/80 Ce document a été généré automatiquement le 19 avril 2019. © Tous droits réservés La musique rap comme forme de résistance ? 1 La musique rap comme forme de résistance ? David Diallo 1 Dans Blues People, un ouvrage publié en 1963, l’écrivain et essayiste LeRoi Jones souligne les indéterminations que cette musique suscite régulièrement. Il écrit : “It is impossible to say simply, « Slavery created blues », and be done with it-or at least it seems almost impossible to make such a statement and sound intelligent saying it.” (Jones 1963, p.50). Ce commentaire, s’il fut formulé pour rétablir certaines interprétations réductrices concernant le blues, vaut également pour quelques-unes des descriptions exprimées de nos jours au sujet de la musique rap. Tout comme ceux qui ont réduit le blues à un simple produit de l’esclavage où qui en ont fait une « musique du diable » (Pearson and McCulloch 2003), nombreux sont les auteurs de travaux sur la musique rap qui ont fréquemment réduit cette musique à une simple expression de résistance engendrée par l’oppression structurelle subie par une partie la communauté noire.
    [Show full text]
  • CONGRESSIONAL RECORD— Extensions of Remarks E564 HON
    E564 CONGRESSIONAL RECORD — Extensions of Remarks March 30, 2011 THE HAMP TERMINATION ACT OF On Sunday, March 27, 2011, Harlem’s be- America and influence the world through the 2011 loved National Black Theater hosted and spoken word of the ‘‘Legendary Last Poets.’’ joined the community of Black Diasporan Artist f SPEECH OF and Poets to celebrate and honor the legacy of Abiodun Oyewole and his most prized insti- HONORING VIETNAM VETERAN HON. ERIC CANTOR DOCKIE BRENDLE FOR HIS SERV- OF VIRGINIA tution, ‘‘Open House Sundays @ 110 ICE AND SACRIFICE IN THE IN THE HOUSE OF REPRESENTATIVES Morningside Drive,’’ a true rendition of free art, VIETNAM WAR Tuesday, March 29, 2011 expression, and family love. Abiodun Oyewole, a founding member of The House in Committee of the Whole the legendary and original spoken word group, HON. HEATH SHULER House on the State of the Union had under The Last Poets, has for over 30 years opened OF NORTH CAROLINA consideration the bill (H.R. 839) to amend the his apartment every Sunday, feeding his fellow Emergency Economic Stabilization Act of IN THE HOUSE OF REPRESENTATIVES artists food for thought, body and soul. Sun- 2008 to terminate the authority of the Sec- Wednesday, March 30, 2011 retary of the Treasury to provide new assist- day’s participants would gather at Poets ance under the Home Affordable Modifica- Haven to celebrate each other, eat delicious Mr. SHULER. Mr. Speaker, I rise today to tion Program, while preserving assistance to foods, and gravitate to the elders. For many honor Specialist Fourth Class Dockie Brendle homeowners who were already extended an aspiring and renowned artists and poets, this for his valiant service and sacrifice during the offer to participate in the Program, either on is home, a place where one can help oneself Vietnam War.
