DOCSLIB.ORG

Renée Cossutta

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Renée Cossutta Renée Cossutta Education Graphic Design 1982 Yale University School of Art, New Haven, Connecticut, MFA in Graphic Design Graphic Design Educator 1978 Smith College, Northampton, Massachusetts, AB in Studio Art [email protected] Professional Experience http://www.calstatela.edu/academic/ 1984– present Partner, Lausten/Cossutta Design, Los Angeles, California art/parttimefaculty.php Design and implementation of design systems for publications, information, exhibitions, signage. www.laustencossutta.com/index.html Art direction, design and coordination of projects for a wide variety of clients: 626 355-5353 studio publishers, art museums, corporations, universities, and historic real estate. Projects include environmental 626 355-2371 cell graphics for the Bradbury Building and the Grand Central Market, the design of art books and museum renee.cossutta skype catalogs, exhibition graphics, information graphics, and identity programs. 527 Woodland Drive 1983–84 James Robie Design, Venice, California Sierra Madre Design of print materials for 1984 Olympics, including format for the daily newspaper, The Olympic Times. California 91024 1980–81 Carl Purington Rollins Fellowship, Yale University, New Haven, Connecticut U.S.A. Graduate fellowship to design printed materials for the University. 1978–80 Ohio State University, Department of Art Education, Columbus, Ohio Co-founder The Logan Elm Press; equip, organize, teach letterpress printing. 1968 Robert Kennedy for President campaign, New York, New York Drawing and design for campaign buttons that were produced. Now pop-collector's items. Teaching Experience 2016, September, Intermark International Design College, Shanghai, China Two classes, Publication Design and Typography. 2015, March–April, Intermark International Design College, Shanghai, China Class in Letterforms and Type. 2014–present California State University, Los Angeles, Graphic Design option Classes in Letterforms and Typography. 2008–2013 California State University, Long Beach, Long Beach, California, Graphic Design Program Typography and Graphic Design classes. 2009, 2003, 1998, 1996 Southern California Institute of Architecture, Los Angeles, California Typography and Graphic Design classes. 1992–2006 Art Center College of Design, Pasadena, California, Graphic Design Department Graphic Design, Typography, and Information Design classes 1983–96 California Institute of the Arts, Valencia, California, Graphic Design Program Typography, Information Design, and Publication Design classes 1983–86 Otis/Parsons Art Institute, Los Angeles, California, Communication Design Department Typography and Letterform Design classes Lectures, Articles, etc 2013 Worked with colleagues on coordination, fund-raising, organization and mounting of show for an exhibition of Armin Hofmann's work at the A+D Museum in Los Angeles 2010 Wrote Introduction for Upper Lower Open Closed, Los Angeles, California 2010 Southern California Institute of Architecture, Los Angeles, California 2009 Review of typography show at AndLab, Los Angeles, California: 10,000 Hours of Type 2000 Arizona State University, Tucson, Arizona, juror for student show. 1999 University of the Pacific, Stockton, California, Typography workshop 1998 The Mak Center for Art and Architecture, Los Angeles, California 1992 California Polytechnic Institute, San Luis Obispo, California 1991 AIGA and How? magazine symposium, Los Angeles, California, lecture with April Greiman and John Coy. 1991 California State University, Long Beach, California 1990 Art Center College of Design, Pasadena, California 1989 California Institute of the Arts, Valencia, California Competitions, Publications, Awards 2010 Upper Lower Open Closed, Type Directors Club award 2009 Graphic Design, Referenced: A Visual Guide to the Language, Applications, and History of Graphic Design 2006 Open House, catalog and exhibition featuring LivingKit 2001 CalTech336, newspaper, CASE award, Silver Medal for publication design Eleanor Antin (Los Angeles County Museum of Art), 2000 AIGA 50 Books 50 Covers Show 1999 Communication Arts Design Annual 1999 New Design Los Angeles, portfolio of work published The Portraits Speak: Chuck Close in Conversation with 27 of his subjects (A.R.T. Press) Stiftung 1999 Buchkunst International book design exhibition 1998 AIGA 50 Books 50 Covers Show NowTime journal (published by A.R.T. Press) 1996 British Design & Art Direction catalogue and show 1996 Typography 2 Imagenes Liricas/New Spanish Visions (Independent Curators, Inc.) 1991 American Center for Design 100 Show 1990 Communication Arts Design Annual 1989 Icons of Piety, Images of Whimsy, (Los Angeles County Museum of Art) American Federation of the Arts, Design Show 1987 Articles magazine (California Institute of the Arts), Art Directors Club of Los Angeles award References and further information available on request .
