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Ulysses in Paradise: Joyce's Dialogues with Milton by RENATA D. MEINTS ADAIL a Thesis Submitted to the University of Birmingh
Ulysses in Paradise: Joyce’s Dialogues with Milton by RENATA D. MEINTS ADAIL A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY English Studies School of English, Drama, American & Canadian Studies College of Arts and Law University of Birmingham October 2018 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis considers the imbrications created by James Joyce in his writing with the work of John Milton, through allusions, references and verbal echoes. These imbrications are analysed in light of the concept of ‘presence’, based on theories of intertextuality variously proposed by John Shawcross, Hans Ulrich Gumbrecht, and Eelco Runia. My analysis also deploys Gumbrecht’s concept of stimmung in order to explain how Joyce incorporates a Miltonic ‘atmosphere’ that pervades and enriches his characters and plot. By using a chronological approach, I show the subtlety of Milton’s presence in Joyce’s writing and Joyce’s strategy of weaving it into the ‘fabric’ of his works, from slight verbal echoes in Joyce’s early collection of poems, Chamber Music, to a culminating mass of Miltonic references and allusions in the multilingual Finnegans Wake. -
Challenging Authenticity: Fakes and Forgeries in Rock Music
Challenging authenticity: fakes and forgeries in rock music Chris Atton Chris Atton Professor of Media and Culture School of Arts and Creative Industries Edinburgh Napier University Merchiston Campus Edinburgh EH10 5DT T 0131 455 2223 E [email protected] 8210 words (exc. abstract) Challenging authenticity: fakes and forgeries in rock music Abstract Authenticity is a key concept in the evaluation of rock music by critics and fans. The production of fakes challenges the means by which listeners evaluate the authentic, by questioning central notions of integrity and sincerity. This paper examines the nature and motives of faking in recorded music, such as inventing imaginary groups or passing off studio recordings as live performances. In addition to a survey of types of fakes and the motives of those responsible for them, the paper presents two case studies, one of the ‘fake’ American group the Residents, the other of the Unknown Deutschland series of releases, purporting to be hitherto unknown recordings of German rock groups from the 1970s. By examining the critical reception of these cases and taking into account ethical and aesthetic considerations, the paper argues that the relationship between the authentic (the ‘real’) and the inauthentic (the ‘fake’) is complex. It concludes that, to judge from fans’ responses at least, the fake can be judged as possessing cultural value and may even be considered as authentic. 1 Challenging authenticity: fakes and forgeries in rock music Little consideration has been given to the aesthetic and cultural significance of the inauthentic through the production of fakes in popular music, except for negatively critical assessments of pop music as ‘plastic’ or ‘manufactured’ (McLeod 2001 provides examples from American rock criticism). -
The Blank Generation
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Blank Generation (These are excerpts from my book "A History of Rock and Dance Music") Akron 1976-80 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The "blank generation" came out of a moral vacuum. While punks roamed the suburban landscape, blue-collar workers were feeling the pinch of an economic revolution: human society had left the industrial age and entered the post-industrial age, the age in which services (such as software) prevail over manufacturing. Computers now rule the world, from Wall Street to Boeing. The assembly line took away a bit of the personality of the worker, but that was nothing: the new service- based economy takes away the worker completely, physically. In the post-industrial society the individual is even less of a "person". The individual is merely a cog in a huge organism of interconnected parts that works at the beat of a gigantic network of computers. This highly sophisticated economy treats the individual as a number, as a statistic. The goal is no longer to create a robot that behaves like a human being, but to create a human being that behaves like a robot: robots are efficient and lead to manageable and profitable businesses, whereas humans are inefficient and difficult to manage. -
