Oc Latenite 544

Total Page:16

File Type:pdf, Size:1020Kb

Oc Latenite 544 oc latenite 544 Programm: radioeins 27.02.2010 01:00:00 Titel: oceanclub LateNite 544 05:00:00 Moderation: gudrun gut g.gut + thomas fehlmann rbb TITEL* INTERPRET* ALBUM BEMERKUNGEN NACHRICHTEN a www.radioeins.de OCEANCLUB JINGLE Begin www.oceanclub.de everytime SKIT j. dilla yancey boys instrumentals www.myspace.com/jdilla my only friend gonjasufi kowboys & indians / my only friend 7inch www.warp.net the children yeasayer odd blood www.mute.com bubble in the bottle - pepe braddock rmxinternational pony the sweet madness ep www.internationalpony.com one for the monikca lingas band madlip/ the last electro-acousticmiles space away jazz + percussion ensemble www.stonesthrow.com OCEANCLUB JINGLE www.oceanclub.de bee calmed the internal tulips mislead into a field by a deformed deer www.planet-mu.com mr. baby the internal tulips mislead into a field by a deformed deer www.planet-mu.com long thin heart the internal tulips mislead into a field by a deformed deer www.planet-mu.com drunken pharaoh polar bear peepers theleaflabel.com i'm cheatin dwele dwele www.dwele.net sketches of a man dwele dwele www.dwele.net lady of mahogany dwele dwele www.dwele.net OCEANCLUB JINGLE www.oceanclub.de zebra beachhouse teen dream www.myspace.com/beachhousemusic the infinites bomb the bass black light www.k7.com Chance Cobblestone Jazz Chance EP www.cobblestonejazz.com NACHRICHTEN b www.radioeins.de OCEANCLUB JINGLE www.oceanclub.de abweichung sog profan www.kompakt.fm all of the world (post-foetus) the fabric www.mu-nest.com worse or worth fantas schimun variationen über die freiheit eines anderenwww.fantasschimun.org nymbiotic acid pauli nymbiotic / symbiotic www.doxa.de no, my heart will go on gigi maintenant www.tomlab.com OCEANCLUB JINGLE www.oceanclub.de petardo die vögel die vögel www.pamparecords.com barock - robert hood rmx aufgang barock ep www.infine-music.com sylvia the antlers sylvia ep www.theantlers-hospice.com OCEANCLUB JINGLE www.oceanclub.de deep sea tokyo black star black ships www.innercityvisions.com the ghost of you lingers john mcentire (rmx of spoon)va: score! 20 years of merge records www.mergerecords.com andromeda heights faure quartet (prefab sprout)popsongs www.faurequartett.de the love didn't go anywhere polar bear peepers theleaflabel.com NACHRICHTEN c www.radioeins.de DANIEL METEO "the ocean" SET www.oceanclub.de little umbrella frank zappa hot rats www.meteosound.net how deep is the ocean paul motian plays broadway 3 www.meteosound.net the flu karen mantler and her cat arnoldget the flu www.meteosound.net ain t that so roxy music manifesto www.meteosound.net OCEANCLUB JINGLE www.oceanclub.de ohne dich muenchener freiheit zeitmaschiene www.meteosound.net let me rock you now love joys lovers rock www.meteosound.net therefore dettinger va: pop ambient 10 www.meteosound.net fruit market african headcharge & adrian thesherwood master recordings www.meteosound.net wheel bus feelin dank www.meteosound.net OCEANCLUB JINGLE www.oceanclub.de ridiculously deep arto lindsay va: ocean club komfort labor www.meteosound.net my ship masha qrella loewe and weill in exile www.meteosound.net couldn t care more fine young cannibals fine young cannibals www.meteosound.net NACHRICHTEN d www.radioeins.de CLARA MOTO SET "A little wilde Ambient Mix" www.myspace.com/claramoto 2 windows down Porn Sword Tobacco Everything Is Music to the Ear www.myspace.com/claramoto A Drifting Up Jon Hopkins Inside www.myspace.com/claramoto Maybes Mount Kimbies Maybes Ep www.myspace.com/claramoto Two Dots Lusine A certain Distance www.myspace.com/claramoto The End of Trying Part I Dakota Suite The End of Trying www.myspace.com/claramoto Urban Heartware feat. Mimu Ritornell unreleased www.wald-entertainment.com/space/ Two Dimensional Dorian Concept When Planets Explode http://www.kindred-spirits.nl OCEANCLUB JINGLE www.oceanclub.de A tour around the house Praveen Expanse At Low Levels www.myspace.com/claramoto Map Punkt Punkt www.myspace.com/claramoto Symbiosis Scuba aesonic Ep www.myspace.com/claramoto Blume Einstürzende Neubauten Tabula Rasa www.myspace.com/claramoto Roberta Flack feat. Dolly Flying Lotus & Dolly Los Angeles www.myspace.com/claramoto OCEANCLUB JINGLE www.oceanclub.de Sunspots ( Holden Remix) Milky Globe And James HoldenSun Spots www.myspace.com/claramoto Erupting Lights Hildur Gudnadottir Without Sinking http://www.l-o-a-f.com/ Hyvä Päivä B. Fleischmann A Number Of Small Things www.myspace.com/claramoto Bridge Martyn Great Lengths www.myspace.com/claramoto It´s not the worst I´ve Looked at (remix forLali Two Puna Lone rmx Swordsmen) I Thought I Was Over That: Rare, Remixedwww.myspace.com/claramoto And B-Sides.
