DOCSLIB.ORG

4''1!Se':S:::;:::::I'~:I:;;:~I:::~I:~~~~R~T~'!Rtst£D in TH£ CROWD OF

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
4''1!Se':S:::;:::::I'~:I:;;:~I:::~I:~~~~R~T~'!Rtst£D in TH£ CROWD OF LarJ TIDE / I/Jo/(/J H'l.H TIDE 1.2" 135' 7/,01&3 1.1 AT 0640 .n • 5 0 0736 i4 7 AT 2iXJ6 HOURGlAS-S ApOLLO 1 Rotky Bitters Are IP PASSED ITS SECOND MAKE-SE~ FLIGHT WITH ASTRON ... UTS ABOARD TO WIND UP A TWO-MONTH SERIES Possible Nixon Choites PRELIMINARY CH£CKS. for Running Mates Navy Tightens Grip on Waterways As rAR AS COMMAND PILOT WALTER IRRA IS CONC£RNED, THE FIRST or SAIGON {UPI ) __WAVES or U.S 852 SONaus UNLOADED UP TO TI<"[£ MILLION ROUND£' MIAMI BEACH (UPI)--Two NELSON ROCK£~ NEW BlUEt: or MOON cRArT NOlO CAN BE or EXPLOSIVES OVER COMMUNIST INFILTRATION ROUTES NORTHWEST OF SAlaON AND THE SUPPORTERS--5EN. CH"'RLES PERCY READY FOR FLIGHT ITS 11- NAVY MOvED TO TIGHTEN ITS CONTROL OF MEKONG DELTA wATERWAYS TO TH£ SOUTH, ILLINOIS AND MAYOR JOHN ~INDS"'Y OF £ARTH ORBITAL MISSION IS EXPECTED U S ~ILITARY SP&KESMEN SAID TODAY YORK.-ARE STILL UNDER cONSIDERATION START IN M'O~OCTOB[R. AN ARMAOA or ABOUT 50 or THE EIGHT-JET B52s CARRI£O OUT 10 MISSIONS IN THE MATES BY rORM£R VIC£ PflES'- ApOLLo.. 1 SPACECRArT WI lL BE 24_HOUR PERIOD ENDING LATE IN THE OAY SPOKESMEN SAID. THO STRUCK COMMUNIST ICI-IARD NIXON. TO ITS LAUNCH PAD LAT£ NEXT TROOP CONCENTRATIONS AND TRUCK PAR~S~ IN BINH LONG AND TAY NINH PROVINCE BOR­ INCLUSION Dr THt TWO ~ROMINENT OR e ... RLY IN THE rOLLOW'HG WEEK. DERING CAMBOOIA I~:::::~"or THE N£w YOR~ GOVt~NOfl AS THE 852S HAD BEEN POUNOING THE SAM£ ARG£TS THROUG~OUT nu: W[E"'END IN AREAS II NlXON cHOICES FOR THE GOP KNOWN TO BE ALONG PRIMARY INrllTRATION IDENTIAL NOMINATION WAS DIS- ROUTES rOR TROOPS ANO SUPPLIES HEADING CLOSED SY A CLOSt NIXON ASSOCIATE. Czech Fate Being Discussed THEflE WAS SOME SPECULATION THAT TOWAROS SAl GO/<!. U.S. NAVY orrlCULS ANNO UN CEO AT THE UNTIL REC£NTlY A rENCE StTT£R, SAME TIME THAT COUNTER-INr,LTRATION In Yillage Movie House HIMSELF" OUT or ANY CONa RIVER PATROLS NOW £~T£HO THE FULL FOR A PLACE ON A TICKET CZECHOSLOVAKIA {UPI)~-C2ECH AND SOVIET LEADERS MET IN A VILLAGE MOVIE HOUSE LENGTH or D£lTA WAT£RWAYS, FROM THE ., NIXON BY