Concealment in Thomas Hardy's Novel the Return of the Native

Total Page:16

File Type:pdf, Size:1020Kb

Concealment in Thomas Hardy's Novel the Return of the Native International Conference on the Modern Development of Humanities and Social Science (MDHSS 2013) Concealment in Thomas Hardy's Novel The Return of the Native Guijun Dong The Department of English studies Changzhou Campus,Hohai University Changzhou.jiangsu, China [email protected] Abstract—Throughout the Return of the Native, the author uses More novels followed and in 1878 the Hardys moved from concealment as both a plot device and a theme which has tragic Dorset to the London literary scene. But in 1885, after building results. Concealment creates tension and leads to his house at Max Gate near Dorchester, Hardy again returned misunderstandings that cause people to take destructive actions. to Dorset. He then produced most of his major novels: The It also reflects an absence of deep and lasting love, which requires Mayor of Casterbridge (1886), The Woodlanders (1887), Tess openness and trust. The Return of the Native is a tale that reflects of the D’Urbervilles(1891), The Pursuit of the Well- the inability of human nature to change to do the right thing, Beloved(1892) and Jude the Obscure (1895). Amidst the ending in tragic consequences for all involved. controversy caused by Jude the Obscure, he turned to the poetry he had been writing all his life. In the next thirty years Keywords-return of the native; concealment; tragic consequences he published over nine hundred poems and his epic drama in verse, The Dynasts. He died on 11 January 1928. His ashes were buried in Westminster Abbey and his heart at Stinsford in I. INTRODUCTION Dorset. The Return of the Native is Thomas Hardy's sixth published novel.He lived most of his life in rural southwest England. He III. THE NOVEL was born on 2 June 1840, in a cottage in Higher Bockhampton, a village in Dorset County, near Dorchester, the setting of The A. The Background Information of the Novel Return of the Native. The Return of the Native takes place in southwest England On an architectural visit to St Juliot in Cornwall in 1870 he in the 1850s, when socioeconomic status was all-important. met his first wife, Emma Gifford. Before their marriage in 1874 People rarely married someone of another social class. he had published four novels and earning his living as a writer. Members of the upper class felt considerable snobbery , even More novels followed and in 1878 the Hardys moved from contempt, for those of lower classes felt respect, even awe, for Dorset to the London literary scene. But in 1885, after building their social betters. In the novel , Hardy shows how rigid class his house at Max Gate near Dorchester, Hardy again returned distinctions contributed to unhappiness, especially by to Dorset. He then produced most of his major novels: The interfering with romantic love. Much of the book’s tension Mayor of Casterbridge (1886), The Woodlanders (1887), Tess arises from class barriers, which are part of a world where of the D’Urbervilles(1891), The Pursuit of the Well- randomness and chance are key parts of everyday life. Beloved(1892) and Jude the Obscure (1895). Amidst the controversy caused by Jude the Obscure, he turned to the B. The main Characters of the Novel poetry he had been writing all his life. In the next thirty years Clym Yeobright---A young man of about thirty who gives he published over nine hundred poems and his epic drama in up a business career in Paris to return to his native Egdon verse, The Dynasts. He died on 11 January 1928. His ashes Heath to become a “schoolmaster to the poor and ignorant.” were buried in Westminster Abbey and his heart at Stinsford in Dorset. Eustacia Vye---A young beauty who chafes against her life on the heath and longs to escape it in order to lead the more adventure-filled life of the world. Some of the heathfolks II. THE AUTHOR thinkshe is a witch. The Return of the Native is Thomas Hardy's sixth published novel.He lived most of his life in rural southwest England. He TamsinYeobright---Clym’s cousin and Mrs. Yeobright’s was born on 2 June 1840, in a cottage in Higher Bockhampton, niece, a young girl of gentle ways and conventional a village in Dorset County, near Dorchester, the setting of The expectations. Return of the Native. Damon Wildeve ---Eustacia's former lover and Tamsin's On an architectural visit to St Juliot in Cornwall in 1870 he irst husband. He is an ex-engineer who has failed in his met his first wife, Emma Gifford. Before their marriage in 1874 profession and who now keeps an Inn, ". He has a wandering he