The Early Hitchcock - the British Years

The Early Hitchcock - The British Years

HS Brandt (University of Siegen)

Books and book chapters

Adair, Gene. Alfred Hitchcock: Filming our Fears. Oxford & New York: Oxford University Press, 2002. After Hitchcock: Influence, Imitation, and Intertextuality. Ed. by David Boyd and R. Barton Palmer. 1st ed. Austin, TX: University of Texas Press, 2006. Alfred Hitchcock: In Conversations with the Great Moviemakers of Hollywood′s Golden Age at the American Film Institute. Ed. and with an introduction by George Stevens, Jr. 1st ed. New York: A. A. Knopf, 2006. Alfred Hitchcock: Centenary Essays. Ed. by Richard Allen and S. Ishii-Gonzales. London: British Film Institute, 1999. Alfred Hitchcock: Interviews. Ed. by Sidney Gottlieb. Jackson: University Press of Mississippi, 2003. Allen, Richard, and S. Ishii-Gonzalès, eds. Alfred Hitchcock: Centenary Essays. London: British Film Institute, 1999. Allen, Richard. ″Daphne du Maurier and Alfred Hitchcock.″ In: A companion to literature and film. Ed. by Robert Stam, Alessandra Raengo. Malden, MA, & Oxford: Blackwell Pub., 2004. Auiler, Dan. Hitchcock′s Notebooks: An Authorized and Illustrated Look Inside the Creative Mind of Alfred Hitchcock. 1st ed. New York: Spike, 1999. Barr, Charles. English Hitchcock. Moffat: Cameron & Hollis, 1999. Barr, Charles. ″Stannard and Hitchcock.″ In: Young and Innocent? The Cinema in Britain, 1896-1930. Ed. by Andrew Higson. Exeter: University of Exeter Press, 2002. Bazin, Andre. The Cinema of Cruelty: From Bunuel to Hitchcock . Ed. and with an introduction by Francois Truffaut. 1st ed. New York: Seaver Books, 1982. Bellour, Raymond. L′Analyse du Film. Paris: Albatros, 1979. Bellour, Raymond. The Analysis of Film. Ed. by Constance Penley. Bloomington: Indiana University Press, 2000. Bogdanovich, Peter. The Cinema of Alfred Hitchcock. New York: Museum of Modern Art Film Library; distributed by Doubleday, Garden City, N.Y., 1963. Bogdanovich, Peter. Who the Devil Made It. New York: Alfred A. Knopf: Random House, 1997. Booker, M. Keith. ″American Film in the Long 1950s: From Hitchcock to Disney.″ In: The Post-Utopian Imagination: American Culture in the Long 1950s. Westport, Conn.: Greenwood Press, 2002. Brill, Lesley. The Hitchcock Romance: Love and Irony in Hitchcock′s Films. Princeton, N.J.: Princeton University Press, 1988. Carson, Diane. ″The Nightmare World of Hitchcock′s Women.″ Florida State University Conference on Literature and Film. In: The Kingdom of Dreams in Literature and Film: Selected Papers from the Tenth Annual Florida State University Conference on Literature and Film / Ed. by Douglas Fowler. Tallahassee: University Presses of Florida, 1986. 11-20. Chandler, Charlotte. It′s Only a Movie: Alfred Hitchcock. A Personal Biography New York: Simon & Schuster, 2005. Cohen, Tom. Anti-Mimesis from Plato to Hitchcock. Cambridge & New York: Cambridge University Press, 1994. Cooke, Lez. ″Hitchcock and the Mechanics of Cinematic Suspense.″ In: Twentieth-Century Suspense: The Thriller Comes of Age. Ed. by Clive Bloom. New York: St. Martin′s Press, 1990. 