HIS REC£NT ENUORSE- TOOAY WITHIN A FEW HUNDRED YARDS or THE BOR~R BETWEEN THEIR COUNTR~[S TO DE­ CAMeOOI A.'I SORlIER TO THE SOUTH CHI H'" ROCKEFClLt:R, SE .... CIDE THE FATE or COMMUNISM IN CZECHOSLOVAKIA, ALSO A BACKER or THE GOVER­ THE POWERFUL RuSSIAN POLITBURO AND THtlR CZECH CHALLENGERS ARRIVED LATE THE U.S. NAVY "'NHauNCEO TH ... T A 1010- NOR, WAS SUPPOSED TO BE OUT or THC YESTERDAY IN SEPARATE TRAINS PARKED rACIN~ [ACH OTMER AND ABOUT 50 vARoS APART BILE RIVER PATROL BOAT 8ASE wAS NOW "lING SEC.USB HE AND NI~ON BOTH COME OP£RATING IN THE UPPER MEKONG AND IN FRONT OF THE LOW, TILE-ROOFED RAILWAY STATION. rROM N(W YORK. THE CONSTITUTION GARS TH[ CRUCIAL CONFERENCE TOOK PLAct IN A FRESHLY-PAINTED MOVIE HOUSE ACROSS PASS"'C RIVERS. THE BASE SERVES AS ... A STATE'S ELECTORAL VOTES rROM GOING FlO ... TING, MOVEAeLE SUPPORT F",CllITY THE STR£ET FROM THE STATION. POLICE AND A SECONDARY TO TWO ~ATIV£ SONS. rQR 31-rOOT rlSERGlASS PATROL 60ATS REPORT£RS W£RE KEPT AT B... Y BY "'''1 AND NAVY SEAWolr HEL I COPTER TEAMS. PERIMETER or SOLOIERS, LET ONLY VIL~ THE MoellE SASE HOLDS orn CES, AN lAGERS PASS. THEIR FARM TRACTORS AND to Pope's Decision ARMORY, COMM<ltlICATIOtiS CENTER, SicK CARTS WER£ SueJECT£D TO Close INSPEC­ SAY AND QUARTERS rOR 21 CREWMEN. IT TION. IS AIR-CONDITIONEO AND EVEN HAS A THE SOVI£T UKRAINIAN BORDER C.URVES TO WITHIN 200 YARDS OF T~E EASTERN EDGE From Condemnation to Obedie L",UNDRY. THE ENTIRE rAClllTY IS liD NEW YORK (UPI }-~POpc PAUL VI's RErVSAl To RELAX TH[ ROMAN CATHOLIC CHURCH'S BY 30 rE£T WITH TWO BARG£-LIK£ UNITS Or THE VILLAGE or 2,')00 P£RSONS, Rus. BAN ON ARTIFICIAL B'RTH CONTROL MET CONDEMNATION rROM FAMILY PLANNING ADVbw ON EACH SID£ MEASURltlG 90 BY 28 rE£T. SIA~ SDLDtERS AND VEHICLES WERE OIS­ THe ONLY SIGN,r'CANT GROUND ACTION P£RSED ALL THROUGH THE LOW BUSHE& ,THAT cATtS AND OBEDIENT ACCGPTANCE FROM MOST, CHURCH SPOKESMEN SAID TODAY. BUT IN WASHINGTON, D.E. 152 or r~E 320A.RCHDIOC[5ANPI'tIESTS ALREADY W[R£ ON R£PORTED TODAY WAS THE ATTACK BY A GROW IN CLUMPS ON THE SANDY SOIL B£YONO ReCORD AS OPPOSING A DIRECTIVE WHICII "olves NO ROOM FOft EITHeR PROBABL£ VI£T CO~G SUICIO£ SQUAO ON THE U.S. THE eOROER, ",,",,,,,1 AIRSASE AT Tuy ~OA, 235 MILES