had published four novels and earning his living as a writer. eye and an appetite for women. © 2013. The authors - Published by Atlantis Press 288 Diggory Venn---A resourceful man of twenty-four and a When Captain Vye’s eyes toward Diggory’s wagon reddleman. He selflessly protects Tamsin throughout the novel; window. “ May I look at her?” “No,” Diggory said sharply. “I at the end, he renounces his trade to become a dairy farmer like have no right to allow you that. I hope she won’t wake up until his father, and in doing so loses the red skin. He is then seen as she’s home.” (Chapter 1) a suitable husband for Tamsin. When Aunt and niece descended from the wagon, Elizabeth asked Diggory “Didn’t your father leave you his C. The Main Idear of the Novel dairy farm?” “Yes, ma’am.” “Then, why did you become a The Return of the Native was first published as a serial in ruddleman?” Diggory looked at Tamsin, who blushed. “You Volume 37 of the magazine Belgravia in 12 monthly won’t be needing me anymore tonight, ma’am?” Here he installments, running from January to December 1878 inclusive, changed the subject.(Chapter 2) and then published as six books in three volumes. It tells the tale of Eustacia Vye, a tempestuous young woman who yearns Although Diggory likes to remain unseen, he closely for passionate love and freedom from the barren confines of watches others.“His blue eyes were as keen as a bird of Egdon Heath, a wild tract of land in the Dorset countryside, prey’s.” Eustacia and Damon meet in secret,, Diggory spies on with only her grandfather for her company, she finds herself them. “Each of the next five nights, Diggory went to bored with her life and looks for the cure to this in finding the Rainbarrow to eavesdrop on them but they didn’t come. On the ideal man to spend the rest of her life with, hopefully away sixth night, he saw them at barrow. He crawled near enough to from this “prison”. However, when Damon Wildeve, the only overhear.”He is far more eager to obtain information than to other person out of the inhabitants of the Heath who fits provide it. (Chapter 3) Eustacia’s ideas, decides upon marrying the meek Thomasin Yeobright,Eustacia sets her sights on Thomasin’s cousin, Clym, B. Tamsin’s Concealment who is retuning to Egdon Heath from living a lavish lifestyle in Despite her “honest”face, Tamsin also continually conceals Paris as a jeweler. The tempatation of rich luxury ans escape causes Eustacia to fall hopelessly in love with a man she’s She doesn’t tell her aunt that Diggory once proposed to her. looking forward to fulfilling her desire, but just a fantasy. It She refused with a letter to Diggory. The letter wrote: Dear sounds fairly perfect, but in fact all is not well. Diggory, The question you asked me greatly surprised me. If my aunt hadn’t come upon us, I would have explained why I Clym Yeobright’s decision to abandon the Parisian life for can’t marry you. I like you, but I don’t feel the things that a teaching, and later, becoming a heath worker alienates himself woman should feel for the man she marries. Also, my aunt from the entire community of Egdon heath, compared to his never would agree to the marriage,even if I wanted to marry rich begiining. This also damages his relationship with his you. She likes you, but she wants me to marry higher than a mother, the edly and ambitious Mrs Yeobright, Wideve and small dairy farmer. It’s best that we not meet again. I’ll always Thomasin’s marriage and his own ill-fated relationship with think of you as a good man and care about your well-being. desperate Eustacia. Through unforturate circumstances—due to Iremain your faithful friend. Tamsin. (Chapter 3) the characters’ non-consideration of the outcomes After her wedding to Damon is postponed, she tries to hide the fact. So do Damon and Elizabeth. When villagers come to IV. CONCEALMENT IN THE NOVEL congratulate Tamsin and Damon on their wedding, Elizabeth Throughout The Return of the Native, Hardy uses cries, “Tamsin, here is a pretty exposure! We must leave at concealment as both a plot device and a theme which has tragic once.” Before Damon has finished talking with the visitors, results. Concealment creates tension and leads to Tamsin and Elizabeth leave through a back window. Instead of misunderstandings that cause people to take destructive actions. informing the well-wishers that the wedding has been It also reflects an absence of deep and lasting love, which postponeed, Damon accepts their congratulations.(Chapter 2) require openness and trust. Tamsin also conceals the incident from Clym. A letter from Clym shows his ignarance of the incident: I’ve heard A.
