DOCSLIB.ORG

Nationalism in RK Narayan's the Guide' and Syed

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nationalism in RK Narayan's the Guide' and Syed Global Journal of HUMAN-SOCIAL SCIENCE: A Arts & Humanities - Psychology Volume 21 Issue 5 Version 1.0 Year 2021 Type: Double Blind Peer Reviewed International Research Journal Publisher: Global Journals Online ISSN: 2249-460x & Print ISSN: 0975-587X Nationalism in R.K Narayan’s The Guide’ and Syed Waliullah's ‘The Ugly Asian’: A Comparative Study By K. M. Wazed Kabir & Fahmida Haque Nishi Green University of Bangladesh Abstract- Nativism or nationalism both carried one strong message of love, devotion, dedication for a country from an individual, a group of people to a whole nation. It is an ideology, a belief that holds people together living in the same country but with different cultures, languages, traditions, education, religion, and a different perspective of seeing life. This research delved into performing a comparative and theoretical analysis of R K Narayan's The Guide and Syed Waliullah's The Ugly Asian. Here the paper is based on nativism or nationalism, the attitude and the actions of the characters presented in the books with the point of view of the writers. R K Narayan's The Guide pictured a rural man and his journey, journey toward finding himself, finding his unconditional love for people, and finding the nationalist under his bare skin where the heartbeats. Syed Waliullah's The Ugly Asian is breaking the chain which tries to suffocate freedom of the country, whether it is the fraudulent and anti-people government or the bloodsucking white-skin colonial people. Keywords: malgudi, government, colonialism, culture,class, nationalism. GJHSS-A Classification: FOR Code: 190499 NationalisminRKNarayansTheGuideandSyedWaliullahsTheUglyAsianAComparativeStudy Strictly as per the compliance and regulations of: © 2021. K. M. Wazed Kabir & Fahmida Haque Nishi. This is a research/review paper, distributed under the terms of the Creative Commons Attribution-Noncommercial 3.0 Unported License http://creativecommons.org/licenses/by-nc/3.0/), permitting all non- commercial use, distribution, and reproduction in any medium, provided the original work is properly cited. Nationalism in R.K Narayan’s The Guide’ and Syed Waliullah's ‘The Ugly Asian’: A Comparative Study α σ K. M. Wazed Kabir & Fahmida Haque Nishi Abstract - Nativism or nationalism both carried one strong his melodious song is the national anthem of message of love, devotion, dedication for a country from an Bangladesh which was written by India's greatest individual, a group of people to a whole nation. It is an poet and Nobel prize winner Rabindranath Tagore, ideology, a belief that holds people together living in the same T in 1905. This song was written to support the 'Banga country but with differen t cultures, languages, traditions, education, religion, and a different perspective of seeing life. Bhango Rodh' movement when the governing British This research delved into performing a comparative and Empire had an undivided Bengal Presidency split into theoretical analysis of R K Narayan's The Guide and Syed two sections, the Hindu majority lived in the western 2021 Waliullah's The Ugly Asian. Here the paper is based on part, while the Muslim majority lived in the eastern part. nativism or nationalism, the attitude and the actions of the The Partition of Bengal led to 1947 when the British ear Y characters presented in the books with the point of view of the eventually left India after three centuries, the writers. R K Narayan's The Guide pictured a rural man and his 39 subcontinent was divided into two separate nations; journey, journey toward finding himself, finding his India and Pakistan and later on Bangladesh gained unconditional love for people, and finding the nationalist under independence from Pakistan. his bare skin where the heartbeats. Syed Waliullah's The Ugly Asian is breaking the chain which tries to suffocate freedom of Ayesha Jalal, a renowned Pakistani historian the country, whether it is the fraudulent and anti-people mentions that partition was a significant historical event government or the bloodsucking white-skin colonial people. in the twentieth-century that took place in South Asia. This research paper focuses on these two books which were She states it written around 1960, giving the postcolonial framework with “. A defining moment that is neither beginning nor end, the differences in tradition and culture which emerge with the partition continues to influence how the peoples and nativism or nationalism. On a final note, the link between the states of postcolonial South Asia envisage their past, South Asian writers’ stories and feelings about life and its present, and future."