189-202. Drumin, William A. Thematic and Methodological Foundations of Alfred Hitchcock′s Artistic Vision. Lewiston: Edwin Mellen Press, 2004. Dufreigne, Jean-Pierre. Hitchcock Style. New York, NY: Assouline, 2004. Duncan, Paul. Alfred Hitchcock: Architect of Anxiety, 1899-1980. Köln: Taschen, 2003. Durgnat, Raymond. The Strange Case of Alfred Hitchcock: Or, The Plain Man′s Hitchcock / Raymond Durgnat. Cambridge, Mass.: MIT Press, 1974. Everything You always Wanted to Know About Lacan (But were Afraid to Ask Hitchcock). Ed. by Slavoj Zizek. London; New York: Verso, 1992. Framing Hitchcock: Selected essays from the Hitchcock Annual. Detroit: Wayne State University Press, 2002. Godard, Jean Luc. ″Hitchcock and the Power of Cinema.″ In: Cinema: the Archeology of Film and the Memory of a Century. Oxford, UK & New York: Berg, 2005. GoGwilt, Christopher. The Fiction of Geopolitics: Afterimages of Culture from Wilkie Collins to Alfred Hitchcock. Stanford: Stanford University Press, 2000. Goodwin, James. ″Conrad and Hitchcock: Secret Sharers.″ In: The English Novel and the Movies. Ed. by Michael Klein and Gillian Parker. New York: Ungar, 1981. 218-227. Greven, David. ″Engorged with Desire: The Films of Alfred Hitchcock and the Gendered Politics Eating.″ In: Reel Food: Essays on Food and Film. Ed. by Anne L. Bower. New York: Routledge, 2004. Haeffner, Nicholas. Alfred Hitchcock. Harlow, England & New York: Pearson Longman, 2005. Hare, William. Hitchcock and the methods of suspense Jefferson, N.C.: McFarland, 2007. Hepworth, John. ″Hitchcock′s Homophobia.″ In: Out in Culture: Gay, Lesbian, and Queer Essays on Popular Culture. Ed. by Corey K. Creekmur and Alexander Doty. Durham: Duke University Press, 1995. 186-96. Hitchcock, Alfred. ″The benefits of shock.″ In: The Dangerous Edge. Ed. Gavin Lambert. London: Barrie & Jenkins, 1975. Hitchcock, Alfred. Hitchcock on Hitchcock: Selected Writings and Interviews. Ed. by Sidney Gottlieb. Berkeley: University of California Press, 1995. ″Hitchcock and moralist narrative.″ In: Great Film Directors: A Critical Anthology. Ed. by Leo Braudy and Morris Dickstein New York: Oxford University Press, 1978. A Hitchcock Reader. Ed. by Marshall Deutelbaum and Leland Poague. Ames: Iowa State University Press, 1986. Hughes, Rowland. ″Shadows and doubts: Hitchcock, genre and villainy.″ In: The Devil Himself: Villainy in Detective Fiction and Film. Ed. by Stacy Gillis and Philippa Gates. Westport, Conn.: Greenwood Press, 2002. Hunter, Evan. Me and Hitch. London: Faber, 1997. Hurley, Neil P. Soul in Suspense: Hitchcock′s Fright and Delight. Metuchen, N.J.: Scarecrow Press, 1993. Hurley, Neil P. ″Alfred Hitchcock.″ In: Religion in film / Ed. by John R. May and Michael Bird 1st ed Knoxville: University of Tennessee Press, 1982. Kapsis, Robert E. Hitchcock: The Making of a Reputation / Robert E. Kapsis. Chicago: University of Chicago Press, 1992. Kolker, Robert P. ″Algebraic Figures: Recalculating the Hitchcock Formula.″ In: Play It Again, Sam: Retakes on Remakes. Ed. by Andrew Horton and Stuart Y. McDougal; with an afterword by Leo Braudy. Berkeley: University of California Press, 1998. 34-51. Krohn, Bill. Hitchcock at Work London: Phaidon, 2000. LaValley, Albert J. Focus on Hitchcock. Ed. by Albert J. LaValley. Englewood Cliffs, N.J., Prentice-Hall, 1972. Leitch, Thomas M. The Encyclopedia of Alfred Hitchcock. New York, NY: Facts on File, 2002. Leitch, Thomas M. Find the Director and Other Hitchcock Games. Athens: University of Georgia Press, 1991. Magistrale, Tony. ″The Terror of Hitchcock.