NORTH~ THE CZECk ",ND SOVIET TRAINS STOOD ::'::';::";':,TH£ PRACTIce OF CONTRACEPTION a. Tl-le RIGHT or CONSCIENCE SO CLEARLY IN THE DOCUMENTS or V... TICAN II," THUR ST ... TEMENT CAME LATE LAST EAST OF SAIGOI'I. ABOUT 50 YAROS "'PART, A RUSSIAN ARMY I IN RESPONSE TO PATRICK CARDINAL O'BOYLE's £NUNCIATION OF A STAND SIMILAR COMMUNIST COMMANOOS MANAGED TO BREAK SIGNAL UNIT S£T UP A PARAsOllC TRANS~ THE,POPE'S ENtYCL'CAL TODAY. RI CARDINAL CUSHINO OF BOSTON, A L£AOING INTG THt AIRBASE AND PLANT £XPLOSIVE MITTER NEXT TO THE RUSSIAN TRAIN, AP­ LIBERAL, SAID THE POPE'S CHARG£S .... HI CH DESTROYED TWO LOCKHEED­ PARENTLY TO S£NO MESSAG£S TO A S'MIL"'R PRO~ BUILT CI30 TRANSPORTS ANO DAMAGED SE~ RECEIVER ESTASLISHEO INSIDE THE RUSSIAN 'I::~~:;::~~::"~ ENDED AT lEAST TEMPORARILY TO LlaERALIZE TilE CHURCH VERAL OTHER PLANES. BORD£R. I OM BIRTH CONTROL. "ROMt HAS SPO· NINE or THE ... TTAcK£RS WERE Klll£O THE WINOOWS or THE TWO TRAINS W£R( HE SA10. "FOR THE TIME 8C1N(;; AT BY MiliTARY POLiCE GUARDS rlR'NG UHO£R FRAMED WITH WHIT£ CURTAINS, ANO WHITE~ LIGHT PROV,DED BY FLAMES rROM-:J;HE £X­ JACKETED STEWARDS SOM~TIMES COULD BE TI-IE CAUSE I S seTTLED." THE WORLD'S MOST CA­ PLODING PLANES. ONE AHERICAN WAS RE- SDM£ (UPI) __ JACK LIPPE CfllATOR 0' THC llPPES 'I A CENTER 0' '7:" ~"~'lI0P0t- PA"Ut. t$ ','irl:ct:;;'::::~ WOMeN ~EVltETHROUGHOUT US~D .vTHE PRONOUNCEMENT ON BIRTH CONTROL. 1'''''''0, SAID IN BurrALo, N.Y., HE DID ,"4''1!se':S:::;:::::i'~:I:;;:~i:::~I:~~~~r~T~'!RtST£D IN TH£ CROWD OF REPORTERS, THOSE WHO SUPPORT TH£ TRADITlON.L THE DECREE WOULD "MAKE ANY PHOTO~RAPHERS AND CAMERAMEN THAT GREW CONS£RVATlve HltRlflCHY OF THE SPAN'SH IN BIRTH CONTROL PROGRAMS Charged With Murder "'S THE SUN ClIH8ED TOWARDS THE ZENITH, CHURCH, M... INLY THE ~IDDlE~AGtD AND CURRENTLY UNDER WAY IN ... NUMBER or CROWDIN~ AROUND THEM AT TH£ POLlc£ LIN£ tLDERLY, AlREAOY INOleNANTlY CONTEND COUNTRIES. HE SAID "STEADY PROGRESS" CLEVELAND (UPI)~~CITY OFFICIALS SAID TO ADMIRE THtlR EQUIPM£NT ANO W£ST£RN THAT "ONLY A V£RY rEW CATHOLICS IN BEING HAO£ IN LIMITING BIRTHS IN TODAY THAT Ir M"'YOR CARL STOKES HAD CARS. CHilDREN W£RE BEGGING rOR CIGA- SPAIH PRACTICE BIRTH CONTROL. THE CATI-IOllC COUNTRIES 0' LATIN AM£RI OPO£RED