Poetry of the American West
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American Poetry in the Face of Violence
SCARS AMERICAN POETRY IN THE FACE OF VIOLENCE EDITED BY CYNTHIA DUBIN EDELBERG THE UNIVERSITY OF ALABAMA PRESS TUSCALOOSA AND LONDON CONTENTS PREFACE xiii ACKNOWLEDGMENTS xiv I. DOMESTIC VIOLENCE ALBERT GOLDBARTH Of Ontology 2 HARVEY SHAPIRO How Many Times 3 JANICE MIRIKITANI Autumn Comes 4 BRUCE WEIGL For the Wife Beater's Wife .. 5 JANICE MIRIKITANI Healthy Choices 6 RACHEL BLAU DUPLESSIS Medusa 8 JANICE MIRIKITANI Without Tongue 13 AMYCLAMPITT Meridian 14 ROBERT WRIGLEY The Creche 15 MAXINE KUMIN Leisure 16 Self-fulfilling Prophecy 16 ALICIA OSTRIKER The Boys, The Broomhandle, The Retarded Girl 17 SHARON OLDS Leaving the Island 18 VII GERALD STERN The Bull Roarer 19 MARK RUDMAN from Bottles 22 RITA DOVE Taking in Wash 24 ALICIA OSTRIKER The Leaf Pile 25 TOI DERRICOTTE Poem for My Father 27 DIANE WAKOSKI Wind Secrets 29 TOI DERRICOTTE My Father Still Sleeping After Surgery 30 PAMALA KAROL [LA LOCA] Crib Death 31 from The Mayan 34 TOI DERRICOTTE Abuse 38 CHARLES WRIGHT What I remember is fire, orange fire from Bloodlines 39 ELIZABETH McKIM Taking the Name 40 BRUCE WEIGL The Impossible 41 The Man Who Made Me Love Him 41 II. VIOLENCE AND RACE JAMES WELCH The Man From Washington 44 from Blackfeet, Blood and Piegan Hunters 44 Plea To Those Who Matter 44 VIII ADRIAN C. LOUIS Sunset at Pine Ridge Agency 45 Fullblood Girl on a Blue "Horse 46 Pabst Blue Ribbon at Wounded Knee 48 JOY HARJO For Anna Mae Pictou Aquash 49 LESLIE MARMON SILKO The Fourth World 50 YUSEF KOMUNYAKAA New Amsterdam 59 HENRY JOHNSON The Middle Passage 60 RITA DOVE Someone's Blood 62 YUSEF KOMUNYAKAA Modern Medea 63 History Lessons 63 MICHAEL WARR We Are All The Black Boy 65 Cabrini Gulag 65 WILLIAM LOGAN Seductions of the Swimming Club 66 ETHERIDGE KNIGHT A Fable 67 HAKI R. -
Literary Miscellany
Literary Miscellany Including Recent Acquisitions, Manuscripts & Letters, Presentation & Association Copies, Art & Illustrated Works, Film-Related Material, Etcetera. Catalogue 349 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. -
Citizen Concerns Heard at Second Interchange Plan Meeting
8 — THE BAKER COUNTY PRESS FRIDAY, APRIL 10, 2015 Local Citizen concerns heard at Poet laureate second interchange plan meeting to visit library By Gina K. Swartz On Saturday, May 16, 2015 Oregon’s Poet Laureate Pe- [email protected] ter Sears will be doing a special reading at Baker County Public Library. The event takes place from 6:00 to 7:00 Matt Hughart and Nick p.m. in the Riverside Meeting Room. Foster from Kittleson and Peter Sears is an award winning and nationally recog- Associates, consultants nized poet. He is a graduate of Yale University and the hired by ODOT, facilitated Iowa Writers workshop. He was appointed Oregon’s sev- a second public meeting enth Poet Laureate in April 2014. Some of the previous Tuesday regarding the Laureates include Edwin Markham, Ben Hur Lampman, Interchange Area Manage- and Ethel Romig Fuller. He has written four full length ment Plan (IAMP). The poetry books titled Small Talk, The Brink, Green River, meeting was conducted in and Luge. Sears’ poems have been featured in major the fellowship hall of the publications like The New York Times, Rolling Stone, Nazarene church located at and Poetry Northwest. He currently teaches in the Pacific 1250 Hughes Lane. University low-residency MFA department. Sears’ poetry The first meeting was collection, “The Brink,” was named one of Oregon’s 150 held January 29 at City best books by the Oregon State Library. Hall in the City Council During his two-year term as Poet Laureate, Sears is Chambers. Hughart and committed to fostering the art of poetry and encourag- Foster took from that first ing literacy and learning across the state of Oregon. -
81003893.Pdf