″ In: Abject Terrors: Surveying the Modern and Postmodern Horror Film. New York: Peter Lang, 2005. Marantz Cohen, Paula. Alfred Hitchcock: The Legacy of Victorianism. Lexington, Ky.: University Press of Kentucky, 1995. Maxford, Howard. The A-Z of Hitchcock. London: B.T. Batsford, 2002. McDougal, Stuart Y. ″The Director Who Knew Too Much: Hitchcock Remakes Himself.″ In: Play It Again, Sam: Retakes on Remakes. Ed. by Andrew Horton and Stuart Y. McDougal; with an afterword by Leo Braudy. Berkeley: University of California Press, 1998. 52-69. McElhaney, Joe. The Death of Classical Cinema: Hitchcock, Lang, Minnelli. Albany: State University of New York Press, 2006. McGilligan, Patrick. Alfred Hitchcock: a life in darkness and light / Patrick McGilligan. 1st ed. New York: Regan Books, 2003. Metz, Walter. ″Modernity in Fritz Lang and Alfred Hitchcock.″ In: Cinema and modernity. Ed. by Murray Pomerance. New Brunswick, N.J.: Rutgers University Press, 2006. Modleski, Tania. The Women Who Knew Too Much: Hitchcock and Feminist Theory. New York: Methuen, 1988. Mogg, Ken. The Alfred Hitchcock Story. London: Titan, 1999. Mogg, Ken. ″Hitchcock made only one horror film: matters of time, space, causality, and the Schopenhauerian will.″ In: Dark Thoughts: Philosophic Reflections on Cinematic Horror. Ed. by Steven Jay Schneider, Daniel Shaw. Lanham, Md.: Scarecrow Press, 2003. Morris, Christopher D. The Hanging Figure: On Suspense and the Films of Alfred Hitchcock Westport, Conn.: Praeger, 2002. Orr, John. Hitchcock and twentieth-century cinema London & New York: Wallflower, 2005. Perry, George C. The Films of Alfred Hitchcock. New York: Dutton, 1965. Perry, George C. Hitchcock / George Perry. London: Macmillan, 1975. Perry, Dennis R. Hitchcock and Poe: The Legacy of Delight and Terror. Lanham, Md.: Scarecrow Press, 2003. Perspectives on Alfred Hitchcock. Ed. by David Boyd. New York: G.K. Hall, 1995. Phillips, Gene D. Alfred Hitchcock. Boston: Twayne Publishers, 1984. Pomerance, Murray. An Eye for Hitchcock. New Brunswick, N.J.: Rutgers University Press, 2004. Pomerance, Murray. ″Hitchcock and the dramaturgy of screen violence.″ In: New Hollywood violence. Ed. by Steven Jay Schneider. Manchester & New York: Manchester University Press & New York: Distributed in the USA by Palgrave, 2004. Price, Theodore. Hitchcock and Homosexuality: His 50-year Obsession with Jack the Ripper and the Superbitch Prostitute. A Psychoanalytic View. Metuchen, N.J.: Scarecrow Press, 1992. Rothman, William. Hitchcock – The Murderous Gaze. Cambridge, Mass.: Harvard University Press, 1982. Rothman, William. ″Thoughts on Hitchcock′s authorship.″ In: The ′I′ of the Camera: Essays in Film Criticism, History, and Aesthetics. Cambridge et al: Cambridge Univ. Press, 2004. Royer, Carl. ″′And I brought you nightmares′: The play of horror in Hitchcock′s films.