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NOTE TO USERS Page(s) not included in the original manuscript are unavailable from the author or university. The manuscript was microfilmed as received 88-91 This reproduction is the best copy available. UMI INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" X 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. AccessinglUMI the World’s Information since 1938 300 North Zeeb Road, Ann Arbor, Mi 48106-1346 USA Order Number 8820263 Leigh Brackett: American science fiction writer—her life and work Carr, John Leonard, Ph.D. -
JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate. -
Forte JA T 2010.Pdf (404.2Kb)
“We Werenʼt Kidding” • Prediction as Ideology in American Pulp Science Fiction, 1938-1949 By Joseph A. Forte Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts In History Robert P. Stephens (chair) Marian B. Mollin Amy Nelson Matthew H. Wisnioski May 03, 2010 Blacksburg, VA Keywords: Astounding Science-Fiction, John W. Campbell, Jr., sci-fi, science fiction, pulp magazines, culture, ideology, Isaac Asimov, Robert Heinlein, Theodore Sturgeon, A. E. van Vogt, American exceptionalism, capitalism, 1939 Worldʼs Fair, Cold War © 2010 Joseph A. Forte “We Werenʼt Kidding” Prediction as Ideology in American Pulp Science Fiction, 1938-1949 Joseph A. Forte ABSTRACT In 1971, Isaac Asimov observed in humanity, “a science-important society.” For this he credited the man who had been his editor in the 1940s during the period known as the “golden age” of American science fiction, John W. Campbell, Jr. Campbell was editor of Astounding Science-Fiction, the magazine that launched both Asimovʼs career and the golden age, from 1938 until his death in 1971. Campbell and his authors set the foundation for the modern sci-fi, cementing genre distinction by the application of plausible technological speculation. Campbell assumed the “science-important society” that Asimov found thirty years later, attributing sci-fi ascendance during the golden age a particular compatibility with that cultural context. On another level, sci-fiʼs compatibility with “science-important” tendencies during the first half of the twentieth-century betrayed a deeper agreement with the social structures that fueled those tendencies and reflected an explication of modernity on capitalist terms. -
The Jeremiad in American Science Fiction Literature, 1890-1970
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2019 The eJ remiad in American Science Fiction Literature, 1890-1970 Matthew chneideS r University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the American Literature Commons, English Language and Literature Commons, and the United States History Commons Recommended Citation Schneider, Matthew, "The eJ remiad in American Science Fiction Literature, 1890-1970" (2019). Theses and Dissertations. 2119. https://dc.uwm.edu/etd/2119 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. THE JEREMIAD IN AMERICAN SCIENCE FICTION LITERATURE, 1890-1970 by Matthew J. Schneider A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English at The University of Wisconsin-Milwaukee May 2019 ABSTRACT THE JEREMIAD IN AMERICAN SCIENCE FICTION LITERATURE, 1890-1970 by Matthew J. Schneider The University of Wisconsin-Milwaukee, 2019 Under the Supervision of Professor Peter V. Sands Scholarship on the form of sermon known as the American jeremiad—a prophetic warning of national decline and the terms of promised renewal for a select remnant—draws heavily on the work of Perry Miller and Sacvan Bercovitch. A wealth of scholarship has critiqued Bercovitch’s formulation of the jeremiad, which he argues is a rhetorical form that holds sway in American culture by forcing political discourse to hold onto an “America” as its frame of reference. -
Hell's Cartographers : Some Personal Histories of Science Fiction Writers