(Dalrymple 2015). surroundings has been thoughtfully explained through this study. The settings, events, characterizations, and uses of the The British exploited and dehumanized the language portray the positivities and negativities of the Asian people in the name of civilization. British rule had ) A selected novels based on the main topic. The hypothesis has a huge impact on conventional South Asian culture. ( been influenced by the opinions of their authors towards their Human has to go through the mental pain, physical Volume XXI Issue V Version I works and helps to concentrate on nativism or nationalism. torture, massacres, forced conversions in religion and Keywords: malgudi, government, colonialism, sexual violence because of the colonizers and the culture,class, nationalism. partition. That's why the writers from South Asian countries present human relations, economic I. Introduction - development, political systems over the country, human “আ মা র সা না র বা া ং লা আ ম ম সা মা 붼 ভা ল বা ম মি র মি ন সা development, and their journey through the British মা র আ কা শ মি র মি ন সা মা র আ কা শ , period in the Post-Colonial writings. Many literature novels, short stories, poetry, সা মা র বা া আ মা র প্ রা ণ ে — non-fiction works, movies describe the human sacrifice ও মা , and compromises of gaining independence. R. K. Narayan and Syed Waliullah belong to the South Asian আ মা র প্ রা ণ ে বা জা 붼 বা মা ঁ শ সানা Countries of India and Bangladesh. Most of the works of রবাাং লাআমমসামা붼ভালবা color like Narayan's The Guide and Waliullah's The Ugly ম “ Asian uplifted the post-colonial situation which includes Global Journal of Human Social Science The translation is- the cultural and traditional form of the society, corruption “My golden Bengal, I love you. of the government, decolonization, and nationalism. Forever thy skies, thy air set my heart in tune as if it were a R. K. Narayan whose full name is Rasipuram flute, Krishnaswami Iyer Narayanaswami was an Indo-English My golden Bengal, I love you.” - Tagore writer famously known for changing modern Indian Author α: Associate Professor and Chairperson, Department of English, history. He was born on Oct. 10, 1906, in Madras, India. Green University of Bangladesh, Bangladesh. Swami and Friends (1935) was Narayan's first book, e-mail: [email protected] written when he was 29 years old. After that, his pen Author σ: Research Fellow, Department of English, Green University of never stopped till his last days. He wrote fourteen Bangladesh, Bangladesh. ©2021 Global Journals Nationalism in R.K Narayan’s The Guide’ and Syed Waliullah's ‘The Ugly Asian’: A Comparative Study novels, over two hundred short stories, a biography, two Tarangabhanga. Waliullah wrote The Ugly Asian in travel books, countless essays, two plays, and an English, which he had written under a pen name. His autobiography My Days during his long career. He is childhood was full of travelling as Syed Ahmadullah, his known as the most prominent writer of early Indian father was a government officer. Waliullah travelled to literature in English including Mulk Raj Anand and Raja many places in Bengal and got to know the culture, the Rao. rural life closely. Most of the characters of his writings Narayan created a fictional South-Indian town and the story plot inspired by his early childhood called Malgudi and sets most of his writing backgrounds memories and experience. over there. His language was simple, vibrant and day-to- Niaz Zaman, the book's editor, mentions in the day used as a result it is easy for any age reader to flow novel's Introduction that Khadija Zaman who was with the story. His ideas expressed themes like Waliullah's stepmother's sister shares their memories. nostalgia, exile and return tradition and modernity, the She mentions when Waliullah was living with his father, family, the woman's place in society, education, Malgudi he would sometimes pass a "shrine" that was covered in and its culture, appearance, and truth, myths and the red cloth and he got the idea for writing Lalsalu. early Indian past, and many more. Waliullah was one of the prominent classical 2021 The Guide is R. K. Narayan's one of the most modernist writers. He along with Sikandar Abu Zafar, ear renewed novels published in 1958s which Narayan Shanaul Haq belongs to the Bengali writer’s group who Y called the work “totally Indian”. It is one of R. K. believe in Marxist theory. He is also an existentialist. In 40 Narayan's English language post-independence novels his writing class discrimination presents a major part. which gained him enormous popularity both at home The partition of Bengal arose this class discrimination and abroad soon after it was released. In 1960, Narayan along with the caste problem. In his writing, we see that won the Sahitya Academy Award for The Guide, and Muslims are also divided into two parts. One who later in 1965, it was released as a movie. Like his other claimed themselves as the representative of Allah, they novels, this novel is also set in Narayan's fictional town are followed by the illiterate and hypocrite people and of Malgudi in South Indian.