″ In: The Spectacle of Isolation in Horror Films: Dark Parades New York: Haworth Press, 2005. Ryall, Tom. Alfred Hitchcock and the British Cinema With a new introduction. London; Atlantic Highlands, NJ: Athlone, 1996. Ryall, Tom. Alfred Hitchcock & the British Cinema. Urbana: University of Illinois Press, 1986. Salotto, Eleanor. Gothic Returns in Collins, Dickens, Zola, and Hitchcock. New York: Palgrave Macmillan, 2006. Samuels, Robert. Hitchcock′s Bi-Textuality: Lacan, Feminisms, and Queer Theory. Albany: State University of New York Press, 1998. Sarris, Andrew. ″Alfred Hitchcock.″ In: ′You ain′t heard nothin′ yet′: The American Talking Film, History & Memory, 1927-1949. New York: Oxford University Press, 1998. Schneider, Lissa. ″The Woman Alone in Conrad and Hitchcock.″ In: Conrad on Film. Ed. by Gene M. Moore. pp: 61-77. Cambridge; New York: Cambridge University Press, 1997. Sharff, Stefan. Alfred Hitchcock′s High Vernacular: Theory and Practice. New York: Columbia University Press, 1991. Simone, Sam P. Hitchcock as Activist: Politics and the War Films. Ann Arbor, Mich.: UMI Research Press, 1985. Singer, Irving. Three Philosophical Filmmakers: Hitchcock, Welles, Renoir. Cambridge, Mass.: MIT Press, 2004. Sloan, Jane. Alfred Hitchcock: A Filmography and Bibliography. Berkeley: University of California Press, 1995. Sloan, Jane. Alfred Hitchcock: A Guide to References and Resources / Jane E. Sloan. New York: G.K. Hall, 1993. Smith, Susan. Hitchcock: Suspense, Humour and Tone. London: British Film Institute, 2000. Spoto, Donald. The Art of Alfred Hitchcock: Fifty Years of His Motion Pictures. New York: Hopkinson and Blake, 1976. Spoto, Donald. The Art of Alfred Hitchcock: Fifty Years of His Motion Pictures. 2nd ed., completely rev. and updated. New York: Doubleday, 1992. Spoto, Donald. The Dark Side of Genius: The Life of Alfred Hitchcock. 1st ed. Boston: Little, Brown, 1983. Sterritt, David. The Films of Alfred Hitchcock. Cambridge & New York: Cambridge University Press, 1993. Strauss, Marc. Alfred Hitchcock′s Silent Films. Jefferson, N.C.: McFarland, 2004. Strauss, Marc. Hitchcock Nonetheless Jefferson, N.C.: McFarland & Co., 2007. Taylor, John Russell. Hitch: The Life and Times of Alfred Hitchcock. London; Boston: Faber and Faber, 1978. Truffaut, Francois. Hitchcock. With the collaboration of Helen G. Scott. Rev. ed. New York: Simon and Schuster, 1984. Walker, Michael. Hitchcock′s Motifs. Amsterdam: Amsterdam University Press, 2005. Wollen, Peter. ″Hitch: a tale of two cities (London and Los Angeles).″ In: Paris Hollywood: writings on film London & New York: Verso, 2002. Wood, Robin. Hitchcock′s Films. London, A. Zwemmer; New York, A. S. Barnes, 1965. Wood, Robin. Hitchcock′s Films. South Brunswick, N.J.: A. S. Barnes, 1977. Wood, Robin. Hitchcock′s Films Revisited New York: Columbia University Press, 2002. Wood, Robin. ″The Murderous Gays: Hitchcock′s Homophobia.″ In: Out in Culture: Gay, Lesbian, and Queer Essays on Popular Culture. Ed. by Corey K. Creekmur and Alexander Doty. Durham: Duke University Press, 1995. 197-215. Yacowar, Maurice. Hitchcock′s British Films / by Maurice Yacowar. Hamden, Conn.: Archon Books, 1977. Yanal, Robert J. Hitchcock as Philosopher. Jefferson, N.C.: McFarland & Co., 2005. Zimmerman, Jacqueline Noll. ″Hitchcock, chaos, and the devils of unreason.″ In: People Like Ourselves: Portrayals of Mental Illness in the Movies. Lanham, Md.: Scarecrow Press, 2003. Zizek, Slavoj. Looking Awry: An Introduction to Jacques Lacan through Popular Culture. Cambridge, Mass.: MIT Press, 1991.