Load more

Recommended publications
  • VISIBLE LANGUAGE Volume VI, Number I , Winter 1972
    VISIBLE LANGUAGE Volume VI, Number I , Winter 1972 s-I 8 The Origin of the Sexagesimal System: the Interaction or Language and Writing Marvin A Powell, Jr. r g- 44 The Development of Visual Poetry in France David W. Seaman 45- 58 The Development ofWord Perception and Problem Solving Strategies Lita Furby 5g- 78 The Work of Bruce Rogers J ames Wells 79- 80 A Select Bibliography on Script and Language J ohn Lotz 8 I - 8g Homage to Alberto Tallone, I 8g8-I g68 J ack W. Stauffacher go- g I Correspondence g2- 95 Abstracts ofJ ournal Articles in French, German, and Spanish g6 The Authors COVER : Among the major autographed manuscripts now on exhibit at T he Pierpont Morgan Library, New York, is this proof corrected by Honore de Balzac. It is one of 41 pages of corrected proof and rrr pages of manuscript for Balzac's Eugenie Grandet in the Morgan Library collection. Photograph courtesy of The Pierpont Morgan Library. Visible Language, Volume VI, Number I, Winter I972. Published quarterly (Winter, Spring, Summer, and Autumn) by Visible Language, cfo The Cleveland Museum ofArt , Cleveland, Ohio, USA 44106. Copyright © Ig72 by Visible Language. Dr. Merald E. Wrolstad, Editor and Publisher cfo The Cleveland Museum of Art, Cleveland, Ohio, USA 441 o6. ADVISORY BOARD Dr. Roland Barthes, Ecole Pratique des Hautes Etudes, Paris Fernand Baudin, Bonlez par Grez-Doiceau, Belgium Pieter Brattinga, Form Mediation International, Amsterdam Rev. Edward M. Catich, Saint Ambrose College J ohn L. Debes m, Director, Center for Visual Literacy, Rochester, N.Y. Engene Ettenberg, Columbia University Ephraim Gleichenhaus, ICTA Representative, New York Dr.
    [Show full text]
  • The Shape of Time: Remarks on the History of Things
    THE SHAFE OF TIME REMARKS ON THE HISTORY OF THINGS GEORGE KUBLER GEORGE KUBLER THE SHAPE OF TIME REMARKS ON THE HISTORY OF THINGS NEW HAVEN AND I.ONDON: YALE UNIVERSITY PRESS The tide-page and chapter-head illustrations show pottery figurine fcagments made in the Valley of Mexico between 300 B.c. and about A.D. 900. All are from Teodhuad.n and its vicinity. (Courtesy American Museum of Natural History.) Originally published with assistance from the foundation established in memory of Rutherford Trowbridge. Copyright© 1962 by Yale University Sixth printing, 1970 Set in Aldine Bembo type and printed in the United States of America by 'fhe Carl Purington Rollins Printing-Office of the Yale University Press, New Haven, Connecticut. All rights reserved. '!'his book may not be reproduced, in whole or in part, in any form (except by reviewers for the public press), without written permission from the publishers. Library of Congress catalog card number: 62-82 50 Distributed in Great Britain, Europe, Asia, and Africa by Yale University Press Ltd., London; in Canada by MeGill-Queen's University Press, Montreal; and in Mexico by Centro Intecamericano de Libros Academicos, Mexico City. TO MARTIN HEINEMANN Preamble SYMBOL, FoRM, AND DuRATION Cassirer' s partial definition of art as symbolic language has dominated art studies in our century. A new history of culture anchored upon the work of art as a symbolic expression thus came into being. By these means art has been made to connect with the rest of history. But the price has been high, for while studies of meaning re­ ceived all our attention, another definition of art, as a system of formal relations, thereby suffered neglect.