    [Show full text]
  • Rapping Islam: a Comparative Study of Hip Hop Culture in Indonesia, Tunisia and the United States
    Rapping Islam: A Comparative Study of Hip Hop Culture in Indonesia, Tunisia and the United States Author Golpushnezhad, Elham Published 2017 Thesis Type Thesis (PhD Doctorate) School School of Humanities, Languages and Social Science DOI https://doi.org/10.25904/1912/2876 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/366343 Griffith Research Online https://research-repository.griffith.edu.au Rapping Islam: A Comparative Study of Hip Hop Culture in Indonesia, Tunisia and the United States Elham Golpushnezhad BA, MA School of Humanities, Languages and Social Science Griffith Centre for Social and Cultural Research Arts, Education & Law Griffith University Submitted in fulfilment of the requirements of the degree of Doctor of philosophy 30 January 2017 1 Abstract The thesis analyses Muslim youth hip hop cultures in three countries of Indonesia, Tunisia and the United States. Hip hop and its Islamic roots have often been mentioned by African-American hip hop pioneers and the Muslim hip hoppers in Muslim countries. Hip hop often represents marginal youths’ symbolic resistance against racism, police brutality and poverty in an American context. Its marriage to Islamic ideology creates a space for further research and investigation. The hip hop prophecies of liberty, hope and success together with Islamic standards and moral values of redemption, equality and promoting virtue and preventing vice1, have shaped vibrant youth scenes in post-Suharto Indonesia (1998 onwards), post- Ben Ali’s Tunisia (2011 onwards) and the United states in the time of Obama (2009-2017). The thesis is built on data from ethnographic fieldwork that was carried out for 13 months (July 2014-august 2015) in Indonesia, Tunisia and the United States.
    [Show full text]
  • Revue De Recherche En Civilisation Américaine, 1 | 2009 La Musique Rap Comme Forme De Résistance ? 2
    Revue de recherche en civilisation américaine 1 | 2009 Varia La musique rap comme forme de résistance ? David Diallo Édition électronique URL : http://journals.openedition.org/rrca/80 ISSN : 2101-048X Éditeur David Diallo Référence électronique David Diallo, « La musique rap comme forme de résistance ? », Revue de recherche en civilisation américaine [En ligne], 1 | 2009, mis en ligne le 12 mai 2009, consulté le 19 avril 2019. URL : http:// journals.openedition.org/rrca/80 Ce document a été généré automatiquement le 19 avril 2019. © Tous droits réservés La musique rap comme forme de résistance ? 1 La musique rap comme forme de résistance ? David Diallo 1 Dans Blues People, un ouvrage publié en 1963, l’écrivain et essayiste LeRoi Jones souligne les indéterminations que cette musique suscite régulièrement. Il écrit : “It is impossible to say simply, « Slavery created blues », and be done with it-or at least it seems almost impossible to make such a statement and sound intelligent saying it.” (Jones 1963, p.50). Ce commentaire, s’il fut formulé pour rétablir certaines interprétations réductrices concernant le blues, vaut également pour quelques-unes des descriptions exprimées de nos jours au sujet de la musique rap. Tout comme ceux qui ont réduit le blues à un simple produit de l’esclavage où qui en ont fait une « musique du diable » (Pearson and McCulloch 2003), nombreux sont les auteurs de travaux sur la musique rap qui ont fréquemment réduit cette musique à une simple expression de résistance engendrée par l’oppression structurelle subie par une partie la communauté noire. Dans The Rise of Rap par exemple, James Bernard limite cette musique à sa dimension contestataire par un simple raisonnement analogique : The revolutionary ethos and rapsodic expressionism found in the poetry of today’s hard-core rappers shows the same attitude as the black-power black nationalism of Marcus Garvey, Elijah Muhammad, Malcolm X, Muhammad Ali, Stokeley Carmichael, H.Rap Brown, Angela Davis, Louis Farrakhan, and many other apostles of black liberation.
    [Show full text]
  • The History of Rock Music - the Nineties
    The History of Rock Music - The Nineties The History of Rock Music: 1989-1994 Raves, grunge, post-rock History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Golden Age of Hip-hop Music (These are excerpts from my book "A History of Rock and Dance Music") Generally speaking, the rule for hip-hop music of the 1990s was that behind every successful rap act there was a producer. Rap music was born as a "do it yourself" art in which the "message" was more important than the music. During the 1990s, interest in the lyrics declined rapidly, while interest in the soundscape that those lyrics roamed increased exponentially. The rapping itself became less clownish, less stereotyped, less macho, and much more psychological and subtle. In fact, rappers often crossed over into singing. Hip-hop music became sophisticated, and wed jazz, soul and pop. Instrumental hip-hop became a genre of its own, and one of the most experimental outside of classical music. East-Coast rap TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The most significant event of the early 1990s was probably the advent of Wu-Tang Clan (1), a loose affiliation of rappers, including Gary "Genius/GZA" Grice, Russell "Ol' Dirty Bastard" Jones, Clifford "Method Man" Smith and Dennis "Ghostface Killah" Coles, "conducted" (if the rap equivalent of a classical conductor exists) by Robert "RZA" Diggs, the musical genius behind Enter the Wu-Tang (1993), a diligent tribute to old-school rap.
