Kick-Start Your Great Idea

Total Page:16

File Type:pdf, Size:1020Kb

Kick-Start Your Great Idea February 2020 Kick-start your great idea Ka Pai Carterton will kick o 2020 with KA PAI SOUP – a people will pitch the ideas, businesses or projects they aim to realise microgranting community dinner to be held on Thursday February in Carterton. The audience can ask questions and then vote on which 13 at the Carterton Events Centre. idea appeals the most. The winner will receive the pot of money (all Aimed at supporting and promoting community projects and proceeds from ticket sales) to further their idea or project. small business in Carterton, the evening social event will see the Ka Pai Carterton will raise the stakes by adding $500 cash to the audience receive soup, bread and one vote for $10. Around ve pot for the inaugural event too! Aside from a fun night out, other communities that have hosted SOUP events have beneted from new initiatives starting up and increased support of local business in their community. The event will be held at the Carterton Events Centre Foyer on Thursday February 13 from 6 pm. Tickets are $10. Bring cash as it goes straight into the winner’s pot. All welcome. Do you have an idea or a small business that would benet from community awareness and funding? Ka Pai Carterton are calling for people who want to pitch their ideas in 5-6 minutes in a fun and low tech manner. Email hello@kapaicarterton for more info, or nd out more at kapaicarterton.nz/events/SOUP including info on how to create an engaging pitch. Cimone of Ka Pai Carterton stirs the pot. Family * Education * Fun! “We educate while we care, and care while we educate” Two Wonderful Centres Littlies Preschool 31 Augustus Street, Carterton 190 Belvedere Road, Carterton Phone: 06 379 7699 Phone: 06 379 7590 Open: 7.45am–5.00pm Open: 8.00am–5.00pm Specialist Early Childhood Centre Specialist Early Childhood Centre for Children aged 0–3 years for Children aged 3–5 years 100% Trained Registered Teachers * Excellent Ratios * Owned by two Carterton families Editorial numbers have grown from 12 to 45. The team covers the urban area of Carterton. Lamb-Peters Print deals with rural deliveries. Through our growing database and the CDC noticeboard, we keep in touch with the community twice a month. Getting to know you Go Carterton hosts us online: (Type Carterton Crier into Google to Although I am stepping down, the Crier will continue in the read our back copies.) competent hands of Paul Dykes and hopefully others. See article p4. In my rst editorial I wrote that our focus would be on the not- We started in November 2015 with a database gleaned from an for-prot community. We’ve pretty much stuck to that. The exception Information Centre brochure. Playcentre was our rst responder. We has been community-minded businesses. We have never been short put them on the front page and chewed our ngernails as articles of copy and we have met hundreds of amazing people. As far as we slowly trickled in. (Now they come as a deluge.) know the Crier is in every house (but one) in Carterton – from the We – Bek Farr, Minty Hunter, cartoonist John Stevenson, Don Farr mountains to the sea. and I – decided to work as volunteers. Minty’s Melbourne-based Thanks for the rich and fullling experience, Carterton. It’s been a father, Michael, joined us as proof reader. Lamb-Peters Print in privilege to get to know you! Greytown agreed to layout and print the Crier, co-ordinate and sell Jan Farr, Editor the advertisements as they were already doing with the Greytown Grapevine. Since then the number of pages has increased from 20 to 32, the ads and articles have more than doubled in number and our free What’s On column has gone from spacious to cramped. The database provided Don with a team of deliverers whose Contact us Editorial: [email protected] Deliveries: [email protected] 027 406 2694 Advertisements: [email protected] 022 362 6342 Deadline, March issue: 5 pm Saturday February 25. Story word- limit, strictly 300, letters 200. Delivered by Thursday, March 12. We’re online at www.cartertonnz.com/crier kindly hosted by CDBI (Carterton District Business Initiative). Cartertonians at Aratoi Carterton has a notable presence at the museum these days. Over the holidays, the museum hosted a solo show of Matarawa In December, Carterton’s Rebekah Farr received the Jane Hyder artist Rhondda Greig. For many viewers, the centrepiece was Self Portrait Award ($1,000) at the Wairarapa Art Review. Selector Karl Portrait – a large, two-panelled painting on linen featuring all Chitham remarked on the painting titled Self [Acceptance] Portrait: the addresses where