Recommended publications
  • A Little Town with a Big Story
    Dorchester A little town with a big story orc l D he a s tu t r e i r Look for the button V Virtual Dorchester F i n n o d ti map loca Click to find the map location Find out The Dorchester Henge more... Visit the henge circle marked out on the car park floor here, and see hen Waitrose supermarket was built here in 1984, Drawing to show how the henge was built in Neolithic times (about 5,000 years ago). Wooden posts were tipped into pits, the Dorset County Museum archaeologists found signs of huge wooden posts and a which were then back-filled to hold the posts up. Read Discover Dorset: The Prehistoric curving ditch. W Age by Bill Putnam. Each post was about a metre across and had been cut from a mature Discover more on Wessex oak tree. They were regularly spaced about a metre apart. Twenty one Archaeology’s website. post holes were found in an arc shape and some had also been found earlier in Church Street. Archaeologists worked out that the posts and the ditch must have been part of a huge circular monument - about 380 metres across. It is one of the largest Neolithic monuments in Britain. Large circular monuments like this are known as henges, named after Stonehenge. The Dorchester henge was about three times the size of Stonehenge, although it was never a stone structure. It wasn’t the only one in the neighbourhood; there were also henges at Maumbury Rings and Mount Pleasant, just outside Dorchester.
    [Show full text]
  • Thomas Hardy and His Funerals
    THE EUROPEAN JOURNAL OF LIFE WRITING VOLUME IX (2020) LW&D132–LW&D150 Till Death Did Him Part: Thomas Hardy and His Funerals Charles Lock University of Copenhagen [J.M. Barrie] was especially tickled by Hardy’s preoccupation with plans for his own burial—plans, continuously changed. ‘One day Hardy took me . to see the place where he’s to be buried, and the next day he took me to see the place where he would like next best to be buried. Usually he says he is to be buried between his wives; but sometimes, so many inches nearer the first; sometimes, so many inches nearer to the second.’ Cynthia Asquith, Portrait of Barrie (London: James Barrie, 1954), p. 107 The wrongness of two funerals and the wretchedness of Florence’s later years bring a sombre end to any account of Hardy. Claire Tomalin, Thomas Hardy: The Time-Torn Man (London: Penguin, 2006), p. 377 ABSTRACT This essay considers Hardy’s two funerals—for his ashes at Poets’ Corner, for his heart at Stinsford—in the light of their consequences for life-writing: the absence of a single resting-place, and the narrative demands of synchronicity in telling of two funerals. This division of the body was the consequence of an extraordinary lack of precision in Hardy’s own will, the composition, wording and interpretation of which are examined here in some detail. Attention is also paid to the single grave at Stinsford that holds the remains of Hardy and both his wives in diverse modalities of the invisible. Keywords: Thomas Hardy, wills and testaments, ashes, funerals, heart-burials European Journal of Life Writing, Vol IX, 132–150 2020.
