fìlltS ©*■ t C # t z j f f h i EN 2A Thursday, October 27,1983 Daily Nexus New Directions In Film Editor: o u OA2- >-¿¿6* From Russia: The Color of Pomegranates' Hugh Haggerty By RONE WILLIAMS First the good news: Sergei Parajanov’s The Color o/ Staff This Issue: Pomegranates is a powerful, mesmerising evocation of a Susan DILoreto time and place (the Caucasus in the 18th century) far ISLA VISTA removed from our own. It is worth the price of admission CITYHOOD Robin Gadlent simply to be able to use the film as a cleansing reminder of Johnny Graham the ignorant isolation of 20th century America and of ourselves in it. The bad news is that if you go to a film ex­ Juanita Myers pecting to be able to figure out what-the-heU is going on you Rone Williams could be in trouble. KatherlneD. The film is entirely, and obscurely symbolic. The first Ô pass the Soviet censors made at it in ‘09 failed because they Zlmbert couldn’t understand what Parajanov was saying and thus wrote the film off as being harmless. Inevitably, a rat- insider was kind enough to explain to the powers-that-be the To p liffe What If every day symbols, scene by scene. I wish I had the squealer along for W ater Board was Halloween? with me when I saw the film. At any rate the film was banned, surfaced again in ‘73 (the date usually assigned the film ) in Russia, showed up in France in ‘77, and finally has apparently softened on the matter. The filmmaker made its way to the U.S. in 1980. The film was heavily cut himself has not been so resilient. Though acknowledged in and originally disowned by its creator, though Parajanov the West as one of the most talented, if not the most talented, filmmaker to come out of the Soviet Union since the classic silent period, Parajanov has been denied work of any sort since this film. He has passed the time begging, writing ignored scripts, and camping out in a Gulag or two. But none of that shows up very clearly on celluloid. W hat. ü e c f t does show up is a phantasmagorical rendering of the life of HAIR DESIGN FOR MEN AND WOMEN. a Armenian troubadour Aruthin Sayadin, known as Sayat Nove — the King of Song, as seen through the eyes of the latter-day Armenian poet Sarkis Parjanian, known as Sergei Parajanov. The film is divided into eight titled sections that usually appear with a excerpt of the poetry of $ REGULAR Sayat Nova. These are the only English words in the film. 1000OFF $48.50 The two or three lines of dialogue spoken remain^ un­ ANY PERMANET WAVE Includes Cut translated. Most of the soundtrack consists of primitive­ sounding regional music and chants that are as exotic as $ OFF REGULAR the images. This adds to the sensation that a profound, 5#0 Men .‘IS** bizarre series of rituals is being acted out before the ANY HAIRCUT & STYLE Women *20’° viewer. The ritual involves life and death, God and man, sex and love, artist and audience, and Armenia and her $ REGULAR oppressors. But the most recent set of oppressors never 200 OFF >j 2>° allowed the film to be shown in Armenia. I imagine that it ANY HAIRCUT. ONLY Men & Women would have been much more meaningful to an Armenian ^Non-student patrons with coupon please J than to you or me. By the way, The Color of Pomegranates is blood-red. In UCSB students get this special offer case you hadn’t heard, the Armenians were treated to the EVERYTIME when presenting student I.D. first, and by no means the least severe attempt at genocide in the embarassing century at hand. 3625 State St. - Santa Barbara There has been talk in critical circles comparing (next to Tee Off Restaurant: Parajanov to Eisenstein and/or Dovzhenko. Any similarity 687-2486 with the former lies only in the truly excellent use of color in the film, which may or may not have been influenced by the ■OPEN 7 DAYS & EVENINGS • Mon. Thru Sun. master’s last film and writings. The stasis of the film and its interest in national folklore make a comparison to Dovzhenko somewhat more palatable but it’s still a case of misguided name-dropping. The achievement of Parajanov lies in his vision of the world and in his primitive pictorial sense. His technique might almost have been borrowed from filmmakers working eighty years ago. It is, however, effective and appropriate, which is what counts anyway. Word has it that the programs traditionally handed out before the screening Sunday at 7:30 will help explain the film. I ’d say it’s a good idea to come a little early so you can read one of them.