Kobe University Repository : Kernel タイトル An Analysis of Racial Solidarity in Lawson Inada’s Jazz Poetry Title 著者 Yoshioka, Yuka Author(s) 掲載誌・巻号・ページ 21世紀倫理創成研究,5:72-86 Citation 刊行日 2012-03 Issue date 資源タイプ Departmental Bulletin Paper / 紀要論文 Resource Type 版区分 publisher Resource Version 権利 Rights DOI JaLCDOI 10.24546/81003893 URL http://www.lib.kobe-u.ac.jp/handle_kernel/81003893 PDF issue: 2021-10-02 An Analysis of Racial Solidarity in Lawson Inada’s Jazz Poetry Yuka Yoshioka Introduction In this paper, I will discuss Asian American poetry reading with music. My goal in this paper is to solve a question: how did Asian American poets articulate their ethnicity through their poetry reading? Japanese American poets Lawson Fusao Inada (1938-) creates jazz poetry, which are devoted to the theme of his experience of Japanese American internment. Therefore, I will describe the historical racial issue in America through an examination of Lawson Fusao Inada’s poetry reading about a concentration camp, with an emphasis on the racial solidarity evoked by jazz music. Investigating jazz, which is created by non-African minorities, may lead to solving the complexity of multiculturalism in America. I. Lawson Fusao Inada and his Works Lawson Fusao Inada, a third-generation (sansei) Japanese American, was born on May 26, 1938 in Fresno, California. Inada’s family was living in the west side of Fresno which had a “racially mixed working-class community.”(Huang, 145) The place Inada and his family lived is divided by a railway from the white in the east and the minorities in the west. -
Many Voices Press Flathead Valley Community College Table of Contents
New Poets of the American West -An anthology of poets from eleven Western states- Uni Gottingen 230 r to 2, ft 341 Many Voices Press Flathead Valley Community College Table of Contents Editor's Note: "In This Spirit I Gathered These Poems" by Lowell Jaeger 1 Introduction: "Many Voices, Many Wests" by Brady Harrison 7 Arizona Dick Bakken Going into Moonlight 20 Sherwin Bitsui (excerpted from: Flood Song) 21 Jefferson Carter Match Race 22 A Centaur 22 Virgil Chabre Wyoming Miners 23 David Chorlton Everyday Opera 24 Jim Harrison Blue 25 Rene Char II 25 Love 26 Larson's Holstein Bull 26 Cynthia Hogue That Wild Chance of Living (2001) 27 Will Inman The Bones that Humans Lacked 28 given names 28 mesquite mother territory 29 To Catch the Truth 29 James Jay Mars Hill 30 Hershman John Two Parts Hydrogen, One Part Oxygen 31 Jane Miller xii (excerpted from Midnights) 32 Jim Natal The Half-Life of Memory 33 Sean Nevin The Carpenter Bee 34 Wildfire Triptych 34 Losing Solomon 37 Simon J. Ortiz just phoenix 38 Michael Rattee Spring 39 II David Ray The Sleepers 40 Illegals 41 Arizona Satori 41 The White Buffalo 42 Judy Ray These Days 43 Alberto Rfos Border Lines (Lineas Fronterizas) 44 Rabbits and Fire 45 Refugio's Hair 46 Mi Biblioteca Publica (My Public Library) 47 Rebecca Seiferle Ghost Riders in the Sky 48 Apache Tears 49 Leslie Marmon Silko How to Hunt Buffalo 50 Laurel Speer Buffalo Stones 52 Candyman 52 Luci Tapahonso After Noon in Yooto 53 Miles Waggener Direction 54 Nicole Walker Canister and Turkey Vulture 55 California Kim Addonizio Yes 58 In the Evening, 59 William Archila Blinking Lights 60 Ellen Bass GateC22 61 Women Walking 62 Ode to Dr. -
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
A Working Chronology of Oregon Literature – 1838 -1950 by Tim Barnes with Additions by Rick Rubin & David Milholland
A Working Chronology of Oregon Literature – 1838 -1950 By Tim Barnes with additions by Rick Rubin & David Milholland 1838 (March) First Oregon poem, written by Mrs. Jason Lee, a farewell to her husband Jason Lee. 1843 Prairie Flower, by Sidney Walter Moss, was probably the first novel written in Oregon. An Oregon City merchant, Moss sent it east with a friend. It was published by Stratton & Barnard in Cincinnati under the name of a well-known author of the time, Emerson Bennett. 1846 -1855 Oregon Spectator, Oregon’s first newspaper, printed some of the earliest poetry written in Oregon, frequently unsigned. 