Rhondda has ever lived, in exquisite script: “This self-portrait was both visually engaging and haunting at Invercargill, Christchurch, Okahukura, Scotland, Carterton... the same time. The assured brush strokes and careful multiplane From February 14, it’s Carterton artist Paul Melser: One Hundred arrangement demonstrated a condent hand and sophisticated Plates showcases 100 plates. “For me,” says Paul, “making hundreds understanding of picture making.” (The People’s Choice Award will of the supposedly same thing over the last 50 years has always be announced 16 February, 2 pm – be sure to vote!) been entrancing and engaging because each pot ends up being individual.” Paul started making pots when he was about 10. He built his own kiln at about age 15, carrying 50 kilo bags of clay down or up 50 steps, about 100 metres along a path, then up a four-metre ladder. He moved to his present location at 659 Norfolk Road in 1974. “I have always been interested in the fact that domestic-ware has the same curious ratio of similarities and dierences as people have. Both are essentially the same at the early stage of their genesis but are then shaped by the circumstances of their environment.” Meet Paul Melser at Aratoi: Exhibition Opening, 14 February, from 5.30pm. Aratoi invites the public to a Pottery Studio Visit, 15 February, 11am-1pm, at 659 Norfolk Road, Masterton. See www.aratoi.org.nz Madeleine Slavick Paul Melser. Photo Adam West Watson Rā’s kōrero Future-proofing Places of the Crier This is the nal Crier to be edited and produced by Jan Farr, who is connection exiting stage left after four years of diligent and dutiful editorship. While the Hurunui-o-Rangi marae Jan’s departure creates a huge hole in the volunteer group that trustees were condent that the papakainga works the magic that enables each issue to reach your hands. What’s housing would warm the marae, we under- more, her husband Don is relinquishing his role as distribution Ra Smith. estimated the connection we would have manager. Their move away from the constant demands of magazine Photo Masterton with the wider community. For example, in production is extremely well earned, with the pair being responsible District Council. our Māori language class guided by Aunty for elevating the Crier into the valuable community voice it is today. Paremo, from Te Hauora. Now others are This leaves the Crier at the crossroads. No editor, no distribution learning te Reo. Councillor Rob Stockley holds He kawhe me te Reo manager – and no Little Red Hen in sight. Does Carterton have at Page 42 Café and Gelato on Saturdays at 10 am. the people with the right skills to keep the Crier going? Does the Another place I had the privilege of hearing te reo Māori was at community want it to continue? the South End School prize-giving. I am acting as editor to see that the March issue comes out, but we Looking at the Carterton community from a Ka Pai Carterton will need new volunteer blood to take on the role long term, and ll the viewpoint I know that the connection our marae is experiencing can role of distribution manager. These two roles can be shared amongst be done throughout Carterton. Hurunui-o-Rangi was happy to host many, with guest editors taking the responsibility for one monthly issue. a Gladstone Community group this month that is capably led by Kat Likewise, we can share the distribution management load. Wildy. The guest editors will have control over the theme and focus of the We became aware of the untimely death of a stalwart of the front few pages of their issue, while all the usual community news will community, John Wardell. This loss was expressed in tears and ll the rest of the magazine. Don’t be scared to put your name forward. concern for John’s family. My poupou lived on the same stretch of Guidance and support will be provided. We think our guest editors road as his family. One day Mr Wardell came to me with a photo of my could come from community business organisations, schools, art and Poupou and Nanny amongst other members of our whanau taken at cultural groups, youth groups… Surprise us! his shearing shed. The Wardell name is associated with a bridge and If we take this route and share the load, the Crier will prosper. The Mr Wardell led a connecting life. Now Carterton, Gladstone, Te Whiti other pathways open to us do not look as promising. Help us to advance and Hurunui-o-Rangi are places of connection. the Crier. Volunteer your support by emailing us at [email protected] Rā Smith Paul Dykes Happy to Chat See you outside the old Post Office The Happy to Chat bench was launched at the Carterton Street Party on January 26.
