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Swiss Social & Sports Club
SWISS SOCIAL & SPORTS CLUB NEWSLETTER JUNE / J ULY 2018 NEWSLETTER CAPE TOWN JUNE / JULY 2018 FORTHCOMING EVENTS June Thursday 7th June – Pensioner’s Lunch & Club Evening (guest cook) Saturday 16th June – Event to be announced Thursday 28th June – Club evening & Jasse @ our Clubhouse July Thursday 5th July – Pensioner’s Lunch & Club Evening Saturday 14th July – Fondue Thursday 26th July – Club Evening & Jasse Saturday 28th July – 1st August Celebrations (Festzelt) August Wednesday 1st August - 1st August Lunch & Pensioner’s Lunch Saturday 25th August – Event to be announced Thursday 30th August – Club Evening & Jasse Every last Thursday of the month is Jasse at the club, come along and join in the fun All events will be announced closer to the date with full details If you wish to visit our club and have special dietary requirements; please let us know. We would love to hear from you and for you to join the activities. Come around for a drink, make new friends and meet the old ones! For further information visit our website FRAUENTREFFEN both of you! After all these invitations and As usual, we really enjoyed the outings, we felt it was about time time spent together over coffee to gather back at the Club for a and yummy eats and we would change. As we arrived there at once again like to encourage all the end of March, we realised you Swiss ladies out there to join that even here we were going to us on the last Wednesday of every get spoilt: On the sideboard were month – you’ll never know what platters of cold meat, cheeses, surprise might await you! Swiss-type bread and homemade cakes, and we soon learned that Margrit Kilchenmann and Claudine Maager were treating us to this lovely surprise as they had celebrated their birthdays during Do YOU speak or write German? the month of March. -
Privatization of Public Spaces and Its Impact on the Socio-Political and Spatial Landscapes of the Cape Town Central City Improvement District (CCCID)
Privatization of public spaces and its impact on the socio-political and spatial landscapes of the Cape Town Central City Improvement District (CCCID) A dissertation submitted to the Department of Town and Regional Planning in Partial Fulfillment of the Requirements for the Master of Town and Regional Planning BY: AGYEMANG FREDUA 2017 Declaration I declare that this research is my own work and has not been used previously in fulfillment of another degree at the University of KwaZulu-Natal or elsewhere. Use of the work of others has been acknowledged in the text. Signed by: ………………………………..….............Date……………………………………………… Agyemang Fredua ……………………………………............Date……………….…………………………… Supervisor: Dr. K. Mchunu Page | i Acknowledgements I thank the Almighty God for making this work a dream come true. Also, my profound gratitude goes to my family, Mr. Kwame Kyeremateng, Madam Abena Dentaa and Eugene Owusu Agyemang for their encouragement and support. Again, my profound gratitude goes to my supervisor, Dr. K. Mchunu who through his constructive criticism saw me through this project. Lastly, I am highly indebted to the staff and management of the City of Cape Town and the Cape Town Central City Improvement Districts and the interviewees for their valued time and assistance. Page | ii Abstract Globalization and its antecedent neoliberalism have brought untold competition amongst global cities. As cities strive to bid for the highest order in terms of maintaining and attracting both local and foreign investments as well as tourists, it is imperative to build socially cohesive, environmentally friendly and economically competitive cities as these attributes have become key essential. However, not every city has the financial means to undertake such obligations so they often resort to the formation of public-private partnerships, a phenomenon often termed as Business Improvement Districts, for the attainment of such goals. -
Ferien in Cape Town