1852 A Melodrame Entitled “Treason, Stratagems, and Spoils,” by Breakspear (Charles Lysander Adams). This political satire appeared in five installments in The Oregonian and later as a pamphlet. Adams may have been the most popular writer in Oregon in this era. (April 23) Edwin Markham born in Oregon City. The author of “The Man with the Hoe” (1899), the most famous poem of the Progressive Era, left Oregon at the age of five. 1854 Grains, or Passages in the Life of Ruth Rover, with Occasional Pictures of Oregon, Natural and Moral, by Mrs. Margaret Jewett Bailey. The first novel published in Oregon, a thinly disguised autobiography detailing Bailey’s difficulties as a woman missionary in Oregon. 1862 The Canoe and the Saddle, Adventures Among the Northwestern Rivers and Forests, by Theodore 1 Winthrop, a stirring account of a voyage from Port Townsend to The Dalles in 1853, published around the time of the author’s death early in the Civil War. -
Critical Survey of Poetry: Topical Essays
More Critical Survey of Poetry: Topical Essays English and American Poetry in the Twentieth Century by Thomas C. Foster Introduction Twentieth century poetry has been variously characterized as romantic, antiromantic, impersonal, highly personal, chaotic, orderly, classical, TABLE OF symbolist, wholly untraditional, reasoned and measured, or incomprehensible CONTENTS Introduction —depending on the critic whom one reads. This radical diversity suggests a The rise of modernism fundamental problem with poetry in the twentieth century: It has no clear path The end of Victorianism to follow. Finding previous poetry inadequate to deal with the situation in which Cultural breakdown they find themselves, modern poets must create anew, must, in Wallace Decadence Stevens’s phrase, “find out what will suffice.” The modern poem is an act of Early modern movements exploration. In the absence of givens, it must carve out its own niche, make its Imagism own raison d’être. Symbolism William Carlos Williams The Metaphysical influence Walt Whitman and Thomas Hardy After World War II Surrealism Renewed Romanticism Eastern, mythic, and archetypal influences Moral ambivalence New Criticism Disjuncture and discontinuity The poem sequence The Bridge Paterson The Maximus Poems Personal sequences English and Irish poem sequences Crow Mercian Hymns The Triumph of Love North Renga Confessional poetry Beat and Movement poetry Whither? Language poets Martian poets Wit and humor Voices of diversity Irish poetry Women’s poetry Postcolonial poets Bibliography Not surprisingly, then, twentieth century poetry is marked by astonishing variety. What logic could successfully yoke together Robert Frost and Allen Ginsberg, Philip Larkin and William Carlos Williams, Sylvia Plath and Ezra Pound? None, so long as the category of modern poetry is understood to be a fixed entity; such definitions always aim at closure and exclusion. -
Political Poetry of Place
Afterword Political Poetry of Place Much of the poetry Windfall publishes demonstrates the importance of preserving and protecting natural as well as built places which might otherwise be degraded, damaged, or destroyed. Yet we receive few poems that are overtly political. In this time of heightened political activity, it’s appropriate to consider writing political poems of place. A number of circumstances compel more political writing about landscapes. The current occupant of the White House asked the Secretary of the Interior to review twenty-seven national monuments that recent past presidents set aside for special protection, including Oregon’s Cascade-Siskiyou and Washington’s Hanford Reach, with the goal of shrinking the monuments’ size or abolishing the monument status so that private interests might use the land for their profit. In addition, climate change is well underway altering landscapes, while many in positions of power, both corporate and government, continue to deny that humans have had any role in causing it or that we should work to reduce the severity of its damage to the natural world. Skyrocketing housing prices in urban areas are leading to housing developments in flood-prone areas and in scarce urban wild areas. Moreover, the growth of fundamentalism in religion, politics, and science raises daily challenges to the most undeniable truths. Social media has demonstrated its ability to spread convincing untruths far and wide. Added to these circumstances is the accelerating wealth inequality which has the effect of giving more political power to the very rich and giving fewer life choices to the rest of us. -