    [Show full text]
  • Finding Aid to the Grabhorn Letterpress Printing Ephemera Collection
    Finding Aid to the Grabhorn Letterpress Printing Ephemera Collection Finding Aid by: Samantha Cairo-Toby Finding Aid date: November 2018 Book Arts & Special Collections San Francisco Public Library 100 Larkin Street San Francisco 94102 (415)557-4560 [email protected] Summary Information: Repository: Book Arts & Special Collections Creator: Grabhorn, Robert Title: Finding Aid for the Grabhorn Letterpress Printing Ephemera Colletion Finding Aid Filing Title: Grabhorn Letterpress Printing Ephemera Collection ID: BASC 1 Date [inclusive]: 950 CE-2018 (bulk 1890-2018) Physical Description: 230.4 linear feet (300 boxes) Physical Location: Collection is stored on site. Language of Material: Collection materials are primarily in English, but includes French, German, Dutch, Italian, Latin, Welsh, Russian, Greek, Spanish, and Chinese. Abstract: The collection contains ephemeral materials printed with metal or wood type using a letterpress. Ephemeral materials include: prospectuses, notices, fliers, postcards, broadsides, bookmarks, chapbooks, pamphlets and small books/accordion fold books. The collection dates range from 950 CE (China) to present, with the bulk of the collection ranging from 1890 CE to present. Additions to the Collection are ongoing. The earliest printed materials in the collection come from China and Europe, but the bulk of the collection is from California and the United States of America printed in the 20th century. Preferred Citation: [Identification of item/Title of folder], Grabhorn Letterpress Printing Ephemera Collection (BASC 1), Book Arts & Special Collections, San Francisco Public Library. Custodial History: Ephemera has been part of Book Arts & Special Collections since 1925 when William Randolph Young, a library trustee, was instrumental in establishing the Max Kuhl Collection of rare books and manuscripts, after the destruction of the Library’s collection in the 1906 earthquake and fire.
    [Show full text]
  • Fine Printing & Small Presses L
    Fine Printing & Small Presses L - Z Catalogue 356 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are considered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request.
    [Show full text]
  • Bulletin 2003 Art/Pages.2
    bulletin of yale university bulletin of yale bulletin of yale university Periodicals postage paid New Haven ct 06520-8227 New Haven, Connecticut School of Art 2003–2004 May 10, 2003 School of Art bulletin of yale university Series 99 Number 1 May 10, 2003 Bulletin of Yale University The University is committed to basing judgments concerning the admission, education, and employment of individuals upon their qualifications and abilities and affirmatively seeks to Postmaster: Send address changes to Bulletin of Yale University, attract to its faculty, staff, and student body qualified persons of diverse backgrounds. In PO Box 208227, New Haven ct 06520-8227 accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against any individual on PO Box 208230, New Haven ct 06520-8230 account of that individual’s sex, race, color, religion, age, disability, status as a special disabled Periodicals postage paid at New Haven, Connecticut veteran, veteran of the Vietnam era, or other covered veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation. Issued sixteen times a year: one time a year in May, November, and December; two times University policy is committed to affirmative action under law in employment of women, a year in June and September; three times a year in July; six times a year in August minority group members, individuals with disabilities, special disabled veterans, veterans of the Vietnam era, and other covered veterans. Managing Editor: Linda Koch Lorimer Inquiries concerning these policies may be referred to the Director of the Office for Editor: David J.
