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The Early Hitchcock - the British Years The Early Hitchcock - The British Years HS Brandt (University of Siegen) Books and book chapters Adair, Gene. Alfred Hitchcock: Filming our Fears. Oxford & New York: Oxford University Press, 2002. After Hitchcock: Influence, Imitation, and Intertextuality. Ed. by David Boyd and R. Barton Palmer. 1st ed. Austin, TX: University of Texas Press, 2006. Alfred Hitchcock: In Conversations with the Great Moviemakers of Hollywood′s Golden Age at the American Film Institute. Ed. and with an introduction by George Stevens, Jr. 1st ed. New York: A. A. Knopf, 2006. Alfred Hitchcock: Centenary Essays. Ed. by Richard Allen and S. Ishii-Gonzales. London: British Film Institute, 1999. Alfred Hitchcock: Interviews. Ed. by Sidney Gottlieb. Jackson: University Press of Mississippi, 2003. Allen, Richard, and S. Ishii-Gonzalès, eds. Alfred Hitchcock: Centenary Essays. London: British Film Institute, 1999. Allen, Richard. ″Daphne du Maurier and Alfred Hitchcock.″ In: A companion to literature and film. Ed. by Robert Stam, Alessandra Raengo. Malden, MA, & Oxford: Blackwell Pub., 2004. Auiler, Dan. Hitchcock′s Notebooks: An Authorized and Illustrated Look Inside the Creative Mind of Alfred Hitchcock. 1st ed. New York: Spike, 1999. Barr, Charles. English Hitchcock. Moffat: Cameron & Hollis, 1999. Barr, Charles. ″Stannard and Hitchcock.″ In: Young and Innocent? The Cinema in Britain, 1896-1930. Ed. by Andrew Higson. Exeter: University of Exeter Press, 2002. Bazin, Andre. The Cinema of Cruelty: From Bunuel to Hitchcock . Ed. and with an introduction by Francois Truffaut. 1st ed. New York: Seaver Books, 1982. Bellour, Raymond. L′Analyse du Film. Paris: Albatros, 1979. Bellour, Raymond. The Analysis of Film. Ed. by Constance Penley. Bloomington: Indiana University Press, 2000. Bogdanovich, Peter. The Cinema of Alfred Hitchcock. New York: Museum of Modern Art Film Library; distributed by Doubleday, Garden City, N.Y., 1963. Bogdanovich, Peter. Who the Devil Made It. New York: Alfred A. Knopf: Random House, 1997. Booker, M. Keith. ″American Film in the Long 1950s: From Hitchcock to Disney.″ In: The Post-Utopian Imagination: American Culture in the Long 1950s. Westport, Conn.: Greenwood Press, 2002. Brill, Lesley. The Hitchcock Romance: Love and Irony in Hitchcock′s Films. Princeton, N.J.: Princeton University Press, 1988. Carson, Diane. ″The Nightmare World of Hitchcock′s Women.″ Florida State University Conference on Literature and Film. In: The Kingdom of Dreams in Literature and Film: Selected Papers from the Tenth Annual Florida State University Conference on Literature and Film / Ed. by Douglas Fowler. Tallahassee: University Presses of Florida, 1986. 11-20. Chandler, Charlotte. It′s Only a Movie: Alfred Hitchcock. A Personal Biography New York: Simon & Schuster, 2005. Cohen, Tom. Anti-Mimesis from Plato to Hitchcock. Cambridge & New York: Cambridge University Press, 1994. Cooke, Lez. ″Hitchcock and the Mechanics of Cinematic Suspense.″ In: Twentieth-Century Suspense: The Thriller Comes of Age. Ed. by Clive Bloom. New York: St. Martin′s Press, 1990. 