Recommended publications
  • Our Wellington 1 April-15 June 2021
    Your free guide to Tō Tātou Pōneke life in the capital Our Wellington 1 April — 15 June 2021 Rārangi upoku Contents Acting now to deliver a city fit for the future 3 14 29 Kia ora koutou An important focus for the 2021 LTP is on Did you know you can… Planning for our future Autumn gardening tips This year will be shaped by the 2021 Long-Term infrastructure – renewing old pipes, ongoing Our contact details and Spotlight on the From the Botanic Garden Plan (LTP) and as such, is set to be a year of investment in resilient water and wastewater supply, and on a long-term solution to treat the helpful hints Long-Term Plan important, long-lasting, city-shaping decisions. 31 Every three years we review our LTP sludge by-product from sewage treatment. 5 16 Ngā huihuinga o te with a community engagement programme All this is expensive, and we’ve been Wā tākaro | Playtime Tō tātou hāpori | Our Kaunihera, ngā komiti me that sets the city-wide direction for the next working hard to balance what needs to be done with affordability. Low-cost whānau-friendly community ngā poari ā-hapori 10 years. It outlines what we will be investing in, how much it may cost, and how this will Your input into the LTP and planning for activities The life of a park ranger Council, committee and be funded. It provides guidance on how we Te Ngākau Civic Square, Let’s Get Wellington community board meetings 6 18 will make Wellington an even better place Moving and Climate Change will be critical in helping balance priorities and developing Pitopito kōrero | News Ngā mahi whakangahau 32 to live, work, play and visit as we go into the future.
    [Show full text]
  • Massey University Council
    MASSEY UNIVERSITY COUNCIL A meeting of Massey University Council will be held in the Quad A Board Room, Level 2, Quad A Building, Albany Campus on Friday 4 May 2012 commencing at 11.00am AGENDA- PART I Official Information Act 1982 and Local Government Official Information and Meetings Act 1987 Massey University (including its Council) is subject to the Official Information Act 1982. This means that if a specific request for disclosure is made, information that it holds must be disclosed unless non-disclosure can be justified in the terms of the Official Information Act 1982. Matters that are included in Part II and most matters in the Finance Section of Council (or Committee) meetings are protected from disclosure under the Official Information Act 1982. That is, non-disclosure of information relating to such matters can usually be justified in terms of the Official Information Act 1982. Therefore, care should be taken to ensure that papers relating to Part II or Finance Section matters are not seen outside Council (or its relevant Committee) and that such matters are not mentioned outside Council (or its relevant Committee). All requests (whether written or oral) by any person who is not a Council member for information included under Part II or the Finance Section of Council (or Committee) meetings and requests for the minutes of those parts of Council (or Committee) meetings must be referred immediately to the Registrar for decision on disclosure or otherwise. Individual members are advised not to disclose Part II or Finance Section
    [Show full text]
  • Wayne Youle Cv
    WAYNE YOULE CV EDUCATION 1999, BDes, Wellington Polytechnic School of Design SELECTED SOLO EXHIBITIONS 2016 BAD HAIR, Suite Gallery, Wellington The best stories ever (retold), Suite Gallery, Wellington 2015 9:54 – 3:49, solo exhibition, Sydney Contemporary, Sydney New Works, Suite Gallery, Wellington 2014 VACANCIES, Suite Gallery, Wellington ALONE TIME, 241 Chambers, Christchurch Maiden Voyage, Suite Gallery, Wellington 2013 You be fact and I’ll be fiction, Suite gallery, Wellington Fingers Crossed, Hirschfeld and Deane gallery, City Gallery, Wellington 2012 PLENTYMORE, The National, Christchurch New Works, Suite Gallery, Wellington 2011 “PLENTY”, Tim Melville Gallery, Auckland “?!”