MVD5251D Total Music
:: Total Music Magazine :: Page 1 of 2 Class Act Archive interviews A monthly retrospective a class act look at the most Influential acts of the last fifty years. more ****************** Live listings Buy albums, DVDs and book in association with Amazon What we actually know about the Residents can be comfortably written on the What's on and where back of an eyeball with a four inch paintbrush. What we can take a healthy Check the listings for all stab at however (if you’ll pardon the Luis Buñuel allusion) is the band possibly the latest news on formed in 1972 and in all probability released their first record, ‘Santa Dog’, where to go and why the same year. Speculation surrounding the members' true identities are more generally fended off by their management team The Cryptic Corporation - formed by Jay Clem, Homer Flynn, Hardy Fox, and John Kennedy in 1976 - all ****************** Album reviews of whom strenuously deny having ever been band members (indeed Clem and Coochie Brake Kennedy left the Corporation in 1982). Many long term fans however insist Fox Audio CD and Flynn are The Residents, Flynn the singer and lyricist and Fox the musician, and a delve into the details of their publishing company Pale Pachyderm Publishing at the performance rights organization reveals Flynn and Fox as the composers of all original Residents songs. Our monthly roundup of Such probing around however is to entirely miss the point of a band who obviously feel all the latest album their gender, ethnicity, personality, and any tabloid style private revelations are releases good, bad or irrelevant to their listeners, preferring instead to encourage rumours, like the band ugly, we listen and then members are all physically disfigured, are actually a Dutch band from Den Haag or, our rate 'em favourite, that they are in fact The Beatles in disguise. -
Record Dreams Catalog
RECORD DREAMS 50 Hallucinations and Visions of Rare and Strange Vinyl Vinyl, to: vb. A neologism that describes the process of immersing yourself in an antique playback format, often to the point of obsession - i.e. I’m going to vinyl at Utrecht, I may be gone a long time. Or: I vinyled so hard that my bank balance has gone up the wazoo. The end result of vinyling is a record collection, which is defned as a bad idea (hoarding, duplicating, upgrading) often turned into a good idea (a saleable archive). If you’re reading this, you’ve gone down the rabbit hole like the rest of us. What is record collecting? Is it a doomed yet psychologically powerful wish to recapture that frst thrill of adolescent recognition or is it a quite understandable impulse to preserve and enjoy totemic artefacts from the frst - perhaps the only - great age of a truly mass art form, a mass youth culture? Fingering a particularly juicy 45 by the Stooges, Sweet or Sylvester, you could be forgiven for answering: fuck it, let’s boogie! But, you know, you’re here and so are we so, to quote Double Dee and Steinski, what does it all mean? Are you looking for - to take a few possibles - Kate Bush picture discs, early 80s Japanese synth on the Vanity label, European Led Zeppelin 45’s (because of course they did not deign to release singles in the UK), or vastly overpriced and not so good druggy LPs from the psychedelic fatso’s stall (Rainbow Ffolly, we salute you)? Or are you just drifting, browsing, going where the mood and the vinyl takes you? That’s where Utrecht scores. -
Forma Y Fondo En El Rock Progresivo