• Freshmen • Sophomores • Juniors Have Your FREE Picture Taken cpi ZZ A M Q R i by Professional photographer Susan Walter Presents in the UCen Main Lobby THE FAR SIDE By GARY LARSON 1 0 -2 7 ' Chromcl* Ftatux*. IMS Monday - Friday Oct. 24-28,8:30-1 and 2-5 NO APPOINTMENTS NECESSARY Free sitting Free $1 coupon & Free full color poster For all underclasspersons who have OR Any time's a wild time when you add the plan to purchase the 1983 La Cumbre great taste o f Two Fingers... and this wild FR ESH M EN u>ho bought Freshman Record Two Fingers T-shirt! To get yours, send PLEASE HA VE YOUR F R E E P IC TU R E TA K EN l your name, address, style preference and size (men’s style S, M, L or women's French cut S,M,L) along with $7.50, to: Two Fingers T-shirt Offer, SENIORS 266 North Rocky River Dr. Due to a RECORD turnout the past few days a Berea, Ohio 44017. few extra days are available for your FREE Please allow 6 weeks Yearbook Portrait Sitting! "Fletcher, you fool! . . . The goto! The goto!" for delivery. Please schedule your appointment with receptionist Bonnie McLean at the UCen for O c t 31-Nov. 2. Music Majors... . VARDEN’S Professional Photographer I This ain't no song and dance. | Two Fingersi Susan Walter is on campus now 8:30-1 & 2-5 pm Daily in the UCen Main Lobby Area. ■ W e're the best. j is all it takes. S P E C IA L $1 C O U P O N G O O D A T T H E PUB TO ALL SENIORS WHO HAVE THEIR PICTURES TAKEN & WHO HAVE PUR­ FREE DELIVERY CHASED THE ’84 LA CUMBRE! ALSO A FREE FULL COLOR POSTER! 968-6969 961-2386 La Cumbre * Storke Tower Rm. 1053 _ _ _ _ To A Limitad Arsa _ ^ t 928 Embarcadero del Norte # * t W § Daily Nexus Thursday, October 27,1983 3A

Lae's Tang Soo Do Performance Art at the UCen Gallery llllllllllllllllllllmlllllllllllllllll m i n 11111111 11111 a 111111111 Tom Clark, a well known S.B. writer/artist entitled his LET/ performance, “ Anti-Performance,” which consisted of Clark’s one-way discussion (although others put in their two cents worth...) of a historical delineation of what he considers to be the forerunners of performance art. Clark outlined some of the sickest performances one could imagine: Sex with Corpses, people burning themselves or maybe shooting off a part of their body. He proposed that the reason why these artists did these performances was in order to show the damage that life had inflicted upon them and so they had to get up on stage and show this by inflicting self-damage. Other early performances included dressing up genitals in doll clothes and taking pictures of dead dogs in plastic bags. Neat-0! Tom made us feel lucky to see such •The finest in Martial Arts Training normality. To complement his discussion, Tom also read some of his work and showed some of his paintings. His •Beginner a Advanced Classes work isn’t exactly light stuff about industrial hells where •Quality Instruction Tom Clarke during *Anti-Performance your eyes bleed when you rub them but his did have ByROBIN GADIENT something to say about chocolate bondage exhibitions Offers 20% Discount to Last week, the UCen Art Gallery sponsored a Per­ where people can buy amaretto tongue depressors. UCSB Students & Faculty formance Art week. Performance art is used to describe For those of you still reading — pay attention! Steve performances done under the aegis of the word “ art.” It’s Sprinkel, the UCen Gallery director is considering another C all or Stop b y somewhat like a play in that it is staged and lasts a certain performance series in winter quarter. This time the per­ Lee's Tang Soo Do amount of time. It could be anything or, for that matter, it formances will be scheduled during lunch-time instead of h iih h i Miit I i im irn mill im mm in G O LETA, C A 93117 could be nothing. It might be sitting in a rocking chair or evenings. 5764 Hollister Ave. 967-9485 smashing eggs against the side of your head. The fact that the pieces occurred one night after the other for a week tended to make the performances blend together as if each piece was a point along a continuum. In view of the brief idiosyncratic history of performance art which T h e S i x Tom Clark began his “ Anti-Performance” piece, the continuum of performances here at the UCen Gallery ranged from normal to pretty much normal, though nor­ Pa h S h o p Shampoo, haircut, blow dry mality has nothing to do with merit. (W e’ll get to the ab­ (Goleta Salon Only) normal stuff later.) People played and made music and Elaina Ashe danced dances. Russell Rappa let us see a HALLOWEEN SPECIALS: section of life which although it might have been normal for him it wasn’t necessarily for us. Jenno