Journal articles

″Alfred Hitchcock, director.″ In: Newsweek 47 (June 11 1956): 105-8. ″All About Melodrama.″ In: Cahiers du Cinema, no537 (July/Aug. 1999): 20-24. Allen, Richard. ″Hitchcock, or the pleasures of metaskepticism.″ In: October 89 (Summer 1999): 69-86. Allen, Jeanne T. ″Jeanne T. Allen Responds to R. Barton Palmer′s ′The Metafictional Hitchcock: The Experience of Viewing and the Viewing of Experience in Rear Window and Psycho′.″ In: Cinema Journal 25.4 (Summer 1986): 54-58. Almansi, Renato J. Alfred. ″Hitchcock′s disappearing women: A study in scopophilia and object loss.″ In: International Review of Psycho-Analysis 19.1 (Spring 1992): 81-90 Bade, James N. ″Murnau′s The last laugh and Hitchcock′s subjective camera.″ In: Quarterly Review of Film and Video 23.3 (July-Sept 2006): 257-266. Barbarow, George. ″Hitchcockery.″ In: Hudson Review 4.4 (Winter 1952) 603 Barr, Charles. ″Hitchcock and Powell: Two Directions for British Cinema.″ In: Screen 46.1 (Spring 2005): 5-13. Beckman, Karen. ″Violent Vanishings: Hitchcock, Harlan, and the Disappearing Woman.″ In: Camera Obscura 39 (Sept. 1996): 78-103. Belton, John. ″Can Hitchcock Be Saved from Hitchcock Studies?″ In: Cineaste - America′s Leading Magazine on the Art and Politics of the Cinema 28.4 (Fall 2003): 16-21. Belton, John. ″Dexterity In A Void: The Formalist Esthetics Of Alfred Hitchcock.″ In: Cineaste 10.3 (Summer 1980): 9. Bogdanovich, Peter. ″Hitchcock par Hitchcock: Entretien avec Peter Bogdanovich.″ In: Cahiers du Cinema 537 (July/Aug 1999): p. 32-35. Braudy, Leo. ″Hitchcock, Truffaut, and the irresponsible audience.″ In: Film Quarterly 21.4 (Summer 1968): 21-27. Brent, Jessica. ″Beyond the gaze: visual fascination and the feminine image in silent Hitchcock.″ In: Camera Obscura 55 (May 2004): 77-122. Carson, Diane. ″The Nightmare World of Hitchcock′s Women.″ Michigan Academician 18.3 (Summer 1986): 349-356. Doherty, Thomas. ″We are all Hitchcock′s children.″ In: Chronicle of Higher Education 45.48 (August 6, 1999):B6 (2 pages). Durgnat, Ray. ″The business of fear.″ In: Sight and Sound 9.8 (Aug. 1999): suppl. p. 2-11. Durgnat, Ray & Gross, Larry. ″Hitchcock.″ (Filmography). In: Sight and Sound 9.8 (Aug. 1999): 1H (4 pages). Durgnat, Raymond. ″If the ′Punishment′ Fits.″ In: Film Comment (Jan.-Feb. 1997): V33; N1; 1997; 87 Dynia, Philip A. ″Alfred Hitchcock and the Ghost of Thomas Hobbes.″ In: Cinema Journal 15.2 (Spring 1976): 27. Edelman, Lee. ″Piss Elegant: Freud, Hitchcock, and the Micturating Penis.″ In: GLQ: A Journal of Lesbian and Gay Studies 2.1-2 (1995): 149-77. Ferrara, Patricia. ″The Discontented Bourgeois: Bourgeois Morality and the Interplay of Light and Dark Strains in Hitchcock′s Films.