Projects from Thelenarchitekten; Architekten Prof. Klaus Sill; Müller
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City of Iola, Kansas Custom-Cab Fire Engine and Equipment Project # 21-PF-012 Notice of Invitation to Bid
City of Iola, Kansas Custom-Cab Fire Engine and Equipment Project # 21-PF-012 Notice of Invitation to Bid The City of Iola, Kansas is accepting bids for the following items and equipment: • 1 x New Construction Custom-Cab Fire Engine • Loose Equipment, Fire Hose, Nozzles, Tools, and Accessories for the Fire Engine The City of Iola, Fire Department will receive sealed bids for a Custom-Cab Fire Engine and Equipment, Project # 21-PF-012 at the office of the City Clerk no later than May 27th, 2021 at 2:30 pm, at which time or thereafter said bids will be opened and read aloud. Bids received after this time will be returned unopened. Bids shall be valid for 60 calendar days after the bid opening date. The general scope of services includes: • 1 x New Construction Custom-Cab Fire Engine • Loose Equipment, Fire Hose, Nozzles, Tools, and Accessories for the Fire Engine Bids must be submitted on the City’s Bid Forms. Bidders may obtain a copy of the Contract Documents from the City of Iola at: 2 W. Jackson, Iola, KS 66749. Bid opening will be held at Iola City Hall located at 2 West Jackson Street, Iola, Kansas at 3:00 PM on Thursday, May 27th, 2021. For those bidders wishing to attend the bid opening, hand- delivered bid packets may be turned in at City Hall no earlier than 2:00 PM and no later than 2:30 PM on Thursday, May 27th, 2021. Likewise, hand-delivered bids may be turned in to the City of Iola prior to 2:30 PM. -
Los Angeles County Fire Department
EXHIBIT A SPECIFICATIONS FOR 19,000# MINIMUM GVWR 4-DOOR DIESEL CHASSIS-CAB TRUCK (4x4 PATROLS) Bid Number: RQN-FR-17010986 / RFB-IS-17200303 Specification FD720-16-17 Year 2016-17 Make___________________ Model_______________ Firm Name___________________________________ Address_____________________________________ ____________________________________________ ____________________________________________ ____________________________________________ Bidder's specifications must be filled out completely and returned to Purchasing Agent. FD687-14-15 EXHIBIT A CONSOLIDATED FIRE PROTECTION DISTRICT OF LOS ANGELES COUNTY SPECIFICATIONS FOR 19,000# MINIMUM GVWR 4X4 4-DOOR DIESEL CHASSIS-CAB TRUCK (PATROLS) SPECIFICATIONS FD720-16-17 1. STATEMENT OF SOLICITATION The Consolidated Fire Protection District of Los Angeles County, hereinafter District, is desirous of purchasing 19,000# minimum GVWR 4X4 4-door diesel chassis-cab truck. Vehicle vocations – Fire Service patrol style body utilizing a fire pump and water tank. At this time, bids are only being solicited for the chassis-cab. Two (2) sealed proposals are desired from reputable factory authorized automotive dealers for vehicles equipped in accordance with these specifications. Bid prices must be guaranteed for the current model year. 2. NOTICE TO BIDDERS When submitting bids, bidders are required to indicate opposite each item of these specifications when the unit offered differs from the unit described. Terms such as, "As specified," "To meet specifications," "Per your specifications," or "Omission of detailed information" will be interpreted as being in complete compliance with specifications. Bidders may not take exception to items in these specifications where the term “No exceptions” is specified. Bids will be considered on vehicles complying substantially with these specifications as determined by the District, provided each deviation is explained in detail and the substitution is described. -
17 May – BOZAR & the Colors of the Rainbow
17 May – BOZAR & The colors of the rainbow 1. Introduction: The Centre for Fine Arts, gender and LGBTIQ. (Lesbian, Gay, Bi-sexual, Trans-sexual, Intersex and Questioning). As part of its international mission, the Centre for Fine Arts Brussels (BOZAR) aims to show and establish exchange with cultures from all over the world, to promote cultural diversity and intercultural dialogue and to advocate the role of culture as a catalyst for creativity. BOZAR does not only show art for art’s sake. We believe in debate, and in the community building capacity of the arts. As a cultural organization with a large variety of artistic disciplines ranging from literature and music to discussion platforms, we have always strived to offer a programme that is highly ranked on an artistic level but at the same time widely accessible to our 1.3 million visitors per year. In doing so, the CFA aims to reflect the multi-cultural reality of the hyper-diverse city of Brussels. We have had the honour of welcoming personalities such as Salman Rushdie, Barack Obama and the Dalai Lama. Exceptional events like these have only solidified our involvement in social and political issues as well as our leading cultural role in Belgium. We aim to combine art and society to offer a nuanced vision. In 2014, the central Summer of Photography exhibition at the Centre for Fine Arts examined the role of female artists in the second wave of feminism, WOMAN: The Feminist Avant-Garde of the1970s: Works from the SAMMUNG VERBUND, Vienna curated by Gabriele Schor. -