    [Show full text]
  • Finding Aid to the Historymakers ® Video Oral History with Abiodun Oyewole
    Finding Aid to The HistoryMakers ® Video Oral History with Abiodun Oyewole Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Oyewole, Abiodun Title: The HistoryMakers® Video Oral History Interview with Abiodun Oyewole, Dates: December 13, 2006, February 22, 2007 and March 21, 2007 Bulk Dates: 2006 and 2007 Physical 14 Betacame SP videocasettes (6:23:11). Description: Abstract: Poet and spoken word artist Abiodun Oyewole (1948 - ) is a founding member of the American musical spieling group, The Last Poets. The group's message, deeply rooted in Black Nationalism, quickly became recognized within the African American community. Oyewole was interviewed by The HistoryMakers® on December 13, 2006, February 22, 2007 and March 21, 2007, in New York, New York. This collection is comprised of the original video footage of the interview. Identification: A2006_164 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Abiodun Oyewole was born Charles Davis on February 25, 1948 in Cincinnati, Ohio. At the age of three, he moved to Queens, New York, with his maternal aunt and her new husband. He was greatly influenced by the jazz and gospel music they played and by poets like Langston Hughes. At fifteen, he and a friend attended a Yoruba Temple in Harlem, New York. There, a Yoruba priest performed a ceremony, giving him the name Abiodun Oyewole, by which he is best known. Oyewole began learning about the Yoruba gods and developed a spiritual connection to the religion, which stressed the significance of praying to one’s ancestors for guidance and strength.
    [Show full text]
  • Pride, Beats and Poetry: Η Μουσική Το Μέσο, Η Απελευθέρωση Ο Σκοπός
    Pride, Beats and Poetry: η μουσική το μέσο, η απελευθέρωση ο σκοπός του Δημήτρη Μουζάκη “In a situation of oppression, there are no choices beyond didactic writing: either you are a tool of oppression or an instrument of liberation.” Bra Willie To 1867, δημοσιεύεται η πρώτη συλλογή από αφρο-αμερικάνικα τραγούδια με τίτλο « Slave Songs of the United States». Eπρόκειτο προφανώς για τραγούδια που τραγουδούσαν εν ώρα εργασίας οι σκλάβοι, τα λεγόμενα και african american work songs, ως μουσικά κομμάτια άμεσα συνδεδεμένα με ένα συγκεκριμένο τύπο εργασίας. Καμία αμφιβολία δεν γεννάται λοιπόν για το αν η αφρο-αμερικάνική κοινότητα στις Η.Π.