Schuler and Graham BEER SALE REG. 964-7781 Budgett tried to give a message about not getting a P A B S T12 pk 3.39 5.25 COORS LIGHT 6 pk 2.69 2.92 message although the audience did not get the message as MILLER 12 pk 4.89 6.60 Graham and Jenno vowed they would try again sometime. KIRIN 21 oz. • 1.1» 1.46 Katy McCormick did a performance involving her collaged LIQUOR hand-colored Xeroxes. GORDON'S VODKA 750 ml. 3J9 5.15 Henry Sato, a former CCS instructor did a lovely im- 1.76 U r. 9.79 11.60 KAHLUA 780 ml. 9.89 12.75 provisational solo piece on piano, violin and drum. He used 500 ml. 7.15 montage techniques very well. WINE Tom Huston was lucky enough to have two consecutive SAN MARTIN 1.0 Ltr. 3.59 7.26 performances on Sunday and Monday. I was unlucky JOHANNESBURG REISUNG FREIXENET 750 ml. 4JO 7.60 enough to have attended the second night when “ Buried CHAMPAGNE For W o m e n .. M e n ANDRE 750 ml. 2J0 3.15 Words, Buried Words” began with an apology about his CHAMPAGNE 5776 Calle Real • Close to campus dancer coming down with the flu. Tom was also coming FIRESTONE 750 ml. 3J0 4.09 Between Fairview it Patterson down with the flu. Thumbs down. ROSE of CABERNET SAUVIGNON Weekdays 9:00 a.m. • 8 p.m. Thursday night, Elaina Ashe did a well staged and Saturdays 8:30 a.m. • 4 p.m. carefully rehearsed performance. In one piece, 6580 Parda IL 685-4541,10-Mldnlght presumably about the destruction of trees, the sound of a 964-7781 Schwartzkopf chainsaw provided “ pastoral” background as she rolled around in her shredded newspaper. lll[|||jlMllllllllllllllllllllllllllllllllllllllllll||| Russell Rappa’s Wednesday night performance was my favorite. After everyone was seated, Russell came limping in with a cane with an arm and a leg in braces. He slowly ATTENTION STUDENTS went to a cot and began taking off all his clothes — braces and all. Laughter finally came when Russell reached into his briefs and we heard the sound of velcro. He pulled a We Now Have Satellite T.V. brace out of his underwear and then unwound an ace ★ Monday Night Football * Giant S'T.V. Screen bandage, slowly pulling it out of his pants like a magician ★ College & Pro Games A Special Events removing a scarf from a hat — all with a straight face. ★ Free Video Taping Sporting ★ Party Room Available Other funny moments came when he talked to his & Special Events for Parties & Meetings autographed picture of Elvira, danced around singing ★ FUND RAISERS Italian folk opera and “ I wish I had a pizza ... I wish I had a pizza ... and a brunette, an Italian brunette.” For the heavier side of his performance, Russell demonstrated how HAPPY HOUR- Mon.-Wed. 5-6 to give atrophied muscles shock treatment. Russell’s Bud Lt Bud Micheiob Lowenbrau Heiniken routine showed he had been through the ordeal several PITCHERS 60 oz. ♦2.°° times before. I wish Russell many pizzas and one special ♦2.00 *2.71 ♦2." *3." brunette. SCHOONERS 14 oz. 760 754 800 800 900 GLASS 10 oz. 500 500 650 650 750

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Sponsored by Counseling, Career Planning, 6396 Hollister A v e j/ Large Party Discounts! and Placement Services and Tha Graduate Division Goleta 968-2565 6 s u c h A DEAL! 4A Thursday, October 27,1983 Daily Nexus UCSB Art Museum Master Drawings To Go On Exhibit “ Old Master Drawings painters, began collecting century Italian painting and which discusses and from the Feitelson Collec­ drawings in 1955 and in two a connoisseur of drawings, illustrates each drawing. tion,’ ’ a selection of 70 decades — until Lorser’s selected a group of the The University Art works, mostly Italian, from death in 1979 — they Feitelson’s drawings about Museum, which organized the 16th through the 19th amassed a fine group of two years ago and has since the exhibition, will send the centuries, will open at the about 190 sheets. Only a been conducting intensive Feitelson drawings to four University Art Museum at a handful of the drawings has research on them —iden­ other art museums after its special reception on been previously exhibited, so tifying artists and subject conclusion in Santa Barbara. Tuesday, Novemer 1, from 5 the Museum’s exhibition and matter in a number of cases Grants from the National to 7 pm. The exhibition will accompanying catalogue where these were unclear. Endowment for the Arts, a be on view through will introduce a collection Professor Moir, with the federal agency, and the December 11. that is not well known. assistance of art history Feitelson Foundation for the Lorser Feitelson and UCSB Art History graduate students, has Arts have provided Helen Lundeberg Feitelson, Professor