… :) ”, SUITE Gallery, Cuba Street, Wellington “One step forward, One step back” (Rita Angus Residency Work), SUITE Gallery, Newtown, Wellington 2010 “It’s the Simple Things”, SUITE Gallery, Wellington “SOAR”, Nadene Milne Gallery, Arrowtown “Take the 6”, Chamber Gallery, Rangiora 2009 “10 DOWN”, Solo Exhibition, Pataka Museum of Art & Culture, Porirua “A darker kind of light heartedness”, Suite gallery, Wellington “VANITAS”, Nadene Milne Gallery, Arrowtown “TOKEN”, Tim Melville Gallery, Auckland 2008 “Boy’s Own”, Tim Melville Gallery, Auckland “TALL TALES”, Tim Melville Gallery, Auckland 2007 “SHOOT&POINT”, Tim Melville Gallery, Auckland “Kaleidoscopic Tendencies”, 64zero3 gallery, Christchurch 2006 “The Pseudo Collaboration Show”, FHE Galleries, Auckland “Mama’s boy”, 64zero3 gallery, Christchurch WAYNE YOULE CV “Drawings 2000 -2006”, 64zero3 gallery, Christchurch
    [Show full text]
  • A Guide to Wellington Architecture
    1908 Tramways Building 1928 Evening Post Building 1942 Former State Insurance 1979 Freyburg Building 1987 Leadenhall House 1999 Summit Apartments 1 Thorndon Quay 82 Willis St Office Building 2 Aitken St 234 Wakefield St 182 Molesworth St 143 Lambton Quay Futuna Chapel John Campbell 100 William Fielding 36 MOW under Peter Sheppard Craig Craig Moller 188 Jasmax 86 5 Gummer & Ford 60 Hoogerbrug & Scott Architects by completion date by completion date 92 6 St Mary’s Church 1909 Harbour Board Shed 21 1928 Former Public Toilets 1987 Museum Hotel 2000 VUW Adam Art Gallery Frederick de Jersey Clere 1911 St Mary’s Church 2002 Karori Swimming Pool 1863 Spinks Cottage 28 Waterloo Quay (converted to restaurant) 1947 City Council Building 1979 Willis St Village 90 Cable St Kelburn Campus 170 Karori Rd 22 Donald St 176 Willis St James Marchbanks 110 Kent & Cambridge Terraces 101 Wakefield St 142-148 Willis St Geoff Richards 187 Athfield Architects 8 Karori Shopping Centre Frederick de Jersey Clere 6 Hunt Davis Tennent 7 William Spinks 27 City Engineer’s Department 199 Fearn Page & Haughton 177 Roger Walker 30 King & Dawson 4 1909 Public Trust Building 1987 VUW Murphy Building 2000 Westpac Trust Stadium 1960 Futuna Chapel 2005 Karori Library 1866 Old St Paul's Church 131-135 Lambton Quay 1928 Kirkcaldie & Stains 1947 Dixon St Flats 1980 Court of Appeal & Overbridge 147 Waterloo Quay 62 Friend St 247 Karori Rd 34-42 Mulgrave St John Campbell 116 Refurbishments 134 Dixon St cnr Molesworth & Aitken Sts Kelburn Campus Warren & Mahoney Hoogerbrug Warren
    [Show full text]
  • Updated 18/12/18 School Visit Essential Information
    School Visit Essential Information and RAMS Risk Assessment Management System Part of Principal Funder Civic Square, 101 Wakefield Street Wellington 6140, New Zealand T: +64 4 913 9029 E: [email protected] citygallery.org.nz City Gallery Wellington’s Education Service is supported by the Ministry of Education’s LEOTC fund. Updated 18/12/18 School Visit Essential Information Before your visit On the day of your visit Check the booking details and read the Arrival RAMS information Please arrive a few minutes before the start of Please notify gallery educators if any booking your programme to allow time for students to use details change around student numbers, access bathrooms, take a roll call, switch phones to silent, or learning needs. etc. If you’d like to have a quick snack outside the Gallery before your programme, please factor this into your arrival time. Public toilets are available Organise adult supervision in Civic Square if you arrive before the Gallery’s We recommend the following adult to student 10am opening time. If you are running late, please ratio for the visit: call to notify us. 1:5 years 0-3 1:8 years 4-8 1:15 years 9-10 Sign in 1:30 years 12-13 Make a note of your student numbers in the school’s register at reception. A gallery educator Please inform adult helpers about gallery rules will meet you there, provide a box for any bags, (below) and ensure they are aware that they may and give a safety briefing to the group at the need to play an active role in the visit particularly beginning of the programme.