Load more

Recommended publications
  • Representing Identity in Cinema: the Case of Selected
    REPRESENTING IDENTITY IN CINEMA: THE CASE OF SELECTED INDEPENDENT FILMS OF BANGLADESH By MD. FAHMIDUL HOQUE Thesis submitted in fulfillment of the requirement For the degree of Doctor of Philosophy June 2010 ACKNOWLEDGEMENT I must acknowledge first and offer my gratitude to my supervisor, Dr. Shanthi Balraj, Associate Professor, School of Arts, Universiti Sains Malaysia (USM), whose sincere and sensible supervision has elevated the study to a standard and ensured its completion in time. I must thank the Dean and Deputy Dean of School of Arts, USM who have taken necessary official steps to examining the thesis. I should thank the Dean of Institute of Post-graduate Studies (IPS) and officials of IPS who have provided necessary support towards the completion of my degree. I want to thank film directors of Bangladesh – Tareque Masud, Tanvir Mokammel, Morshedul Islam, Abu Sayeed – on whose films I have worked in this study and who gave me their valuable time for the in-depth interviews. I got special cooperation from the directors Tareque Masud and Catherine Masud who provided enormous information, interpretation and suggestions for this study through interview. Tanvir Mokammel was very kind to provide many materials directly related to the study. I must mention the suggestions and additional guidance by film scholar Zakir Hossain Raju who especially helped me a lot. His personal interest to my project was valuable to me. It is inevitably true that if I could not get the support from my wife Rifat Fatima, this thesis might not be completed. She was so kind to interrupt her career in Dhaka, came along with me to Malaysia and gave continuous support to complete the research.
    [Show full text]
  • Hawthorne's Dimmesdale and Waliullah's Majeed Are Not Charlatan
    English Language and Literature Studies; Vol. 10, No. 3; 2020 ISSN 1925-4768 E-ISSN 1925-4776 Published by Canadian Center of Science and Education Hawthorne’s Dimmesdale and Waliullah’s Majeed Are Not Charlatan: A Comparative Study in the Perspective of Destabilized Socio-Religious Psychology Tanzin Sultana1 1 Department of English, BGC Trust University Bangladesh, Chandanaish, Chattogram, Bangladesh Correspondence: Tanzin Sultana, Department of English, BGC Trust University Bangladesh, Chandanaish, Chattogram, Bangladesh. E-mail: [email protected] Received: April 25, 2020 Accepted: June 8, 2020 Online Published: June 23, 2020 doi:10.5539/ells.v10n3p1 URL: https://doi.org/10.5539/ells.v10n3p1 Abstract The purpose of this paper is to discuss comparatively Hawthorne’s The Scarlet Letter and Waliullah’s Tree Without Roots to address the social and religious challenges behind the psychology of a man. Dimmesdale and Majeed are not hypocritical. Nathaniel Hawthorne is an important American novelist from the 19th century, while Syed Waliullah is a famous South Asian novelist from the 20th century. Despite being the authors of two different nations, there is a conformity between them in presenting the vulnerability of Dimmesdale and Majeed in their novels. Whether a religious practice or not, a faithful religion is a matter of a set conviction or a force of omnipotence. If a man of any class in an unfixed socio-religious environment finds that he is unable to survive financially or to fulfill his latent propensity, he subtly plays with that fixed belief. In The Scarlet Letter, the Puritan Church minister, Arthur Dimmesdale cannot publicly confess that he is also a co-sinner of Hester’s adultery in Salem.