Alfred Moir, a written an extensive assistance in funding. both well-known Los Angeles renowned scholar of 17th- catalogue of the collection As Professor Moir points out in his introduction to the catalogue, it is evident that the Feitelsons bought per­ ceptively and joyously, acquiring difficult and often unfashionable but always interesting drawings. For W ill Social Distortion A " ^ example, he notes, they m purchased 16th-century mannerist drawings before Always Be Around? that period was generally Unlike the majority of today’s music on vinyl or on the rediscovered by critics and airwaves, Social Distortion’s music is real. They’re not scholars. They also bought, men at play, with or without hats, or without talent. On this for the most part, without their first album, Mommy’s Little Monster, they exhibit a regard for name, although refreshing style of punk music which has gained them a many famous artists are large and faithful audience across Southern and Precision Cut *10°° Open till 8 p.m. represented in both the wherever else they’ve played. collection and the works (Blowdry & long hair extra) Social Distortion grabs you with its infectious style and exhibited: for instance Luca 270 Storke Rd. 685-4548 keeps you with its high energy and rough edge. Their lyrics Cambiaso, Federico Zuc- Nearaat to l.V. deal with growing up and living in our modern times and all caro, Annibale Carracci, the cuts on this album are more than good. Mommy’s Little Luca Giordano, Carlo Monster highlights itself with the title cut, dealing with a Saraceni and Marco Ricci. COMMAND PERFORMANCE proud punk/black sheep of the family, and the song In addition to Professor ■ “ Telling Them,” a punk anthem which is just as biting as Moir’s scholarly detective the Who’s “ My Generation” of its time. The musicians work on the drawings, all themselves provide a good balance, where each one’s were treated by the excellent technique blends together into the distinct Social Distortion paper conservator Victoria sound. Michael Ness’ sedate vocals are American soun­ Blyth. Cleaning and CLUB ding, but not, and in this dichotomy become very effective repairing has returned many with the all-American lyrics. to a level of quality un­ Thoughout the album Social Distortion’s songs paint a suspected before and, in realistic picture of life in the modem world where in­ addition, interesting dividuality is condemned by the “ moral” mainstream. It drawings were discovered finds a real power in this; the power of waking and in­ on the backs of some sheets U X f U ' spiring the apathetic majority of young people today. Buy it that had been glued into before it’s too late. mounts. Note: Social Distortion, with other punk bands, can be Museum hours are 10 — 4 seen in the soon-to-be-released movie “ Another State Of Santa Barbara's Only Tuesday through Saturday Mind,” filmed during last summer’s Canadian B.Y.O. tour. and 1 —5 Sundays and — Susan DiLoreto Modern Music DanceClub holidays. A Cold Slap On The Brain... Wed-Fri 9pm-2pm Art can hit you a lot of different ways. It can be very subtle, very beautiful, very ugly, but how often does one find art that is like a cold slap on the brain? Winston Smith is such an artist — though artist is high praise for someone who makes art out of magazine cut-outs and Xerox machines. Smith is a political cynic who uses the This ad=$1 cover... popular look of the 50s — the nuclear age — to snap us out of our ignorant, complacent and self-centered existence which adapts itself to and sometimes oils the bureaucratic marhinas around us. His juxtapositions are disturbing. In one piece, there is a woman feeding her baby with a nuclear missile in place of a bottle. Another is inscribed, “ There Full Bar at Sierra’s Hacienda, 525 State are no communist babies, there are no capitalist babies — only babies.” Other titles in­ clude, “ Bedtime for Democracy/' “ He Ain’t Heavy, He’s My Fish,” and “ Mowing Down the People.” Most of his messages are quite clear. Besides being on the cover of this week’s Arts section, he has done album covers for the Dead Kennedys. Winston Smith’s works will be on display at Ragazza Ragazzo, a new studio at 1437 San Andreas St. in Santa Barbara until November 20. The studio hours are set at a convenient 5 p.m. to 10 p.m. daily so you work it in with an evening on the town. — Hugh Haggerty