Α, ανέκαθεν έγραφε μουσική για να «τραγουδήσει» αυτά που ανέκαθεν υπέφερε. Από τα τραγούδια των σκλάβων του 17ου αιώνα μέχρι και την ανάδειξη αφροαμερικάνου στην Προεδρεία των ΗΠΑ, πάντα, υπήρχε λόγος και όπου υπήρχε λόγος, υπήρχε και μουσική. Αφρο-αμερικάνικη μουσική. "Κάποιοι τύποι δεν διαβάζουν, αλλά όλοι ακούνε μουσική" Εκατό χρόνια μετά, το 1967, ένας νεαρός ονόματι Umar Bin Hassan, βλέπει την «επίσημη πρώτη» των μαύρων Πανθήρων στην τηλεόραση, όταν μέλη του Κόμματος οπλισμένοι με τουφέκια «μπουκάρουν» στην πολιτειακή Βουλή της Καλιφόρνια. Ένα χρόνο μετά, το 1968, μια αφρο-αμερικανίδα ακτιβίστρια ονόματι Elaine Brown, γίνεται μέλος του Κόμματος των Μαύρων Πανθήρων και τότε, ο επικεφαλής προσωπικού του Κόμματος, David Hilliard, της αναθέτει να ηχογραφήσει τα τραγούδια της. Έτσι η Elaine, κάνει τα πρώτα της βήματα στη δισκογραφία και κυκλοφορεί το album ‘’Seize the Time’’. Τελευταίο τραγούδι στην πρώτη πλευρά του δίσκου είναι το ‘’The Meeting’’ (The Black Panther Party National Anthem). To 1970, κυκλοφορεί από την (κομματική;) δισκογραφική εταιρία Seize the Time, το τραγούδι " Free Bobby Now", από το συγκρότημα ‘’The Lumpen’’ κατόπιν υπόδειξης του υπουργού Πολιτισμού του Κόμματος, Emory Douglas (Ο Bobby Seal βρίσκεται στη φυλακή ως ηθικός αυτουργός της δολοφονίας του Πάνθηρα Alex Rackley).
    [Show full text]
  • 4755 Hon. Heath Shuler Hon. Ron Paul Hon
    March 30, 2011 EXTENSIONS OF REMARKS, Vol. 157, Pt. 4 4755 be no art talk,’’ he wrote. ‘‘The only poem you Swain County community. He is a member of IN RECOGNITION OF THE 142ND will hear will be the spearpoint pivoted in the the Vietnam Veterans of America, Smoky ANNIVERSARY OF THE SHILOH punctured marrow of the villain.... There- Mountain Chapter 994 as well as a member of BAPTIST CHURCH fore we are the last poets of the world.’’ Veterans of Foreign Wars in Bryson City. He So Abiodun Oyewole and founding mem- regularly attends events throughout the com- bers Umar Bin Hassan, Jalal Mansur Nuriddin, munity. An avid football fan, he can be seen HON. GERALD E. CONNOLLY Felipe Luciano, Gylan Kain, David Nelson and watching many Swain High School football OF VIRGINIA percussionist Nilaja Obabi formed The Last Poets on May 19, 1968, Malcolm X’s birthday, games as a member of the ‘‘Fence Walkers.’’ IN THE HOUSE OF REPRESENTATIVES at Marcus Garvey Park (formerly Mount Morris I am grateful I have selfless, brave, and Wednesday, March 30, 2011 Park) in the East Harlem/El Barrio neighbor- dedicated veterans like Mr. Brendle in our hood part of my Congressional District in New community. His service to our country is a Mr. CONNOLLY of Virginia. Mr. Speaker, it York. great source of pride to me and to Western is my great honor to recognize the 142nd An- These young radical poets and musicians North Carolina. I ask my colleagues to join me niversary of the Shiloh Baptist Church in rose to become the rappers of the civil rights today in recognizing Specialist Fourth Class Mason Neck, Virginia, and to celebrate the un- era.