    [Show full text]
  • Book List of PIB Library
    Book List of PIB Library Sl . No. Autho r/Editor Title Year of Publication 1. Aaker, David A. Advertising management 1977 2. Aaker, David A. Advertising management: practical perspectives 1975 3. Aaron, Daniel (ed.) Paul Eimer More’s shelburne essays on American literature 1963 4. Abbo t, Waldo. Handbook of broadcasting: the fundamentals of radio and 1963 television 5. Abbouhi, W.F. Political systems of the middle east in the 20 th century 1970 6. Abcarian, Cilbert Contemporary political systems: an introduction to government 1970 7. Abdel -Agig, Mahmod Nuclear proliferation and hotional security 1978 8. Abdullah, Abu State market and development: essays in honour of Rehman 1996 Sobhan 9. Abdullah, Farooq. My dismissal 1985 10. Abdullah, Muhammad Muslim sampadita bangla samayikpatra dharma o sam aj chinta 1995 (In Bangla) 11. Abecassis, David Identity, Islam and human development in rural Bangladesh 1990 12. Abel, Ellie. (ed.) What’s news: the media in American society 1981 13. Abir, Syed. Bangabandhu Sheikh Mujib: alaukik mohima (In Bangla) 2006 14. Abra ham, Henry J. The judicial process: an introductory analysis of the courts of the 1978 United States, England and France 15. Abrams, M. H. Natural supernaturalism: tradition and revolution in romantic 1973 literature 16. Abramson, Norman Information theory and coding 1963 17. Abundo, Romoo B. Print and broadcast media in the South pacific 1985 18. Acharjee, Jayonto Anusandhani pratibedan dristir antarate (In Bangla) 2003 19. Acharya, P. Shabdasandhan Shabdahidhan (In Bangla) - 20. Acharya, Rabi Narayan Television in India: a sociological study of policies and 1987 perspectives 21. Acharya, Ram Civil aviation and tourism administration in India 1978 22.
    [Show full text]
  • Rural Life and Superstitious Belief in the Selected Novels of Syed Waliullah and R
    Annals of Language and Literature Volume 3, Issue 4, 2019, PP 38-45 ISSN 2637-5869 Rural Life and Superstitious Belief in the Selected Novels of Syed Waliullah and R. K. Narayan K.M. Wazed Kabir1*, Mahpara Binte Kibria2 1Associate Professor& Chairperson, Department of English, Green University of Bangladesh 2Research Fellow, Department of English, Green University of Bangladesh *Corresponding Author: K.M. Wazed Kabir, Associate Professor& Chairperson, Department of English, Green University of Bangladesh ABSTRACT Tree without Roots is one of the most famous novels written by Syed Waliullah. Here the study is based on picture of rural life and superstitious faith in 20th-century Bangladesh and India. The analysis is developed based on rural life, root of existence, patriarchal power, illiteracy, superstitious faith, business of religion, sadism, religion as a game of money, patriarchy, baseless truth, all of which are presented in novels, Tree Without Roots by Waliullah as well as The English Teacher and The Bachelor of Arts by Narayan. Through this investigation, the practical image and grim truth of 20th-century India and Bangladesh are clearly exposed. Thus this study is carried out through the comparative discussion between Waliullah’s and Narayan’s treatment of society and human behavior. It would like to show a novel dimension of their literary works through art of characterization and plot-construction. Keywords: Rural Life Style, Business of Religion, Illiteracy, Prejudice, Superstitious Belief. INTRODUCTION by Kalimullah, Anne-Marie Thibaud and Qaisar Sayeed, respectively. In an essay “Syed Waliullah Existentialism, Nostalgia, Nationalism” NiazZaman points out On the other hand, R.K. Narayan is one of the that Syed Waliullah was born on 15 August most famous and widely read Indian novelists.
    [Show full text]
  • Bengali Language Handbook
    R E- F 0 R T RESUMES ED 012 911 48 AL 000 604 BENGALI LANGUAGE HANDBOOK. BY- RAY, FUNYA SLOKA AND. OTHERS CENTER FOR APPLIED LINGUISTICS, WASHINGTON, D.C. REPORT NUMBER BR-5 -1242 PUB DATE 66' CONTRACT OEC -2 -14 -042 EDRS PRICE MF$0.75 HC-$6.04 15IF. DESCRIPTORS-*BENGALI, *REFERENCE BOOKS, LITERATURE GUIDES, CONTRASTIVE LINGUISTICS, GRAMMAR, PHONETICS, CULTURAL BACKGROUND, SOCIOLINGUISTICS, WRITING, ALPHABETS, DIALECT STUDIES, CHALIT, SADHU, INDIA, WEST BENGAL, EAST PAKISTAN, THIS VOLUME OF THE LANGUAGE HANDBOOK SERIES IS INTENDED TO SERVE AS AN OUTLINE OF THE SALIENT FEATURES OF THE BENGALI LANGUAGE SPOKEN BY OVER 80 MILLION PEOPLE IN EAST PAKISTAN AND INDIA. IT WAS WRITTEN WITH SEVERAL READERS IN MIND-.