    [Show full text]
  • Music Inspired by the Works of Thomas Hardy
    This article was first published in The Hardy Review , Volume XVI-i, Spring 2014, pp. 29-45, and is reproduced by kind permission of The Thomas Hardy Association, editor Rosemarie Morgan. Should you wish to purchase a copy of the paper please go to: http://www.ingentaconnect.com/content/ttha/thr/2014/00000016/0 0000001/art00004 LITERATURE INTO MUSIC: MUSIC INSPIRED BY THE WORKS OF THOMAS HARDY Part Two: Music composed after Hardy’s lifetime CHARLES P. C. PETTIT Part One of this article was published in the Autumn 2013 issue. It covered music composed during Hardy’s lifetime. This second article covers music composed since Hardy’s death, coming right up to the present day. The focus is again on music by those composers who wrote operatic and orchestral works, and only mentions song settings of poems, and music in dramatisations for radio and other media, when they were written by featured composers. Hardy’s work is seen to have inspired a wide variety of music, from full-length operas and musicals, via short pieces featuring particular fictional episodes, to ballet music and purely orchestral responses. Hardy-inspired compositions show no sign of reducing in number over the decades. However despite the quantity of music produced and the quality of much of it, there is not the sense in this period that Hardy maintained the kind of universal appeal for composers that was evident during the last two decades of his life. Keywords : Thomas Hardy, Music, Opera, Far from the Madding Crowd , Tess of the d’Urbervilles , Alun Hoddinott, Benjamin Britten, Elizabeth Maconchy In my earlier article, published in the Autumn 2013 issue of the Hardy Review , I covered Hardy-inspired music composed during Hardy’s lifetime.
    [Show full text]
  • A Return to Nature
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by NORA - Norwegian Open Research Archives A Return to Nature A Critique of the Pastoral in Thomas Hardy’s The Return of the Native By Hege Christine Sørensen Isaksen Master’s Thesis Department of Foreign Languages University of Bergen May 2015 Summary in Norwegian Denne avhandlingen er en økokritisk studie av hvordan Thomas Hardys verk The Return of the Native (1878) fungerer som en kritikk av den pastorale sjangeren. Analysen baserer seg på en tolkning der Return er skrevet innenfor den pastorale sjangerens rammeverk, og der Hardys kritikk er skjult i selve sjangeren den kritiserer. Min påstand er at denne kritikken retter seg mot romantiseringen av den kultiverende bonden, som utnytter naturen til sin egen fordel, heller enn mot den oftere kritiserte mangelfulle evnen til å erkjenne den hardtarbeidende bondens evinnelige slit. Tilnærmingen til analysen baserer seg på en retning innenfor økokritikken kalt dypøkologi (deep ecology), slik den ble introdusert av Arne Næss. Næss vektlegger spesielt at ”[t]he flourishing of human and non-human life on Earth has intrinsic value”, og ”that the value of non-human life forms is independent of the usefulness these may have for narrow human purposes” (Naess, 1989). Som et annet element i analysen tar jeg utgangspunkt i at Hardys landskap Egdon Heath er en egen karakter og aktør, som gis aktørrettigheter til å handle for både seg selv og på vegne av sine menneskelige motstykker. Forholdene og sammenhengen mellom landskapet og Hardys menneskelige karakterer er videre analysert i detalj, der karakterene Clym Yeobright, Diggory Venn og Eustacia Vye vies ekstra oppmerksomhet.
    [Show full text]
  • Thomas Hardy
    Published on Great Writers Inspire (http://writersinspire.org) Home > Thomas Hardy Thomas Hardy Thomas Hardy (1840-1928), novelist and poet, was born on 2 June 1840, in Higher Bockhampton, Dorset. The eldest child of Thomas Hardy and Jemima Hand, Hardy had three younger siblings: Mary, Henry, and Katharine. Hardy learned to read at a very young age, and developed a fascination with the services he regular attended at Stinsford church. He also grew to love the music that accompanied church ritual. His father had once been a member of the Stinsford church musicians - the group Hardy later memorialised in Under the Greenwood Tree - and taught him to play the violin, with the pair occasionally performing together at local dance parties. Whilst attending the church services, Hardy developed a fascination for a skull which formed part of the Grey family monument. He memorised the accompanying inscription (containing the name 'Angel', which he would later use in his novel Tess of the d'Urbervilles [1]) so intently that he was still able to recite it well into old age. [2] Thomas Hardy By Bain News Service [Public domain], via Wikimedia Commons Adulthood Between the years of 1856-1862, Hardy worked as a trainee architect. He formed an important friendship with Horace Moule. Moule - eight years Hardy's senior and a Cambridge graduate - became Hardy's intellectual mentor. Horace Moule appears to have suffered from depression, and he committed suicide in 1873. Several of Hardy's poems are dedicated to him, and it is thought some of the characters in Hardy's fiction were likely to have been modeled on Moule.