″ In: New Orleans Review 14.4 (Winter 1987): 79- 87. French, Philip. ″Alfred Hitchcock: The Film-Maker as Englishman and Exile″ In: Sight and Sound 54 (Spring 1985): 116-122. Garncarz, Joseph. ″German Hitchcock.″ In: Hitchcock Annual (2000-2001): 73-99. Garrett, Greg. ″Alfred Hitchcock and the Deviant Audience.″ In: New Orleans Review 18.4 (Winter 1991): 29-32. Gliatto, Tom. ″Wicked, Wicked Hitch: Alfred Hitchcock Took a Genius′s Diabolical Pleasure in Making Movie Audiences Shriek.″ In: People Weekly 52.11 (Sept 20, 1999): 252. Gottlieb, Sidney. ″Early Hitchcock: The German Influence.″ In: Hitchcock Annual (1999- 2000) 100-130. Hawkins, Joan. ″′See It from the Beginning′: Hitchcock′s Reconstruction of Film History.″ In: Hitchcock Annual (1999-2000): 13-29. Hemmeter, Thomas. ″Hitchcock′s Melodramatic Silence.″ In: Journal of Film and Video 48.1-2 (Spring-Summer 1996): 32-40. Hitchcock, Alfred. ″My Own Methods.″ In: Sight and Sound 6.22 (Summer 1937): 61. Hurley, Neil P. ″Soul in Suspense: The Catholic/Jesuit Influences on Hitchcock.″ In: New Orleans Review 17.4 (Winter 1990): 44-52. Kehr, Dave. ″Hitchcock′s riddle.″ In: Film Comment 20 (May/June 1984): 9-18. Lane, Anthony. ″In love with fear.″ In: The New Yorker 75.23 (Aug 16, 1999): 80-86. Lee, Sander H. ″Alfred Hitchcock: Misogynist or Feminist?″ In: Post Script 10.3 (Summer 1991): 38-48. McGilligan, Patrick. ″Alfred Hitchcock: Before the Flickers″ (includes early magazine stories from the Henley Telegraph). In: Film Comment 35.4 (July, 1999): 22. McNeill, David. ″Cohesion and Gesture.″ In: Discourse Processes: A Multidisciplinary Journal 16.4 (Oct.-Dec. 1993): 363-86. Montagu, Ivor. ″Working with Hitchcock.″ In: Sight and Sound 49.3 (Summer 1980): 186-93. Morgan, Jack. Alfred Hitchcock′s Juno and the Paycock.″ In: Irish University Review 24.2 (Fall-Winter 1994): 212-16 Morris, Christopher D. ″The Allegory of Seeing in Hitchcock′s Silent Films.″ In: Film Criticism 22.2 (Winter 1997): 27-48. Robinson, M. ″The Poetics of Camp in the Films of Alfred Hitchcock.″ In: Rocky Mountain Review of Language and Literature 54.1 (2000): 53-65. Stam, Robert. ″Hitchcock and Bunuel: Desire and the Law.″ In: Studies in the Literary Imagination 16.1 (Spring 1983): 7-27. Thomsen, Christian B. ″Hitchcock′s Fear/Hitchcocks Angst.″ In: Psyche & Logos. Special Issue: Anxiety 14.1 (1993): 195-203. Wollaeger, Mark A. ″Killing Stevie: Modernity, Modernism, and Mastery in Conrad and Hitchcock.″ In: Modern Language Quarterly 58.3 (Sept. 1997): 323-350. Zizek, Slavoj. ″Grimaces of the Real: Or, When the Phallus Appears.″ In: October 58 (Fall 1991): 45-68.

Articles and books on individual films Foreign Correspondent

Hall, S. ″Dial M for Murder.″ In: Film History 16.3 (2004): 243-55. Rossi, John. ″Hitchcock′s Foreign Correspondent (1940).″ In: Film & History 12.2 (1982): 25-35. Turner, George. ″Foreign Correspondent--The Best Spy Thriller Of All.″ In: American Cinematographer 76 (Aug. 1995): 75-81. Wood, B. ″Foreign Correspondence. The Rediscovered War Films of Alfred Hitchcock.″ In: Film Comment XXIX/4 (July-Aug. 1993): 54-58.

The Lady Vanishes

Beckman, Karen. ″Violent Vanishings: Hitchcock, Harlan, and the Disappearing Woman.″ In: Camera Obscura 39 (Sept. 1996): 78-103.

The Lodger

Allen, Richard. ″The Lodger and the Origins of Hitchcock′s Aesthetic.″ In: Hitchcock Annual (2001-2002): 38-78. Brill, L.W. ″Hitchcock′s The Lodger.″ In: Literature/Film Quarterly XI/4 (Oct. 1983): 257- 265. Manvell, Roger. ″Revaluations: The Lodger.″ In: Sight and Sound 19.9 (Jan. 1951): 377.

The Man Who Knew Too Much

Coe, Jonathan. ″The Man Who Knew Too Much.″ In: Sight and Sound 9.9 (Sept. 1999): 50. Hark, Ina Rae. ″Keeping your Amateur Standing: Audience Participation and Good Citizenship in Hitchcock′s Political Films.″ In: Cinema Journal XXIX/2 (Winter 1990): 8- 22. McEwen, Duncan. ″Hitchcock: An analytic movie review.″ In: Psychoanalytic Review 74.3 (Fall 1987): 401-409. Pulleine, Tim. ″The Man Who Knew Too Much.″ In: Films and Filming 358 (July 1984): 20- 21. Smith, Murray. ″Altered States: Character and Emotional Response in the Cinema.″ In: Cinema Journal XXXIII/4 (Summer 1994): 34-56. Murder

Combs, Richard. ″Hitchcock′s German double.″ In: Sight and Sound 59.4 (Autumn 1990): 220-221. Rothman, William. ″Alfred Hitchcock′s Murder!″ In: Wide Angle IV/1, 80: 54-61.

Sabotage (based on Joseph Conrad′s Secret Agent)

Cohen, Paula Marantz. ″The Ideological Transformation of Conrad′s ′The Secret Agent′ Into Hitchcock′s ′Sabotage.′″ In: Literature-Film Quarterly 22.3 (July 1994): 199-209. Fleishman, Avrom. ″The Secret Agent Sabotaged?″ In: Conrad on Film. Ed. by Gene M. Moore. Cambridge & New York: Cambridge Univ. Press, 1997. 48-60. Halliwell, Martin. Images of Idiocy: The Idiot Figure in Modern Fiction and Film. Aldershot, England & Burlington, VT: Ashgate, 2004. Hemmeter, Thomas. ″Adaptation, History, and Textual Suppression: Literary Sources of Hitchcock′s Sabotage.″ In: Literature and Film in the Historical Dimension: Selected papers from the Fifteenth Annual Florida State University. Gainesville: University Press of Florida, 1994. 149-161. Ingersoll, Earl G. ″Conrad and Film: The Secret Agent and Hitchcock′s Sabotage.″ In: Conradiana 29.2 (Summer 1997): 134-49. Leitch, Thomas M. ″Murderous Victims in The Secret Agent and Sabotage.″ In: Literature/ Film Quarterly 14.1 (1986): 64-68. Osteen, Mark. ″″It doesn′t pay to antagonize the public″: ′Sabotage′ and Hitchcock′s audience.″ In: Literature-Film Quarterly 28.4 (Oct. 2000): 259-268. Roth, Marty. ″Hitchcock′s Secret Agency.″ In: Camera Obscura 30 (May 1992): 35-48. Schneider, Lissa. ″The Woman Alone in Conrad and Hitchcock.″ In: Conrad on Film. Ed. by Gene M. Moore. Cambridge; New York: Cambridge University Press, 1997. 61-77. Speidel, Suzanne. ″Time of Death in Joseph Conrad The Secret Agent and Alfred Hitchcock′s Sabotage″ In: The Classic Novel: From Page to Screen. Ed. by Robert Giddings and Erica Sheen. Manchester: Manchester University Press, 2000. 131-146. Wollaeger, Mark A. ″Killing Stevie: Modernity, Modernism, and Mastery in Conrad and Hitchcock.″ In: Modern Language Quarterly 58.3 (Sept. 1997): 323-50. Saboteur

