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A Little Town with a Big Story
Dorchester A little town with a big story orc l D he a s tu t r e i r Look for the button V Virtual Dorchester F i n n o d ti map loca Click to find the map location Find out The Dorchester Henge more... Visit the henge circle marked out on the car park floor here, and see hen Waitrose supermarket was built here in 1984, Drawing to show how the henge was built in Neolithic times (about 5,000 years ago). Wooden posts were tipped into pits, the Dorset County Museum archaeologists found signs of huge wooden posts and a which were then back-filled to hold the posts up. Read Discover Dorset: The Prehistoric curving ditch. W Age by Bill Putnam. Each post was about a metre across and had been cut from a mature Discover more on Wessex oak tree. They were regularly spaced about a metre apart. Twenty one Archaeology’s website. post holes were found in an arc shape and some had also been found earlier in Church Street. Archaeologists worked out that the posts and the ditch must have been part of a huge circular monument - about 380 metres across. It is one of the largest Neolithic monuments in Britain. Large circular monuments like this are known as henges, named after Stonehenge. The Dorchester henge was about three times the size of Stonehenge, although it was never a stone structure. It wasn’t the only one in the neighbourhood; there were also henges at Maumbury Rings and Mount Pleasant, just outside Dorchester. -
Thomas Hardy and His Funerals
THE EUROPEAN JOURNAL OF LIFE WRITING VOLUME IX (2020) LW&D132–LW&D150 Till Death Did Him Part: Thomas Hardy and His Funerals Charles Lock University of Copenhagen [J.M. Barrie] was especially tickled by Hardy’s preoccupation with plans for his own burial—plans, continuously changed. ‘One day Hardy took me . to see the place where he’s to be buried, and the next day he took me to see the place where he would like next best to be buried. Usually he says he is to be buried between his wives; but sometimes, so many inches nearer the first; sometimes, so many inches nearer to the second.’ Cynthia Asquith, Portrait of Barrie (London: James Barrie, 1954), p. 107 The wrongness of two funerals and the wretchedness of Florence’s later years bring a sombre end to any account of Hardy. Claire Tomalin, Thomas Hardy: The Time-Torn Man (London: Penguin, 2006), p. 377 ABSTRACT This essay considers Hardy’s two funerals—for his ashes at Poets’ Corner, for his heart at Stinsford—in the light of their consequences for life-writing: the absence of a single resting-place, and the narrative demands of synchronicity in telling of two funerals. This division of the body was the consequence of an extraordinary lack of precision in Hardy’s own will, the composition, wording and interpretation of which are examined here in some detail. Attention is also paid to the single grave at Stinsford that holds the remains of Hardy and both his wives in diverse modalities of the invisible. Keywords: Thomas Hardy, wills and testaments, ashes, funerals, heart-burials European Journal of Life Writing, Vol IX, 132–150 2020. -
Music Inspired by the Works of Thomas Hardy
This article was first published in The Hardy Review , Volume XVI-i, Spring 2014, pp. 29-45, and is reproduced by kind permission of The Thomas Hardy Association, editor Rosemarie Morgan. Should you wish to purchase a copy of the paper please go to: http://www.ingentaconnect.com/content/ttha/thr/2014/00000016/0 0000001/art00004 LITERATURE INTO MUSIC: MUSIC INSPIRED BY THE WORKS OF THOMAS HARDY Part Two: Music composed after Hardy’s lifetime CHARLES P. C. PETTIT Part One of this article was published in the Autumn 2013 issue. It covered music composed during Hardy’s lifetime. This second article covers music composed since Hardy’s death, coming right up to the present day. The focus is again on music by those composers who wrote operatic and orchestral works, and only mentions song settings of poems, and music in dramatisations for radio and other media, when they were written by featured composers. Hardy’s work is seen to have inspired a wide variety of music, from full-length operas and musicals, via short pieces featuring particular fictional episodes, to ballet music and purely orchestral responses. Hardy-inspired compositions show no sign of reducing in number over the decades. However despite the quantity of music produced and the quality of much of it, there is not the sense in this period that Hardy maintained the kind of universal appeal for composers that was evident during the last two decades of his life. Keywords : Thomas Hardy, Music, Opera, Far from the Madding Crowd , Tess of the d’Urbervilles , Alun Hoddinott, Benjamin Britten, Elizabeth Maconchy In my earlier article, published in the Autumn 2013 issue of the Hardy Review , I covered Hardy-inspired music composed during Hardy’s lifetime. -
Thomas Hardy