    [Show full text]
  • Presses Listed Without Numbers Have Been Traced in a "Presses" Subject Heading but Are Otherwise Classified
    Index of Presses Collected in Special Collections A B C D E F G H I J K L M N O P Q R S T U V W X Y Z * Refers to presses in the U.S. Presses listed without numbers have been traced in a "Presses" subject heading but are otherwise classified. A122 Abattoir* A124 Abbe, Elfriede Martha* A191 Adagio* A221 Adcraft* A258 Afterhours* Agathynian* A311 Aitken* A339 Albondocani* A343 Albrizzi A349 Alcatraz* A351 Alcestis* A356 Alcuin A3563 Alcuin Society A3607 Alderbrink* A361 Aldergate* A362 Alderman* A365 Aldus A365 (Aldus forgeries) A367 Alembic A425 Allen* A429 Alley Printshop* A505 Amaranth A512 Amerbach, Johann A517 Les Amis de Nandette A540 Anachronic Editions* A545 Anderson, Caroline* A581 Angel Alley* A582 Angelica* A584 Angelo* A618 Anshelm, Thomas A628 Anthoensen* A632 Antioch* Anton Koberger A635 Anvil* A641 Apellicon* A642 Apiary* A644 Apollo A655 Appletree Alley* A665 Aquila A667 Archetype* A673 Archway* A681 Arden A698 Aries* A712 Arion* (ex Grabhorn-Hoyem) Arts (of Baker Library Press)* A815 Ascensius* A819 Ashendene A826 Ashlar* A856 Astolat A859 L'Astrolabe A885 Attic* A945 Avalun Ayer* Back to TOP! B128 Backwoods* B142 Badius Ascensius Baker Library Press* (not individually listed; see Archives) B211 Ballantyne B217 Baltimore, Lord B219 Balzac, Honore de B221 Bandar Log* B228 Banyan* B233 Barbera B234 Barbou B292 Baskerville B298 Battell Chappel* Bayberry Hill* B354 Beacon B383 Beaumont Beehive (mostly in Stinehour) Beilenson, Peter see Peter Pauper B413 Bell, Robert* B416 Les belles feuilles Ben Ben* B439 Bennett* B440 Beo*
    [Show full text]
  • T H E C O L O P H O N B O O K S H O P Robert and Christine Liska P. O. B O X 1 0 5 2 E X E T E R N E W H a M
    T H E C O L O P H O N B O O K S H O P Robert and Christine Liska P. O. B O X 1 0 5 2 E X E T E R N E W H A M P S H I R E 0 3 8 3 3 ( 6 0 3 ) 7 7 2 8 4 4 3 Net Price Sale List Part Two The price in bold is the net sale price All items listed have been carefully described and are in fine collector’s condition unless otherwise noted. All are sold on an approval basis and any purchase may be returned within two weeks for any reason. Member ABAA and ILAB. All items are offered subject to prior sale. Please add $5.00 shipping for the first book, $1.00 for each additional volume. New clients are requested to send remittance with order. All shipments outside the United States will be charged shipping at cost. We accept VISA, MASTERCARD and AMERICAN EXPRESS. (603) 772-8443; FAX (603) 772-3384; e-mail: [email protected] http://www.colophonbooks.com 600. (ILLUSTRATED BOOKS). ELLIS, Richard Williamson. Book Illustration. A Survey of its History & Development shown by the work of Various Artists, together with Critical Comments. Kingsport, TN: The Kingsport Press, 1952, large 8vo, cloth. (xviii), 76pp. First Edition. Created from the series which originally appeared in “Publisher’s Weekly” this volume presents a single example of the illustrator’s work followed by two to three paragraphs of biography. While covering the better known artists such as Rowlandson, Cruikshank, Caldecott, Walter Crane, Kate Greenaway, Rockwell Kent, Eric Gill, Arthur Rackham, etc., the compiler also gives credit to the accomplished, though lesser-known illustrators, James Daugherty, Henry C.
    [Show full text]
  • Michèle Valerie Cloonan Simmons College 300 the Fenway Boston, MA 02115 617-521-2806
    June 2018 Michèle Valerie Cloonan Simmons College 300 The Fenway Boston, MA 02115 617-521-2806 CURRENT POSITIONS School of Library and Information Science, Simmons College, Boston, MA, Dean Emerita, and Professor, January 2013- Editor-in-Chief, Preservation, Digital Technology & Culture, January 2013-December 2017. PREVIOUS POSITIONS Dean and Professor, Graduate School of Library and Information Science, Simmons College, Boston, MA, August 2002-December 2012 Chair and Associate Professor, University of California, Los Angeles, Department of Information Studies, July 1997-August 2000; January 2001-July 2002 Associate Professor, University of California, Los Angeles, Department of Information Studies, July 1996-August 2002 Head, Mortimer Rare Book Department, Smith College Libraries, Northampton, MA, August 1995-September 1996 Assistant Professor, University of California, Los Angeles, Department of Library and Information Science, January 1991-July 1995. Teaching areas: bibliography; preservation; research methods; publishing history; descriptive cataloging; management Brown University Library. Preservation Officer, December 1987-November 1990 University of Illinois at Chicago, University Library. Cataloging Intern, September 1983- August 1984 The Newberry Library, Chicago. Bookbinder, Library Bindery, Summer 1974; Special Collections Liaison, 1978; Assistant Conservator, 1978-81; Conservation Coordinator, 1980-81; Conservation Consultant, 1982 Trinity College Library, Dublin, Ireland, Conservation Laboratory. Conservation Intern, 1976-77 EDUCATION Ph.D. Library and Information Science, May 1988. University of Illinois M.S. Library and Information Science, January 1984. University of Illinois A.M. General Studies in the Humanities, focus: art history. December 1979. University of Chicago A.B. Literature and Languages, June 1975. Bennington College OTHER COLLEGE AND UNIVERSITY TEACHING EXPERIENCE AS AN ADJUNCT Smith College, Northampton, MA.