WHITE POLICEMtN OUT OF THE VI~ ReTTes AND SWEETS YOUNGEfI SPANIARDS, WHO COUNT THEM­ DESPITE THE OPPOSITION REASSERTED SY OlENCE-TORN EAST SlOt AREA LAST WEEK, AT ON£ POINT, A BRAVE BAND or PHOTO­ S£LVES PART OF THE GROWING lleERAl THE POPE TODAY. THt orrltERS WOULO HAVE WALK£O INTO A GRAPH£RS ATTEMPT£O A FRONTAL ASSAULT WINO OF THE SPANISH CHURC~, CONT£HD BRITIAN'S fAMilY PLANI,IINo. Assoc'A­ "SLAUGHT£R " TI1ROuQH THE POI..I<;E I..INE:5 ON THI!: RAil­ THE PRACTICE IS WIDESPREAD IN SPAIN TION, THAT NATION'S MOST ACTIVE BIRTI-I POll CE CHI £r MI CHAt:L BLACKW£Ll SAID WAY STATION. THeY WERE STOPPEO AFT£R AND ACKNOWLEDGE THEY USE SOME FORM CONTROL AGENCY, SAID THE PAPAL ENCyc~ TH£R£ WAS EVIDENCE T"AT BLAcK NATIONw A r£w MeTERS, AND A C2Ec~ POLICE CAR OF CONTRACEPTION IN THtlR MARRIED OR LICAL "WILL BE A BLOW TO CATHOLICS ALL ALISTS WHO AMBUSHEO POLICE, TOUCHltlG HAULED TH£M BACK OUT, SUT GOOO-N ... TUR£D SINGL£ lIV£S. TI-I£ WORLD, ESPECIAllY THOSE WHO OFr A SAVAGE GUN B... TTLE THAT KILLtD 10 POLICE lET THEM KEtP THeiR CAMERAS IN MADRID ANO OTI-IER LARGE SPANISH HAVE THOUGHT THEIR~RCH wAs ABOUT PERSONS, HAD "TRIPOD MiliTARY TYP£ CITIES BIWTH CONTROL PILLS AND OTHER TO LlrT ITS BAN ON CONTRACEPTION." AN MACIiINE GUNS" 'NO WOULD HAVE USt:O THEM Soyiet Compromise FORMS Or CONTRACEPTIVES ARE sOUGHT ASSOclAnON STATEMENT PREDI CTED, "MANY HAO THE WHIT£ POLIC£M£N NOT BEEN OPENLY FROM ORUGGISTS, ALTHOUGH T£CH­ OUR CATHOLIC PATIE~TS WI~L BE DRAWN. NltALLY A D~CTOR'S PRESCRIPTION IS S£RIOUSLY TROUBL£O." ONLY HOVRS BEFORE BLACKWELL'S STATt· With Czechs Reported NEEDED. '''I STRONGLY CATHOLIC SPAIN, THE MEtlT, A SECOND NEGRO.~LATHAN DONALEI, AT lEAST A OOZ£B FOREIGN-MADE DECREE WAS GREETED wiTH A STAND~ WAS CHARGED TH£ rlRST DEGR~E MUROER IN MOSCOJ (UPI ) __ THE SOVltTS ARE R£ADY BRANDS OF" THE PILL ARt ON THE SPANISH INa OVATION BY SOME 200 CONSERVATIV£ CONNECTION WITH THE SNIPER DEATHS, TO COMPPOMISE TOOAY 'N ITS SHOW~OWN HARKET ANO MANU''''CTUflERS ESTIHATE CLERGY AND LAYMEN, ATTENDING A NEWS BlACKWCll SAID THAT POLICE """"T'I WITH CZECH COMMUNIST REFORMERS, EAST THAT AT LEAST THREE MILLION WOMEN IN tONrERENC[ HELD BY JOSE MARIA SANCHEZ SAW AT lEAST ONE MACHINE GUN AND THAT BLOC SOVRCES SAID.