Forma y fondo en el rock progresivo Trabajo de fin de grado Alumno: Antonio Guerrero Ortiz Tutor: Juan Carlos Fernández Serrato Grado en Periodismo Facultad de Comunicación Universidad de Sevilla CULTURAS POP Índice Resumen 3 Palabras clave 3 1. Introducción. Justificación del trabajo. Importancia del objeto de investigación 4 1.1. Introducción 4 1.2. Justificación del trabajo 6 1.3. Importancia del objeto de investigación 8 2. Objetivos, enfoque metodológico e hipótesis de partida del trabajo 11 2.1. Objetivos generales y específicos 11 2.1.1. Objetivos generales 11 2.1.2. Objetivos específicos 11 2.2. Enfoque metodológico 11 2.3. Hipótesis de partida 11 3. El rock progresivo como tendencia estética dentro de la música rock 13 3.1. La música rock como denostado fenómeno de masas 13 3.2. Hacia una nueva calidad estética 16 3.3. Los orígenes del rock progresivo 19 3.4. La difícil definición (intensiva) del rock progresivo 25 3.5. Hacia una definición extensiva: las principales bandas de rock progresivo 27 3.6. Las principales escenas del rock progresivo 30 3.7. Evoluciones ulteriores 32 3.8. El rock progresivo hoy en día 37 3.9. Algunos nombres propios 38 3.10. Discusión y análisis final 40 4. Conclusiones 42 5. Bibliografía 44 5.1. De carácter teórico-metodológico (fuentes secundarias) 44 5.2. General: textos sobre pop y rock 45 5.3. Específica: rock progresivo 47 ANEXO I. Relación de documentos audiovisuales de interés 50 ANEXO II. PROGROCKSAMPLER 105 2 Resumen Este trabajo, que constituye un ejercicio de periodismo cultural, en el que se han puesto en práctica conocimientos diversos adquiridos en distintas asignaturas del Grado de Periodismo, trata de definir el concepto de rock progresivo desde dos perspectivas complementarias: una interna y otra externa. -
CLINE-DISSERTATION.Pdf (2.391Mb)
Copyright by John F. Cline 2012 The Dissertation Committee for John F. Cline Certifies that this is the approved version of the following dissertation: Permanent Underground: Radical Sounds and Social Formations in 20th Century American Musicking Committee: Mark C. Smith, Supervisor Steven Hoelscher Randolph Lewis Karl Hagstrom Miller Shirley Thompson Permanent Underground: Radical Sounds and Social Formations in 20th Century American Musicking by John F. Cline, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Dedication This dissertation is dedicated to my mother and father, Gary and Linda Cline. Without their generous hearts, tolerant ears, and (occasionally) open pocketbooks, I would have never made it this far, in any endeavor. A second, related dedication goes out to my siblings, Nicholas and Elizabeth. We all get the help we need when we need it most, don’t we? Acknowledgements First and foremost, I would like to thank my dissertation supervisor, Mark Smith. Even though we don’t necessarily work on the same kinds of topics, I’ve always appreciated his patient advice. I’m sure he’d be loath to use the word “wisdom,” but his open mind combined with ample, sometimes non-academic experience provided reassurances when they were needed most. Following closely on Mark’s heels is Karl Miller. Although not technically my supervisor, his generosity with his time and his always valuable (if sometimes painful) feedback during the dissertation writing process was absolutely essential to the development of the project, especially while Mark was abroad on a Fulbright. -
The Residents Santa Dog '88 Mp3, Flac, Wma