Some Personal Histor , of Science Fiction Writers Robert Silverberg/Alfred Bester Harry Harrison/Damon Knight Frederick Pohl/Brian Aldiss BOSTON PUBLIC LIBRARY Digitized by the Internet Archive in 2015 https://archive.org/details/hellscartographeOObest hell’s cartographers hell’s cartographers Some Personal Histories of Science Fiction Writers with contributions by Alfred Bester Damon Knight Frederik Pohl Robert Silverberg Harry Harrison Brian W. Aldiss Edited by Brian W. Aldiss Harry Harrison HARPER & ROW, PUBLISHERS New York, Hagerstown, San Francisco, London Note: The editors wish to state that the individual contributors to this volume are responsible only for their own opinions and statements. hell’s cartographers. Copyright ©1975 by SF Horizons Ltd. All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information address Harper & Row, Publishers, Inc., 10 East 53rd Street, New York, N.Y. 10022. FIRST U.S. EDITION Library of Congress Cataloging in Publication Data Main entry under title: Hell’s cartographers. Bibliography: p. 1. Authors, American — Biography. 2. Aldiss, Brian Wilson, 1925- — Biography. 3. Science fiction, American — History and criticism — Addresses, essays, lectures. 4. Science fiction— Authorship. I. Aldiss, Brian Wilson, 1925- II. Harrison, Harry. PS129.H4 1975 813 / .0876 [B] 75-25074 ISBN 0-06-010052-4 76 77 78 79 10 9 8 7 6 5 4 3 2 1 Contents Introduction 1 Robert Silverberg: Sounding Brass, Tinkling Cymbal 7 Alfred Bester: My Affair With Science Fiction 46 Harry Harrison: The Beginning of the Affair 76 Damon Knight: Knight Piece 96 Frederik Pohl: Ragged Claws 144 Brian Aldiss: Magic and Bare Boards 173 Appendices: How We Work 211 Selected Bibliographies 239 A section of illustrations follows page 122 Introduction A few years ago, there was a man living down in Galveston or one of those ports on the Gulf of Mexico who helped make history. -
UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title The Race of Machines: A Prehistory of the Posthuman Permalink https://escholarship.org/uc/item/90d94068 Author Evans, Taylor Scott Publication Date 2018 License https://creativecommons.org/licenses/by-nc-sa/4.0/ 4.0 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE The Race of Machines: A Prehistory of the Posthuman A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Taylor Scott Evans December 2018 Dissertation Committee: Dr. Sherryl Vint, Chairperson Dr. Mark Minch-de Leon Mr. John Jennings, MFA Copyright by Taylor Scott Evans 2018 The Dissertation of Taylor Scott Evans is approved: ____________________________________________________ ____________________________________________________ ____________________________________________________ Committee Chairperson University of California, Riverside Acknowledgments Whenever I was struck with a particularly bad case of “You Should Be Writing,” I would imagine the acknowledgements section as a kind of sweet reward, a place where I can finally thank all the people who made every part of this project possible. Then I tried to write it. Turns out this isn’t a reward so much as my own personal Good Place torture, full of desire to acknowledge and yet bereft of the words to do justice to the task. Pride of place must go to Sherryl Vint, the committee member who lived, as it were. She has stuck through this project from the very beginning as other members came and went, providing invaluable feedback, advice, and provocation in ways it is impossible to cite or fully understand. -
JOHN W. CAMPBELL an Australian Tribute JOHN W
Tribute CAMPBELL W. Australian An JOHN JOHN W. CAMPBELL An Australian Tribute JOHN W. CAMPBELL An Australian Tribute Edited by John Bangsund Published by Ronald E Graham EJohn Bangsund Canberra 1972 JOHN W. CAMPBELL: AN AUSTRALIAN TRIBUTE Published by Ronald E. Graham and John Bangsund Designed and printed by John Bangsund: Parergon Books PO Box 357 Kingston ACT 2604 Australia Distributed by Space Age Books 317 Swanston Street Melbourne 3000 Australia Cover printed by Paragon Printers, Canberra Interior printed on Roneo 865 duplicator, using Roneo R430X stencils and Roneo Canadian Paper Etectrostencils by Noel Kerr, Melbourne Copyright (01974 by John Bangsund Any part of this book may be reproduced with the permission of the author/s concerned, but the book as a whole may not be reproduced. Comments on the book are encouraged and will be considered for future publication unless otherwise indicated. First edition. Print-run 300 copies, of which 200 are for sale. Errata: Title page - For 1972 read 1974. Page 91 - The Introduction to Mr Tuck's bibliography has been largely re-written and extended by die editor, with whom die responsibility lies for any inaccurate statement. Page 98 - for Hockley, "Wog", read Hockley, Warwick. For any other errors discovered the editor, who should know better, may be held responsible. Production assistance: David Grigg, Joy and Vem Warren, but above all, and without whose encouragement die book might never have been completed, Sally Yeoland. ' Contents (OXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXO) JACK WILLIAMSON Foreword JOHN BANGSUND Introduction 1 A. BERTRAM CHANDLER 5 WYNNE WHITEFORD 8 ROBIN JOHNSON 10 JACK WODHAMS 12 JOHN PINKNEY 14 DONALD H. -