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Ta - Daily Nexus Thursday, October 27,1983 5A The Dead Zone' DOUBLE 25c BEER per glass-M-F, 2*6 p.m. Halloween Was Never Like This IS Grandma Gertie’s SANDWICHES & COOKIES By JOHNNY GRAHAM -perverse political force of Greg Stillson (Martin Sheen), a DUMB. 966-8 Emb. del Mar-968-8888 The last time I saw one of Stephen King’s films it was senatorial candidate with his own visions for the Future? Creepshow: a tortuous sin of five stories put together to buy As he asks his doctor/friend Herbert Lorn (in a role an addition for his house. But I can forgive him now...I can reversal from the Pink Panther series) who was a refugee forgive Stephen King. The reason is the new screen from Hitter’s invasion into Poland, “ If you could go back to adaptation of his book The Dead Zone. This film is so well- the year 1932 in Germany, would you kill Hitler or let him live?” HALLOWEEN crafted and so efficiently executed by actor, writer and director that it has the potential to stand firmly on its own The question seems as preposterous to the doctor as it within the long history of literary parables. seems to us, but to Johnny Smith it’s implications are very First of all, as with most stories of the unconscious and real, and it contributes to the question of just what the Dead time manipulation, one must accept the conventions of Zone is: some place where thoughts and words fail us in the second sight— or psychic powers. This being a given, one is fiction of foresight versus the reality of it. How can one grip able to then enjoy The Dead Zone as a film that tells many the future and still be a part of it? How can one change it stories at once. and still exist? Questions like these- arise in the history of | j M p i It begins with Johnny Smith (Christopher Walken), a the science fiction story (Robert Heinlein’s “ All you high school literature prof in the East who, after a car Zombies,” for instance), and Stephen King as an author has z T m X i m fm * accident, rises from a coma five years into his life. All that slyly integrated this into his own science fiction story. What he has established to that point is lost: his girl, profession makes it work as a film is that amongst it many layers, The and sense of himself. From the onset he becomes trapped Dead Zone moves along sturdily, telling its story precisely The on a rollercoaster ride of consciousness that he cannot get as any popular movie should, while leaving room for one to Night off of. Whenever he touches someone he knows about them; ponder the questions it raises after the final shot fades into he knows their pasts, their terrible secrets, and their (Please turn to pg.7A, col.3) He dreadful futures, (this isn’t any. dreamy, out-of-focus Come flashback stuff. When he touches someone it’s a pain, and a jerk, and a thud of revelation.) From then on he is Home! established as an outsider and the narrative freely borrows from its literary antecedents: Christ?risen from the grave, and Oedipus the clubfoot solving the riddle of the sphinx. Walken’s character finds that running from his power is UNWANTED HAIR ■ inumi i tw in nninruin nruiiin mr infim i mi mini ninniftiimp iiin n r hopeless and the only moral thing he can do, if not for permanently removed himself but for mankind, is to faithfully carry the world’s • Medically Approved - IAIUUNÏI i IIUUUUMI limili mill mid uiiiumu UI uunn unni mini niuuuutu w turnin'mil destiny on his shoulders. • Men • Women • Teens PMMHN « m a i t orna nimia« 9 R RESTRICTED _ Dirctor David Cronenberg comes of age with The Dead Helen . Face & Body Zone. He moves the story along sharply; no director could Stathis R.E. Let’s discuss your hair problem Stathis R.E. C H E M 1179 at a complimentary consultation and we can have done a more competent job. He understands just what recommend the treatment that is best (or you. FRI. O C T . 28 the story must tell, then tells it without graphic detail (no Days, Eves & Sat. one blows apart here). He understands Walken as an actor 5276 Hollister Ave. #104 at Patterson 3206 StateSt. 6,8,10,12 am $2.00 and keeps the film centered on his pathos. (There is no ______964-5633 - ______682-6468 ' ★ SUPPORT HOMECOMING * other contemporary actor'that can match Walken as an actor of pathos. His face, in Deerhunter and even Winds of War, is fiat, cold and as anemic as an addict’s. It tells the audience to “ Feel for me,” and we do. And when he smiles we smile also. Any smile from Walken is a welcome one given, as it would seem, his determination to go headlong into suffering no matter what the costs.) The question of Fate is foreshadowed from the beginning (Why me?), and accelerated as Walken’s character moves farther and farther towards the edge of his final decisions; for his decisions become our history: should he act on the Shaping tomorrow...