Published on Great Writers Inspire (http://writersinspire.org) Home > Thomas Hardy Thomas Hardy Thomas Hardy (1840-1928), novelist and poet, was born on 2 June 1840, in Higher Bockhampton, Dorset. The eldest child of Thomas Hardy and Jemima Hand, Hardy had three younger siblings: Mary, Henry, and Katharine. Hardy learned to read at a very young age, and developed a fascination with the services he regular attended at Stinsford church. He also grew to love the music that accompanied church ritual. His father had once been a member of the Stinsford church musicians - the group Hardy later memorialised in Under the Greenwood Tree - and taught him to play the violin, with the pair occasionally performing together at local dance parties. Whilst attending the church services, Hardy developed a fascination for a skull which formed part of the Grey family monument. He memorised the accompanying inscription (containing the name 'Angel', which he would later use in his novel Tess of the d'Urbervilles [1]) so intently that he was still able to recite it well into old age. [2] Thomas Hardy By Bain News Service [Public domain], via Wikimedia Commons Adulthood Between the years of 1856-1862, Hardy worked as a trainee architect. He formed an important friendship with Horace Moule. Moule - eight years Hardy's senior and a Cambridge graduate - became Hardy's intellectual mentor. Horace Moule appears to have suffered from depression, and he committed suicide in 1873. Several of Hardy's poems are dedicated to him, and it is thought some of the characters in Hardy's fiction were likely to have been modeled on Moule. -
A Commentary on the Poems of THOMAS HARDY
A Commentary on the Poems of THOMAS HARDY By the same author THE MAYOR OF CASTERBRIDGE (Macmillan Critical Commentaries) A HARDY COMPANION ONE RARE FAIR WOMAN Thomas Hardy's Letters to Florence Henniker, 1893-1922 (edited, with Evelyn Hardy) A JANE AUSTEN COMPANION A BRONTE COMPANION THOMAS HARDY AND THE MODERN WORLD (edited,for the Thomas Hardy Society) A Commentary on the Poems of THOMAS HARDY F. B. Pinion ISBN 978-1-349-02511-4 ISBN 978-1-349-02509-1 (eBook) DOI 10.1007/978-1-349-02509-1 © F. B. Pinion 1976 Softcover reprint of the hardcover 15t edition 1976 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without permission First published 1976 by THE MACMILLAN PRESS LTD London and Basingstoke Associated companies in New York Dublin Melbourne Johannesburg and Madras SBN 333 17918 8 This book is sold subject to the standard conditions of the Net Book Agreement Quid quod idem in poesi quoque eo evaslt ut hoc solo scribendi genere ..• immortalem famam assequi possit? From A. D. Godley's public oration at Oxford in I920 when the degree of Doctor of Letters was conferred on Thomas Hardy: 'Why now, is not the excellence of his poems such that, by this type of writing alone, he can achieve immortal fame ...? (The Life of Thomas Hardy, 397-8) 'The Temporary the AU' (Hardy's design for the sundial at Max Gate) Contents List of Drawings and Maps IX List of Plates X Preface xi Reference Abbreviations xiv Chronology xvi COMMENTS AND NOTES I Wessex Poems (1898) 3 2 Poems of the Past and the Present (1901) 29 War Poems 30 Poems of Pilgrimage 34 Miscellaneous Poems 38 Imitations, etc. -
In PDF Format
THOMAS HARDY'S LIBRARY AT MAX GATE: CATALOGUE OF AN ATTEMPTED RECONSTRUCTION Michael Millgate Abbott, Claude Colleer. Miss Bedell and Other Poems. London, 1924. Bookplate; pres. ins. from author. [Maggs Bros. 664/1] Abercrombie, Lascelles. The Epic. London: Martin Secker, n.d. [1914] Bookplate; light marking and v. light annotation. (Taylor, Language, 317; Wreden 11/95) [Texas] ---. Interludes and Poems. London: John Lane The Bodley Head, 1908. Bookplate; pres. ins. from J. Lane. (MG Sale/217; Maggs 664/2; Holmes 1989 List/1, 40/156; Reese 122/1) [William Reese 134/459] ---. Thomas Hardy: A Critical Study. London: Martin Secker, 1912. TH signature. Export 287/64 reports another copy (with pres. ins. from Abercrombie to his mother), but MG provenance doubtful. [DCM] About, Edmond. The Man With the Broken Ear. New York: Holt, 1873. TH signature; v. lightly annotated. Trans. by Henry Holt of About's L'Homme à l'oreille cassée, first pub. 1867; this copy, in Holt's 'Leisure Hour' series, presumably a gift to TH from Holt. [Elkin Mathews Folio 3/31] Adams, Ernest. The Elements of the English Language. Revised by J. F. Davis. London: George Bell and Sons, 1892. ('25th edition') Bookplate; annotated inside back cover with examples of split infinitives by Browning, Bagehot, and Byron. (Stonehill ex-cat. 1939) [Samuel Hynes] [Adams, Henry]. Democracy: An American Novel. London: Ward, Lock, n.d. Bookplate. [First Edition Bookshop 33/97] Addison, Joseph. The Free Holder or Political Essays. London, 1744. Bookplate. [David Magee 23/197] 2 ---. The Tatler. 2 vols. London, 1777. Bookplate; title-page of vol. -
A Calendar of Thomas Hardy Correspondence