    [Show full text]
  • Race, Rap and Power Summer 2019
    Banksy, “Gangsta Rat” (2004) Race, Rap and Power “Every time I speak I want the truth to come out. Every time I speak I want a shiver. I don’t want them to be like they know what I’m gonna say because it’s polite. I'm not saying I’m gonna rule the world or I’m gonna change the world, but I guarantee you that I will spark the brain that will change the world." — Tupac Shakur, MTV, 1994 “Rap is black America’s CNN.” Chuck D The hurt becomes repetition, the love almost lost that Sick venom in men and women overcome with pride A perfect world is never perfect, only filled with lies Promises are broken and more resentment come alive Race barriers make inferior you and I “Pride” Kendrick Lamar Summer 2019 -- Online June 3 - July 26, 2019 Georgetown University Instructor: Ellen Gorman E-mail: [email protected] Required Texts: It's Bigger Than Hip-Hop: The Rise of the Post Hip-Hop Generation, MK Asante Hip-Hop Revolution: The Culture and Politics of Rap, Jeffrey O.G. Ogbar Book of Rhymes: The Poetics of Hip Hop, Adam Bradley YouTube Playlist – “ENGL 189” Films/Television: I Am Not Your Negro (2017); Do the Right Thing (1989); Juice (1992); Straight Outta Compton (2015); Empire (Season 1, 2015); Atlanta (Season 1, 2016) What relationship does the political power of the Hip Hop movement have to the corporatization of rap as a genre, and how has that affected racial politics in America in the last thirty years? We will look at a wide variety of texts in this course, including literature, film, lyrics and video in order to discuss Hip Hop and Rap as aesthetic movements and genres, and how they are viewed as both empowering and marginalizing in their commodification in the US.
    [Show full text]
  • The Communicator October 2018 the Student Newspaper of Bronx Community College Issue 1, Fall 2018
    The Communicator October 2018 The Student Newspaper of Bronx Community College Issue 1, Fall 2018 The 25th Annual Bronx Community College Film & Video Festival Premiers 10 BCC Student Films at the DGA Theatre in New York City By Emmett Ferrer, President, Media and Digital Film Club Students in the BCC Media and Digital Film Club, along with The Media in the many lives he gracefully touched. The Memorial Award was presented by and Digital Film Production Program of the Communications Arts and Science fellow cinematographer Dejan Georgevich, ASC. “Sol was a great man – legendary Department, worked late hours to complete their films for the 25th Annual Bronx cinematographer, trade unionist, and beloved educator whose capacity for giving Community College Film and Video Festival, which took place on Thursday, June to others was always inspiring for me. What joy for him to mentor, advise, and 7th at the Directors Guild of America (DGA) Theatre in Midtown Manhattan. encourage. He taught us all something about giving back to the next generation of During the festival, students and alumni displayed their original short films that motion picture artists and technicians. He was forever helping others to be better they had been working on throughout the semester. Production executives from the as craftsman and crafts women, as artists and as family. Role models of his kind Eastman Kodak Company, ARRI Rental, Panasonic Corporation of North America, are an influence for generations. We are so blessed to have been part of his world,” Canon USA, Avid Technology, DuArt Media Services, HBO, The Independent said Mr.
    [Show full text]
  • Has the World's Largest Music Industry and Its Music Is Heard Around the World
    1 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in “Introduction to Music History”. In Section 1 of this course you will cover these topics: Music In Multicultural America The Music Of Native Americans The Roots Of European/Anglo-American Music The Roots Of African-American Music Topic : Music In Multicultural America Topic Objective: At the end of this topic student would be able to: Discuss the Characteristics Learn the Social identity Understand the Folk music Understand the Blues and spirituals Learn the Classical music Definition/Overview: The topics discusses that the music of the United States reflects the country's multi-ethnic population through a diverse array of styles. Rock and roll, blues, country, rhythm and blues, jazz, pop, techno, and hip hop are among the country's most internationally-renowned genres. The United StatesWWW.BSSVE.IN has the world's largest music industry and its music is heard around the world. Since the beginning of the 20th century, some forms of American popular music have gained a near global audience. Native Americans were the earliest inhabitants of the United States and played its first music. Beginning in the 17th century, immigrants from the United Kingdom, Ireland, Spain, Germany and France began arriving in large numbers, bringing with them new styles and instruments. African slaves brought musical traditions, and each subsequent wave of immigrants contributed to a melting pot. Much of modern popular music can trace its roots to the emergence in the late 19th century of African American blues and the growth of gospel music in the 1920s. The African American basis for popular music used elements derived from European and indigenous musics.
    [Show full text]