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Market Performances Barometer Status June 2015
Market Performances Barometer Status June 2015 Confidential : strictly for Space clients GROSS MEDIA INVESTMENTS EVOLUTION 2 Source: MDB National North South € Mo 1,472.6 894.2 578.4 % Region 100% 61% 39% vs YTD 2014 - 3.5% - 3.2% - 3.9% Media (vs YTD 2014) Ecogroups (vs YTD 2014) 9% 3% 7% House Eq. (+ 8%) 41% Beauty (+ 7%) OOH (+ 4%) House Cl. (+ 5%) TV (+ 3%) Transport (+ 5%) 21% Clothing (+ 2%) 6% 1% 14% Radio (- 5%) Food (- 2%) Magazines (- 7%) Health (- 3%) Retail (- 3%) Dailies (- 10%) TV Radio Energy (- 6%) Cinema Internet Internet (- 10%) Services (- 14%) Dailies Mag. Cinema (- 16%) Telecom (- 20%) Free Press (- 24%) Free Press OOH Petfood (- 27%) KEY TV FIGURES 4 Variable Channel Daypart YTD-12 YTD-13 YTD-14 YTD-15 15 vs 14 Rating (%) TSU (Total Screen Usage) (1) 17-23:00 26.9% 28.9% 29.6% 29.4% 99 Total channels (Live + TSV) " 91.1% 90.5% 89.8% 87.7% 98 VHS + DVD player + Blue Ray " 2.3% 2.1% 2.7% 3.7% 139 Audience share TSU (%) (2) Video on demand + Digital recorder " 5.0% 6.1% 6.4% 7.6% 119 Game console and other devices (3) " 1.6% 1.3% 1.2% 1.0% 82 All Channels " 8.0% 9.7% 10.3% 12.2% 118 % Time shift viewing (4) Main Channels (5) " 10.4% 12.1% 13.6% 14.9% 110 Commercial breaks rating vs Main channels (5) - Live " 86 86 87 88 Full daypart rating Main channels (5) - TSV " 24 26 25 26 All TV channels (Live) Total day 129 137 136 130 96 ATV All TV channels (TSV) " 9 12 13 15 115 (Average daily viewing time) All TV channels (Live + TSV) " 138 148 149 145 98 in minutes Other TV Screen Usage " 18 21 22 28 125 Total TV Screen Usage -
Brochure SFFS 2018
BELGIUM - WALLONIA SUMMER FANCY FOOD SHOW 2018 New York, 30 June - 02 July 2018 Jacob Javits Convention Center Hall 3 Booths : 2105 - 2121 WALLONIA EXPORT-INVESTMENT AGENCY (AWEX) Place Sainctelette 2 B-1080 Brussels BELGIUM +32-2-421 82 11 [email protected] www.awex-export.be www.wallonia.be www.wallonia-international.be AWEX, partner of the international economic development of Wallonia. The Wallonia Export-Investment Agency (AWEX) is in charge of the development and management of Wallonia's international economic relations. With regards to foreign trade, the Agency has a promotion and information mission with regard to both the international and Walloon business community. Intended for purchasers, decision-makers, importers and foreign prospects, the Agency can, on request: • pass on economic data regarding Wallonia and its export potential; • provide information on the products and services of Walloon businesses; • seek Walloon businesses for the conclusion of international partnerships; • distribute lists of Walloon exporters. Vis-a-vis Walloon businesses, the Agency is their comprehensive international partner, providing a range of services and activities covering the entire export process: • General and commercial information on foreign markets; • Production of individual market studies on request; • Organisation of commercial canvassing operations (participation in international shows, organisation of economic missions, sector-based contact days, etc.); • Contacts with international organisations; • Promotion of Wallonia and its export potential; • Financial support and funding for exports; • Training and raising awareness of international professions. With regards to foreign investment, the Agency provides general expertise in the areas of promotion, prospecting and informing potential investors. It also ensures active monitoring of investors based in Wallonia, as well a mission to find foreign buyers for Walloon industrial sites in the process of restructuring. -
Marcos Viñals Bassols Scenographer - Art Director
marcos viñals bassols ! Marcos Viñals Bassols Scenographer - Art director M +32 475 54 97 30 E [email protected] S marcosvbskype W www.marcosvb.com CURRICULUM VITÆ Born in Barcelona in 1967, Marcos Viñals Bassols graduated with a Master of Fine Arts degree in scenography at the Superior National School of Visual Arts of La Cambre in Brussels, Belgium. During the past 25 years he created scenic designs for theater and show in Belgium, France, The Netherlands, and abroad, working for several famous directors like Franz Marijnen or Dirk Decloedt. In 1998 he received the Belgian Theatre Award of the best scenographer. Marcos’ unique vision enabled him to be nominated for this award on four other occasions. Marcos expresses his visual poetry and his meaningful interpretations by creating fascinating scenic environments for large scale events and exhibitions. Some of them were awarded with the Silver Benelux Event Awards, and two Silver Awards at the 2014 European Best Event Awards. Marcos has been collaborating as a scenographer in various occasions with Franco Dragone, for whom he has created scenic designs like for Philip Kirkorov’s musical show at the Kremlin Theatre in Moscow and on tour, or The Land of Legends in Turkey, a large-scale Family Entertainment Center, where he designed a monumental poetic gate that became the set for Dragone’s permanent show. As a free lance scenographer and art director, Marcos created, designed and directed several shows in different countries of the Middle-East, like the Bayan Palace Show, the opening ceremony of the Kuwait Museums, or TV sets for musical shows like Hala Layali Febrayer, in the presence of His Highness the Emir of Kuwait and broadcasted live on the national television. -
CV Phenix 23-06-2020 EN
Phénix (Sheau-Fon) Lin CHOREOGRAPHER / STAGE DIRECTOR HONOURS YEAR PRIZE SHOW ORGANIZATION Finalist, Masque for special contribution, Silence et cris (Director: Gilles Maheu; production: 2002 Soirée des Masques (Quebec Theater Academy), 8th Gala choreographies Carbone 14, Montreal) SHOWS YEAR FUNCTION PROJECT THEATRE/PRODUCER DIRECTOR Character staging and choreographic/acrobatic movement Splendor Dragone Show Creation, Wuxi China Amy Tinkham designer 2019 Show and choreography concept Lagoon show Apex parks and Entertainment services, Shenzhen China Phenix Lin development Choreographer X-The Land of Fantasy X-The Land of Fantasy, Hangzhou China Hugo Bélanger Choreographer Rixos Land of Legends Dragone Show Creation, Turkey Franco Dragone 2017-2018 Assistant to the director Destiny, Macau ScénoPlus productions, Macau Martin Genest, Pamela Schneider Choreographer Rixos Land of Legends, Closing of the Gate Dragone Show Creation, Turkey Franco Dragone 2016 Associate Director Rixos Land of Legends Dragone Show Creation, Turkey Franco Dragone 2015 Associate Director The Dai Show Dragone, Xishuangbanna China Andre Kasten, Leah Moyer Assistant to the director The Han Show Dragone, Wuhan China Franco Dragone 2014 Follow-up choreographer TaBoo Dragone, Macau Franco Dragone 2013 Choreographer Man Chi ''Immortal Chi- The ultimate quest for Balance'' Novalux and CPAA, Beijing China Érick Villeneuve Notre-Dame de Paris (Musical by Luc Plamondon and 2011-2012 Assistant to the director NDP Project, France Gilles Maheu Richard Cocciante), Asian tour Notre-Dame -
Voices of Italy
Belcanto VOICES OF ITALY Belcanto Voices of Italy Belcanto VOICES OF ITALY Dragone Creation is our core. Spectators are our passion. Franco Dragone is one of the most sought-after artistic directors in In 2010, Macau became home to Dragone’s first permanent show the world. Since the 1980’s, the shows he created have conquered in Asia, The House of Dancing Water, a show mastering water on a American, European and global audiences with shows such as Ô, scale unimagined before. The House of Dancing Water is the very Alegria, Mystère and many more. With these shows, Franco re-in- first show of its kind to have won the hearts of Asian audiences. The vented a genre by mixing human performance, dance, the four ele- astonishing success of the show established Dragone as a truly uni- ments of life, choreography, technology and music, all tied together versal cultural Company, humbly embracing local cultures to wow by a story told without a single spoken word. The shows he created audiences. during his early days forever changed the face of live entertainment in Las Vegas and decades later, these shows still receive standing In June 2013, Yves Delacolette became the President of Dragone. To- ovations every night. gether, Franco and Yves are on a mission to take the Company well beyond the existing, charted waters, and make Dragone the greatest In 2000, Franco founded his own Company, Dragone, marked by cultural creation company in the world. With shows soon opening in two big successes in Las Vegas: first, A New Day… with Céline Dion, Mainland China, Paris, Dubai and Jakarta, just to name a few, the and then Le Rêve. -
Belgian Identity Politics: at a Crossroad Between Nationalism and Regionalism
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2014 Belgian identity politics: At a crossroad between nationalism and regionalism Jose Manuel Izquierdo University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Human Geography Commons Recommended Citation Izquierdo, Jose Manuel, "Belgian identity politics: At a crossroad between nationalism and regionalism. " Master's Thesis, University of Tennessee, 2014. https://trace.tennessee.edu/utk_gradthes/2871 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Jose Manuel Izquierdo entitled "Belgian identity politics: At a crossroad between nationalism and regionalism." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Science, with a major in Geography. Micheline van Riemsdijk, Major Professor We have read this thesis and recommend its acceptance: Derek H. Alderman, Monica Black Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) Belgian identity politics: At a crossroad between nationalism and regionalism A Thesis Presented for the Master of Science Degree The University of Tennessee, Knoxville Jose Manuel Izquierdo August 2014 Copyright © 2014 by Jose Manuel Izquierdo All rights reserved. -
1 Unmasking the Fake Belgians. Other Representation of Flemish And
Unmasking the Fake Belgians. Other Representation of Flemish and Walloon Elites between 1840 and 1860 Dave Sinardet & Vincent Scheltiens University of Antwerp / Free University of Brussels Paper prepared for 'Belgium: The State of the Federation' Louvain-La-Neuve, 17/10/2013 First draft All comments more than welcome! 1 Abstract In the Belgian political debate, regional and national identities are often presented as opposites, particularly by sub-state nationalist actors. Especially Flemish nationalists consider the Belgian state as artificial and obsolete and clearly support Flemish nation-building as a project directed against a Belgian federalist project. Walloon or francophone nationalism has not been very strong in recent years, but in the past Walloon regionalism has also directed itself against the Belgian state, amongst other things accused of aggravating Walloon economic decline. Despite this deep-seated antagonism between Belgian and Flemish/Walloon nation-building projects its roots are much shorter than most observers believe. Belgium’s artificial character – the grand narrative and underpinning legitimation of both substate nationalisms - has been vehemently contested in the past, not only by the French-speaking elites but especially by the Flemish movement in the period that it started up the construction of its national identity. Basing ourselves methodologically on the assumption that the construction of collective and national identities is as much a result of positive self-representation (identification) as of negative other- representation (alterification), moreover two ideas that are conceptually indissolubly related, we compare in this interdisciplinary contribution the mutual other representations of the Flemish and Walloon movements in mid-nineteenth century Belgium, when the Flemish-Walloon antagonism appeared on the surface. -
Creativity Driving Innovation FDEG
THE ANTWERP FORUM – Linking business between China and Europe Inspirational Session: Creativity driving innovation FDEG – A creative instrument unto itself The Franco Dragone Entertainment Group is the culmination of the artistic and entrepreneurial life’s work of its founder; Franco Dragone - whose impact on the field of entertainment spans well beyond the walls of the theatres and touring structures in which his dozens of shows have literally touched the world and left an indelible and ground breaking imprint on an entire new language over the past 25 years - from the creation of the Cirque du Soleil as well as works produced by the FDEG since 2000 and to date. The fact of operating these types of shows for years or even decades figures into the very nature of the way we develop the architecture and concepts all the way down to the sustenance of the marketing – imagine playing the Olympic ceremonies 10 times per week for years on end; that is not the same approach to the conception/production. Literally thousands of people’s lives have been touched by the personal and artistic engagement that Franco has made – be they audience members, designers, producers or performers. It is important to us to create shows that have a true reason for being. They must always contain of course the root idea – a pretext, a vision. The creative process starts in a very concentrated group and is transmitted step by step, person by person, sector by sector to include teams of hundreds who give birth to these ambitious and challenging productions. Creation, Innovation and Technical Design Prowess The Creative vision must be developed via a mix of innovation and expertise – and the sophisticated technical element is integrated into the design language of the shows and not as a mere support. -
LSA Template
SPECTACLE Copyright Lighting &Sound America December 2017 http://www.lightingandsoundamerica.com/LSA.html 62 • December 2017 • Lighting &Sound America T P%& !l La Perle is Franco Dragone’s most ambitious water show to date D"#By: Sharon Stancavage $ want to provide a little piece of eternity for the dards, and make them their own, so they don’t have re- region, a place of escape that any culture and invent the wheel. If something was good for the CE, it was ethnicity can understand and enjoy. I was so inspired good enough for us; we just had to supply the rules and by Dubai and it is an honor to introduce that vision to the show them that it was the consensus.” world,” explains Franco Dragone, founder and artistic The theatre has a mere 14 rows, but seats a total of director of Dragone Studio, when asked about La Perle , 1,250 patrons. “We wanted it to feel as if you were inside a his new water extravaganza in the United Arab Emirates. grotto or a cave, and we wanted to be able to change the Located in Al Habtoor city, La Perle takes place in the mood of the cave by using video projection,” Marcouiller only purpose-built theatre in the UAE. “In Dubai, there is reports. The lower levels of seating are irregular and based not a tradition of places where you go sit to see a live per - on the curves of the wet stage. “You have curves and lev - “Iformance; there are shows that are based on Arabic tradi - els, so the seating is made in that concept that people are tions and then you have rental spaces in convention cen - sitting on something like a grassy knoll where they sit ters. -
CIM RADIO STREAM MONITOR a New Server-Side Online Radio Measurement INTRODUCTION
CIM RADIO STREAM MONITOR A new server-side online radio measurement INTRODUCTION In addition to the Currency Radio Audience Measurement (RAM) study, the CIM offers a new tool dedicated to online radio: the Radio Stream Monitor, which monitors the broadcasting of radios on all streaming platforms, both in Belgium and in the rest of the world on the basis of traffic volumes (and not of users and their profiles). A NEW BORN IN THE CIM AUDIO MEASUREMENT FRAMEWORK CIM RAM CIM Internet NEW CIM Radio Stream = All Audio GfK Gemius Monitor CURRENCY Neuromedia Live Radio FM/DAB ✓ Included - - Over IP (internet protocol) ✓ Included ✓ Included* ✓ Included Audio on demand Podcast/Time shifted - ✓ Included* - Other Audio over IP - - - Method Radio diaries User-side log analysis Server-side log analysis Sample based Traffic on census level Traffic on census level Profile panel based Limit Declared Behavior *Only scripted players Distribution of audio files (not listening) SERVER-SIDE MEASUREMENT PRINCIPLES 1. This study identifies traffic volumes, based on combinations of IP address and user agent, NOT individuals. 2. The data sources are logfiles from streaming servers that list the number of audio streams distributed (but not necessarily listened to). 3. This measurement of Radio-over-IP is exhaustive, as it involves: - All channels (from broadcasters that allow access to their server logfiles) - All events (streams requested and distributed over IP) - On all listening platforms (see next slide…) The study is done by NeuroMedia, a Belgian specialist -
Pure Évasion
PURE ÉVASION RADIO - WEB - TV © Studio Graphique RTBF - © Getty images RTBF Graphique © Studio purefm.be / #purefmlaradio PURE_ABRIBUS_21/10_15.indd 1 26/10/15 13:48 122 www.purefm.be 123 EN QUELQUES MOTS EN QUELQUES CHIFFRES PURE FM, C’EST… • 356.661 auditeurs en moyenne par semaine*. Nouveau record ! • 169.022 auditeurs en moyenne par jour*. Nouveau record ! • 1h55 de durée d’écoute moyenne par jour*. • 3,2 % de parts de marché*. ET SURTOUT… PURE FM, LA RADIO QUI CARTONNE SUR LE WEB • 15.000 visiteurs réguliers chaque jour sur le site purefm.be**. • 6.435.000 vidéos vues sur la chaîne Youtube de Pure FM. Sessions acoustiques, interviews et vie de la chaîne, rien que du contenu propre qui participe à la renommée de Pure FM sur le web, en Belgique mais aussi à l’étranger. • 195.000 fans Facebook cumulés sur les différentes pages de la chaîne. • 25.400 followers sur Twitter en cette rentrée radio 2016 ! PURE FM, PLUS QUE JAMAIS LA RADIO DES FESTIVALS • 25 festivals dont Pure FM est partenaire en 2016 : des initiatives locales soutenant les jeunes talents de la Fédération Wallonie-Bruxelles aux grands événements à la renommée et la programmation internationale… • 84 heures d’émission en direct depuis les plus grands festivals pendant l’été 2015. Extraits de concerts, interviews et reportages composent chaque année le programme Pure FM Festivals Inva- sion pour vivre le meilleur des grands rendez-vous musicaux de l’été. PURE FM, LA RADIO QUI SOUTIENT TOUS LES TALENTS • 250 interviews et sessions acoustiques d’artistes belges et internationaux, pendant les festivals mais aussi et surtout dans les studios de Pure FM. -
The Lion, the Rooster, and the Union: National Identity in the Belgian Clandestine Press, 1914-1918
THE LION, THE ROOSTER, AND THE UNION: NATIONAL IDENTITY IN THE BELGIAN CLANDESTINE PRESS, 1914-1918 by MATTHEW R. DUNN Submitted to the Department of History of the University of Kansas in partial fulfillment of the requirements for departmental honors Approved by: _________________________ Dr. Andrew Denning _________________________ Dr. Nathan Wood _________________________ Dr. Erik Scott _________________________ Date Abstract Significant research has been conducted on the trials and tribulations of Belgium during the First World War. While amateur historians can often summarize the “Rape of Belgium” and cite nationalism as a cause of the war, few people are aware of the substantial contributions of the Belgian people to the war effort and their significance, especially in the historical context of Belgian nationalism. Relatively few works have been written about the underground press in Belgium during the war, and even fewer of those works are scholarly. The Belgian underground press attempted to unite the country's two major national identities, Flemings and Walloons, using the German occupation as the catalyst to do so. Belgian nationalists were able to momentarily unite the Belgian people to resist their German occupiers by publishing pro-Belgian newspapers and articles. They relied on three pillars of identity—Catholic heritage, loyalty to the Belgian Crown, and anti-German sentiment. While this expansion of Belgian identity dissipated to an extent after WWI, the efforts of the clandestine press still serve as an important framework for the development of national identity today. By examining how the clandestine press convinced members of two separate nations, Flanders and Wallonia, to re-imagine their community to the nation of Belgium, historians can analyze the successful expansion of a nation in a war-time context.