Colby Quarterly Volume 9 Issue 5 March Article 8 March 1971 A Calendar of Thomas Hardy Correspondence Richard Cary Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 9, no.5, March 1971, p.280-295 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Cary: A Calendar of Thomas Hardy Correspondence 280 Colby Library Quarterly A CALENDAR OF THOMAS HARDY CORRESPONDENCE By RICHARD CARY HE HARDY COLLECTION of books, manuscripts, letters, and T memorabilia in Colby College Library has been the cyno sure of scholars, American and international, since the early thirties. Offshoot of Carl J. Weber's interest in the frosty determinist, the Collection has continued to grow over the dec ades and to attract a substantial flow of queries from biograph ers, bibliographers, bibliophiles, harried assistant professors with unfinished essays, and imminent doctors of philosophy. Most frequently they have importuned a "complete list" of one or another category of these materials, or, more ambitiously, of the entire Collection. In the first years Weber attempted to satisfy the demand by turning out some helpful inventories. However, the dilation of items, accelerating geometrically, made it virtually impossible to keep any listing current. The problem still exists, if anything, in exacerbated form. Inquiries have been nlet on an individual basis, with pleas for greater specificity in the expansive cases. Persistently, the largest volume of questions received has been in the area of Thomas Hardy's correspondence. -
Attractions Corfe Castle
Attractions Corfe Castle Corfe Castle is the site of a thousand-year-old royal castle of the same name. The village and castle stand over a gap in the Purbeck Hills on the route between Wareham and Swanage. Website: www.nationaltrust.org.uk/corfe-castle Address: The Square, Corfe Castle, BH20 5EZ Distance: 19 miles (35 minute drive) Jurassic Coast The 95 miles of coastline stretching from Exmouth in East Devon to Old Harry Rocks in Studland Bay in Dorset is world renowned as the Jurassic Coast and is definitely worth a visit during your stay in Dorset. This stretch of coastline provides some of the most jaw dropping scenery and is a favourite destination for walkers and nature lovers alike. Geological highlights include Lulworth Cove and Durdle Door, Old Harry Rocks, Chapman's Pool, Gad Cliff, Mupe Rocks, Chesil Bank, Golden Cap and Charmouth and Lyme Regis. Website: www.jurassiccoast.org Lulworth Cove The beautiful white pebble beach of Lulworth Cove, with its blue waters and easy access make it a popular destination. Walking the South West Coast Path at Lulworth Cove is a brilliant experience, offering stunning views across the Jurassic Coast, including Durdle Door (the path is steep but foot pathed). Website: www.lulworth.com/visit/places-to-visit/lulworth-cove Address: Main Road, West Lulworth, BH20 5RQ Distance: 17 miles (35 minute drive) Swanage Railway Whatever the weather, take a journey back in time with an enjoyable day of excitement and nostalgia at the award winning Swanage Railway. The 12 mile Swanage Railway return trip takes you through the beautiful Purbeck countryside and includes stunning views of the iconic remains of William the Conqueror's Corfe Castle. -
Edwards Road, Dorchester
Wessex Archaeology Edward Road, Dorchester, Dorset. Archaeological Watching Brief Report Ref: 72330.03 August 2009 Edward Road, Dorchester, Dorset Archaeological Watching Brief Report Prepared for: Bryant Homes Southern Counties Templars House Lulworth Close Chandlers Ford Hampshire SO53 3TJ by: Wessex Archaeology Portway House Old Sarum Park Salisbury Wiltshire SP4 6EB Report reference: 72330.03 August 2009 © Wessex Archaeology Limited 2009 all rights reserved Wessex Archaeology Limited is a Registered Charity No. 287786 Edward Road, Dorchester Archaeological Watching Brief Report Edward Road, Dorchester, Dorset Archaeological Watching Brief Report Contents 1 INTRODUCTION .................................................................................................1 1.1 Project Background .................................................................................1 2 SITE DESCRIPTION ...........................................................................................1 2.1 Location, topography and geology.........................................................1 3 ARCHAEOLOGICAL AND HISTORICAL BACKGROUND ...............................1 4 AIMS....................................................................................................................2 5 METHOD .............................................................................................................2 6 RESULTS ............................................................................................................3 6.1 Introduction...............................................................................................3 -
Graduate Recital