Load more

Recommended publications
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • Little Theatre Society of Indiana
    LITTLE THEATRE SOCIETY OF INDIANA 1915-16 1919-20 1921-22 Polyxena Bernice Release A Killing Triangle Eugenically Speaking The Dragon The Glittering Gate Three Pills in a Bottle The Spring The Scheming Lieutenant Trespass A Nativity Play Dad The Angel Intrudes The Constant Lover A Christmas Miracle Play Trespass (2nd Production) Androcles & the Lion The Pretty Sabine Women The Shepherd in the Distance The Forest Ring Overtones The Star of Bethlehem Beyond the Horizon The Broken God Dierdre of the Sorrows Everyman Dad (2nd Production) The Jackdaw The Betrothal Cake At Steinberg’s Bushido Disarmament How He Lied to Her Husband A Woman’s Honor The Casino Gardens The Game of Chess Unspoken Children of the Moon The Kisses of Marjorie Moonshine Belinda Dawn Phoebe Louise Not According to Hoyle The Dark Lady of the Sonnets The Bank Robbery Mansions A Scrambled Romance Chicane The Dryad & the Deacon (silent film) The Groove Underneath A Shakespeare Revel Stingy 1922-23 Rococo The Trysting Place 1916-17 The Price of Coal A Civil War Pageant 1920-21 The Turtle Dove Night with Indiana Authors The Proposal Brothers Polly of Pogue’s Run In Hospital Two Dollars, Please! Laughing Gas Behind a Watteau Picture The Marriage Gown The Lost Silk Hat The Home of the Free Dad (3rd Production) The Farce of Pierre Patelin The Blind Sycamore Shadders Duty The Medicine Show Nocturne The Maker of Dreams Aria Da Capo Treason The Importance of Being Mary Broome Where Do We Go From Here? Earnest The Star of Bethlehem (2nd The Wish Fellow Lithuania Production) Father and the Boys Supressed Desires The Mollusc My Lady Make-Believe Cathleen Ni’Hoolihan Mary’s Lamb A Shakespeare Revel (2nd Spreading the News The Emperor Jones Production) The Rising of the Moon The Beauty Editor Sham 1923-24 1917-18 The Confession March Hares (No records survive) The Lotion of Love The Bountiful Lady The Wren 1918-19 The Doctor of Lonesome Folk A Pageant of Sunshine Why Marry? and Shadow Hidden Spirits The Murderer (a.k.a.
    [Show full text]
  • Jane Fonda Rétrospective 22 Octobre - 5 Novembre
    JANE FONDA RÉTROSPECTIVE 22 OCTOBRE - 5 NOVEMBRE Un événement Women in Motion Avec le soutien de KERING et du Festival de Cannes Barbarella 64 L’ICÔNE ICONOCLASTE À la fois au cœur de Hollywood et contre un système hollywoodien qui a cher- ché à contrôler son image, star et anti star en même temps, Jane Fonda n’a JANE FONDA cessé de s’affranchir. Elle est assurément, hier comme aujourd’hui, une icône politique et cinématographique. Après avoir reçu le Prix Lumière à Lyon, Jane Fonda honorera La Cinémathèque française de sa présence. Chacun a en soi une image de Jane Fonda, la pin-up, la femme engagée ou encore la reine du fitness. Elle est tout à la fois et sa longue carrière épouse ses changements physiques et intellectuels. Jane Fonda, c’est l’histoire d’une libé- ration : se libérer de l’ombre du père, Henry Fonda, de l’image qu’on lui impose et qu’elle s’impose, de l’influence de ses hommes. C’est aussi l’histoire d’une révélation : celle de la force motrice des engagements politiques et féministes PROGRAMMATION qui vont de pair avec une révélation de sa féminité. Jane Fonda, d’un corps agité devient un corps agissant. TRANSFORMATIONS Bien qu’enfant de la balle, Jane Fonda ne se destine pas à devenir actrice. Elle prend des cours avec Lee Strasberg pour quitter sa famille et se finance en deve- nant mannequin. Alors que la Méthode la pousse à explorer son intériorité, elle est d’abord une cover-girl et la Warner s’empresse de la transformer : maquil- lage épais, cheveux teints en blond, poitrine rembourrée (« Je ne me suis pas reconnue », dira-t-elle dans Sois belle et tais-toi), on lui conseille même de se faire arracher des dents et de casser sa mâchoire.