    [Show full text]
  • Art Is Magick
    Dane Mitchell Non-Verbal Gestures 1–4 2015 and Celestial Fields 2012, in Occulture, City Gallery Wellington, 2017. Yin-Ju Chen Liquidation Maps 2014, in Occulture, City Gallery Wellington, 2017. Jason Greig The Strange Case of Dr Jekyll and Mr Hyde 2010 and Simon Cuming Untitled 2010, in Occulture, City Gallery Wellington, 2017. Mikala Dwyer Balancing Spell for a Corner (Aleister and Rosaleen) 2017, in Occulture, City Gallery Wellington, 2017. THE TERM ‘occult’ does not deserve its bad holistic, spiritual pathways). Thomson & reputation. It simply means that which is Craighead satirise this condition with their hidden or concealed—like when the light work in this exhibition, Apocalypse (2016)— cast by a star is blocked by an object passing a luxury perfume made from the olfactory in front of it, known in astronomy as ‘stellar materials listed in the Book of Revelation. occultation’. It’s our projection onto what What was once sacred, blasphemous, or happens in this state of darkness that grants countercultural is now commodified and such phenomena portentous possibilities, marketed back to us. Kenneth Anger’s recent as well as the hubristic assumption that release of bomber jackets emblazoned with humanity observes this darkness from the logo from his film Lucifer Rising (1970– OF THE the correct vantage point. Throughout 81)—replicas of the one worn by its titular history, occult beliefs and practices have character—plays into this new condition. been shunned, banned, and driven (or have This is countercultural occult merchandise driven themselves) underground. Yet, certain reissued for the occultural moment. This is DEVIL’S PARTY: moments have welcomed their alternative occulture.
    [Show full text]
  • EXPERIENCE WELLINGTON 2021-22 STATEMENT of INTENT Presented to Wellington City Council Pursuant to Section 64 of the Local Government Act 2002
    EXPERIENCE WELLINGTON 2021-22 STATEMENT OF INTENT Presented to Wellington City Council pursuant to Section 64 of the Local Government Act 2002 CONTENTS Ngā wāhanga o roto CONTENTS Ngā wāhanga o roto ..................................................................................... 2 INTRODUCTION He Whakatakinga................................................................................. 3 OUR INTENT IN 2021-22 Tā Mātou Whāinga ki 2021-22 ............................................... 4 COUNCIL’S EXPECTATIONS He Kawatau ō Te Kaunihera ................................................ 9 OPERATING ENVIRONMENT UPDATE Te Taiao Laianei ................................................ 14 PERFORMANCE MEASUREMENT Paearu Mahi ............................................................. 15 BOARD’S APPROACH TO GOVERNANCE Ta Poari Rapunga Whakaaro ......................... 20 COUNCIL RELATIONSHIP PRINCIPLES He Mātāpono ..................................................... 21 MANAGEMENT, ORGANISATIONAL HEALTH, CAPABILITY AND RISK ASSESSMENT Te Ora o Wheako Pōneke .............................................................................................. 22 APPENDIX 1: FORECAST FINANCIAL STATEMENTS Āpitihanga 1: He Matapae Mō Ngā Tauāki Pūtea .......................................................... 24 APPENDIX 2: ACCOUNTING POLICIES Āpitihanga 2: Nga Ture Kaute ........................... 28 APPENDIX 3: COUNCIL LETTER OF EXPECTATION Āpitihanga 3: He Pānui o Kawatau ō Te Kaunihera .......................................................