    [Show full text]
  • 16 May 2019. Dorchester Civic Society
    16 May 2019. Dorchester Civic Society Dorchester and the boundary of the proposed Dorset and East Devon National Park: why Dorchester and its landscape setting should be included within the proposed National Park. 1. Introduction. 1.1. ‘’Dorchester Civic Society exists to stimulate people’s interest in the town and its setting; promote high standards of architecture, urban design and planning; safeguard buildings and areas of historic interest; and promote civic pride.’’ The Society, therefore, has a considerable interest in safeguarding the town and its landscape setting both now and for future generations. 1.2. The Dorset and Devon National Park Team submitted its bid to the Glover Review of Designated Landscapes in December 2018. The Team has presented a good in-principle case for designation without, at this stage, specifying a boundary [other than showing the original 1945 proposal comprising the current AONB and the area termed ‘Egdon Heath’ – which was not included in the designated AONB]. Dorchester is not within the present AONB boundary [although part of Poundbury is included]. The Society would argue that National Park boundaries should be drawn wider than AONBs as their purposes are different – National Parks are larger areas suited to tourism and public recreation, whereas AONBs are designated more specifically to protect their natural beauty. 1.3. Should the principle of designation be accepted, the Dorchester Civic Society would wish to see Dorchester and its surrounding landscape setting included within the proposed area. This note sets out the way in which Dorchester lies – historically, culturally and geographically – at the heart of the proposed National Park.
    [Show full text]
  • The Return of the Native Thomas Hardy the Return of the Native Thomas Hardy
    The Return of the Native Thomas Hardy The Return of the Native Thomas Hardy PREFACE The date at which the following events are assumed to have occurred may be set down as between 1840 and 1850, when the old watering place herein called “Budmouth” still retained sufficient afterglow from its Georgian gaiety and prestige to lend it an absorbing attractiveness to the romantic and imaginative soul of a lonely dweller inland. Under the general name of “Egdon Heath,” which has been given to the sombre scene of the story, are united or typified heaths of various real names, to the number of at least a dozen; these being virtually one in character and aspect, though their original unity, or partial unity, is now somewhat disguised by intrusive strips and slices brought under the plough with varying degrees of success, or planted to woodland. It is pleasant to dream that some spot in the extensive tract whose southwestern quarter is here described, may be the heath of that traditionary King of Wessex—Lear. July, 1895. “To sorrow I bade good morrow, And thought to leave her far away behind; But cheerly, cheerly, She loves me dearly; She is so constant to me, and so kind. I would deceive her, The Return of the Native Thomas Hardy And so leave her, But ah! she is so constant and so kind.” BOOK ONE — THE THREE WOMEN 1—A Face on Which Time Makes but Little Impression A Saturday afternoon in November was approaching the time of twilight, and the vast tract of unenclosed wild known as Egdon Heath embrowned itself moment by moment.
    [Show full text]
  • Pessimism in the Novels of Thomas Hardy Submitted To
    PESSIMISM IN THE NOVELS OF THOMAS HARDY A THESIS SUBMITTED TO THE FACULTY OF ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS BY LOTTIE GREENE REID DEPARTMENT OF ENGLISH ATLANTA, GEORGIA AUGUST 195t \J p PREFACE "Of all approbrious names,11 saya Florence Emily Hardy, "Hardy resented most 'pessimist.1Hl Yet a thorough atudy of his novels will certainly convince one that his attitude to ward life is definitely pessimistic* Mrs. Hardy quotes him as saying: "My motto is, first correctly diagnose the complaint — in this caae human Ills —- and ascertain the causes then set about finding a remedy if one exists.1'2 According to Hardy, humanity is ill. In diagnosing the case, he is not much concerned with the surface of things, but is more interested in probing far below the surface to find the force behind them. Since this force in his novels is always Fate, and since he is always certain to make things end tragi cally, the writer of this study will attempt to show that he well deserves the name, "pessimist." In this study the writer will attempt to analyze Hardy1 s novels in order to ascertain the nature of his pessimism, as well as point out the techniques by which pessimism is evinced in his novels. In discussing the causes of pessimism, the writer ^■Florence E. Hardy, "The Later Years of Thomas Hardy," reviewed by Wilbur Cross, The Yale Review, XX (September, 1930), p. 176. ' 2Ibid. ii ill deems it necessary to consider Hardy's personality, influences, and philosophy, which appear to be the chief causes of the pes simistic attitude taken by him.