The Residents Santa Dog '88 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Santa Dog '88 Country: US Released: 1990 Style: Avantgarde, Experimental MP3 version RAR size: 1504 mb FLAC version RAR size: 1433 mb WMA version RAR size: 1314 mb Rating: 4.3 Votes: 452 Other Formats: AHX VQF ADX MP4 MMF MP3 AU Tracklist 1 Fire (Santa Dog '72) 1:46 2 Santa Dog '78 1:55 3 Santa Dog '84 2:57 4 Santa Dog '88 5:22 Companies, etc. Phonographic Copyright (p) – Cryptic Corporation Copyright (c) – Cryptic Corporation Published By – Pale Pachyderm Publishing Manufactured By – UWEB Pressed By – Disc Manufacturing, Inc., Anaheim – 20063 Credits Cover – Rex Ray Written-By, Performer [Uncredited] – The Residents Notes Second pressing by Disc Manufacturing, Inc. with yellow/orange front cover, and disc with silver background. Different design on disc than the original release. Some copies maybe signed and numbered, some not. New catalog number is UWEB 0001 everywhere on this version. Notes from release: - Track 1 (aka Fire): the first song ever recorded by The Residents for Ralph Records. It was recorded as part of the two-record set of 45's. The project was distributed free for Christmas, - Track 2: The Residents recorded this version of Santa Dog in response to their discovery of their growth beyond the innocence of their early work. It heralded the end of "the classic period" (though technically, one more record, "The Commercial Album" was recorded after this song was released). The project was distributed free to all mail-order customers of Ralph Records, - Track 3 (unfinished): in a first for The Residents, a track is here presented that was never completed. -
THE RESIDENTS MYSTERY Chapter I : the RESIDENTS CODE
KIDAM présente INVESTIGATION BEHIND THE MASKS : THE RESIDENTS MYSTERY Chapter I : THE RESIDENTS CODE Documentaire d’investigation musicale, ésotérique et psychédélique de : JEAN MICHEL ROUX incluant des séquences en animation de : STEPHANE BLANQUET INVESTIGATION BEHIND THE MASKS : THE RESIDENTS MYSTERY Chapter I : THE RESIDENTS CODE SOMMAIRE Présentation Synopsis ............................................................................ page 3 Intentions .......................................................................... page 4 Structure / Forme .............................................................. page 5 Note ................................................................................... page 6 Scénario Première partie : Men Without Faces ............................... page 7 Deuxième partie : The Cryptic Corporation ..................... page 10 Troisième partie : They Live ! .......................................... page 11 Quatrième partie : The Origin Of The Reality................... page 12 Annexe The Residents, biographie ................................................ page 16 Jean Michel Roux, biographie .......................................... page 17 Oliver Van’l, biographie ................................................... page 18 Stéphane Blanquet, biographie ......................................... page 19 Fiche technique ................................................................ page 20 KIDAM ............................................................................ page 21 INVESTIGATION -
The Residents: "Not Available" CD Review (MVD Audio
5/20/2011 The Residents: "Not Available" CD Revi… Share Report Abuse Next Blog» Create Blog Sign In Ads by Google Doll Clothes Doll Hair Bootsy Collins Doll Knitting BrooklynRocks Concert Calendar WEDNESDAY, APRIL 20, 2011 Today Friday, May 20 The Residents: "Not Available" CD Review (MVD Audio) Friday, May 20 After Ralph Records shut its doors last 8:00pm Black Skies summer, The Residents' back catalog releases Thursday, June 30 have been coming out on MVD Audio. The 8:00pm Creation's End / Suspyre label issued Meet the Residents (originally Showing events until 7/31. Look for more released in 197 4) earlier this year and followed this up with an extended version of Not Available (recorded in 197 4 but not released until 197 8). This new release of Not Available extends the disc's original running time from 35 minutes to 42 minutes by including pieces of songs that were edited out of the original Events show n in time zone: Eastern version. Time Not Available is The Residents' first concept CONTACT INFO. album and the disc contains four long songs along with a shorter "Epilogue" which tells the M IKE story of a dark love triangle. The liner notes Contact me at: Mike.BrooklynRocks at describe this release as an exercise in group therapy: " By enacting this pseudo drama within a psycho Gmail . Com drama, the internal conflict, still not completely understood by all of the participants, became much VIEW MY COMPLETE PROFILE more clear, as the player characters instinctively acted out their roles. The love triangle between Edweena, Porcupine and Catbird became obvious ("Can two be more than three?") as well as Remus's role as the distant and objective commentator ("The aching and the breaking are the BLOG ARCHIV E making of a soul."). -