    [Show full text]
  • Magnet Cities in New Zealand
    MAGNET CITIES IN NEW ZEALAND AUCKLAND / WELLINGTON / CHRISTCHURCH SUMMARY & FINDINGS EXECUTIVE SUMMARY Cities are one of the There are now 400 cities of one million Haynes, an economist and government fundamental building blocks people competing for the best ‘extremely advisor from the UK visited New mobile’ talent and growth companies Zealand in June and again in October of a prosperous country AUCKLAND to drive national economies. These 400 this year. During her visit she and it is time to take them cities are direct competitors for Auckland, conducted workshops with city seriously. A city with a strong Wellington and Christchurch. Putting officials and other stakeholders in magnetic pull draws in this in a global context, the future of Auckland, Wellington and Christchurch geographic competition will be between to help recognise ways to approach new residents, visitors and 500 large cities which will control 80% of beneficial change. global financial activity. business investment. They Her key insights from each of the WELLINGTON are brimming with innovative KPMG’s Caroline Haynes and Vanessa major cities are that: Christchurch ideas, have attractive Forshaw have developed a framework for has the opportunity to become infrastructure and a buzzing thinking about cities and how to draw in technology testbed city, using 'smart CHRISTCHURCH people who will make the city prosper. city' infrastructure; Wellington can culture. These cities attract a They identified nine cities around the leverage the expertise in the public specific group of educated, world who have switched their magnetic sector on a global basis; and Auckland ambitious and energetic pull and now attract young wealth can encourage new business growth young people, coined young creators.
    [Show full text]
  • LITERATURE and DATA REVIEW 11 June 2021
    WLG RED WELLINGTON REGIONAL ECONOMIC DEVELOPMENT PHASE 1: LITERATURE AND DATA REVIEW 11 June 2021 NOT FOR DISTRIBUTION Page 1 Introduction Purpose of this Report This report brings together, rationalises and prioritises relevant and assessing and understanding the current position of RED across available information relating to Regional Economic Development (RED) in Wellington. It is a summary of the key findings of the information the Wellington Region at this time. It is designed to provide Wellington NZ identified and can be utilised as an extensive information platform from and Greater Wellington Regional Council a fulsome overview of the which key stakeholders can be engaged by WellingonNZ and Greater available literature and data such as RED-related plans, frameworks, Wellington in its task of generating a Regional Economic Development strategies and other important data and documentation prior to the Strategy. creation of a Regional Economic Development Strategy for the wider Wellington Region that reflects and builds on the thinking and planning Identified Limitations that has been completed across the region to date. The literature is a combination of what is publicly available and The primary purpose of this document is to highlight the major themes, available through Wellington NZ and Greater Wellington. priorities and focus areas across the Greater Wellington region (regionally, It will be important when engaging stakeholders to ensure that and by TLA) as well as potential conflicts/challenges, potential information this resource is used mindfully and as a live resource. When gaps and to identifying key information relevant to central government provided this is a snapshot which has assessed what available priorities and local Māori/iwi.
    [Show full text]
  • Museums Policy
    Museums Policy 1 Introduction Wellington has good museums. In the last four years the sector has grown with the establishment of Te Papa, the Museum of Wellington City & Sea, and the development of smaller community and specialist museums. Wellington City Council plays an active role in the museums sector. Its key relationships can be summarised as follows: ! Te Papa receives sponsorship support from the Council. ! The Museums Trust receives funding from Council. The Trust manages the Museum of Wellington, City & Sea; the City Gallery; the Colonial Cottage; Capital E; the Cable Car Museum; and the Plimmers Ark Gallery. ! The Katherine Mansfield Birthplace and the Carter Observatory receive grants from the Council. Community proposals for new museums also occur frequently and there are important community based museum initiatives in the city. These sometimes involve a Council response concerning finance, advocacy, facilitation or other forms of assistance. 1.1 Why have a Museums Policy? The Local Government Act 1974 gives Councils the power to establish facilities and services which “provide for the recreation, amusement and instruction of the public”. The activities of museums would clearly fit within this provision. However, the scope of Council involvement, the relationship with regional and private initiatives and criteria for responding to requests for support in this area all require a policy framework. 1.2 What Does This Policy Aim to Achieve? This policy sets the direction for the Council’s involvement in museums services and provides a framework for its continued contribution to museums in Wellington. This policy may assist the Council in its roles with museums as funder, advocate and facilitator.