Captain Flashback
CAPTAIN FLASHBACK A fanzine composed for the 413th distribution of Mercury in the Shadows: the Turbo-Charged Party-Animal Amateur Press Orson Welles, Frank Readick Jr. Association, from the joint membership of Andy and The Shadow Hooper and Carrie Root, residing at 11032 30th Ave. NE Seattle, WA 98125. E-mail Andy at This time, my fanzine-reading and my old-time [email protected], and you may reach Carrie at media research have collided. [email protected]. This is a Drag Bunt Press Production, completed on 11/20/2020. It is perhaps futile to explain why I found myself reading Volume 79, Issue #10 of THE CAPTAIN FLASHBACK is devoted to old fanzines, NATIONAL FANTASY FAN, one of several monster movie hosts, old-time radio stars and official organs of the National Fantasy Fan other fascinating phenomena of the 20th Century. Federation; after all, at this writing, American All material by Andy Hooper unless indicated. fen have been in COVID-19 isolation for more Contents of Issue #24: than 200 days, and I might be at the point of Page 1: Mercury in the Shadows reading Robots and Quarantine or Battlefield Page 2: A Key to Interlineations in Issue #23 Fauci, as soon as someone can finish them. Page 16: Comments on Turbo-Apa #412 (John Scalzi, I’m using you for a cheap laugh). Page 21: Horror Host of the Month: There is certainly a lot of club furniture and Keeping America Strong with Bob Wilkins ballots – with rules – padding out most issues Page 23: I Remember Entropy Department: of TNFF, but there are also interesting “Your Friendly Neighborhood BEM Dealer:” historical surveys of authors, characters and by Cleve Cartmill, originally published by series by Jon Swartz PhD, who has co- Alva Rogers in BIXEL #1, September 1962. -
Judith Merril: a Primary and Secondary Bibliography
Missouri University of Science and Technology Scholars' Mine English and Technical Communication Faculty Research & Creative Works English and Technical Communication 01 Dec 2006 Judith Merril: A Primary and Secondary Bibliography Elizabeth Cummins Missouri University of Science and Technology, [email protected] Follow this and additional works at: https://scholarsmine.mst.edu/eng_teccom_facwork Part of the English Language and Literature Commons Recommended Citation Cummins, Elizabeth. "Judith Merril: A Primary and Secondary Bibliography." College Station, Texas, Cushing Library, Texas A & M: The Center for the Bibliography of Science Fiction and Fantasy, 2006. This Book is brought to you for free and open access by Scholars' Mine. It has been accepted for inclusion in English and Technical Communication Faculty Research & Creative Works by an authorized administrator of Scholars' Mine. This work is protected by U. S. Copyright Law. Unauthorized use including reproduction for redistribution requires the permission of the copyright holder. For more information, please contact [email protected]. JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. -
Westercon 16 Program Boklet.Pdf
At the Hyatt House in Burlingame, California T -j z & | Committee: Al haLevy, Chairman Bill Donaho Alva Rogers Ben Stark Toastmaster: Anthony Boucher Art Show Director: Jessie Clinton Publicity Director: Dean Dickensheet Auctioneers: Bruce Pelz, Ron Ellik & others Artwork: Brian Donahue Calligraphy: Gretchen Schwenn Mimeography: Andy Main bem Sponsored by the Elves, Gnomes and Little Men’s Sci ence Fiction, Chowder and Marching Society & The Golden Gate Futurian Society. 3 Introduction ................................ • 5 Previous Westercons.............................. 6 DIE FRAU IM MOND................................ 7 Wednesday Program............................... 13 Thursday Program............................ 13 Friday Program................................. 15 Saturday Program............................... 19 Sunday Program..................................25 Kris Neville................................ 