-(1) A -LINGUIST INTERESTED IN BENGALI BUT NOT HIMSELF A SPECIALIST INTHE LANGUAGE,(2) AN INTERMEDIATE OR ADVANCED STUDENT WHO WANTS A CONCISE'GENERAL PICTURE OF THELANGUAGE AND ITS SETTING, AND (3) AN AREA SPECIALIST WHO NEEDS BASIC LINGUISTIC OR SOCIOLINGUISTIC FACTS ABOUT THE AREA. CHAPTERS ON THE LANGUAGE SITUATION, PHONOLOGY, AND ORTHOGRAPHY. PRECEDE THE LINGUISTIC ANALYSIS OF MORPHOLOGY AND SYNTAX. ALTHOUGH THE LINGUISTIC DESCRIPTION IS NOT INTENDED TO BE DEFINITIVE, IT USES TECHNICAL TERMINOLOGY AND ASSUMES THE READER HAS PREVIOUS KNOWLEDGE OF LINGUISTICS. STRUCTURAL DIFFERENCES 'BETWEEN BENGALI AND AMERICAN ENGLISH ARE DISCUSSED AS ARE THE DIFFERENCES BETWEEN SADHU STANDARD AND CHALIT STANDARD BENGALI. THE DACCA DIALECT AND THE CHITTAGONG DIALECT ARE BRIEFLY TREATED AND THEIR GEOGRAPHICAL DISTRIBUTION IS SHOWN ON A MAP OF BENGALI DIALECTS. FINAL CHAPTERS SURVEY THE . HISTORY OF BENGALI LITERATURE, SCIENCE, AND LITERARY CRITICISM. THIS HANDBOOK IS ALSO AVAILABLE FOR $3.00 FROM THE CENTER FOR APPLIED LINGUISTICS, 1717 MASSACHUSETTS AVENUE, WW., WASHINGTON, D.C., 20036.
    [Show full text]
  • Power in Lalsalu by Syed Waliullah a Foucauldian Study
    Power in Lalsalu by Syed Waliullah: A Foucauldian Study K. M. Wazed Kabir* Md. Shamim Mondol** Abstract Syed Waliullah's Lalsalu written in the backdrop of remote rural northern village of Bangladesh covering the time period after the division of Bengal is considered as a realistic novel and has already been a classic in Bangla literature. The novel is based on and around Majeed , a rootless man laying foundation on a chance discovery and its establishment as a socio-cultural, economic and political center using his bare capital of mere religious knowledge to become one and only authority from a non-entity. The way Majeed deals with the affairs, uproot probable challenging agents, faces whatever creeps up and thwarts through availing power, producing knowledge, establishing truth amidst resistance quite fit into the concept of power propounded by Michael Foucault which is quite different and deviated from the common perception of power as a type of possession by some privileged groups or individuals. The way power emerges and is applied with capillary circulation in this novel follows Foucault in a very explicit manner. This study aims at analyzing the text Lalsalu by Syed Waliullah from Foucauldian approach to show how power operates in the text reversing the traditional concept and affirming Foucault’s stand. Keywords: Lalsalu, rootless, challenge, power, Foucauldian Introduction Syed Waliullah, a foremost novelist and short story writer of Bangladesh, was born in Chittagong in 1922. His father was a district magistrate of British Raj and so the writer had opportunities to experience his boyhood in different districts of Bangla- desh like Chittagong, Kurigram, Feni, Mymensingh, Krishnanagar.
    [Show full text]
  • JU-English-MA-In-LECS-Syllabus.Pdf
    IN ENGLISHLITERATURES STUDIESC U L T U R A L MA Syllabus for Master of Arts in Literatures in English and Cultural Studies (Sessions 2011-2012, 2012-2013, 2013-2014, 2014-2015) January 2012 Department of English Jahangirnagar University MA IN LITERATURES IN ENGLISH & CULTURAL STUDIES/SYLABUS/2011-2012 TO 2015-2016/37 TO 40/PAGE 2 OF 22 DEPARTMENT OF ENGLISH JAHANGIRNAGAR UNIVERSITY Syllabus for MA in Literatures in English and Cultural Studies Programme (Sessions 2011-2012, 2012-2013, 2013-2014, 2014-2015) 1. INTRODUCTION The study of literature in English now incorporates both an aesthetic/formalist approach and a politico-cultural reading. On the other hand, the word ‘English,’ especially in the academic arena, has received numerous inflections and is deeply informed by socio-cultural contingencies and diversities. Cultural Studies has, thus, appeared as an effective tool to study the interrelationship and tension between cultures and discourses ranging from written literature to hypertext. The Master of Arts (MA) in Literatures in English and Cultural Studies programme in the Department of English at Jahangirnagar University is designed to address these changes in the study of literature and culture. The programme offers courses on literature and Cultural Studies, field-work based projects, and dissertation so as to enhance students’ interpretive and creative skills. 2. OBJECTIVES The Master of Arts (MA) in Literatures in English and Cultural Studies generally intends to broaden students’ exposure to the discursive and applied aspects of the study of literature in English and Cultural Studies. This programme is specifically designed to create active workforce, equipped with skills and sensibility to approach, appreciate, evaluate and produce literary and cultural discourses and, thus, to contribute significantly to the art and politics of signification.