    [Show full text]
  • Introduction to Bibliography
    INTRODUCTION TO BIBLIOGRAPHY Seminar Syllabus G. THOMAS TANSELLE ! Syllabus for English/Comparative Literature G4010 Columbia University ! Charlottesville B O O K A R T S P R E S S University of Virginia 2002 This page is from a document available in full at http://www.rarebookschool.org/tanselle/ Nineteenth revision, 2002 Copyright © 2002 by G. Thomas Tanselle Copies of this syllabus are available for $25 postpaid from: Book Arts Press Box 400103, University of Virginia Charlottesville, VA 22904-4103 Telephone 434-924-8851 C Fax 434-924-8824 Email <[email protected]> C Website <www.rarebookschool.org> Copies of a companion booklet, Introduction to Scholarly Editing: Seminar Syllabus, are available for $20 from the same address. This page is from a document available in full at http://www.rarebookschool.org/tanselle/ CONTENTS Preface • 10 Part 1. The Scope and History of Bibliography and Allied Fields • 13-100 Part 2. Bibliographical Reference Works and Journals • 101-25 Part 3. Printing and Publishing History • 127-66 Part 4. Descriptive Bibliography • 167-80 Part 5. Paper • 181-93 Part 6. Typography, Ink, and Book Design • 195-224 Part 7. Illustration • 225-36 Part 8. Binding • 237-53 Part 9. Analytical Bibliography • 255-365 Subject Index • 367-70 A more detailed outline of the contents is provided on the next six pages. This page is from a document available in full at http://www.rarebookschool.org/tanselle/ 4 Tanselle: Introduction to Bibliography (2002) OUTLINE OF CONTENTS 1. The Scope and History of Bibliography and Allied Fields A. Selected Basic Readings (pages 13-14) B.
    [Show full text]
  • To Read Catalog 220
    1 (Advertising) Koller, E.L. ARTISTIC SHOW-CARDS: How to Design & Make Them. Pen Lettering, Brush Lettering, Show-Card Designing, Show-Card Color Schemes, Commercial Show-Cards. International Library of Technology 344. Scranton: International Textbook Company, 1926. vii,(309) pages. Many plates & illustrations, much color, show-cards, billboards, alphabets. 9 x 5.75", cloth. Cover soiled, hinge bit loose, few smudges, G. $25.00 2 (Advertising) Koller, E.L. ARTISTIC SIGNS: How to Design & Make Them. Commercial Signs, Sign Designing, Color in Signs, Painting & Gilding, Erection & Sale of Signs. International Library of Technology 343. Scranton: International Textbook Company, 1924. viii,(323) pages. Color plates, charts & schemes, illustrations of billboards, painted walls, storefronts, swinging & projecting store signs, window lettering, electrical signs, installation, banners. 9 x 5.75", cloth. Cover bit rubbed, soiled, few smudges, VG. $35.00 3 (Advertising) Koller, E.L. ARTISTIC ALPHABETS: For Show-Cards & Signs, Brush Practice, Gothic & Roman Styles, Italic & Text Styles, Modern Styles & Spacing, Decorative Ornament. International Library of Technology 342. Scranton: International Textbook Company, 1926. vii,(338) pages. 4 color plates, signs, shading, illustrations, alphabets, decorations, few show-cards. 9 x 5.75", cloth. 2 folding color plates split, cover bit rubbed, soiled, hinge bit loose, G. $25.00 4 (Advertising) Newton Manufacturing Company, Newton, Iowa. GIFT ADVERTISING for 1923. (Circular catalog). (4) pages. Halftones of advertising match holders, calendars, sewing rack, cutting board, grocery list, yard sticks, ice pick, flour sifter, pencils, whistle, thermometers, bread knife, rulers, fly swatters, sharpener, scoop, fans, balloons, gas gauges, brushes. Folded sheet, 14 x 9". Creased, VG. $15.00 5 (Advertising) Newton Manufacturing Company, Newton, Iowa.
    [Show full text]