Utah State University DigitalCommons@USU All Graduate Plan B and other Reports Graduate Studies 5-1977 Graduate Recital Donna Gatlin Davis Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/gradreports Part of the Education Commons, and the Music Commons Recommended Citation Davis, Donna Gatlin, "Graduate Recital" (1977). All Graduate Plan B and other Reports. 1138. https://digitalcommons.usu.edu/gradreports/1138 This Report is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Plan B and other Reports by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. GRADUATE RECITAL by Donna Gatlin Davis Report of a recital performed in partial fulfillment of the requirements for the degree of MASTER OF EDUCATION in Secondary Education with an emphasis in Music Plan B Approved: UTAH STATE UNIVERSITY Logan, Utah 1977 ii TABLE OF CONTENTS PROGRAM ••. iii PROGRAM NOTES . iv LIST OF FIGURES . vii INTRODUCTION 1 LIFE OF FINZI 3 MUSIC OF FINZI 7 LIFE OF HARDY . 11 THE POETRY OF HARDY . 15 THE MUSIC OF GERALD FINZI USING THE POETRY OF HARDY . 17 ANALYSIS OF POETRY TEXTS AND MUSIC OF I SAID TO LOVE 20 "I Need Not Go" • 21 "At Middle - Field Gate in February" 28 "Two Lips" 34 "In five-score Sununers" 38 "For Life I had never cared greatly" 42 ''I Said to Love" 44 CONCLUSION 49 BIBLIOGRAPHY 50 iii UTAH STATE UNIVERSITY Logan, Utah DEPARTMENT OF MUSIC DONNA DAVIS, CONTRALTO Graduate Recital Betty Hammond, Accompanist Er barme dich ••••••••• • • • · . -
Knowlton Circles: a Later Neolithic and Early Bronze Age Ceremonial Complex and Its Environs - a Review
Knowlton Circles: A Later Neolithic and Early Bronze Age Ceremonial Complex and its Environs - a review John Gale1 Department of Archaeology, Anthropology & Forensic Sciences, Bournemouth University, UK N.B. This copy is the Author’s Original Manuscript accepted for publication (postprint). The Version of Record of this manuscript has been published and is available in: Landscapes vol 18 issue 2 published online 22 Feb 2018 https://doi.org/10.1080/14662035.2018.1429715 1 Contact: John Gale; [email protected]; Department of Archaeology, Anthropology and Forensic Sciences, Bournemouth University Knowlton Circles: A Later Neolithic and Early Bronze Age Ceremonial Complex and its Environs - a review John Gale2 Department of Archaeology, Anthropology & Forensic Sciences, Bournemouth University, UK Abstract The larger henge monuments of Wessex have been the focus of detailed archaeological investigation for over a century and consequently their study has provided a greater, albeit fragmentary, understanding of later Neolithic society. For the most part such studies have continued to show that these great mega-structures of the 3rd millennium BC persist as beacons of ceremonial functionality into which later societies invested much of themselves, intellectually, spiritually and unquestionably physically. While Stonehenge, Avebury and Durrington Walls continue to attract a great deal of attention with on-going research, comparable sites in Dorset have been less well researched. Two campaigns of archaeological investigation undertaken in the Allen Valley of east Dorset by the author have focussed upon the complex of earthworks at Knowlton and additionally at one of three broadly contemporary barrow cemeteries located nearby. The findings from these investigations are beginning to shed more light on the possible origins and development of these important but weakly understood landscapes. -
The Henge Monuments of Wessex
Enclosing the Neolithic Recent studies in Britain and Europe Edited by Alex Gibson BAR International Series 2440 2012 Published by Archaeopress Publishers of British Archaeological Reports Gordon House 276 Banbury Road Oxford OX2 7ED England [email protected] www.archaeopress.com BAR S2440 Enclosing the Neolithic: Recent studies in Britain and Europe © Archaeopress and the individual authors 2012 ISBN 978 1 4073 1039 8 Printed in England by Information Press, Oxford All BAR titles are available from: Hadrian Books Ltd 122 Banbury Road Oxford OX2 7BP England www.hadrianbooks.co.uk The current BAR catalogue with details of all titles in print, prices and means of payment is available free from Hadrian Books or may be downloaded from www.archaeopress.com Living with Sacred Spaces: The Henge Monuments of Wessex Joshua Pollard Abstract By asking why henge monuments might be constructed in the first place, and in the locations where they were, we might better be able to understand their form and purpose. Here the matter is approached at two scales: first at a macro level by asking why the Wessex region should have become such a focus for monument construction during the first three quarters of the 3rd millennium BC. The second is more specific and seeks to understand the local conditions in which places might be transformed and become sufficiently sanctified to require monumentalisation. It is argued that places and their properties, powers and politics all played their part. Keywords: Wessex, henge, settlement, monumentalisation, sacredness The sheer concentration and often immense scale of the later Neolithic (c.3000-2400 BC) monuments of Wessex marks the prehistory of this region of southern Britain as something exceptional.