    [Show full text]
  • Dads Embracing School Life
    Police find Pupil cycles forgotten 1600km for treasures P3 playground P6 WellingtonianThe Thursday, December 1, 2016 thewellingtonian.co.nz Members of the Lyall Bay Dads Group manning the barbecue at the free fair event. From right: Sloane McPhee, Darrell Doig, Dan Perry and Steve Boggs. EMMA DUNLOP-BENNETT Dads embracing school life RUBY MACANDREW school mums ‘‘seemed to know lish a club and host fortnightly ment of all the people in the com- and Chait said he fielded several each other and be quite well- get-togethers. munity - dads included. We inquiries from other dads keen to A community event has helped connected’’, but the same couldn’t ‘‘It’s about getting the dads wanted to tap into that and join join the group and help out the shine a light on the hard work a be said for the dads. involved and connected to learn the dots really.’’ school. group of dads from Lyall Bay ‘‘There were very few dads more about who your neighbours The group had since expanded ‘‘This is not a fundraiser or School has been doing to be more around the school and the ones are and through that become their offerings, including the way to make money – our involved. that did come were all heads more involved in the school.’’ establishment of a touch team motivations in doing this are only After 18 months the ranks of down, drop their kids off and go. From the initial meeting, inter- with 16 members. to bring our local community the Lyall Bay Dads Club have ‘‘It occurred to us that a lot of est in the collective snowballed, An example of the way the closer together.’’ been growing exponentially, and the dads didn’t get to do drop-offs which Chait said was a testament group gets involved is the large- For now, Chait planned to keep they have become a mainstay in that often and the ones that did to the need for dads to be scale fair they recently organised the group’s membership exclus- the school community.
    [Show full text]
  • Denny Dimin Gallery
    DENNY DIMIN GALLERY ANN SHELTON CURRICULUM VITAE (SHE/HER/HERS) Lives in Wellington, New Zealand Born 1967 Timaru, New Zealand EDUCATION 2001 Master of Fine Arts from the University of British Columbia, Vancouver, Canada 1995 Bachelor of Fine Arts, Elam School of Fine Arts, University of Auckland, Auckland, New Zealand SOLO EXHIBITIONS 2021 an invitation to dance, PHOTO 2021, Melbourne, Australia A Lovers’ Herbal, Denny Dimin Gallery, online 2019 close to the wind, Two Rooms, Auckland, New Zealand jane says, Denny Dimin Gallery, New York, NY 2018 The Missionaries, Two Rooms, Aukland, New Zealand 2017 Dark Matter, Christchurch Art Gallery, Te Puna o Waiwhetu, Christchurch, New Zealand 2016 Dark Matter, Auckland Art Gallery Toi o Tamaki, Auckland, New Zealand 2015 house work, Enjoy Feminisms, off-site project, Enjoy Public Art Gallery, Wellington, New Zealand 2014 two words for black, Trish Clark Gallery, Auckland, New Zealand in a forest, SASA Gallery, University of South Australia, Adelaide, Australia 2013 the city of gold and lead, Sarjeant Gallery Te Whare o Rehua, Whanganui, New Zealand doublethink, off-site project, Govett- Brewster Art Gallery, New Plymouth, New Zealand 2012–13 in a forest, Australian Centre for Photography, Sydney, Australia 2012 the index case, McNamara Gallery, Whanganui, New Zealand in a forest, The Dowse Art Museum, Lower Hutt, New Zealand a library to scale, New Zealand Pavilion, Frankfurt Book Fair, Frankfurt, Germany 2011 in a forest, Temporary Show Space, London Lane, London, England in a forest, Starkwhite,
    [Show full text]