Records of the Canterbury Museum, 2017 Vol. 31: 85–114 © Canterbury Museum 2017 85 J H Menzies: a reappraisal Daniel C P Smith 372 Pettigrews Road, RD3, Akaroa 7583, New Zealand Email:
[email protected] Principally active from the early 1880s to c. 1910, John Henry Menzies (1839–1919) was a carver in wood and stone, and an architectural designer. About 80 pieces of his furniture are extant; Rehutai, one of the three houses he designed and decorated also survives, as does his church, St Luke’s. He also produced the pattern studies for Maori Patterns Painted and Carved (1910, 1975). Menzies’ creative period coincided with the growth of the New Zealand Arts and Crafts movement and with New Zealand’s search for a national identity. His creative output reflected both of these currents. In particular, the indigenous is apparent in his work, both flora, and the focus of this essay, the figures and patterns of Māori art. The surviving works, with the interpretations and themes they embody, serve to inform us about identity formation and Pākehā perceptions of Māori art. Several family histories tell us about Menzies’ life, particularly as a settler, farmer and patriarch. However, surprisingly, he has received little scholarly attention as an artist and interpreter of burgeoning national identity. This essay reviews the likely influences of anthropology, the role of identity, and some of Menzies’ main decorative themes, with a particular focus on the works that exist in the public realm. Keywords: J H Menzies, Māori art, architectural design, carving, kōwhaiwhai painting, museum collections, ethnology, whare whakairo, art history, folk art furniture, decorative and applied arts, Menzies Bay, Banks Peninsula, Canterbury Museum, Akaroa Museum, Museum of New Zealand Te Papa Tongarewa.