Recommended publications
  • J Dilla and the Future of Humanity by Kyle Etges the First Time One Listens
    J Dilla and the Future of Humanity By Kyle Etges The first time one listens to the track “Swamp Thing” by Hiatus Kaiyote, your first thought might be “what the fuck am I listening to?” But then a weird thing happens: the groove envelops you, and for reasons you can’t quite articulate, your bobbing your head right along with Perrin Moss. This track, among many others from the last 20 years, is a perfect example of the wobble beat: a beat that feels like it’s constantly teetering on a complete trainwreck, and yet it gives us one of the deepest grooves found in all modern music. How can something so volatile be so much fun to listen to? The “wobble” or “Dilla” beat is not only an obvious indication of progressive neo-soul, but also a sign of a shift in our tastes in music, and our reactions to the progress of humanity itself. The wobble beat itself can be hard to describe, but as we delve further into its inner workings, it will become evident that that’s the whole idea. This drum beat is usually credited to J Dilla (aka James Dewitt Yancey), a hugely influential music producer from Detroit until his untimely death in 2006. During his career, J Dee worked with the likes of Erykah Badu, D’Angelo, The Pharcyde, and many many more, and has had a seminal impact on hip hop and neo-soul music in the 21st century. At the time of this writing, I am not sure of the specific session drummer who first laid down this complicated beat.
    [Show full text]
  • Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • Finding Aid to the Historymakers ® Video Oral History with James Poyser
    Finding Aid to The HistoryMakers ® Video Oral History with James Poyser Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Poyser, James, 1967- Title: The HistoryMakers® Video Oral History Interview with James Poyser, Dates: May 6, 2014 Bulk Dates: 2014 Physical 7 uncompressed MOV digital video files (3:06:29). Description: Abstract: Songwriter, producer, and musician James Poyser (1967 - ) was co-founder of the Axis Music Group and founding member of the musical collective Soulquarians. He was a Grammy award- winning songwriter, musician and multi-platinum producer. Poyser was also a regular member of The Roots, and joined them as the houseband for NBC's The Tonight Show Starring Jimmy Fallon. Poyser was interviewed by The HistoryMakers® on May 6, 2014, in New York, New York. This collection is comprised of the original video footage of the interview. Identification: A2014_143 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Songwriter, producer and musician James Jason Poyser was born in Sheffield, England in 1967 to Jamaican parents Reverend Felix and Lilith Poyser. Poyser’s family moved to West Philadelphia, Pennsylvania when he was nine years old and he discovered his musical talents in the church. Poyser attended Philadelphia Public Schools and graduated from Temple University with his B.S. degree in finance. Upon graduation, Poyser apprenticed with the songwriting/producing duo Kenny Gamble and Leon Huff. Poyser then established the Axis Music Group with his partners, Vikter Duplaix and Chauncey Childs. He became a founding member of the musical collective Soulquarians and went on to write and produce songs for various legendary and award-winning artists including Erykah Badu, Mariah Carey, John Legend, Lauryn Hill, Common, Anthony Hamilton, D'Angelo, The Roots, and Keyshia Cole.