    [Show full text]
  • 1 JANE FONDA to RECEIVE 42ND AFI LIFE ACHIEVEMENT AWARD America's Highest Honor for a Career in Film to Be Presented June 5, 2
    JANE FONDA TO RECEIVE 42ND AFI LIFE ACHIEVEMENT AWARD America’s Highest Honor for a Career in Film to be Presented June 5, 2014 Tribute will Air on TNT and Turner Classic Movies in June 2014 FOR IMMEDIATE RELEASE, LOS ANGELES, CA, October 5, 2013 – Sir Howard Stringer, Chair of the American Film Institute’s Board of Trustees, announced today the Board’s decision to honor Jane Fonda with the 42nd AFI Life Achievement Award, the highest honor for a career in film. The award will be presented to Fonda at a gala tribute on June 5, 2014 in Los Angeles, CA. The 42nd AFI Life Achievement Award tribute special will return for its second year on TNT when it airs in June 2014, followed by encores on sister network Turner Classic Movies (TCM). “Jane Fonda is American film royalty,” said Stringer. “A bright light first introduced to the world as the daughter of Henry Fonda, the world watched as she found her own voice and forged her own path as an actor and a cultural icon. Today she stands tall among the giants of American film, and it is AFI's honor to present Jane Fonda with its 42nd Life Achievement Award.” The Academy Award®-winning actor of KLUTE (1971) and COMING HOME (1978), Fonda has starred in more than 40 films since her screen debut. Spanning decades, her diverse career features celebrated comedies – including CAT BALLOU (1965) and 9 TO 5 (1980) – as well as powerful dramatic performances such as THEY SHOOT HORSES, DON’T THEY? (1969), JULIA (1977), THE CHINA SYNDROME (1979), THE MORNING AFTER (1986) and ON GOLDEN POND (1981) – in which she starred with her father, Henry Fonda, the AFI Life Achievement Award recipient in 1978.
    [Show full text]
  • Chardon, Geauga County, Ohio
    IIARDON PUBLIC LIBRARY CR. CHARDON, OHIO The GEAUGA RECORD $1.0# per Year Locally — $1 00 per Year in Ohio , M.itt<r Chardon 1’ottoffice $4.00 per Year Outside Ohio CHARDON THURSDAY, JULY 5, 1962 OUR 111th YEA! NUMBER 27 Chardon Man Wins $7,216.00 To Show Holsteins at Burton July 14th YOU CAN AFFORD ! Award From Thomp son Plant urged to attend also. BURTON — A Black and Working with Mr. Timmons THAT NEW HOME White Show will be held in who is also chairman of the conjunction with the Tri­ Black and White Show’ are County Holstein Club annual Vernon Howard of Bainbirge. picnic on July 14 at the Bur­ Robert Thomas of Newbury, ton Fairgrounds. 'Die Geauga Ignatius Cavanagh of Auburn County Holstein club will be and Howard McNish of Bur­ :s ’S 11 I host to the group of Holstein ton. More information regard­ • ■■ <*4 breeders from Ashtabula, ing the Show and picnic may Trumbull and Geauga Counti­ also be had from the Geauga es and their families accord­ Club’s officers: Fred Hering ing to Sterling Timmons of of Burton, Stanley Smith of Auburn president. A picnic Parkman and Earl Miller of’ dinner will be served at noon Troy. with teach family bringing a dish to pass and table service. • ' The Geauga Club will furnish milk, coffee and ice cream. 139 Take A Black and White Show' will be included in the day’s YOU’LL BE SURPRISED what a new home can do to make activities beginning with Chest X-Ray three classes for registered your living happier and healthier.
    [Show full text]
  • Citizen Jane America According to Fonda
    presents CITIZEN JANE AMERICA ACCORDING TO FONDA A 52’ film by Florence Platarets Produced by AGAT FILMS ET CIE and ARTE France LOGLINE Few icons embody the myths and reveal the contradictions of their country as much as Jane Fonda. Heiress of the Hollywood star system, darling of French auteur cinema, Oscar winner, politically-engaged producer, feminist, queen of aerobics, activist, and formidable businesswoman: In one lifetime, Fonda has reconciled the many faces of America without ever losing her integrity. Through her story, this film retraces a social and political history, and paints a portrait of a typically American phenomenon. SYNOPSIS Over Jane Fonda’s face and body, a series of photographs are superimposed which may seem incoherent or irreconcilable in a single life: The pretty face of Henry Fonda’s daughter on American screens in the 1950s gives way to the sex bomb of Barbarella, quickly superseded by the extreme-left activist who, with a change of hairstyle and bra, showed the world an ardent politician and feminist. But only a few years later, Jane’s breasts get the silicone treatment and this 40-year-old woman is worshipping a different cult – that of the body and eternal youth. In the collective unconsciousness, the image of Fonda in her leotard and big hair replaces that of Hanoi Jane smiling on a Vietnamese anti-aircraft gun and the double Oscar-winning actress. Her long absence from screens from 1990-2005 fixed the image of an active and dynamic woman, who turned the battle against ageing into an aerobic routine. Her return to both the large and small screen since 2005 has done little to change things: At 70, then 80, Jane Fonda has embraced her role as woman, playing the mature mother or mother- in-law, accepting both her wrinkles and her face-lifts.