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6A Thursday, October 77.1983 Daily Nexus Pianist Jeffrey Kahane Visits UCSB Th« Film Th« Entire Starring f M % World Has Been A N N A By KATHERINE D. ZIMBERT work under various teachers, but it was Jakob Gimpel who When pianist Jeffrey Kahane was four years old he heard was responsible for his musical upbringing, Kahane said. M ^ Waiting To VENTURA Q his older brother’s piano lesson and demanded to have a~ “ He came from a much older generation and he chance. His parents let him have an occasional five-minute represented the European tradition of music,” he said. lesson, and when he was five years old Kahane took his Some of his favorite composers are Bach, Mozart, Chopin Z ^ / d l I í . f t first piano lesson. and Beethoven, but Kahane tries not to limit himself. ,n¿" ’¿MiSS'Jorie A íis S (J oiies,s I f i l l II “ It was something I was just drawn to;” Kahane said “ If I find myself concentrating on a given area or com­ about the piano. poser I try to do something totally different next time,” he ( o*l «M liir Goleta Adults Kahane, who will be giving a concert tonight in Lotte said. The Greatest Little ROXY. 984-0011 Lehman Hall, at 8 p.m., recently won the Artur Rubinstein One of the selections he will be playing tonight, “ Iberia” Only 320 S. Kellogg A n Cathouse In Vegas |0tl Hallisiarl international master piano competition and won the Van by Spanish composer Albeniz reflects Kahane’s latest Opon Polly 12 Roan Cliburn competition in 1981. fascination. Kahane knew he was serious about the piano when he was “ Each one of these pieces (in “ Iberia” ) represents a 15 years old, but it was not until he was 20 that he became particular area of Spain, a dance or style of music,” he “ totally committed,” he said. He had many opportunities to said. “ Influenced by Spanish folk songs and flamenco, they are very colorful, not at all serious, and kind of sensuous. They’re really wonderful, audiences love them. ” Although there has been a trend during the past 20 years ORCHID towards technically adept musicians, Kahane thinks that DELUXE FOURSQUARE Let¿ the pianists who will really make it are the ones who are BOWL best able to communicate to an audience. “ They don’t do it BIBLE STUDY on the basis of technique, they do it because they somehow 1:00 - 2:30 Sunday , Go OPEN 24 HOURS manage to touch people,” he said. “ We’ve gotten to the point where people have just about In the URC Lounge •Bowling - Billiards reached the limits of what is possible,” Kahane said. & •Panda Chinese Restaurant “ There are people who can play anything in the world that Vern Ketz is written for the piano perfectly, and that is very exciting, is teaching on OPEN LANES ALL WEEKEND but it’s kind of a novelty that wears off.” The emphasis on technical perfection in pianists and "How To Be A Rock COUNTRY MUSIC other musicians may be partially due to the increasing With Substance in Your Life. D A N C IN G * Thurs-Sat Nrte sophistication in recording methods, Kahane said. “ When the old masters recorded, there was no emphasis on ORCHID BOWL - GALLEON ROOM splicing and other techniques, so they didn’t worry if they 5925 Calle Real • Goleta • 967-0128 made a few blotches here and there.” Though digital recordings make it possible to create a perfect recording, they do not convey the essential quality of music any more accurately, Kahane said. “ I for one have no hope of playing perfectly anyway,” he said laughing. What is it like to be a concert pianist today? (Please turn to pg.7A, col.l)

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The Cramps Dead Kennedys, Vice Squad (Continued from pg.5A) UNIVERSITY OK, the Cramps earn god- and UK Decay among the credits. VILLAGE head status in any others, this classic hardcore Jeffrey Boam, who did the FLOWERS Halloween album assort­ compilation album deserves screenplay, should be ment. Why? They glow in the a prominent place in any commended for keeping the dark, they do the crusher, Halloween collection. entire affair as narratively they zombie dance, they tight as it is. Its pace is in­ rock on the moon, they tear The Damned —. Machine volving and although it is a ONE DOZEN ROSES it up, they goo goo muck, Gun Etiquette tragedy, one leaves with a boxed they jungle hop, they can’t Reach back a few years sense of being uplifted; with Reg. $20.00 - with coupon $15.00 find their minds, they wear for that classic oldie (but the feeling that maybe sunglassses in the dark, and never moldy) by the someone knows who the real they don’t eat stuff off the Damned, Machine Gun heroes are. I can believe in sidewalk. Furthermore, Etiquette on the 31st. This Johnny Smith. That’s why I they’re garbagemen, voodoo album can be especially can forgive Stephen King for idols, teenage werewolves, endearing if fifth-generation Creepshow. But then he 7127 Hollister, Goleta, Ca. cavemen, mad daddys, formula-hardcore is getting didn’t make this movie, did surfin’ birds, green fuzz, and rather — yawn — tedious he? human flies. What more and tiresome for you. NOT VALID WITH OTHER DISCOUNTS. Offer Expire* Nov. 1«. 1983 could one ask for on Halloween? They’ll fracture — Juanita Myers your perspective on things and you’ll never be the same.