Zum Abschied
50 Jahre zum Abschied 1 Dubliners Broschüre.indd 1 13.11.2012 16:55:45 ISBN 978-3-935943-83-3 7,80 Euro (siehe Seite 5) 2 Dubliners Broschüre.indd 2 13.11.2012 16:55:53 Gerry O’Connor Gerry O’Connor hat mit dem Ban- jo Pfade beschritten, die kein an- Eamonn Campbell derer Spieler je betreten hat. Sein Eamonn begann 1965 profes- experimentierfreudiger Sound sionell zu spielen, weit zurück reflektiert seine unzähligen Rei- in den Tagen der Show-Bands, sen um den Globus, bei denen mit Dermot O'Brien and The er Einflüsse aus der US-amerika- Clubmen. Im Rahmen einer nischen Bluegrass-Musik ebenso England-Tournee im Jahre aufgesogen hat und auch von 1967 traten die Clubmen zu- den Musikkulturen Afrikas und sammen mit den Dubliners auf, Asiens beeinflusst wurde. Sowohl und während der nächtlichen als Solist als auch als Mitglied der Sessions im Anschluss an jedes vielgepriesenen Band Four Men and a Dog, hat er die Konzert entwickelte sich eine Rolle des Banjos in der keltischen Musik und weit darü- Beziehung zwischen Eamonn ber hinaus definiert. Gerry o’Connor, der als der aktuell und den Dubliners. Dies führte zu einer dauerhaften beste Tenorbanjospieler gilt, wird seinen Freund Bar- Freundschaft, und in den folgenden Jahren begann Ea- ney auf der Tour ersetzen. monn mit Gastauftritten bei der Band. Eamonn ist nicht nur ein erstklassiger Musiker, sondern gilt als einer der führenden Record-Producer (Musikregisseure) Irlands, der Hits für Paddy Reilly, Foster & Allen, Brendan Grace John Sheahan und Philomena Begley produziert hat. 1987 produzier- John ist das einzige Mitglied der te Eamonn das „25th Year Celebration"-Album der Du- Dubliners, das eine formelle mu- bliners, und es war sein Vorschlag, dass die Dubliners sikalische Ausbildung absolviert und die Pogues einige Tracks für das Album aufnehmen hat, und darin besteht eine der sollten. -
Steve Ashley
1 60's and 70's: Folk, Folk Rock ALBION (COUNTRY) BAND (ENG) UK US Battle of the Field 15 1976 Island HELP 25 Antilles 310 7 1985 Carthage CGLP 4420 (RI) The Prospect Before Us 15 1976 Harvest SHSP 4059 Rise up like the Sun 10 1978 Harvest SHSP 4092 7 1985 Carthage CGLP 4431 (RI) Lark Rise to Candleford 10 1979 Charisma CDS 4020 Light Shining 10 1982 Albino ALB 001 -- Shuffle Off 10 1983 Spindrift SPIN 103 -- Under the Rose 10 1984 Spindrift SPIN 110 -- A Christmas Present 15 1985 Fun FUN 003 -- Stella Maris 10 1987 Spindrift SPIN 130 -- The Wild Side of Town 10 1988 Celtic Music CM 042 -- I got new Shoes 10 1988 Spindrift SPIN 132 -- Give me a Saddle, I'll trade You a Car 7 1989 Topic 12 TS 454 -- 1990 7 1990 Topic 12 TS 457 -- Songs from the Shows, Vol. 1 1990 Albino ALB 003 -- Songs from the Shows, Vol. 2 1990 Albino ALB 005 -- BBC Live in Concert 1993 Windsong WINCD 041 -- Acousticity 1993 HTD HTDCD13 -- Captured 1994 HTD HTDCD19 -- The Etchingham Steam Band 1995 Fledg'ling FLED 3002 -- Albion Heart 1995 HTD HTDCD30 -- Demi paradise 1996 HTD HTDCD54 -- The Acoustic Years 1993-97 (Compilation) 1997 HTD HTDCD74 -- Happy Accident 1998 HTD HTDCD82 -- Along the Pilgrim's Way 1998 Mooncrest 028 -- Live At The Cambridge Folk Festival 1998 Strange Fruit CAFECD002 -- The BBC Sessions 1998 Strange Fruit SFRSCD050 -- Before Us Stands Yesterday 1999 HTD HTDCD90 -- Road Movies 2000 Topic TSCD523 -- An Evening With The Albion Band 2002 Talking Elephant TECD016 -- Acousticity on Tour 2004 Talking Elephant TECD061 -- Albion Heart On Tour (Live