    [Show full text]
  • Dce Course Paper D1 American Literature
    DCE COURSE PAPER D1 AMERICAN LITERATURE Semester 5 Course Statement This course offers students an opportunity to study the American literary tradition as a tradition which is distinct from and almost a foil to the traditions which had developed in European countries especially in England. A selection of texts for this course therefore highlights some of the key tropes of mainstream America's self-perception such as Virgin Land the New World Democracy Manifest Destiny the Melting-Pot and Multiculturalism. At the same time there are specifically identified texts that draw the attention of students to cultural motifs which have either been erased brutally suppressed or marginalized (the neglected and obscured themes from the self-expression of the subaltern groups within American society) in the mainstream's pursuit of the fabled American Dream. A careful selection of writings by native Americans African Americans as well as texts by women and other sexual minorities of different social denominations seeks to reveal the dark underside of America's progress to modernity and its gradual emergence as the most powerful nation of the world. Course Objectives The course aims to • acquaint students with the wide and varied literatures of America: literature written by writers of European particularly English descent reflecting the complex nature of the society that emerged after the whites settled in America in the 17th century • include Utopian narrative transcendentalism and the pre- and post- Civil War literature of the 19th century • introduce students to the African American experience both ante-bellum and post-bellum reflected in the diversity of literary texts from narratives of slavery political speeches delivered by Martin Luther King Jr.
    [Show full text]
  • H°Xam~Mx {Dìd{D⁄Mb` University of Hyderabad
    h°Xam~mX {dÌd{d⁄mb` University of Hyderabad 32dm± dm{f©H$ ‡{VdoXZ 32nd Annual Report www.uohyd.ernet.in Vice Chancellor, Prof. Seyed E. Hasnain and Dr. V.P. Dimri, Director, National Geographical Research Institute exchanging the MoU signed between both the Institutions. The Vice Chancellor presents the “Life time achievement award” to Dr. Julie L.Gerberding, Director, Centers for Disease Control, Atlanta, USA UNIVERSITY OF HYDERABAD 32nd ANNUAL REPORT Report on the working of the University (1 April 2006 to 31 March 2007) CENTRAL UNIVERSITY P.O. HYDERABAD – 500 046 Our Motto gm {d⁄m `m {d_w∫$`o forms part of a verse appearing in Vishnu-Purana (1.19.41) The whole verse reads as follows : VÀH$_© `fi ~›Ym` gm {d⁄m `m {d_w∫$`o & Am`mgm`mnaß H$_© {d⁄m›`m {eÎnZ°nwU_y ü&&ü The verse also occurs in the anthology of subhasitas entitled "Sarangadharapaddhati" (No.4396). In this latter work, the source of the verse is given as Vasisthat. The verse obviously possesses an ethical-spiritual import and may be translated as follows: “That is (right) action which does not conduce to bondage (Karmabandha in the Bhagavadgita sense); that is (true) knowledge which conduces to final liberation or spiritual emancipation; (any) other knowledge implies mere skill in craft” “ ~›YZ H$m H$maU Z hmo, dhr H$_© h° Am°a _moj H$mo {g’ H$aZo dmbr hmo, dhr {d⁄m h°ü& Bggo {^›Z H$_© Ï`W© n[al_ Í$n Am°a {^fi {d⁄mE± Ho$db H$bm-H$m°eb Í$n hr h¢ ü&&“ Visitor The President of India Chief Rector The Governor of Andhra Pradesh Chancellor Justice M.N.