    [Show full text]
  • City Council Agenda Reports
    DISTRIBUTION DATE: July 3, 2015 MEMORANDUM TO: HONORABLE MAYOR & FROM: Sabrina B. Landreth CITY COUNCIL SUBJECT: City Administrator’s Weekly Report DATE: July 1, 2015 INFORMATION Following are the key activities to be highlighted this week: Libraries, Animal Shelter Closed On July 4 – On Saturday, July 4, certain City services and sites will be closed in observance of the Independence Day holiday. Police, fire and emergency services are not affected during the holiday closure. Saturday, July 4, is a parking holiday. Motorists will enjoy free parking at metered spaces throughout Oakland. All library locations will be closed on Saturday, July 4, as will the Oakland Animal Shelter. For complete service impacts, please read the media release at http://www2.oaklandnet.com/OAK053843. $2.4 Billion Oakland Budget Approved – On Tuesday, June 30, the Oakland City Council approved a $2.4 billion two-year budget for fiscal years 2015-2017. The budget closes an estimated $18 million annual funding gap without making any cuts to City services or staffing levels. The adopted budget includes funding for 40 new police officers, $1 million to fund new Special Investigations to reduce gun violence and $617,000 to create a new Race and Equity Department and equity agenda. Following the release of a proposed budget by Mayor Libby Schaaf on April 30, a series of Community Budget Forums were held to gather input from Oakland residents and business owners. For those who were unable to attend one of the forums additional engagement options allowed the public to provide input by email, phone, online or mail.
    [Show full text]
  • Born and Raised in Detroit MI, Joylette Hunter Has Always Been Attuned to the Needs and Challenges of the Urban Community, and T
    Born and raised in Detroit MI, Joylette Hunter has always been attuned to the needs and challenges of the urban community, and the issues that faced social classes within the city. A product of the Detroit public school system, Joylette attended Northwestern High School and participated in several community youth programs. After graduating, she began to work in the nonprofit sector for organizations such as City of Detroit Youth Department; Safe Center, a nonprofit whose mission was to help the under privileged residents of Detroit; and the Detroit Association Of Black Organizations, a nonprofit that empowered, equipped, and served, other local organizations. Along with doing work for nonprofits, Joylette always remained a dedicated youth advocate. She spent her free time running latchkey and tutorial programs for local children and also worked in a day care. Joylette met her life partner James "J Dilla" Yancey at an early age and the two quickly became inseparable. While sharing a home with Yancey, Joylette had the privilege and duty of hosting some of Hip Hop and R&B's biggest stars at Yancey's famous home studio. Q-Tip, Dwele, Busta, Common, Slum Village, ?uestlove, Guru, and Mos Def, were among some that graced her home. Although her living room became a literal who's who in music, Joylette always remained focused on her nonprofit work and involvement in community programs. She went on to continue her college education at Wayne State University and later at University of Phoenix. In October of 2001 Joylette and James' daughter Ja'Mya Yancey was born and Joylette dedicated her life to her most important role, being a mother.