    [Show full text]
  • Wessex Tales
    COMPLETE CLASSICS UNABRIDGED Thomas Hardy Wessex Tales Read by Neville Jason 1 Preface 4:04 2 An Imaginative Woman 7:51 3 The Marchmill family accordingly took possession of the house… 7:06 4 She thoughtfully rose from her chair… 6:37 5 One day the children had been playing hide-and-seek… 7:27 6 Just then a telegram was brought up. 5:31 7 While she was dreaming the minutes away thus… 6:10 8 On Saturday morning the remaining members… 5:30 9 It was about five in the afternoon when she heard a ring… 4:36 10 The painter had been gone only a day or two… 4:39 11 She wrote to the landlady at Solentsea… 6:26 12 The months passed… 5:12 13 The Three Strangers 7:58 14 The fiddler was a boy of those parts… 5:57 15 At last the notes of the serpent ceased… 6:19 16 Meanwhile the general body of guests had been taking… 5:13 17 Now the old mead of those days… 5:21 18 No observation being offered by anybody… 6:13 19 All this time the third stranger had been standing… 5:31 20 Thus aroused, the men prepared to give chase. 8:01 21 It was eleven o’clock by the time they arrived. 7:57 2 22 The Withered Arm Chapter 1: A Lorn Milkmaid 5:22 23 Chapter 2: The Young Wife 8:55 24 Chapter 3: A Vision 6:13 25 At these proofs of a kindly feeling towards her… 3:52 26 Chapter 4: A Suggestion 4:34 27 She mused on the matter the greater part of the night… 4:42 28 Chapter 5: Conjuror Trendle 6:53 29 Chapter 6: A Second Attempt 6:47 30 Chapter 7: A Ride 7:27 31 And then the pretty palpitating Gertrude Lodge… 5:02 32 Chapter 8: A Waterside Hermit 7:30 33 Chapter 9: A Rencounter 8:06 34 Fellow Townsmen Chapter 1 5:26 35 Talking thus they drove into the town.
    [Show full text]
  • A Commentary on the Poems of THOMAS HARDY
    A Commentary on the Poems of THOMAS HARDY By the same author THE MAYOR OF CASTERBRIDGE (Macmillan Critical Commentaries) A HARDY COMPANION ONE RARE FAIR WOMAN Thomas Hardy's Letters to Florence Henniker, 1893-1922 (edited, with Evelyn Hardy) A JANE AUSTEN COMPANION A BRONTE COMPANION THOMAS HARDY AND THE MODERN WORLD (edited,for the Thomas Hardy Society) A Commentary on the Poems of THOMAS HARDY F. B. Pinion ISBN 978-1-349-02511-4 ISBN 978-1-349-02509-1 (eBook) DOI 10.1007/978-1-349-02509-1 © F. B. Pinion 1976 Softcover reprint of the hardcover 15t edition 1976 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without permission First published 1976 by THE MACMILLAN PRESS LTD London and Basingstoke Associated companies in New York Dublin Melbourne Johannesburg and Madras SBN 333 17918 8 This book is sold subject to the standard conditions of the Net Book Agreement Quid quod idem in poesi quoque eo evaslt ut hoc solo scribendi genere ..• immortalem famam assequi possit? From A. D. Godley's public oration at Oxford in I920 when the degree of Doctor of Letters was conferred on Thomas Hardy: 'Why now, is not the excellence of his poems such that, by this type of writing alone, he can achieve immortal fame ...? (The Life of Thomas Hardy, 397-8) 'The Temporary the AU' (Hardy's design for the sundial at Max Gate) Contents List of Drawings and Maps IX List of Plates X Preface xi Reference Abbreviations xiv Chronology xvi COMMENTS AND NOTES I Wessex Poems (1898) 3 2 Poems of the Past and the Present (1901) 29 War Poems 30 Poems of Pilgrimage 34 Miscellaneous Poems 38 Imitations, etc.