Table of Contents
Table of Contents THEME ONE Families: Comfort and Conflict Aunt Al Young poem . 14 Tw o K i n d s Amy Tan short story . 15 Piñon Nuts Dixie Salazar poem . 29 This Is What It Means to Say Phoenix, Arizona Sherman Alexie short story . 31 Papi Edwidge Danticat memoir . 45 Home Training Bruce A. Jacobs poem . 55 from Aliens in America Sandra Tsing Loh monologue . 59 About Russell Rita Williams-Garcia memoir . 70 Family Grace Paley poem . 80 THEME TWO Finding My Way Without Commercials Alice Walker poem . 86 I Want to Be Miss América Julia Alvarez memoir . 90 from A Choice of Weapons Gordon Parks memoir . 97 Sure You Can Ask Me A Personal Question Diane Burns poem . .106 Roots: Random Thoughts on Random Hair Tatsu Yamato personal essay . .108 Wakoski’s Petunias Diane Wakoski poem . .114 What Means Switch Gish Jen short story . .116 In Answer to Their Questions Giovanna (Janet) Capone poem . .137 from The Woman Warrior Maxine Hong Kingston memoir . .142 Style Is Quincy Troupe poem . .149 THEME THREE Defining Moments Here’s Herbie Mike Feder monologue . .154 from Black Boy Richard Wright autobiography . .161 Blink Your Eyes Sekou Sundiata poem . .171 First Love Judith Ortiz Cofer memoir . .174 Suburban Indian Pride Tahnahga poem . .182 The Baddest Dog in Harlem Walter Dean Myers short story . .184 Innocent Traveler Thom Tammaro poem . .193 Beets Tiffany Midge memoir . .195 The Lemon Tree Billiards House Cedric Yamanaka short story . 205 THEME FOUR Between Two Worlds from Life on the Color Line Gregory Howard Williams autobiography . .222 Coca-Cola and Coco Frío Martín Espada poem . -
Literary Miscellany
Literary Miscellany Chiefly Recent Acquisitions. Catalogue 316 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are considered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering, and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inventory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request. -
The American Mercury March 1936
Mencken's Autopsy on Roosevelt ---- - WHY SHOULD I READ THE SUN? Because The Sun is New York's finest ,evening newspaper. Because it presents the complete and unbiased news of current OUTSTANDING MEN WHO happenings,written in the dis tinct'ive Sun style for which WRITE FOR THE SUN this newspaper is famous. GEORGE VAN SLYKE S~n's Politics Because of The provoca tive editorials, itS" interesting BOB DAVIS features, liv~ly spgrts stories, Travel dependable financial news and CARLETON A. SHIVELY its thorough coverage of sub, Finance jects that, appeal to mett and FRANK GRAHAM women of in,telligence.' Sports DAVID LAWRENCE If you are not already· a Sun Politics reader, why not try this New York ,newspaper? You'll like H. I. PHILLIPS Hunlor its balance', its completeness and the stories, articles and col RICHARD LOCKRIDGE umns of its many distinguisht:d Theater writers. GEORGE TREVOR Sports WILLIAM J. HENDERSON Music The Newspaper 0/ Disti,lclion ;n;ts Readers, ;1$ News atld its Advertising WARD MOREHOUSE N'EW YORK Broadway THE AMERICAN MERCURY This Box • Contained · .. Napoleonic "most eXCItingf ur tIme· "'· discovery 0 0 - -cealment for fear of libel, of bons the book as one of the Best Napoleon's odd, gay behavior Books published during 1935 when only 1,000 of the Old Guard that hundreds are discovering it returned to Paris, of 600,000 who as the one great collateral-narra tive, of complete accuracy, to Tolstoy's WAR AND PEACE? DON'T MISS THIS TREAT !-biog Critics - scholars -librarians raphy, memoirs, history, mystery and thousands of individual read all in one great book that belongs ers are discovering this Trans in every tastefully selected per Century Flash as history's "exclu sonal library.