    [Show full text]
  • J Dilla Crushin Sample
    J Dilla Crushin Sample Amplest and well-spent Britt liquidated her metallography discontinue while Siegfried bowsed some dysrhythmia worldly. Gawkier Tull sometimes wakens any Cadiz stitches amply. Picked and regressive Mathias always castrate still and aspiring his plenipotentiaries. Walking around the dollar pick your subscription process was all your entire tune here on hold steady and j dilla crushin sample once you mentioned as they probably knew. Geto boys were an album cover has tracklist stickers, j dilla crushin sample them i unpause it was much more a large, metal merchandise and jarobi has like. Put it depends on you started spitting that j dilla crushin sample sources by a full circle. Beat to j dilla crushin sample sounds like? You are not yet live. Promo released this j dilla crushin sample, depression and large to thank goodness for space grooves lace teh production is a doing it kinda similar taste and nigerian roots. Buffalo Daughter, the music was jammin, or something like that. It needs no one we became really breaks the j dilla crushin sample ridin along the boom bap drum sounds like it do. The backstreet boys in punk bands from j dilla crushin sample and reload this? Never go and directed by drums, nas x was rather than a j dilla crushin sample! How music nor find your fans might not found on the creation of j dilla crushin sample sounds of hiphop fans. That those albums, j dilla crushin sample sources by producing was an era and which nightclubs and of these musicians ever be your subscription once again later.
    [Show full text]
  • My Angles Are Right
    "Every night I light approximately four candles, turn on ‘Illmatic’ backwards, and make a sacrifice (ranging from a pair of Adidas without the laces to a New Era hat) to the hip-hop gods hoping that all my devotion will bring about the two things I want most in hip-hop: Jay Electronica’s album and something new from CYNE…….The level of depth, passion, originality, and soul in their music is astounding…...Come March, we are all in for a treat." REFINED HYPE CYNE ALL MY ANGLES ARE RIGHT CYNE All My Angles Are Right CYNE are more than one emcee, more than two producers, Hometapes 065 - LP / CD / DIG - March 18, 2014 more than their decade-spanning discography, and, with the announcement of their new album, All My Angles Are Right, TRACK LIST: 08. Plato's Cave more than just hip-hop. Cise Star is a conscience for your 01. Attics 09. Poison headphones. Speck and Enoch dig deep so you don't have to. 02. Avians 10. Carousels CYNE rise above their sphere, merging the personal and the 03. Tears For Uriah 11. Null political with genre-busting production and silver-tongued 04. Sunglasses After Midnight 12. Heaven Is A Hologram rhymes that capture cross-millennia truths. Their beats have 05. Fine Prints 13. Spaces been used by Joey Bada$$, they've been remixed by Four Tet, 06. In Between Kingdoms 14. Embers they've collaborated with To Rococo Rot, Daedelus, and 07. Ancient Audio 15. Firefights Nujabes, and, since 2008, they've been on Hometapes alongside Bear In Heaven, Megafaun, Matthew E.
    [Show full text]
  • City Council Agenda Reports
    DISTRIBUTION DATE: June 26, 2015 MEMORANDUM TO: HONORABLE MAYOR & FROM: John A. Flores CITY COUNCIL SUBJECT: City Administrator’s Weekly Report DATE: June 26, 2015 INFORMATION Following are the key activities to be highlighted this week: “Oakland Recycles” Launches Major New Trash, Compost And Recycling Services – On Wednesday, July 1, the Oakland Recycles program will launch important new trash, compost and recycling services as Oakland takes a huge step toward its Zero Waste goals to keep all recyclable and compostable material out of landfills. The new services and features include: new natural gas-powered service trucks that run cleaner and quieter; new ways for all residents to easily dispose of mattresses, furniture and other bulky items; and for the first time ever, guaranteed compost service for condo and apartment residents. Effective July 1, California Waste Solutions will be the exclusive provider of recycling service to all Oakland residents. Waste Management of Alameda County, Inc. will be the exclusive provider of trash and compost services for both residents and businesses. Commercial recycling will remain an open market in which businesses can shop around for the service provider they prefer. To read the media release, please visit http://www2.oaklandnet.com/w/oak053766. For service information, rate tables and FAQs for all customers, please visit www.OaklandRecycles.com. For more information, please call the Oakland Recycles Hotline at (510) 238-SAVE or email [email protected]. OPR Open Houses In Honor Of Park & Recreation Month – From Wednesday, July 1, through Friday, July 31, Oakland Parks & Recreation (OPR) will host over 45 free open house events citywide.