Punk and Disorderly — Compilation album When you get a request for Neil Diamond or some such at your Halloween party, you’ve waited far too long. SANTA BARBARA Don’t hesitate; NOW is the time for Punk and Disor­ CHRISTOPH€fi UJfìlK€N derly. This ,L.P. will promptly heat things up to NfìTflU€ WOOD grating perfection. Including selections by such greats as BRAINSTORM GBH, Abrasive Wheels, the ABEL GANCE'S 1927 MASTERPIECE The Ultimóte « 6cperience *™SJi Kahane■ ■ ■ downstairs (Continued from pg.6A) MUSK COMPOSED AND CONDUCTED Participating in piano' BYCARMINE C O P P O L A A ROBERT A HARRIS IMAGES FILM ARCHIVE PRESENTATION competitions is one way to A UNIVERSAL RELEASE FROM ZOETROPE STUDIOS WOODY ALLEN achieve concert pianist —upstairs M IA FARROW status, but contests are not PuneGoW the best measure of artistic TODAY NOC TV quality, Kahane said. In his case winning the Van Kliburn competition helped OCTOBER CALL THEATRE establish him in his concert 21 & 28 only! FOR SHOWTIMES THE NEW vQftK TIMES career. It is impossible to give general advice to prospective musicians, i' _ ___ —: Sorry no piste*, Kahane said. “ But if you’re How the future heRon no Early B ird Special THE BIG THE BIG going to be goal oriented, try nc Bargain Niles to be goal oriented in an CHILL CHILL In a cold world In a cold world (2 artistic way rather than a you need your you need your J| competitive way or try to friends to keep friends to keep - ^ balance the two,” he said. . you warm. you w a r m . f l K=1 COLUMBIA

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Debora (¿fined the California, to meet bassist band’s name with the title of David-0 Pahoa, with whom their first album, “ It’s a he had been playing in bands condition” , and elaborates, since high school, thus born: “ Romeo Void means there thePlimsouls. are no romantic notions here After some time spent ... and there shouldn’t be, we rehearsing, the trio began are about reality, not the playing local parties and myths created by other soon graduated into the artists.” seedier bars and clubs of By the end of 1981, Borneo Orange County. Other dates Void has done something included biker parties, est unprecedented, confabs, and a command the year as a completely performance at Camarillo unknown new-music act on a State Mental Institution. At small independent label, and this point, the group invaded by December, were on the the L.A. club circuit and Top 10 of the Year critics were gigging almost nightly, lists from coast-to-coast, and working up more and more in Europe. A follow-up 4- original material. With each The Romeo Void song EP, “Never Say new show the audiences story...The late Lester Never,” had sealed their were getting larger and Bangs noticed it outright; fate. Produced by Ric larger, untU soon, “ sold out” nearly three years ago on his Ocasek of The Cars, who had signs were appearing on club last trek across San Fran­ become an instant fan of the marquees all across the cisco’s new-music scene, he band after seeing them in basin, and word of the turned to the stage where , the title tune was a Plimsouls was spreading Debora Iyall, a vision of dance-floor rave-up, the fast. Just then, as fate would irony in her pristeen nurse’s chorus .Debora’s brutal have it, Eddie Munoz hit uniform, was railing about admonition “ might like you town after relocating from sexual betrayal to the sound better if we slept together.” Texas. Eddie was invited to of a 3-piece band hurtling One could not set foot in a a few rehersals, and soon through their own tangle of dance club anywhere during thereafter, b ecam e a musical underbrush. “ Now the summer of 1981 without Plimsoul. they,” Bangs lisped, “ are being sucked into the song’s something special.” dizzying whirlpool. By February 1980, just What began as a video With their latest release after they were voted “ Best soundtrack for Debora’s “ Benefactor,” Romeo Void Unsigned Band in Los senior thesis has evolved shatters the