″Alfred Hitchcock′s ′Saboteur′.″ In: Theatre Arts 26.5 (May 1942): 319. Deutelbaum, Marshall. ″Seeing in Saboteur.″ In: Literature/ Film Quarterly, vol. 12 no. 1. 1984. pp: 58-64. Leitch, Thomas M. ″Murderous Victims in The Secret Agent and Sabotage.″ In: Literature/ Film Quarterly 14.1 (1986): 64-68. Osteen, Mark. ″″It doesn′t pay to antagonize the public″: ′Sabotage′ and Hitchcock′s audience.″ In: Literature-Film Quarterly 28.4 (Oct. 2000): 259-268. Smith, Susan. ″Disruption, Destruction, Denial: Hitchcock as Saboteur Alfred.″ In: Alfred Hitchcock: Centenary Essays. Ed. by Richard Allen and S. Ishii-Gonzales. London: British Film Institute, 1999. 45-57. Turner, George. ″Saboteur: Hitchcock Set Free″ (Pt. I). In: American Cinematographer LXXIV/11 (Nov. 1993): 67-72. Turner, George. ″Saboteur: Hitchcock Set Free″ (Pt. II). In: American Cinematographer LXXIV/12 (Dec. 1993): 88-93.

Secret Agent Roth, M. ″Hitchcock′s Secret Agency.″ In: Camera Obscura 30 (May 1993): 34-49.

Thirty-Nine Steps

Camp, J. ″John Buchan and Alfred Hitchcock.″ In: Literature/Film Quarterly VI/3 (Summer 1978): 230-240. Devas, Angela. ″How to Be a Hero: Space, Place and Masculinity in The 39 Steps.″ In: Journal of Gender Studies 14.1 (Mar. 2005): 45-54. Glancy, H. Mark. The 39 Steps London: I. B. Tauris, 2003. Hark, Ina Rae. ″Keeping your Amateur Standing: Audience Participation and Good Citizenship in Hitchcock′s Political Films.″ In: Cinema Journal XXIX/2 (Winter 1990): 8- 22. Miller, Toby. ″Thirty-Nine Steps to ′The Borders of the Possible′: Alfred Hitchcock, Amateur Observer and the New Cultural History.″ In: Alfred Hitchcock: Centenary Essays. Ed. by Richard Allen and S. Ishii-Gonzales. London: British Film Institute, 1999. 301-314. McDougal, Stuart Y. ″Mirth, Sexuality and Suspense: Alfred Hitchcock′s Adaptation of ′The Thirty-Nine Steps′.″ In: Literature/Film Quarterly 3.3 (Summer 1975): 232. Phillips, Louis. ″The Hitchcock Universe: Thirty-nine Steps and Then Some.″ In: Films in Review 46.3-4 (March-April, 1995): 22-27. Ryall, Tom. ″One Hundred and Seventeen Steps toward Masculinity.″ In: You Tarzan: Masculinity, Movies and Men. Ed. by Pat Kirkham and Janet Thumim. New York: St. Martin′s Press, 1993. 153-166.