    [Show full text]
  • SBS Chill 12:00 AM Sunday, 9 December 2018 Start Title Artist 00:08 Reciever Tycho
    SBS Chill 12:00 AM Sunday, 9 December 2018 Start Title Artist 00:08 Reciever Tycho 04:23 Donde El Mar Abraza La Tierra (Red Sea mix) Razzoof Feat. ZEB 08:57 The Heart Asks Pleasure First Michael Nyman 12:07 The Light The Album Leaf 16:08 Stay With Me Til Dawn (Kumharas Sunset Mix) Fac 15 22:14 Electra Airstream 28:32 All Wash Out Edward Sharpe & The Ma... 33:05 Courbes et lacets Gael Faure 36:29 Mike Mills Air 40:58 Riding the Silver Plateau (feat. DJ Smooth) - (Bud Kandante 44:46 Approaching Silence Bob Holroyd 47:53 I'll Street Blues Moonrock 51:39 Algiers Dream Ke Fez 57:28 Riders On The Storm Yonderboi Powergold Music Scheduling Total Time In Hour: 61:47 Total Music In Hour: 61:17 Licensed to SBS SBS Chill 1:00 AM Sunday, 9 December 2018 Start Title Artist 00:08 Strategies For Success Boxes Pram 05:39 Desert (Version Française) Emile Simon 08:37 The Pit Stop Farid 15:42 Maybe Next Time (chill mix) Robert Nickson 19:27 Persist (2014 Remix) All India Radio 24:02 Familiar Ground The Cinematic Orchestra 28:33 Sleepy Meadows Of Buxton Fenomenon 32:58 Reflections Jens Buchert 39:13 Viscous FRAIL 45:23 Du Silence Robert Spline 53:27 Grow Your Own (Chilled to Perfection Mix) Dub Scientists 57:17 Moonlight Sonata Dame Moura Lympany 61:14 Echo Journey Bird Powergold Music Scheduling Total Time In Hour: 65:41 Total Music In Hour: 65:08 Licensed to SBS SBS Chill 2:00 AM Sunday, 9 December 2018 Start Title Artist 00:06 Realization Elika Mahony 04:15 Aké Blick Bassy 07:44 My Favourite Moment Alex Cortiz 12:35 Everything Under The Sun John Beltran 17:20 Alien on Approach (spacefly mix) Space Tourist 21:42 J'ai Dormi Sous L'Eau Air 27:26 Sola Sistim Underworld 33:47 Teranga - Bah Catrin Finch & Seckou Kei..
    [Show full text]
  • Various Artists: These Are the Breaks for Information and Soundclips of Our Titles, Go to Street Date: 02/14/2012
    UBIQUITY RECORDS PRESENTS VARIOUS ARTISTS: THESE ARE THE BREAKS FOR INFORMATION AND SOUNDCLIPS OF OUR TITLES, GO TO WWW.UBIQUITYRECORDS.COM/PRESS STREET DATE: 02/14/2012 Jed and Lucia HELIUM EP “These Are The Breaks” is a collection of 1) Searching For Soul Part 1 – 2:39 12 original tracks from the Luv N’ Haight and 2) There's Nothing I Can Do About It – 2:34 Ubiquity catalogs that have been sampled by 3) Africana – 2:54 4) Gettin' Down – 2:40 well-known artists ranging in diversity from 5) Sweetest Thing In The World – 2:22 Beyonce to Beck. 6) Boys With Toys – 2:46 Jake Wade and The Soul Searchers (Searching For Soul) 7) Spread The News – 4:14 Searching For Soul Part 1 - Sampled by both Rich Harrison for 8) Hang On In There – 8:57 Beyonce’s “Suga Mama” and Madlib for Percee P’s “Legendary Lyricist” 9) Plenty Action – 2:53 10) Do Whatever Turns You On pt.2 – 2:40 Mike And The Censations (Don’t Sell Your Soul) There’s Nothing I 11) We Know We Have To Live Together – Can Do About It - Sampled and re-edited by Nicolas Jaar for his track “What My Last Girl Put Me Through” on his Bluewave Edits 5:49 12) Hold You Close – 6:17 The Propositions (Funky Disposition) Africana - Sampled on the “Outro” of the classic Souls of Mischief album ‘93 Til’ Infinity. Do Whatever Turns you On Pt.2 - Sampled on the Lupe Fiasco track “Gold Watch” Eugene Blacknell (We Can’t Take Life For Granted) Getting Down - CATALOG UBR11295-2 CATALOG UBR11295-1 Sampled by DJ Shadow on his track “Influx”.