    [Show full text]
  • Motion Picture Lobby Cards, 1913-1999
    http://oac.cdlib.org/findaid/ark:/13030/kt700021m7 No online items Motion Picture Lobby Cards, 1913-1999 Finding aid prepared by UCLA Library Special Collections Staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] © 2004 The Regents of the University of California. All rights reserved. Motion Picture Lobby Cards, PASC 65 1 1913-1999 Title: Motion picture lobby cards Collection number: PASC 65 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 55.5 linear ft.(111 boxes) Date (inclusive): 1913-1999 Abstract: The collection consists of primarily of American motion picture lobby cards dating from 1913 to ca 1980s. Language of Materials: Materials are in English. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Preferred Citation [Identification of item], Motion Picture Lobby Cards (Collection PASC 65).
    [Show full text]
  • Identifying Classic Films by the TV Numbers Data of a Survey Spanning 2018-2020
    Identifying Classic Films by the TV Numbers Data of a Survey Spanning 2018-2020 Each entry below consists of the name of a film, the year of its release, an abbreviation of the network(s) that presented it, and the number of its overall presentations. Networks and their respective abbreviations are: American Movie Classics (AMC) Paramount Television Network (PARA) BBC America (BBCA) Showtime (SHOW) FREE (FREE) STARZ (STARZ) FX Movie Channel (FXM) SYFY (SYFY) Home Box Office (HBO) Turner Broadcasting System (TBS) IFC (IFC) THIS TV (THIS) MOVIES! TV Network (MOVIES) TNT (TNT) Ovation TV (OVA) Turner Classic Movies (TCM) 1989 150 Films 4,958 Presentations 33,1 Average A Deadly Silence (1989) MOVIES 1 A Dry White Season (1989) TCM 4 A Nightmare on Elm Street 5: The Dream Child (1989) SYFY 7 All Dogs Go to Heaven (1989) THIS 7 Always (1989) STARZ 69 American Ninja 3: Blood Hunt (1989) STARZ 2 An Innocent Man (1989) HBO 5 Back to the Future Part II (1989) MAX/STARZ/SHOW/SYFY 272 Batman (1989) SYFY/TNT/AMC/IFC 24 Best of the Best (1989) STARZ 16 Bill & Ted’s Excellent Adventure (1989) STARZ 140 Black Rain (1989) SHOW/MOVIES/MAX 85 Blind Fury (1989) THIS 15 1 [email protected] Born on the Fourth of July (1989) MAX/BBCA/OVA/STARZ/HBO 201 Breaking In (1989) THIS 5 Brewster’s Millions (1989) STARZ 2 Bridge to Silence (1989) THIS 9 Cabin Fever (1989) MAX 2 Casualties of War (1989) SHOW 3 Chances Are (1989) MOVIES 9 Chattahoochi (1989) THIS 9 Cheetah (1989) TCM 1 Cinema Paradise (1989) MAX 3 Coal Miner’s Daughter (1989) STARZ 1 Collision
    [Show full text]
  • Rodgers-Hammersteins-South-Pacific
    ® PHILADELPHIA, PENNSYLVANIA PLAYBILL.COM PLAYBILLVAULT.COM PLAYBILLVAULT.COM 09-06 SouthPacific_LIVE.indd 1 8/22/16 4:00 PM Dear Theatregoer, Welcome to the Walnut! We owe our success to the continued support of loyal theatregoers like you. Thank you for making the Walnut not only the most popular theatre in Philadelphia, but also the most subscribed theatre company in the world! I’m thrilled that you’ve joined us for Broadway’s most “enchanted evening!” Tonight we’ll travel to the South Pacific for wonderfully romantic stories filled with tremendous music written by Richard Rodgers and Oscar Hammerstein II. The Tony Award-winning score is filled with so much heart; it’s easy to fall in love all over again! I hope that you enjoy this American classic as much as I do. I invite you to join us this holiday season as we head to a land full of munchkins, witches and “lions and tigers and bears, oh my!” I’m delighted to share with you and your family one of the most spectacular productions we’ve ever staged, The Wizard of Oz! Next we’ll have one of Neil Simon’s funniest plays, Laughter on the 23rd Photo: Mark Garvin Floor, followed by Oscar Wilde’s classic comedy The Importance of Being Earnest. We’ll end our season in our “Boogie Shoes” dancing to hits from the Bee Gees with Saturday Night Fever. Upstairs, our Independence Studio on 3 season is filled with thrilling mysteries, delightful musicals and our annual National Touring production, seen first by you, our faithful Philadelphia audience.