SWISS SOCIAL & SPORTS CLUB NEWSLETTER AUGUST / SEPTEMBER 2019 NEWSLETTER COVER IMAGES: SWISS NATIONAL DAY CELEBRATION CAPE TOWN AUGUST / SEPTEMBER 2019 FORTHCOMING EVENTS 5th September pensioners luncheon 22nd September Spring-Brunch from 11.00hrs onwards 18th - 20th October Oktober - Fest All events will be announced via newsflash closer to the date with full details PRESI REPORT Game Lodge for spontaneously of- the committee and at so many of fering us another very generous top our events! We never had such an prize to our raffle. involved Consul and you both will Dear Members, Grüezi, Also endless thanks to all other be dearly missed by us all! Enjoy beautiful sponsors of raffle prizes your next post and please remember Wow… anyone who says noth- which can be seen in our raffle win- us as we will remember you two. ing is happening in winter in Cape ner’s list later in the newsletter. Dankä Verena, Mercie Roger! Town clearly has not been on the committee of this Swiss Club yet... We thank you all for your generosity For the members, we now continue Funny enough it was myself who and continuous support of our club! with “business as usual” luncheon said in the last newsletter that the I would further like to thank all vol- followed by club night every first Club will be going into our more unteers who assisted us during any Thursday of the month and we will quiet time!?! I clearly must have of our events behind the scenes and communicate any other extraordi- been disillusioned about my last few at the bar or the grill etc. -
Itc2014artist Prog Final.Pdf
FESTIVAL CREDITS CONTENTS 2 21 Rotting Treasures Lindokuhle Nkosi and Curator: Jay Pather Africa Centre 3 Curator’s Note Khanyilise Mbongwa Festival Manager: Adrienne van Eeden-Wharton 4 Festival Partners Poetry Pop-Up Shop Badalisha Poetry X-change Financial Manager: Felicia Pattison-Bacon Festival Centre 22 Voyeur Piano Mareli Stolp Curatorial Assistance: Nadja Daehnke Smellscapes Tammy Frazer Technical Managers: Themba Stewart & Ryno Keet 5 PROGRAMME A 23 Store Front and Centre Farzanah Badsha Exhibition Installation: Justin Brett Carpe Minuta Prima (buying) Brian Lobel 6 Back The Forgotten Angle Theatre Collaborative Arts Aweh! Programme Manager: Malika Ndlovu 24 Cubicle Michaelis School of Fine Art Thoriso le Morusu Neo Muyanga Steal My Photograph Lukas Renlund Fundraising: Ivana Abreu 7 Private Moments in Public Spaces * 25 Mosaic Art Spier Arts Academy Office Manager:Ethel Ntlahla Hatch Mamela Nyamza * Invisible Paintings Wojciech Gilewicz Marketing and Publicity: Mango-OMC 8 BDSM Rhine Bernardino * Graphic Design and Layout: Pulling Rabbits The Accumulation is Primitive Pedro Bustamante * 26 PROGRAMME E Website Development: Zero Zero One 9 Couched Shaun Oelf and Grant van Ster * Dark Cell Themba Mbuli * 27 Feed Graeme Lees 10 Wall-Hug Kira Kemper * Uncles & Angels Nelisiwe Xaba and 100 Years of Symphony Cape Town Philharmonic Mocke J van Veuren Orchestra 28 Say Yes or Die Anne Rochat, Gilles Furtwängler and 11 Polite Force Christian Nerf * Sarah Anthony Surveillance Stage Alien Oosting * The Homecoming BALL: bushWAACKing ODIDIVA -
LEGAL NOTICES WETLIKE KENNISGEWINGS 2 No
Vol. 651 Pretoria 20 September 2019 , September No. 42714 ( PART1 OF 2 ) LEGAL NOTICES WETLIKE KENNISGEWINGS 2 No. 42714 GOVERNMENT GAZETTE, 20 SEPTEMBER 2019 STAATSKOERANT, 20 SEPTEMBER 2019 No. 42714 3 Table of Contents LEGAL NOTICES BUSINESS NOTICES • BESIGHEIDSKENNISGEWINGS Gauteng ....................................................................................................................................... 13 Eastern Cape / Oos-Kaap ................................................................................................................. 14 Free State / Vrystaat ........................................................................................................................ 15 Limpopo ....................................................................................................................................... 15 North West / Noordwes ..................................................................................................................... 15 Western Cape / Wes-Kaap ................................................................................................................ 15 COMPANY NOTICES • MAATSKAPPYKENNISGEWINGS Western Cape / Wes-Kaap ................................................................................................................ 16 LIQUIDATOR’S AND OTHER APPOINTEES’ NOTICES LIKWIDATEURS EN ANDER AANGESTELDES SE KENNISGEWINGS Gauteng ...................................................................................................................................... -
High Schools National Distribution List 75 000 Distributed Monthly
SOUTH AFRICAN SCHOOLS’ NEWSPAPER HIGH SCHOOLS NATIONAL DISTRIBUTION LIST 75 000 DISTRIBUTED MONTHLY FREE 4 ALL (Pty) Ltd Reg. No: 96/05340/07 P O Box 268, Kloof 3640 Phone: 031 763 3916 47 Sherwood Drive, Fax: 031 763 3721 Kloof 3610 www.free4all.co.za • South Africa’s only national newspaper dedicated to teenagers / High School learners • 75 000 printed monthly and distributed under contract and free-of-charge to High Schools in Gauteng, KwaZulu-Natal, Eastern Cape and Western Cape • Endorsed and supported by senior educationists, school principals, teachers and parents GAUTENG SCHOOLS AREA QUANTITY Alberton High School Alberton 350 Allen Glen High School Roodepoort 450 Athlone Boys’ High School Bez Valley 300 Athlone Girls’ High School Bez Valley 350 Barnato Park High School Berea 350 Birchleigh High School Birchleigh 350 Blue Hills College Midrand 150 Brakpan High School Brakpan 350 Centurion College Joubert Park 200 Dansa International College Pretoria 250 Dawnview High School Germiston 300 Dinwiddie High School Germiston 350 Dominican Convent School Jeppestown 200 Edenglen High School Edenglen 500 Ekangala Comprehensive High School Ekangala 500 Elite College Isando 200 Eureka High School Springs 250 Falcon Educational School Boksburg 200 Ferndale High School Randburg 250 Forest High School Forest Hill 350 Geluksdal Secondary School Geluksdal 300 Glenvista High School Glenvista 100 Greenside High School Greenside 250 Greenwood College Pretoria West 100 Hillview High School Pretoria 350 Hoërskool Florida Florida 400 Hoërskool Randburg Randburg 350 Hoërskool Waterkloof Waterkloof 500 Holy Family College Parktown 150 Immaculata Secondary School Diepkloof 450 Jameson High School Dersley Park 400 Jeppe High School for Boys Kensington 350 Jeppe High School for Girls Kensington 350 John Orr Technical High School Milpark 350 GAUTENG SCHOOLS cont. -
Cape Town Central
2010 STADIUM 22 1 6 TO AFRICAN SHIPPING 21 32 AND PACKING CO. WOODSTOCK MUSEUM ROUTE heartworks THE GALLERY AT BEAD CAPE TOWN CENTRAL AFRICA NOVA ROSE KORBER ART MERCHANTS OF AFRICA Cape Quarter, 72 Waterkant St, Green Point 48 Sedgemoor Rd, Iziko consists of 12 national museums, each with its own history and character 98 kloof st, gardens, tel 021 424 8419 Camps Bay lower level gardens centre, 10 23 Tel/fax 021 425 5123 1,30,31,36 that reflects the cultural diversity of the oldest city in South Africa. Iziko meaning 223 Long St, Cape Town 25 Tel 021 438 9152 / 9998 tel 021 465 3289 [email protected] Tel 021 423 4687 24 Cell 083 261 1173 / 082 781 6144 “a hearth” in Xhosa, is also understood as “the centre of cultural activity”. old biscuit mill, 373 – 375 albert rd, www.africanova.co.za [email protected] 9 29 [email protected] Kids under 16 FREE. www.iziko.org.za tel 021 447 7183 11 Summer: Mon to Fri 09h30 – 17h00 www.beadmerchantsofafrica.com 12 20 F www.rosekorberart.com at cape quarter extension from oct 2009 Sat 10h00 – 17h00, Sun 10h00 – 14h00 Mon to Fri 08h30 – 17h00 21 Mon to Fri 09h00 – 17h00 [email protected] Winter: Mon to Fri 10h00 – 17h00 27 Sat 09h00 – 14h00 28 Weekends by appointment Extended hours in summer. A unique Sat 10h00 – 15h00 selection of beads and beadwork from South Africa and Africa and a showcase for 19 Sophisticated contemporary jewellery by South African African art, designers. -
Places to Enjoy, Please Visit Capetownccid.Org Play Be Entertained 24/7
capeBEST OF town 2018 e copy re r f You 300pla ces to enjoy n i o u r Cen tral City visit shop eat play stay Must-see museums, From luxury All the best Plan your Hotels, galleries, cultural boutiques & restaurants & social calendar guesthouses and attractions & speciality shops to night time the quick & backpackers to suit historic spaces trndy flaarts dining spots easy way every traveller + Over 900 more places on our website. Visit capetownccid.org @CapeTownCCID CapeTownCCID 05 VISIT Galleries, museums, city sights and public spaces 17 SHOP Fashion, gifts, décor and books FROM THE 29 EAT Cafés, bakeries, EDITOR restaurants and markets Through this guide, brought to you by the Cape Town Central 45 PLAY Theatres, pubs City Improvement District and clubs (CCID), South Africa’s Mother City continues to welcome 53 STAY enthusiastic visitors in ever- Hotels and backpackers growing numbers – up to some 1,2-million in 2017. The 67 ESSENTIALS inner Central City of Cape Useful info Town is an especially vibrant and resources draw card, presenting a BEST OF cape town 2018 copy ICONS TO NOTE ee dizzying range of options for fr r You shopping, gallery-hopping 300place WALLET- A SPECIAL s to en joy in o u r Ce FRIENDLY TREAT OCCASION ntral and stopping for the night! City visit shop eat play stay Must-see museums, From luxury All the best Plan your Hotels, galleries, cultural boutiques & restaurants & social calendar guesthouses and attractions & speciality shops to night time the quick & backpackers to suit WHEELCHAIR- CHILD- CLOSEST PARKING historic spaces trndy fl aarts dining spots easy way every traveller Its entertainment offerings + P Over more places on our website visit capetownccid.org FRIENDLY 900 FRIENDLY (SEE PAGE 70) @CapeTownCCID CapeTownCCID – from cabaret and classical concerts to theatres, clubs To obtain a copy of this magazine, contact Aziza Patandin and pubs – are the rival of any at the CCID on 021 286 0830 or [email protected] international CBD. -
AR 2006 2007.Pdf
��������������� ������������ ��������������������� ����� ����� �������������������� �������������������� ���������������������� Iziko Museums of Cape Town ANNUAL REPORT for the period 1 April 2006 to 31 March 2007 Published by Iziko Museums of Cape Town 2007 ISBN 978-1-919944-33-3 The report is also available on the Iziko Museums of Cape Town website at http://www.iziko.org.za/iziko/annreps.html ACKNOWLEDGEMENTS The managers and staff of all the departments of Iziko are thanked for their contributions. Editor: Nazeem Lowe Design & Layout: Welma Odendaal Printed by Creda Communications COVER PHOTOGRAPHS FRONT A. Unknown artist, Liberia. Mask, Dan Ngere, wood. Sasol Art Museum. ‘Picasso and Africa’ exhibition. B. Pablo Picasso. Composition 22 April 1920. Gouache and Indian ink. Musée Picasso, Paris. Photo RMN. © Succession Picasso 2006 – DALRO. ‘Picasso and B C Africa’ exhibition. A C. Head detail of female wasp, Crossogaster inusitata. Natural History D E Collections Department, Entomology collections. D. John Thomas Baines, 1859. Baines returning to Cape Town on the gunboat Lynx in December 1859. Iziko William Fehr Collection. E. Flai Shipipa, (n.d.) 1995. Two houses and three buck. Oil on canvas. ‘Memory and Magic’ exhibition. BACK F G F. ‘Separate is not Equal’ exhibition, Iziko Slave Lodge. G. Visitors queuing at the Iziko SA National Gallery, ‘Picasso and Africa’ exhibition. H I H. Drumming workshop, education programme, Iziko Slave Lodge. I. Taxidermist George Esau, showing learners a mounted penguin skeleton, education outreach programme. J J. Jobaria skeleton, nearing completion. For the ‘African Dinosaurs’ exhibition, Iziko SA Museum. CONTENTS 1. GENERAL INFORMATION 4 1.1. Submission of the annual report to the executive authority 4 1.2. -
Journal of Hate Studies Gonzaga University Institute for Hate Studies
Journal of Hate Studies Gonzaga University Institute for Hate Studies Copyright © 2016 By Gonzaga University Institute for Hate Studies The Journal of Hate Studies is published by the Gonzaga University Institute for Hate Studies. The purpose of the Journal is to promote the sharing of interdisciplinary ideas and research relating to the study of what hate is, where it comes from, and how to combat it. The Institute for Hate Studies operates under the auspices of Gonzaga University in Spokane, Washington. The views expressed in the Journal are those of the authors and should not be attributed to the Institute for Hate Studies, Gonzaga University, the institutions with which the authors are affiliated, or the editors. The Journal welcomes unsolicited manuscripts (including essays and shorter pieces) and suggestions for improving the Journal. Manuscripts and other communications should be sent to Director, Gonzaga University Institute for Hate Studies, Gonzaga University, Spokane, WA USA 99258- 0099. For more information about the Gonzaga University Institute for Hate Studies and the Journal of Hate Studies, please visit www.gonzaga.edu/ hatestudies. Journal of Hate Studies, Volume 13 Gonzaga University Institute for Hate Studies DIRECTOR Kristine F. Hoover, Ed.D., Associate Professor of Leadership Studies, Gonzaga University DIRECTOR’S ADVISORY BOARD, CHAIR MOLLY PEPPER, PH.D. Claudia Bucciferro, Ph.D., Assistant Professor of Communication Studies, Gonzaga University Adriane Leithauser, Lecturer of Business Ethics, Gonzaga University Jim -
Transactions Part 3
Transactions of the Lyceum Lodge of Research Volume 3 Transcriptions of papers presented during 1982 Published 1983 Johannesburg, South Africa i | Page W.Bro. George Kendall Master of Lyceum Lodge of Research 1983 ii | Page Foreword With the advent of micro-computers and the growing use of word-processors this issue may well be one of the last in its present form. It is quite obvious that these Transactions of Lyceum Lodge published in 1983 do not have left and right justification of its pages. It contains many spelling errors because the lectures are, for the most part, those actually used by the speaker when delivering the papers within the Lodge. In most cases they have typed the script themselves or had it typed by their secretary who may know nothing whatsoever about Freemasonry or the subject of the lecture. They are printed “warts and all” with only the more obvious mistakes sometimes altered and therefore come across with probably more of the lecturer’s true style than they would if edited. As such, they may prove in future years to become collectors’ items. Maybe there will be photocopy special editions printed for the edification of our successors long after we have departed to the Grand Lodge Above. For the record, only fifty copies of Volume I were printed and 100 of Volume 2. The first printing of this Volume 3 is again 100 but future editions will have to be increased especially in view of our rapidly increasing Correspondence Circle. So far, all copies have been made on members’ office copying machines - hence the rather varying quality. -
Behind the Rhodes Statue: Black Competency and the Imperial Academy
Behind the Rhodes Statue: Black Competency and the Imperial Academy Robbie Shilliam Introduction Stuart Hall was a central figure in the formation of Britain’s “new left”, a founding force in the field of cultural studies, and a scholar who introduced thousands of mature and working students to the study of modernity via his Open University courses and text books (Warmington 2014, 92–94). Hall entered the British academy in 1951 as a Jamaican youth to read an undergraduate degree in English at Merton College, Oxford. Much later in his life, Hall (2017, 169, 2010, 179) reflected that, in his days at Oxford, Black culture, colonial questions and Commonwealth politics “formed an indispensable, active seam” of his intellectual enquires. Hall’s recollections situate a community of Black and Commonwealth students within the heart of British academia discussing the fate of empire and the prospects of independence. That Black intellectualism was an uncomfortable intrusion into the academy is suggested by Hall’s (2017, 158) comments on the stretched politeness he experienced at Oxford: “I was conscious all the time that I was very, very different because of my race and color. And in the discourses of Englishness, race and color remained unspeakable silences.” In this way, Britain’s most accomplished public intellectual of the 20th century started his academic career as a Rhodes Scholar. But Hall’s intellectual community of non-white Commonwealth citizens would have been met with considerable distaste by his benefactor. After all, Cecil Rhodes intended his scholarship fund to develop a cadre of leading colonists working across race and religion expressly for the “retention of the unity of the Empire” (Stead 1902, 23).