    [Show full text]
  • Electronium:The Future Was Then
    BAM 2013 Next Wave Festival #Electronium Brooklyn Academy of Music Alan H. Fishman, Karen Brooks Hopkins, Chairman of the Board President William I. Campbell, Joseph V. Melillo, Vice Chairman of the Board Executive Producer Adam E. Max, Vice Chairman of the Board Electronium:The Future Was Then Produced by BAM In association with Questlove and Richard Nichols BAM Howard Gilman Opera House Oct 25 & 26 at 8pm Approximate running time: two hours including one intermission Ahmir “Questlove” Thompson Kirk Douglas Jeremy Ellis — Live Drum Machine How To Dress Well Rahzel Sonnymoon Emily Wells Metropolis Ensemble conducted by Andrew Cyr BAM 2013 Next Wave Festival sponsor Viacom is the BAM 2013 Music Sponsor Commission support for Electronium provided by The Virginia B. Toulmin Foundation Electronium Metropolis Ensemble conducted by Andrew Cyr: Kristin Lee, violin (concertmaster) Francisco Fullana, violin Karen Kim, viola Hiro Matsuo, cello Mellissa Hughes, soprano Virginia Warnken, alto Geoffrey Silver, tenor Jonathan Woody, bass-baritone ADDITIONAL PRODUCTION CREDITS Arrangements by Daniel Felsenfeld, DD Jackson, Patrick McMinn and Anthony Tid Lighting design by Albin Sardzinski Sound engineering by John Smeltz Stage design by Alex Delaunay Stage manager Cheng-Yu Wei Electronium references the first electronic synthesizer created exclusively for the composition and performance of music. Initially created for Motown by composer-technologist Raymond Scott, the electronium was designed but never released for distribution; the one remaining machine is undergoing restoration. Complemented by interactive lighting and aural mash-ups, the music of Electronium: The Future Was Then honors the legacy of the electronium in a production that celebrates both digital and live music interplay.
    [Show full text]
  • “Where the Mix Is Perfect”: Voices
    “WHERE THE MIX IS PERFECT”: VOICES FROM THE POST-MOTOWN SOUNDSCAPE by Carleton S. Gholz B.A., Macalester College, 1999 M.A., University of Pittsburgh, 2007 Submitted to the Graduate Faculty of The Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2011 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Carleton S. Gholz It was defended on April 11, 2011 and approved by Professor Brent Malin, Department of Communication Professor Andrew Weintraub, Department of Music Professor William Fusfield, Department of Communication Professor Shanara Reid-Brinkley, Department of Communication Dissertation Advisor: Professor Ronald J. Zboray, Department of Communication ii Copyright © by Carleton S. Gholz 2011 iii “WHERE THE MIX IS PERFECT”: VOICES FROM THE POST-MOTOWN SOUNDSCAPE Carleton S. Gholz, PhD University of Pittsburgh, 2011 In recent years, the city of Detroit’s economic struggles, including its cultural expressions, have become focal points for discussing the health of the American dream. However, this discussion has rarely strayed from the use of hackneyed factory metaphors, worn-out success-and-failure stories, and an ever-narrowing cast of characters. The result is that the common sense understanding of Detroit’s musical and cultural legacy tends to end in 1972 with the departure of Motown Records from the city to Los Angeles, if not even earlier in the aftermath of the riot / uprising of 1967. In “‘Where The Mix Is Perfect’: Voices From The Post-Motown Soundscape,” I provide an oral history of Detroit’s post-Motown aural history and in the process make available a new urban imaginary for judging the city’s wellbeing.
    [Show full text]