    [Show full text]
  • Introduction
    Global Journal of Arts, Humanities and Social Sciences Vol.2,No.8,pp. 80-91, October 2014 Published by European Centre for Research Training and Development UK (www.eajournals.org) WOMEN IN WESTERN INFLUENCED THEATRICAL PERFORMANCES IN DHAKA CITY Keya Chakraborty* Department of English, University of Asia Pacific ABSTRACT: Representing story or fact, from the inception of the history of women participation with song- dance- music- acting, was highly practiced and appreciated in the houses, fields, regions and villages of continual Bangla. But from the 17th century, a juncture of mediaeval and modern period, in a newly flourished urban culture influenced by British culture, the participation of women characters remained quite opposite. Moreover, the incidents occurred in the eastern countries were extremely resourceful. In 1619, women participation was strongly prohibited in Kabuki dramas in Japan. Many centuries ago from the above mentioned time, these dramas were originated in ‘Kioto’ by a performer named ‘Okuni’ who publicly showed an occasional dance. Moreover, in Chinese dramas women characters were strictly prohibited to perform. To Eugenio Barba, gender discrimination plays a very minor role in casting the characters. Barba certainly states that male and female characters are not essential in representing masculinity and femininity. Gender discrimination is not so important in artistic expressions. Because so called masculinity and femininity do not exist. According to Barba, there are physicality and sensuality in every human being. And by these two forces, an artist, in fact, through his /her physical gestures, acts in a role which we see as male/female character.The theatre that is seen today in a room or in an auditorium in the cities and towns of Bangladesh is totally western influenced.
    [Show full text]
  • CHAPTER VI Women in Partition Literature, Films and Memoirs
    212 CHAPTER VI Women in Partition literature, films and memoirs The partition of India is one of the most debatable questions in the South Asian history. This tumultuous event has shaped the lives of millions of people in many ways. Popular sentiment and perception regarding partition has been reflected in different arenas of literature, though some has registered the issue of partition with anguish or annoyance and profound unhappiness. There are few texts that have depicted the various psychological, political, economic and social effects of partition. Partition and its accompanying violence have inspired many creative minds to generate a literary depiction of such a tragic incident. The historic event of partition of India‘s subcontinent has enriched Bengali and other literatures to their highest peaks. It has dealt mainly with two factors: firstly, they have been based on the tales of tremendous grief and distress of the uprooted people and secondly they have been represented as the stories of determination and never ending fight of the refugees for their survival on the foreign land against all odds and riddles. A good number of rootless persons have also rendered valuable contributions for the enrichment of Bengali so far as other Indian literatures are concerned. Truly speaking, Partition of India has been such a revolutionary event that spontaneously produced numerous masterpieces. While some creations have depicted the massacre during the refugee migration, others have concentrated more on the aftermath of the partition in terms of the troubles faced by the refugees in both sides of the borders. Even now, more than seventy years after the partition, works on fiction as well as films are being made on that frenzied event of partition.
    [Show full text]
  • A Study of Refugees, Resettlement and Rehabilitation in North Bengal with Special Reference to Women (1947-79)
    In Quest of a New Destination: A study of Refugees, Resettlement and Rehabilitation in North Bengal with Special Reference to Women (1947-79) A Thesis Submitted To The North Bengal University For The Award of Doctor of Philosophy In Department of History Submitted by Madhuparna Mitra Guha Under the Supervision of Dr. Dahlia Bhattacharya Associate Professor Department of History North Bengal University Department of History North Bengal University December, 2018 i Abstract Amid construction and destruction of the outside world the tale of human civilization is embedded in history. The light and darkness of history carefully preserve the memory and oblivion that act silently to change the complexion of society, era and mid set. Partition of India was a tragic incident in the annals of human civilization that had caste such a long shadow. It remained as an apocalyptic event that reinforced violence and movement invoking political rupture, social catastrophe and also advocated nostalgia. The division of British India and subsequent creation of two antagonist countries was not just the splitting up of nations and their histories but also their very existence. The thesis emphasized on the fact that the partition of India purported only on religious lines creating two independent nations, viz. India and Pakistan. Both India and Pakistan had firm conviction that partition was the only way to get rid of existing turmoil. The prime objective of the paper is to highlight specially on the refugees who migrated to North Bengal. The displaced persons from East Pakistan had to traverse a long way riddled with hurdles to pay the cost of independence.
    [Show full text]