second-album- Angeles” by a Music Con­ into one of the most slump cliche, and proves nection poll, the Plimsouls critically-hailed American that the impressions made finally released their “ Zero bands of the “ post-punk” by their first efforts are Hour” EP on a small Long era. Though it is true that genuine, if not indelible, and Beach label. singer/songwriter Iyall met Lester Bangs, wherever you bassist/composer Frank are, you hit it right on the Romeo Void, along with Zincavage while both were head. the Plimsouls, the Bus boys, students at San Francisco’s The Plimsoul story goes and the Untouchables will be storied Art Institute in the back to late 1978, mid­ appearing at the Fall Dance late 70’s, Romeo Void defies afternoon to be exact. We Concert in Robertson categoriztion as an “ Art join it already in Gymnasium on Friday, school band” in the tradition progress...Peter Case, street November 4th at 7:30. of Talking Heads. “ I ’m not musician from New York via Tickets are going fast so get ...and from Los Angeles, THE PLIMSOULS even sure what the term San Francisco, caught in a yours now...and don’t forget means,” adds Zincavage. traffic jam on an L.A. to bring your dancing shoes! THE CALENDAR Cultural Events A.S. Program Board Music: Faculty Brass Quintet, Lotte Lehmann Hall, 8 pm. DIA DE LOS MUERTOS La Esperanto's, “ Y La Mexicano cultures through TODAY, Oct. 27th On Wednesday November Muerte Viene Cantando” . theater and music. Program Board: MONDAY, Oct. 31st HAPPY 2, 1983 at UCSB Lotte Leh­ The teatro is a group of Also performing with El Pub Night, rock away with The HALLOWEEN! man Hall, 8 pm, A.S. highly talented actors/- Teatro will be Los Gomez de Whiptones, 8:30 pm. Alcohol Awareness Week Program Board in con­ musicans/singers from the Paraguay. This group of Student Groups: Program Board junction with Chicano Santa barbara area and will musicians/singers comes Islam and power in architecture, Meeting, 5 pm UCen 2284. Cultural Arts of El Congreso, be the major headline for the from the the south American chicano EOP and the Center evening’s activities. country of Paraguay and UCen meeting room 2, FREE. Student Groups Women’s Center: “ Communicating for chicano Studies are Traditionally, Dia de Los will add a touch of their Finance Board, meeting, 3 pm, UCen sponsoring DIA DE LOS Muertos is celebrated for the culture to the evenings Your Sexuality” Women and 2284. Sexuality series Part I, 12 noon-l:30 MUERTOS (aka AU Saint’s religious content that it activities. Los Gomez have Women’s Center: movie, “ Killing Us pm Day). represents to Mexican toured around the world and Softly, Choice Not Chance,” 7 pm. Arts & Lectures: Jeffery Kahane, people. But, th emphasis of have recently appeared in Music: Ronald Copes, violinist — A blend of Chicano/- pianist, Campbell Hall this performance is to the Santa Barbara area. Beethoven sonatas, Lotte Lehmann Mexicano culture will be FRIDAy, Oct. 28th enlightne the Santa Barbara Hall, 8 pm. presented through the Student Groups: and campus communities to All tickets are $2 and can production of El Teatro de Black Student Union Halloween the richness of the Chicano/- be purchased at the door. TUESDAY, Nov. 1st Spectacular, Costume Ball in the Pub. Program Board: Jewish Christian Dialogue, URC, 777 Free-Standing Comedy Night, The Pub, 8 pm. (Trivia Camino Pescadero, I.V., 8 pm. answer: 15 members) Sculpture UCen Movie: “ Halloween” Chem 1179, 6,8,10 Student Groups i y & midnite. Gaucho Boosters. » Women’s Center:0 “ Dual Careers,” DAVID HACKER 12 noon., Activities SATURDAY, Oct. 29th JAMES MC ANINCH GSA Council, meeting, UCen meeting If you like to dance...Don’t Student Groups: SUSAN MEDARIS room 2,6 pm. miss one of Santa Barbara’s Non-sexist Halloween Dance, Cafe JANE MULFINGER favorites, The Whiptones. Interim, 8:30 pm, GLSU. WEDNESDAY, Nov. 2nd SUSAN YAMAGATA The music begins at 8:30 in Music: Mezzo Soprano, Marqory Student Groups A t th e UCen A rt GaMery the UCen Pub. KacKay, