Current Legal and Ethical Issues in Sports and Entertainment

Total Page:16

File Type:pdf, Size:1020Kb

Current Legal and Ethical Issues in Sports and Entertainment Current Legal and Ethical Issues in Sports and Entertainment Tuesday, June 25th, 2019 Eckstein Hall, Marquette University Law School Sponsored by: 1 2 Table of Contents Page # Description 3 Table of Contents 4-5 Seminar Schedule 6 Wifi Information and Seminar Website Instructions 7-10 Professor Dodds Materials 11-13 Attorney Brown Materials 14-17 Attorney Andresen Materials 18-21 Attorney Strand Materials 22 Sports Law Information 3 Seminar Schedule 7:30 – 8 am Room 433 Registration and Continental breakfast 8 – 8:05 am Room 444 Welcome Professor Paul Anderson (L’95), Director, Sports Law Program and National Sports Law Institute, and Chair and Founder, Sports Law Alumni Association, Marquette University Law School, Milwaukee, WI 8:05 – 8:55 am Room 444 Using the Law to Combat Sport Corruption Professor Mark Dodds (L’05) Associate Professor, Sport Management Department, SUNY Cortland, Cortland, New York 8:55 – 9:00 am Break 9 – 9:50 am Room 444 Professional Leagues Management of Athlete’s Biometric Data Attorney Sarah Brown (L'14) Graduate Research and Teaching Assistant, Sports Management – Health and Kinesiology, Texas A & M University, College Station, Texas 9:50 – 10 am Break 4 10 – 10:50 am Room 444 Building a Successful Sports Law Practice: The Good, the Bad and the Ugly (While Following the Rules of Professional Conduct) Attorney Scott Andresen founder, Andresen & Associates, Legal Counsel for Businesses, Entrepreneurs, Sports and Entertainment Professionals and more, Chicago, Illinois 10:50 – 11:00 am Break 11:00 – 11:50 am Room 444 Entertainment Law Ethics: The Challenge of the Four Cs: Competence, Conflict, Confidentiality, & Compensation. Attorney Peter Strand Partner, Mandell Menkes LLC, Chicago, Illinois 11:50 – 11:55 am Room 444 Announcements and End of Program 12:00 – 12:30 pm Room 433 CLE and Seminar check out 5 SEMINAR MATERIALS WEBSITE Speaker presentations and supplementary materials for this seminar are available on a seminar website that can be found at https://law.marquette.edu/national-sports-law-institute/summer- 2019-cle-seminar-materials or https://tinyurl.com/yytrlokf. MU GUEST WI-FI Campus visitors can use MU Guest Wi-Fi for access to the internet. The MU Guest Wi-Fi network is not encrypted and cannot reach university restricted e-resources. From your device's Wi-Fi settings, select MU Guest. The MU Guest Acceptable Use Policy page appears. Review the terms and conditions. The Accept button will become actionable when you scroll through the terms. If you agree, click or tap Accept. For MU Guest Wi-Fi assistance Call the IT Services Help Desk at (414) 288-7799 Visit the IT Services Help Desk in Cudahy Hall 293 Or email [email protected] . 6 Using the Law to Combat Sport Corruption Professor Mark Dodds (L’05) Associate Professor, Sport Management Department, SUNY Cortland, Cortland, New York Mark Dodds is a Professor teaching sport marketing and sport law at the State University of New York, College at Cortland. He holds a J.D. from Marquette University Law School, a M.B.A. from Robert Morris University and a B.S. in Marketing Management from Syracuse University. While at MULS, he earned a Sport Law Certificate from the National Sport Law Institute. His research area is focused on legal issues in sport business, international sport, sponsorship activation, and legal issues with internships. He has published articles in journals such as: Journal of Brand Strategy, Journal of Sponsorship, Marquette Sports Law Review, Case Studies in Sport Management, Journal of Physical Education, Recreation and Dance, Journal of Sponsorship, International Journal of Sport Management and Marketing and College Athletics and the Law. He co-edited the award- winning Encyclopedia of Sports Management and Marketing and a special motorsports issue of International Journal of Sport Management and Marketing. Prior to arriving at SUNY Cortland, Mark worked in the sport marketing industry for over 12 years. He lives in Cortland, New York with his wife and two kids. This presentation examines the legal tools being used to combat sport corruption. Maennig (2005) defined two types of sport corruption: competition corruption and management corruption. Competition corruption involves athletes, sporting officials or non-athletes trying to influence the outcome of the competition. Match- fixing is an example of competition corruption and focuses on the in-game or end result of the contest. Spot-fixing is corruption of the game that is unrelated to the final score of the event (such as kicking the ball out of bounds, a double fault, etc.). Management corruption involves sport organizations or sport officials manipulating business decisions (Maennig, 2005) often using active or passive bribery. The prevention of management corruption has led the United Nations to work with countries, sport organizations and sponsors to prevent bribery in sport (United Nations Global Compact, 2014). Using a case study format, anti-corruption laws and other novel legal theory will be examined through real-world, infamous scandals. For instance, the 2015 FIFA 7 bribery scandal used mail fraud to charge fourteen officials in connection with the 2010 World Cup bidding process. The law and its effectiveness will be explored. Other scandals will be investigated. The Lance Armstrong doping scandal featuring the False Claims Act as Floyd Landis and the US Postal Service attempted to recoup more than $30 million dollars in sponsorship money. The 2002 Salt Lake City Olympic bribery scandal led to Salt Lake City organizing committee members who faced fifteen criminal charges for providing more than $1.2 million in cash and gifts (including a knee replacement surgery) to entice IOC members to support its bid for the 2002 Winter Games. Despite an overwhelming amount of evidence, the prosecution failed to convict the members using traditional bribery laws. There are examples of sponsor corruption scandals that impact sport. The USA uses the Foreign Corrupt Practices Act to combat this type of sport corruption. Weatherford International used on-site hospitality from the 2006 World Cup to bribe officials which resulted in penalties of over $120 million (plus $115 million investigation costs) and lack of cooperation fine. BHP Billiton used sponsorship benefits from 2008 Olympics to bribe public officials and incurred $25 million fine. Bilfinger Engineering was accused of paying bribes to public officials to secure security command contracts at twelve host cities for the 2014 FIFA World Cup. The recent Adidas / NCAA basketball corruption scandal found three Adidas employees guilty of wire fraud and conspiracy in what could become a far-reaching issue for many colleges involving Adidas, Nike and Under Armour sponsored programs. Finally, the presentation examines the Swiss Lex FIFA anti-bribery laws. More than sixty international sport organizations, including the IOC and FIFA, are headquartered in Switzerland. Switzerland revised its criminal code to criminalize active and passive bribery involving sport organizations and its senior officials. Although this law has not been used in a sport context yet, it is hoped that this legislation deters future sport bribery scandals. 8 Reference list Statutes/Codes The False Claims Act, 31 U.S.C. §§ 3729-3733, (2019) Foreign Corrupt Practices Act, 15 U.S.C. § 78dd-1, et seq. (2019) Honest Services Fraud, 18 U.S.C. §1346 (2019) Sports Bribery Act, 18 U.S. Code § 224 (2019) Wire Fraud Act, 18 USCS §1343 (2019) Swiss Code, Art. 29-7, 2013 Swiss Code, Art. 102, 2015 Swiss Code, Art. 322, 2016 Cases In re BHP Billiton Ltd., No. 3-16546 (May 20, 2015) Landis v. Tailwind Sports Corporation, Civil Action No. 2010-0976 (D.D.C. 2017) Securities and Exchange Commission v. Weatherford International Ltd., No. 4:13-cv-3500 (S.D. Tex. 2013) United States v. Esquenazi, 752 F.3d 912 (11th Cir. 2014) United States v. Gatto, 17 Mag 7120 (2018) Articles/Reports United Nations Global Compact. (2014). Fighting corruption in sport sponsorship and hospitality: A practical guide for companies. Retrieved from: https://www.unglobalcompact.org/docs/issues_doc/Anti- Corruption/SportsSponsorshipHospitalityGuide.pdf Maennig, W. (2005). Corruption in international sports and sport management: Forms, tendencies, extent and countermeasures. European Sport Management Quarterly, 5(2), 187-225. 9 _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________
Recommended publications
  • Lyrics and the Law : the Constitution of Law in Music
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2006 Lyrics and the law : the constitution of law in music. Aaron R. S., Lorenz University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Lorenz, Aaron R. S.,, "Lyrics and the law : the constitution of law in music." (2006). Doctoral Dissertations 1896 - February 2014. 2399. https://scholarworks.umass.edu/dissertations_1/2399 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. LYRICS AND THE LAW: THE CONSTITUTION OF LAW IN MUSIC A Dissertation Presented by AARON R.S. LORENZ Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2006 Department of Political Science © Copyright by Aaron R.S. Lorenz 2006 All Rights Reserved LYRICS AND THE LAW: THE CONSTITUTION OF LAW IN MUSIC A Dissertation Presented by AARON R.S. LORENZ Approved as to style and content by: Sheldon Goldman, Member DEDICATION To Martin and Malcolm, Bob and Peter. ACKNOWLEDGMENTS This project has been a culmination of many years of guidance and assistance by friends, family, and colleagues. I owe great thanks to many academics in both the Political Science and Legal Studies fields. Graduate students in Political Science have helped me develop a deeper understanding of public law and made valuable comments on various parts of this work.
    [Show full text]
  • Music Law and Business: a Comprehensive Bibliography, 1982-1991 Gail I
    Hastings Communications and Entertainment Law Journal Volume 13 | Number 4 Article 5 1-1-1991 Music Law and Business: A Comprehensive Bibliography, 1982-1991 Gail I. Winson Janine S. Natter Follow this and additional works at: https://repository.uchastings.edu/ hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Gail I. Winson and Janine S. Natter, Music Law and Business: A Comprehensive Bibliography, 1982-1991, 13 Hastings Comm. & Ent. L.J. 811 (1991). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol13/iss4/5 This Special Feature is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. Music Law and Business: A Comprehensive Bibliography, 1982-1991* By GAIL I. WINSON** AND JANINE S. NArrER*** Table of Contents I. Law Review and Journal Articles ......................... 818 A . A ntitrust ............................................ 818 B. Bankruptcy .......................................... 819 C. Bibliographies ....................................... 819 D . Contracts ........................................... 819 1. M anagem ent ..................................... 821 2. Personal Service ................................
    [Show full text]
  • Entertainment and Sports Law University of Memphis Law School Career Services Office
    Entertainment and Sports Law University of Memphis Law School Career Services Office What is entertainment and sports law? Entertainment and sports law is civil law of a specific character that relates to the fields of entertainment and athletics. The practice involves contracts, labor law, corporate finance, intellectual property, and antitrust. Lawyers practicing in the field of entertainment and sports law specialize in knowing and understanding their clients’ industry and are able to advocate for their clients’ interests. In the major professional sports leagues of the National Football League (“NFL”), Major League Baseball (“MLB”), Na- tional Basketball Association (“NBA”), and National Hockey League (“NHL”), players’ associations act much like unions, regulating fees and salaries for sports professionals, coaches, and agents. For the lawyer specializing in entertainment law, intellectual property law takes center stage. Copyright law concerns the rights of creators of artistic works in the music, entertainment, publishing, and fine arts industries. Where do entertainment and Where do sports and entertainment lawyers do? sports lawyers work? Negotiating: Sports and entertainment lawyers negotiate contracts with spon- Private law firms: Some large firms sorships, television syndicators, and other representatives that interact with have departments specializing in the sports and entertainment industry. A lawyer working for a band might help to negotiate contracts with particular venues at a particular rate. entertainment and sports law, es- pecially in large cities where record Transactional work: Entertainment lawyers frequently contract for one-time labels house their headquarters or events that may never reoccur. Thus, entertainment and sports lawyers must in cities with professional sports be able to draft contracts that advance and protect their clients’ interests under a variety of circumstances.
    [Show full text]
  • Music Law 102
    Music Law 102 2019 Edition LawPracticeCLE Unlimited All Courses. All Formats. All Year. ABOUT US LawPracticeCLE is a national continuing legal education company designed to provide education on current, trending issues in the legal world to judges, attorneys, paralegals, and other interested business professionals. New to the playing eld, LawPracticeCLE is a major contender with its oerings of Live Webinars, On-Demand Videos, and In-per- son Seminars. LawPracticeCLE believes in quality education, exceptional customer service, long-lasting relationships, and networking beyond the classroom. We cater to the needs of three divisions within the legal realm: pre-law and law students, paralegals and other support sta, and attorneys. WHY WORK WITH US? At LawPracticeCLE, we partner with experienced attorneys and legal professionals from all over the country to bring hot topics and current content that are relevant in legal practice. We are always looking to welcome dynamic and accomplished lawyers to share their knowledge! As a LawPracticeCLE speaker, you receive a variety of benets. In addition to CLE teaching credit attorneys earn for presenting, our presenters also receive complimentary tuition on LawPracticeCLE’s entire library of webinars and self-study courses. LawPracticeCLE also aords expert professors unparalleled exposure on a national stage in addition to being featured in our Speakers catalog with your name, headshot, biography, and link back to your personal website. Many of our courses accrue thousands of views, giving our speakers the chance to network with attorneys across the country. We also oer a host of ways for our team of speakers to promote their programs, including highlight clips, emails, and much more! If you are interested in teaching for LawPracticeCLE, we want to hear from you! Please email our Directior of Operations at [email protected] with your information.
    [Show full text]
  • Neutral Is the New Blind
    Neutral is the New Blind: Calling for Gender Segregated Evidence in UK Legislative Inquiries regarding the Music Industries Dr Metka Potočnik* Abstract In late 2020, the Government responded to the enormous crisis in the UK music industries, caused by the Covid-19 pandemic, by initiating several legislative inquiries, aimed at reviewing the rules regulating the industry, including rules on commercialisation of intellectual property (IP). The aim of the Department for Digital, Culture, Media & Sport (DCMS) inquiries is purportedly to improve the fairness and viability of the sector, which was devastated by the pandemic. At the same time, the Covid-19 crisis served as a catalyst to expose the pre-existing inequalities and unfairness in the UK music industries. This article explores the path of the UK DCMS 2020-21 legislative inquiry into the Economics of Music Streaming as a case study to the current approach in UK regulation of the music industries. Informed by the feminist theory of relational legal feminism and embedded in the broader framework of IP Social Justice theory, the author argues that the current approach to legislative inquiries is incomplete, because it fails to take into account the systemic barriers faced by women (i.e., all who identify as women), including gender minority musicians in the sector. The evidence collected fails to investigate the lived experience of women, to the detriment of fairness of the overall proposal of future reform. Keywords Feminist scholarship, IP Social Justice, Intellectual Property Law, the music industries, streaming, communication to the public, Brexit, EU-derived domestic legislation, retained EU case law, evidence-led policy, legislative inquiry.
    [Show full text]
  • Digital Sampling and the Legal Implications of Its Use After Bridgeport
    Journal of Civil Rights and Economic Development Volume 22 Issue 1 Volume 22, Summer 2007, Issue 1 Article 9 Digital Sampling and the Legal Implications of Its Use After Bridgeport Amanda Webber Follow this and additional works at: https://scholarship.law.stjohns.edu/jcred This Note is brought to you for free and open access by the Journals at St. John's Law Scholarship Repository. It has been accepted for inclusion in Journal of Civil Rights and Economic Development by an authorized editor of St. John's Law Scholarship Repository. For more information, please contact [email protected]. DIGITAL SAMPLING AND THE LEGAL IMPLICATIONS OF ITS USE AFTER BRIDGEPORT AMANDA WEBBER* INTRODUCTION The increase in digital sampling has been greatly attributed to the hip hop industry,1 one of the most influential and popular genres of music in the world today.2 "Old recordings are to the hip-hop producer what paint is to the painter-raw material to be manipulated into art."3 Today's "studio musicians" are able to manipulate and add effects to previously recorded music, creating an infinite amount of new and innovative sounds without fear of ruining the sound quality.4 However, to the world outside of the hip hop industry, music that utilizes digital * J.D. Candidate, June 2007, St. John's University School of Law; B.A. Public Relations, Minor in Business, Pennsylvania State University at University Park, December 2003. 1 See Susan Butler, Court Ruling Could Chill Sample Use, BILLBOARD, September 18, 2004. According to the Roots' co-manager Shawn Gee, "[s]ampling is so important.
    [Show full text]
  • From Owning to Using Music: Transactional Music Attorneys Struggle with a Changing Landscape and Its Financial Realities
    From Owning to Using Music: Transactional Music Attorneys Struggle With A Changing Landscape and Its Financial Realities By John Simson1 and Ken Abdo2 It is nearly impossible to describe the momentous seismic shift that we have all witnessed over the past fifteen years with each new technological development and method of delivering music to consumers; it is probably enough to say that it’s been a hell of a ride! Transactional music attorneys have seen the transformation of five major labels into three major entertainment companies: no longer able to achieve the return on investment from CD sales that fueled their enormous growth in the 1980’s and 1990’s, they have tried to re‐invent themselves as leaner, more agile, marketers and branders of recording artists. Record company executives have long claimed that it was record company money that built brands through the recordings they funded and released together with the promotion and marketing they advanced and administered. Tour support was frequently the only way that new bands could afford to tour and grow a fan base. Is it more surprising that for decades record labels didn’t try to share in touring and that their attempts to share in other revenue streams, most notably merchandize and publishing, were on a “right to match” another company’s offer and not compelled under the terms of the record deal? Now it is expected that 1 John L. Simson was signed to Perception Records in 1971 as a singer/songwriter. He was recently named a Special Consultant for Artist Relations and Business Development by Kobalt Music to assist them in building a "neighboring rights" business (collecting artists' royalties around the world).
    [Show full text]
  • How Spotify Killed the Radio Star: an Analysis on How the Songwriter
    Cybaris® Volume 6 | Issue 1 Article 7 2015 How Spotify Killed the Radio Star: An Analysis on How the Songwriter Equity Act Could Aid the Current Online Music Distribution Market in Failing Artists Caitlin Kowalke Follow this and additional works at: http://open.mitchellhamline.edu/cybaris Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Kowalke, Caitlin (2015) "How Spotify Killed the Radio Star: An Analysis on How the Songwriter Equity Act Could Aid the Current Online Music Distribution Market in Failing Artists," Cybaris®: Vol. 6: Iss. 1, Article 7. Available at: http://open.mitchellhamline.edu/cybaris/vol6/iss1/7 This Article is brought to you for free and open access by the Law Reviews and Journals at Mitchell Hamline Open Access. It has been accepted for inclusion in Cybaris® by an authorized administrator of Mitchell Hamline Open Access. For more information, please contact [email protected]. © Mitchell Hamline School of Law Kowalke: How Spotify Killed the Radio Star: An Analysis on How the Songwri Published by Mitchell Hamline Open Access, 2015 1 Cybaris®, Vol. 6, Iss. 1 [2015], Art. 7 HOW SPOTIFY KILLED THE RADIO STAR: AN ANALYSIS ON HOW THE SONGWRITER EQUITY ACT COULD AID THE CURRENT ONLINE MUSIC DISTRIBUTION MARKET IN FAILING ARTISTS CAITLIN KOWALKE† TABLE OF CONTENTS I. Introduction ............................................................................. 195 II. What Ownership Rights Are Songwriters Guaranteed Under Current Copyright Law? ........................................... 198 A. Mechanical Licenses ..................................................... 198 B. Compulsory Licenses ..................................................... 200 C. Section 114 Limitations ................................................. 204 III. Industry Limitations on Musical Copyright Today ............... 205 A. Emerging Technology as a Constant Threat to Copyright Protections ..................................................
    [Show full text]
  • How Copyright Law May Affect Pop Music Without Our Knowing It
    Texas A&M University School of Law Texas A&M Law Scholarship Faculty Scholarship 12-2014 How Copyright Law May Affect Pop Music without Our Knowing It Peter K. Yu [email protected] Follow this and additional works at: https://scholarship.law.tamu.edu/facscholar Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Peter K. Yu, How Copyright Law May Affect Pop Music without Our Knowing It, 83 UMKC L. Rev. 363 (2014). Available at: https://scholarship.law.tamu.edu/facscholar/405 This Article is brought to you for free and open access by Texas A&M Law Scholarship. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Texas A&M Law Scholarship. For more information, please contact [email protected]. HOW COPYRIGHT LAW MAY AFFECT POP MUSIC WITHOUT OUR KNOWING IT Peter K. Yu* I. INTRODUCTION When copyright law is linked to the creation of music-the focus of this Symposium-interesting questions arise. In the context of classical music, for example, why could Johann Sebastian Bach "recycle" in his Concerto for Four Harpsichords the opening phrase in Antonio Vivaldi's Concerto for Four Violins, Strings and Harpsichord Continuo?' Why could Peter Ilyich Tchaikovsky include in his 1812 Overture repetitive fragments of La Marseillaise and the anthem God Save the Tsar! to portray the clash between the French and Russian armies?2 Would copyright protection in musical works help Wolfgang Amadeus Mozart avoid poverty and the fate of dying penniless? Or would such protection instead lead him to behave more like Johannes Brahms and Giuseppe Verdi, whose creativity slowed down significantly following the introduction of copyright protection?3 * Copyright © 2014 Peter K.
    [Show full text]
  • Rosen-Music and Copyright.Pdf
    Music and Copyright This page intentionally left blank Music and Copyright Ronald S. Rosen 1 1 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offi ces in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Th ailand Turkey Ukraine Vietnam Copyright © 2008 by Ronald S. Rosen Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 Oxford is a registered trademark of Oxford University Press Oxford University Press is a registered trademark of Oxford University Press, Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Ronald S. Rosen. _____________________________________________ Library of Congress Cataloging-in-Publication Data Rosen, Ronald S. Music and copyright / Ronald S. Rosen. p. cm. Includes bibliographical references and index. ISBN 978-0-19-533836-2 (pbk. : alk. paper) 1. Copyright—Music—United States. 2. Fair use (Copyright)—United States. 3. Copyright infringement—United States. I. Title. KF3035.R67 2008 346.7304’82—dc22 2008013929 _____________________________________________ 1 2 3 4 5 6 7 8 9 Printed in the United States of America on acid-free paper Note to Readers Th is publication is designed to provide accurate and authoritative information in regard to the subject matter covered.
    [Show full text]
  • The Music Online Competition Act of 2001
    DePaul Journal of Art, Technology & Intellectual Property Law Volume 12 Issue 1 Spring 2002: The Recording Academy Entertainment Law Initiative Legal Writing Article 5 Competition 2001-02 The Music Online Competition Act of 2001 Merritt A. Gardiner Follow this and additional works at: https://via.library.depaul.edu/jatip Recommended Citation Merritt A. Gardiner, The Music Online Competition Act of 2001, 12 DePaul J. Art, Tech. & Intell. Prop. L. 25 (2002) Available at: https://via.library.depaul.edu/jatip/vol12/iss1/5 This Lead Article is brought to you for free and open access by the College of Law at Via Sapientiae. It has been accepted for inclusion in DePaul Journal of Art, Technology & Intellectual Property Law by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. Gardiner: The Music Online Competition Act of 2001 THE MUSIC ONLINE COMPETITION ACT OF 2001 I. INTRODUCTION The Music Online Competition Act of 2001 ("MOCA")l was recently introduced to Congress by representatives Rick Boucher (D-VA) and Chris Cannon (R-UT) in order to smooth out the jagged edges created in our current, yet outdated, existing copyright law. The bipartisan legislation was encouraged to promote the rapidly expanding online broadcasting and distribution of music and to prevent antitrust behavior as a result of the recent joint ventures between recording companies and online music distributors: MusicNet, supported by RealNetworks, Warner Music Group, Bertelsmann AG and EMI and Pressplay, supported by Sony and Vivendi Universal.2 MOCA was drafted to update and clarify provisions of the Copyright Act, which have spurred costly legal and regulatory disputes.
    [Show full text]
  • The Case for Rethinking Music Copyright Protection, 10 Mich
    Michigan Telecommunications and Technology Law Review Volume 10 | Issue 2 2004 Musical Musings: The aC se for Rethinking Music Copyright Protection J. Michael Keyes Gonzaga University School of Law Follow this and additional works at: http://repository.law.umich.edu/mttlr Part of the Entertainment, Arts, and Sports Law Commons, Intellectual Property Law Commons, and the Legal History Commons Recommended Citation J. M. Keyes, Musical Musings: The Case for Rethinking Music Copyright Protection, 10 Mich. Telecomm. & Tech. L. Rev. 407 (2004). Available at: http://repository.law.umich.edu/mttlr/vol10/iss2/3 This Article is brought to you for free and open access by the Journals at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Michigan Telecommunications and Technology Law Review by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. MUSICAL MUSINGS: THE CASE FOR RETHINKING MUSIC COPYRIGHT PROTECTION J. Michael Keyes* Cite as: J. Michael Keyes, Musical Musings: The Case for Rethinking Music Copyright Protection, 10 MICH. TELECOMM. TECH. L. REV. 407 (2004), availableat http://www.mttlr.org/volten/Keyes.pdf IN TRODUCTION ...................................................................................... 408 I. A HISTORICAL SKETCH OF MUSIC COPYRIGHT ........................ 410 A. The Nascent Years of Music Copyright, 1800-1850 .......... 410 B. The Music Industry Gains Steam, 1850-1900 ..................
    [Show full text]