    [Show full text]
  • Collection of Motion Picture Lobby Cards, 1913
    http://oac.cdlib.org/findaid/ark:/13030/kt700021m7 No online items Finding Aid for the Collection of Motion Picture Lobby Cards, 1913- Processed by Arts Special Collections Staff; machine-readable finding aid created by Cheryl E. Clayton and Caroline Cubé University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm © 2004 The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 65 1 Motion Picture Lobby Cards, 1913- Finding Aid for the Collection of Motion Picture Lobby Cards, 1913- Collection number: 65 Note This online finding aid is not edited. (Check this website for updates.) The complete, edited paper copy of the finding aid, with container list, is available at the UCLA Performing Arts Special Collections for in-house consultation and may be obtained for a fee. See Contact Information below. UCLA Library, Performing Arts Special Collections Los Angeles, CA Processed by: UCLA Library, Performing Arts Special Collections staff Encoded by: Cheryl E. Clayton and Caroline Cubé © 2004 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Collection of Motion Picture Lobby Cards, Date (inclusive): 1913- Collection number: 65 Extent: 110 boxes Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Abstract: The collection consists of primarily of American motion picture lobby cardsdating from 1913 to ca 1980s.
    [Show full text]
  • Joshua Logan Papers
    Joshua Logan Papers A Finding Aid to the Collection in the Library of Congress Prepared by Donna Ellis with the assistance of Brian McGuire, Susie Moody, and Andrew Passett Manuscript Division, Library of Congress Washington, D.C. 1994 Contact information: http://lcweb.loc.gov/rr/mss/address.html Finding aid encoded by Library of Congress Manuscript Division, 1997 Finding aid URL: http://hdl.loc.gov/loc.mss/eadmss.ms997002 Latest revision: 2009 July Collection Summary Title: Joshua Logan Papers Span Dates: 1723-1992 Bulk Dates: (bulk 1940-1980) ID No.: MSS80138 Creator: Logan, Joshua Extent: 44,650 items; 184 containers plus 37 oversize; 88 linear feet Language: Collection material in English Repository: Manuscript Division, Library of Congress, Washington, D.C. Abstract: Correspondence, family papers, business and financial papers, production files, writings, publicity material, clippings, scrapbooks, and other papers documenting Joshua Logan's career as producer, director, and author of theatrical, musical, and motion picture productions, chiefly from 1940 to 1980. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. Personal Names Arthur, Zinn--Correspondence. Berlin, Irving, 1888-1989--Correspondence. Cerf, Bennett, 1898-1971--Correspondence. Hammerstein, Oscar, 1895-1960--Correspondence. Hayward, Leland, 1902-1971--Correspondence. Inge, William--Correspondence. Logan, Joshua. Logan, Nedda Harrigan--Correspondence. Martin, Mary, 1913-1990--Correspondence. Michener, James A. (James Albert), 1907-1997--Correspondence. Mielziner, Jo, 1901-1976--Correspondence. Noble, Sue Nabors--Correspondence. Rodgers, Richard, 1902-1979--Correspondence.
    [Show full text]