Peregrinations: Journal of Medieval Art and Architecture Volume 1 Issue 4 2004 The Vanquished Synagogue, the Risen Host, and the Grateful Dead at the Salvatorkirche in Passau Mitchell B. Merback Follow this and additional works at: https://digital.kenyon.edu/perejournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Merback, Mitchell B.. "The Vanquished Synagogue, the Risen Host, and the Grateful Dead at the Salvatorkirche in Passau." Peregrinations: Journal of Medieval Art and Architecture 1, 4 (2005). https://digital.kenyon.edu/perejournal/vol1/iss4/5 This Feature Article is brought to you for free and open access by the Art History at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Peregrinations: Journal of Medieval Art and Architecture by an authorized editor of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact
[email protected]. Merback The Vanquished Synagogue, the Risen Host, and the Grateful Dead at the Salvatorkirche in Passau1 By Mitchell B. Merback Ever since Richard Krautheimer’s pathfinding 1942 article introducing the “iconography of medieval architecture,” scholars have sharpened our understanding of the homologies linking new edifices with their models, even in cases when the two designs, new and old, seem at great variance from one another.2 Rather than explaining such formal differences by positing an interruption in transmission, Krautheimer was interested in