27 F. M. and Elinor Busby......................... 31 Anthony Boucher................................. 32 Andre Norton................................... 33 Andre Norton Checklist . ........................ 34 Membership List........................ 40 Thanks .............................. ..... 42 4 Jn Tr optic If you are one of those veteran fans who has at tended twenty world conventions and every regional con ference you could reach, you already know what to do. AU. the pros are down in the bar, and you might as well join them. If this is your first science fiction con ference, here are a few pointers that might prove help ful: 1. All fans are gregarious, but most of them are probably as shy about striking up an acquaintance as you are. Don't worry—we're-., all the same kind of nut and we all enjoy reading "that crazy Buck Rogers stuff." If you will make the effort, you will find that fans are about the most friendly people alive. 2, Don't be afraid to tell the writers that you liked their stories. -
Learning from Science Fiction
HARD READING Liverpool Science Fiction Texts and Studies, 53 Liverpool Science Fiction Texts and Studies Editor David Seed, University of Liverpool Editorial Board Mark Bould, University of the West of England Veronica Hollinger, Trent University Rob Latham, University of California Roger Luckhurst, Birkbeck College, University of London Patrick Parrinder, University of Reading Andy Sawyer, University of Liverpool Recent titles in the series 30. Mike Ashley Transformations: The Story of the Science-Fiction Magazine from 1950–1970 31. Joanna Russ The Country You Have Never Seen: Essays and Reviews 32. Robert Philmus Visions and Revisions: (Re)constructing Science Fiction 33. Gene Wolfe (edited and introduced by Peter Wright) Shadows of the New Sun: Wolfe on Writing/Writers on Wolfe 34. Mike Ashley Gateways to Forever: The Story of the Science-Fiction Magazine from 1970–1980 35. Patricia Kerslake Science Fiction and Empire 36. Keith Williams H. G. Wells, Modernity and the Movies 37. Wendy Gay Pearson, Veronica Hollinger and Joan Gordon (eds.) Queer Universes: Sexualities and Science Fiction 38. John Wyndham (eds. David Ketterer and Andy Sawyer) Plan for Chaos 39. Sherryl Vint Animal Alterity: Science Fiction and the Question of the Animal 40. Paul Williams Race, Ethnicity and Nuclear War: Representations of Nuclear Weapons and Post-Apocalyptic Worlds 41. Sara Wasson and Emily Alder, Gothic Science Fiction 1980–2010 42. David Seed (ed.), Future Wars: The Anticipations and the Fears 43. Andrew M. Butler, Solar Flares: Science Fiction in the 1970s 44. Andrew Milner, Locating Science Fiction 45. Joshua Raulerson, Singularities 46. Stanislaw Lem: Selected Letters to Michael Kandel (edited, translated and with an introduction by Peter Swirski) 47. -
Bulletin of Cleveland SF Society 13 Ellison 1952-03
th® stohy of1 the fibst i Oh the ’ I hnooh......... editorial THE SCIENCE FICTION FAN IN OTO PRESENT CULTURE We *have by now, grown accustomed to the sometimes unwar rented ri fr loule a science fiction fan receives when it ie found out he reads "that *•tuff" about it* *Yet We are doomed^ Actually-- there isn’t much we can do —t---’’-------- - I’B afraid, unless we wise up pretty quick, to be ever the ■------ t xn these ridicule *fests I say sometimes unwarranted, because look at some °£J;h® f science fiction fen pull. Just a few weeice ago a prime example of that V>-o nhown by the San Francisco group (The little Men»« Chowder, Marching ar.d Science Fiction Society) announcing to the San Fran press and. t. e oie world that they were setting up mineral rights to the moon. New if that isn’t an asinine trick, you tell me* And then there’s Dianetics, which stf in general is connected with. Yot through any of our doing, hut just because Hubbard J first article was published in aSF, So because of that we are laugnea at, degraded, and called humbugs to use one of the less vile names. And then there's Space Cadet and stf comic books, and drunken ergies we so laughingly call conventions, and running around in ekm suits in all the major cities of the SXTA* All these things add up* Though taken singly they may seem small and though childish, even *humorous But it does not help science *fiction We make these mistakes all along the line.