    [Show full text]
  • In PDF Format
    THOMAS HARDY'S LIBRARY AT MAX GATE: CATALOGUE OF AN ATTEMPTED RECONSTRUCTION Michael Millgate Abbott, Claude Colleer. Miss Bedell and Other Poems. London, 1924. Bookplate; pres. ins. from author. [Maggs Bros. 664/1] Abercrombie, Lascelles. The Epic. London: Martin Secker, n.d. [1914] Bookplate; light marking and v. light annotation. (Taylor, Language, 317; Wreden 11/95) [Texas] ---. Interludes and Poems. London: John Lane The Bodley Head, 1908. Bookplate; pres. ins. from J. Lane. (MG Sale/217; Maggs 664/2; Holmes 1989 List/1, 40/156; Reese 122/1) [William Reese 134/459] ---. Thomas Hardy: A Critical Study. London: Martin Secker, 1912. TH signature. Export 287/64 reports another copy (with pres. ins. from Abercrombie to his mother), but MG provenance doubtful. [DCM] About, Edmond. The Man With the Broken Ear. New York: Holt, 1873. TH signature; v. lightly annotated. Trans. by Henry Holt of About's L'Homme à l'oreille cassée, first pub. 1867; this copy, in Holt's 'Leisure Hour' series, presumably a gift to TH from Holt. [Elkin Mathews Folio 3/31] Adams, Ernest. The Elements of the English Language. Revised by J. F. Davis. London: George Bell and Sons, 1892. ('25th edition') Bookplate; annotated inside back cover with examples of split infinitives by Browning, Bagehot, and Byron. (Stonehill ex-cat. 1939) [Samuel Hynes] [Adams, Henry]. Democracy: An American Novel. London: Ward, Lock, n.d. Bookplate. [First Edition Bookshop 33/97] Addison, Joseph. The Free Holder or Political Essays. London, 1744. Bookplate. [David Magee 23/197] 2 ---. The Tatler. 2 vols. London, 1777. Bookplate; title-page of vol.
    [Show full text]
  • The Years That Are Past on Thomas Hardy—By PN FURBANK
    66 Special Book Section: Literature & Criticism the pluralist criticism that uses Marxist insights thinks Wuthering Heights the best of all, and Jane (the rest of us) might simply be a matter of where Eyre the best of Charlotte's. Mine, as it happens, we hang the labels. Certainly Mr Eagleton has are not. Villetteseems to me by far the finest Bronte social understandings to offer, but many of his novel, and I have a very lukewarm admiration for best points, such as his feel for the authenticity of Wuthering Heights; further, I think Anne is the prose of Villette as opposed to the contrived notably underrated. Turning to Mr Eagleton's rhetorical flights of Shirley, or his analysis of arguments from this vantage point of disagree- sexual complexities linking Lucy, Dr John and ment, I am struck by how ingenious they are, Ginevra, are more or less totally independent of and how utterly unconvincing. the Marxism. All Charlotte's novels, I would argue, reveal a His general point is that Charlotte Bronte dangerous "residue" of potentially uncontrollable explores the inter-relations between bourgeoisie emotion; and the success of a particular work and aristocracy, this social contrast appearing in depends in part on how effectively this is handled. her book in the form of a triadic structure, in In Villette he finds a "maladjustment" between which the protagonist is torn between a Romantic- this emotion and the form of the narrative: radical and an autocratic conservative. This is "Lucy's intense world is partly severed from the quite a good description of the structure of Jane 'objective' narrative, sealed and guarded in a Eyre (Jane-Rochester-Rivers), but it is hard to realm of quiet desperation." Jane Eyre on the see the contrast between Rochester and Rivers in other hand "gives us a brilliantly realised study class terms.
    [Show full text]