189-202. Drumin, William A. Thematic and Methodological Foundations of Alfred Hitchcock′s Artistic Vision. Lewiston: Edwin Mellen Press, 2004. Dufreigne, Jean-Pierre. Hitchcock Style. New York, NY: Assouline, 2004. Duncan, Paul. Alfred Hitchcock: Architect of Anxiety, 1899-1980. Köln: Taschen, 2003. Durgnat, Raymond. The Strange Case of Alfred Hitchcock: Or, The Plain Man′s Hitchcock / Raymond Durgnat. Cambridge, Mass.: MIT Press, 1974. Everything You always Wanted to Know About Lacan (But were Afraid to Ask Hitchcock). Ed. by Slavoj Zizek. London; New York: Verso, 1992. Framing Hitchcock: Selected essays from the Hitchcock Annual. Detroit: Wayne State University Press, 2002. Godard, Jean Luc. ″Hitchcock and the Power of Cinema.″ In: Cinema: the Archeology of Film and the Memory of a Century. Oxford, UK & New York: Berg, 2005. GoGwilt, Christopher. The Fiction of Geopolitics: Afterimages of Culture from Wilkie Collins to Alfred Hitchcock. Stanford: Stanford University Press, 2000. Goodwin, James. ″Conrad and Hitchcock: Secret Sharers.″ In: The English Novel and the Movies. Ed. by Michael Klein and Gillian Parker. New York: Ungar, 1981. 218-227. Greven, David. ″Engorged with Desire: The Films of Alfred Hitchcock and the Gendered Politics Eating.″ In: Reel Food: Essays on Food and Film. Ed. by Anne L. Bower. New York: Routledge, 2004. Haeffner, Nicholas. Alfred Hitchcock. Harlow, England & New York: Pearson Longman, 2005. Hare, William. Hitchcock and the methods of suspense Jefferson, N.C.: McFarland, 2007. Hepworth, John. ″Hitchcock′s Homophobia.″ In: Out in Culture: Gay, Lesbian, and Queer Essays on Popular Culture. Ed. by Corey K. Creekmur and Alexander Doty. Durham: Duke University Press, 1995. 186-96. Hitchcock, Alfred. ″The benefits of shock.″ In: The Dangerous Edge. Ed. Gavin Lambert. London: Barrie & Jenkins, 1975. Hitchcock, Alfred. Hitchcock on Hitchcock: Selected Writings and Interviews. Ed. by Sidney Gottlieb. Berkeley: University of California Press, 1995. ″Hitchcock and moralist narrative.″ In: Great Film Directors: A Critical Anthology. Ed. by Leo Braudy and Morris Dickstein New York: Oxford University Press, 1978. A Hitchcock Reader. Ed. by Marshall Deutelbaum and Leland Poague. Ames: Iowa State University Press, 1986. Hughes, Rowland. ″Shadows and doubts: Hitchcock, genre and villainy.″ In: The Devil Himself: Villainy in Detective Fiction and Film. Ed. by Stacy Gillis and Philippa Gates. Westport, Conn.: Greenwood Press, 2002. Hunter, Evan. Me and Hitch. London: Faber, 1997. Hurley, Neil P. Soul in Suspense: Hitchcock′s Fright and Delight. Metuchen, N.J.: Scarecrow Press, 1993. Hurley, Neil P. ″Alfred Hitchcock.″ In: Religion in film / Ed. by John R. May and Michael Bird 1st ed Knoxville: University of Tennessee Press, 1982. Kapsis, Robert E. Hitchcock: The Making of a Reputation / Robert E. Kapsis. Chicago: University of Chicago Press, 1992. Kolker, Robert P. ″Algebraic Figures: Recalculating the Hitchcock Formula.″ In: Play It Again, Sam: Retakes on Remakes. Ed. by Andrew Horton and Stuart Y. McDougal; with an afterword by Leo Braudy. Berkeley: University of California Press, 1998. 