1 Correspondence Culture
Notes 1 Correspondence Culture 1. Godfrey Frank Singer’s and Frank Gees Black’s bibliographical studies of the epistolary novel show that the nineteenth-century literary marketplace was not conducive to the epistolary novel; see Godfrey Frank Singer, The Epistolary Novel: Its Origin, Development, Decline, and Residuary Influence (Philadelphia: University of Pennsylvania Press, 1933) and Frank Gees Black, The Epistolary Novel in the Late Eighteenth Century (Eugene: University of Oregon Press, 1940). James Raven offers a table charting the quick rise and decline of epistolary fiction between 1750 and 1799; see James Raven, ‘The Market for Novels – Some Statistical Profiles: Britain, 1750–1830’, in The Novel, ed. Franco Moretti, vol. 1 (Princeton University Press, 2006), 429–54, 437–3. The common critical explanation of the epistolary novel’s loss of influence is that it was no longer a symbol of a new type of fiction, and it had been stripped of its revolutionary sexual and political power. Postal Plots shows that the nineteenth-century novel was still enlivened by letters. I argue that the function of Victorian fictional correspondence, while still politically and socially engaged, focuses on the possibility and practicality of reform, not revolution. 2. Nicola J. Watson, Revolution and the Form of the British Novel 1790–1825: Intercepted Letters, Interrupted Seductions (Oxford: Clarendon Press, 1994), 193. 3. Richard Menke, Telegraphic Realism: Victorian Fiction and Other Information Systems (Stanford University Press, 2008), 250. 4. Kate Thomas, Postal Pleasures: Sex, Scandal, and Victorian Letters (Oxford University Press, 2012), 2. 5. Amanda Anderson, ‘The Temptations of Aggrandized Agency: Feminist Histories and the Horizon of Modernity’, Victorian Studies 43.1 (Autumn 2000): 43–65, 50.
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