Lights and Siren Use by Emergency Medical Services (EMS): Above All Do No Harm
U. S. Department of Transportation National Highway Traffic Safety Administration Office of Emergency Medical Services (EMS) Lights and Siren Use by Emergency Medical Services (EMS): Above All Do No Harm Author: Douglas F. Kupas, MD, EMT-P, FAEMS, FACEP Submitted by Maryn Consulting, Inc. For NHTSA Contract DTNH22-14-F-00579 About the Author Dr. Douglas Kupas is an EMS physician and emergency physician, practicing at a tertiary care medical center that is a Level I adult trauma center and Level II pediatric trauma center. He has been an EMS provider for over 35 years, providing medical care as a paramedic with both volunteer and paid third service EMS agencies. His career academic interests include EMS patient and provider safety, emergency airway management, and cardiac arrest care. He is active with the National Association of EMS Physicians (former chair of Rural EMS, Standards and Practice, and Mobile Integrated Healthcare committees) and with the National Association of State EMS Officials (former chair of the Medical Directors Council). He is a professor of emergency medicine and is the Commonwealth EMS Medical Director for the Pennsylvania Department of Health. Disclosures The author has no financial conflict of interest with any company or organization related to the topics within this report. The author serves as an unpaid member of the Institutional Research Review Committee of the International Academy of Emergency Dispatch, Salt Lake City, UT. The author is employed as an emergency physician and EMS physician by Geisinger Health System, Danville, PA. The author is employed part-time as the Commonwealth EMS Medical Director by the Pennsylvania Department of Health, Bureau of EMS, Harrisburg, PA. -
A Firehouse Mural for the Fallen CFA Alums Create Memorial at an Iconic Firehouse
Alum Profile A Firehouse Mural for the Fallen CFA alums create memorial at an iconic firehouse It started with a simple Craigslist ad: Boston Lt. Kevin M. Kelly, a firefighter who died in January 2009 firefighters at the Huntington Avenue firehouse were during a work-related accident in Mission Hill. He had looking for an artist to paint a commemorative portrait been the face of the fire station, starring in the Discovery of one of their fallen. Channel’s Firehouse USA: Boston, a 2005 series about When she saw the posting, Kristie Eden O’Donnell firefighters. raced over with her portfolio before students from But as O’Donnell talked to the station’s men, she Massachusetts College of Art and Design, located across realized Kelly was not a unique case. Relatives of several the street from the station, could lift a firefighters had been killed in the line of duty working at WEB EXTRA paintbrush. the same firehouse. Kristie Eden “I came in here before they had a Six portraits now grace the walls of the station’s O’Donnell chance,” says O’Donnell (CFA’10). lounge. The men’s faces are black-and-white, each (CFA’10) and Anya For the next three months, she and former classmate Anya Smolnikova Smolnikova A detail of the mural at Boston’s Huntington Avenue firehouse. (CFA’09) talk (CFA’09) painted six commemorative about painting portraits and a 30-by-8½-foot mural a mural at that sweeps across a third floor wall in a Boston firehouse in the fire house recreation room. -
3 RCNY 401-06 Fire and Emergency Preparedness Guide, Checklist and Notices
NEW YORK CITY FIRE DEPARTMENT Notice of Adoption of Amendments to Fire Department Rule 3 RCNY 401-06, entitled “Fire and Emergency Preparedness Guide, Checklist and Notices” NOTICE IS HEREBY GIVEN PURSUANT TO THE AUTHORITY VESTED IN THE Fire Commissioner of the City of New York pursuant to Sections 15-134 and 15-135 of Title 15 of the Administrative Code of the City of New York and Section FC102.6.3 of the New York City Fire Code (Title 29 of Administrative Code of the City of New York), and in accordance with the requirements of Section 1043 of the New York City Charter, that the New York City Fire Department has adopted the above final rule. The public hearing was held on August 29, 2019. The rule shall take effect on November 15, 2019, except that: • The time for distribution of the Fire and Emergency Preparedness Checklist for the 2019- 2020 cycle only (October 2019/January 2020) pursuant to 3 RCNY §401-06(f)(3) is extended to April 30, 2020. The Notice of Adoption, final rule and the Statement of Basis and Purpose of Final Rule, will be available on the Fire Department’s website (www.nyc.gov/fdny) and NYCRULES (www.nyc.gov/NYCRULES). Statement of Basis and Purpose of Final Rule The Fire Department adopts this rule to implement the provisions of Local Law Nos. 114 and 115 of 2018. Local Law 114 directed the Fire Department to develop, in consultation with the Department of Emergency Management (NYCEM) and the Mayor’s Office for People with Disabilities (MOPD), an emergency planning checklist. -
The Great Indoors
The Great Indoors CATALOGUE SPRING 2018 Contents 2 New Titles Ceramic Design What I’ve Learned The Other Office 3 8 Previously Announced Grand Stand 6 Suppose Design Office Identity Architects Built Unbuilt 12 Recent Titles Jo Nagasaka / Schemata Architects Studio O+A Happening 2 Night Fever 5 16 Portfolio Highlights Where They Create Japan Sound Materials Powershop 5 Knowledge Matters Spaces for Innovation CMF Design Goods 2 Holistic Retail Design 20 Backlist 29 Index 30 Distributors 32 Contacts & Credits 2 NEW TITLES 3 CERAMIC DESIGN New Wave Clay The unprecedented surge in popularity of 44 Ceramic Design 45 Bruce Rowe By day, Bruce Rowe runs the Melbourne ceramics brand Anchor Ceramics, which produces handmade lighting, tiles and planters on an almost industrial scale, selling to homes, architects and the hospitality trade across Australia. Then Rowe swaps making ceramics for the built environment in order to make the built environment ceramics in the last five years has helped forge out of clay. The structures he creates are composed of architectural elements BRUCE assembled in strange compositions: constructions made of stairs, passageways, bridges and arches. They are never literal images of actual architecture, but creative interpretations with a De Chirico-like surreal quality. “The works do not directly reference any specific place, building or structure. Whilst educated in the structural and spatial language of architecture, my a new type of potter: the ceramic designer. ROWE practice combines this knowledge with an inquiry into the symbolic function and aesthetic activity of visual art,” he says. Rowe began making small, singular pieces and progressed into series of structures that make up a whole. -
Expo-Catalogue-EN.Pdf
FOREWORD Gaston Franco, MEP Host of the exhibition Member of the European Parliament President of the “Club du Bois” within the EP President of the Forest group within the EP Intergroup “Climate change, biodiversity and sustainable development” Wood is probably the most Wood as a material deserves to be worked by these environmentally friendly artists for our pleasure and our search for better ways material that nature has given to master the future. to man. It is made from CO2, It is for all these reasons, that I love wood and wood- captured from the atmosphere based products. by trees and stored in wood, Through this exhibition at the European Parliament, where the carbon will remain entitled Tackle climate change: use wood, to which locked for the entire lifespan I gladly lend my name, the artists seek to emphasise of the wood. and demonstrate the variety that wood in all its facets It is not only a magnificent ecological material, it is has to offer, whether it be as sculpture, craft, decora- also a technological material, perhaps even the most tion or message. innovative and the most extraordinary one at man’s It is my hope that this exhibition will convince disposal. Today, tomorrow, and for centuries to come, many that using wood and wood-based products now wood is and will continue to be this wonderful natural more than ever before will help us in achieving our material, at the same time common and mysterious, main policy goals which are to create a better, safer, beautiful and technical, visionary and renewable. -
Reading #2 Artistic Process and Training
Page | 1 Artistic Process and Training ART 100: Introduction to Art Reading #2 Artistic Process and Training This reading explores the artistic process and the art industry surrounding it: from individual artists turning ideas into works of art to collaborative creative projects, public art and the viewer. It covers the following topics: ● The Artistic Process ● The Role of Museums, galleries, and Critics ● The Individual Artist and Public Art ● Artistic Training The Artistic Process How many times have you looked at a work of art and wondered “how did they do that”? Some think of the artist as a solitary being, misunderstood by society, toiling away in the studio to create a masterpiece, and yes, there is something fantastic about a singular creative act becoming a work of art. The reality is that artists rely on a support network that includes family, friends, peers, industries, businesses, and, in essence, the whole society they live in. For example, an artist may need only a piece of paper and pencil to create an extraordinary drawing, but depends on a supplier in order to acquire those two simple tools. Michelangelo Buonarroti, The Holy Family with the Infant Saint John the Baptist (recto); Amorous Putti at Play; Head of a Bird (verso), 1530. Black and red chalk with pen and brown ink over stylus (recto); Pen and black and brown ink (verso), 27.9 × 39.4 cm (11 × 15 1/2 in.). The J. Paul Getty Museum, Los Angeles. Page | 2 Artistic Process and Training After the artwork is finished there are other support networks in place to help exhibit, market, move, store, and comment on it. -
Lazy Gardener Guide Book Pages
“The Earth Laughs in Flowers” —ÊRalph Waldo Emerson “ The Lazy Gardener’s Guide” —ÊRevised and Updated by Brenda Beust Smith “Above all, our gardens should be fun!” —ÊBrenda Beust Smith Let’s get something straight right off the bat. People always say I must have a beautiful yard. Truth is, I don’t even have what I would call a “landscape.” I have a “Lazy Gardener’s Laboratory” … The “Lazy Gardener” column started when I was a Chronicle reporter. Alice Hodges was gardening columnist. I had a new house and plants from my grandmother and mother. When Alice left, the managing editor, Don Pickles, asked if anyone could write the column until he could find another “real horticulturist.” I was successfully growing elephant ears and monkey grass. I said, “I'll do it!” Since it was a temporary assignment, Beverly Harris, my editor, gave me permission to do a humorous column, “The Lazy Gardener” — a la Erma Bombeck. Don didn’t care as long as I gave him what-to-do-each month tips, like Alice did, to tape to his refrigerator. I wrote of my gardening successes (and failures) and interviewed plant society members. What an education! The column continued, I became a Master Gardener and, later, I teamed up with Sally McQueen Squire, the Bulb Lady, a master horticulturist and a stickler for doing things right. (Through her River Bend Co., my horticultural education continues to this day.) Back then our plants came mainly from California and Florida. Weakened by our heavy spring/fall rains, intensely hot summers or prolonged droughts, they were prey to insects and disease. -
The Great Indoors
The Great Indoors FRAMEWEB.COM/BOOKS CATALOGUE AUTUMN 2017 Contents 2 New Titles Goods 3 The Other Office 3 Grand Stand 6 8 Previously Announced Suppose (Un)Built JDS(A) Identity Architects Jo Nagasaka / Schemata Architects Studio O+A 13 Recent Titles Happening 2 Night Fever 5 Where They Create Japan Sound Materials Powershop 5 18 Portfolio Highlights Knowledge Matters Spaces for Innovation 3deluxe CMF design Onomatopoeia Goods 2 Grand Stand 5 Holistic Retail Design 22 Backlist 29 Index 30 Distributors 32 Contacts & Credits 2 NEW TITLES 3 GOODS 3 Interior Products from Sketch to Use Fifty iconic interior products from well-known designers and manufacturers from around the world are presented. The story of each is told over eight pages, from initial design sketch to its use in recently-designed interiors. Sketches and photographs show how the furniture and products are designed and made. Instead of just filling a book with new products, the Goods series analyses the design products featured from conceptual design sketch to realisation. This inspirational book also shows international reference projects where these products have been used successfully across all interior product ranges, from chairs to tables, from floor lamps to down lights, from kitchens to bathrooms. Frame editors select leading design producers and their associated designers. Producer, designer and editor decide together which product will be featured. Iconic design products are analysed and featured from conceptual design to realisation Category Product Design • This inspiring reference book is filled Authors Frame with the impelling stories of fifty Graphic Design Frame successful products. 392 pages 220 x 280 mm • Focuses on the material use and Hardcover manufacturing techniques of the £50 products and visualises these. -
Old Saybrook Fire Department, 310 Main Street Old Saybrook CT 06475
`` Town of Old Saybrook, Connecticut Request for Sealed Bid New Custom Pumper for the Old Saybrook Fire Co. #1 Sealed Bid Proposals Due on April 14th 2020 at 3pm Custom Pumper Committee [email protected] 1 `` TOWN OF OLD SAYBROOK REQUEST FOR SEALED BIDS TRIPLE COMBINATION PUMPER TO REPLACE ENGINE Table of Contents Section Description Pages 1 Introduction and Request for Proposals 4 2 Instructions to Respondents 6 3 Administrative 11 4 Pumper Specifications 15 5 Custom Cab, Chassis and Components 16 5 Cab General 24 6 Light Tower / Electrical 45 7 Water and Class B Foam System 45 8 Pump 47 9 Compartments 57 10 Paint and Finishing 65 11 Signage 67 2 `` 12 Warranty 68 13 Options 70 14 Equipment Supplied by Respondent 70 15 Equipment Supplied by Purchaser 71 16 Trade in 73 17 Important Information Regarding RFP 73 18 Mandatory Questionnaire 74 3 `` SPECIFICATIONS FOR FIRE APPARATUS INTRODUCTION AND REQUEST FOR SEALED BID PROPOSALS: The Town of Old Saybrook will receive sealed proposals for the furnishing of One (1) Custom Pumper and equipment as specified herein until April 14, 2020 at 3 pm. Bidders are requested to reference the OPTIONS Section as the Fire Department MAY seek to acquire two (2) custom pumping engines each using the Bid Specification . 1.001 Proposals must be clearly marked or stamped "SEALED BID – Custom Pumper" on a closed envelope along with opening date and time. The Town of Old Saybrook will not be responsible for accidental opening and may reject proposals that are open or with improper identification. All proposals will be addressed to or hand delivered to Town Hall, Attention Fire Department Engine Committee, C/O Office of the First Selectman, 302 Main Street, Old Saybrook CT 06475 1.002 Bids being submitted must contain one marked original and 3 marked copies.