This is a repository copy of Virtual St Stephen's: The Medieval Model and the Art Historian. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/163367/ Version: Published Version Article: Ayers, Tim orcid.org/0000-0001-9275-3736 (2020) Virtual St Stephen's: The Medieval Model and the Art Historian. British Art Studies. pp. 1-47. ISSN 2058-5462 10.17658/issn.2058-5462/issue-16/tayers2 Reuse This article is distributed under the terms of the Creative Commons Attribution-NonCommercial (CC BY-NC) licence. This licence allows you to remix, tweak, and build upon this work non-commercially, and any new works must also acknowledge the authors and be non-commercial. You don’t have to license any derivative works on the same terms. More information and the full terms of the licence here: https://creativecommons.org/licenses/ Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing
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[email protected] https://eprints.whiterose.ac.uk/ British Art Studies June 2020 British Art Studies Issue 16, published 30 June 2020 Cover image: Bill Brandt, Family Supper (recto), 1937, printed ca. 1943, photographic print.. Digital image courtesy of Bill Brandt and the Bill Brandt Archive Ltd. Photography by Richard Caspole and Robert Hixon. PDF generated on 19 July 2020 Note: British Art Studies is a digital publication and intended to be experienced online and referenced digitally.