34-51. Krohn, Bill. Hitchcock at Work London: Phaidon, 2000. LaValley, Albert J. Focus on Hitchcock. Ed. by Albert J. LaValley. Englewood Cliffs, N.J., Prentice-Hall, 1972. Leitch, Thomas M. The Encyclopedia of Alfred Hitchcock. New York, NY: Facts on File, 2002. Leitch, Thomas M. Find the Director and Other Hitchcock Games. Athens: University of Georgia Press, 1991. Magistrale, Tony. ″The Terror of Hitchcock.″ In: Abject Terrors: Surveying the Modern and Postmodern Horror Film. New York: Peter Lang, 2005. Marantz Cohen, Paula. Alfred Hitchcock: The Legacy of Victorianism. Lexington, Ky.: University Press of Kentucky, 1995. Maxford, Howard. The A-Z of Hitchcock. London: B.T. Batsford, 2002. McDougal, Stuart Y. ″The Director Who Knew Too Much: Hitchcock Remakes Himself.″ In: Play It Again, Sam: Retakes on Remakes. Ed. by Andrew Horton and Stuart Y. McDougal; with an afterword by Leo Braudy. Berkeley: University of California Press, 1998. 52-69. McElhaney, Joe. The Death of Classical Cinema: Hitchcock, Lang, Minnelli. Albany: State University of New York Press, 2006. McGilligan, Patrick. Alfred Hitchcock: a life in darkness and light / Patrick McGilligan. 1st ed. New York: Regan Books, 2003. Metz, Walter. ″Modernity in Fritz Lang and Alfred Hitchcock.″ In: Cinema and modernity. Ed. by Murray Pomerance. New Brunswick, N.J.: Rutgers University Press, 2006. Modleski, Tania. The Women Who Knew Too Much: Hitchcock and Feminist Theory. New York: Methuen, 1988. Mogg, Ken. The Alfred Hitchcock Story. London: Titan, 1999. Mogg, Ken. ″Hitchcock made only one horror film: matters of time, space, causality, and the Schopenhauerian will.″ In: Dark Thoughts: Philosophic Reflections on Cinematic Horror. Ed. by Steven Jay Schneider, Daniel Shaw. Lanham, Md.: Scarecrow Press, 2003. Morris, Christopher D. The Hanging Figure: On Suspense and the Films of Alfred Hitchcock Westport, Conn.: Praeger, 2002. Orr, John. Hitchcock and twentieth-century cinema London & New York: Wallflower, 2005. Perry, George C. The Films of Alfred Hitchcock. New York: Dutton, 1965. Perry, George C. Hitchcock / George Perry. London: Macmillan, 1975. Perry, Dennis R. Hitchcock and Poe: The Legacy of Delight and Terror. Lanham, Md.: Scarecrow Press, 2003. Perspectives on Alfred Hitchcock. Ed. by David Boyd. New York: G.K. Hall, 1995. Phillips, Gene D. Alfred Hitchcock. Boston: Twayne Publishers, 1984. Pomerance, Murray. An Eye for Hitchcock. New Brunswick, N.J.: Rutgers University Press, 2004. Pomerance, Murray. ″Hitchcock and the dramaturgy of screen violence.″ In: New Hollywood violence. Ed. by Steven Jay Schneider. Manchester & New York: Manchester University Press & New York: Distributed in the USA by Palgrave, 2004. Price, Theodore. Hitchcock and Homosexuality: His 50-year Obsession with Jack the Ripper and the Superbitch Prostitute. A Psychoanalytic View. Metuchen, N.J.: Scarecrow Press, 1992. Rothman, William. Hitchcock – The Murderous Gaze. Cambridge, Mass.: Harvard University Press, 1982. Rothman, William. ″Thoughts on Hitchcock′s authorship.″ In: The ′I′ of the Camera: Essays in Film Criticism, History, and Aesthetics. Cambridge et al: Cambridge Univ. Press, 2004. Royer, Carl. ″′And I brought you nightmares′: The play of horror in Hitchcock′s films.″ In: The Spectacle of Isolation in Horror Films: Dark Parades New York: Haworth Press, 2005. Ryall,
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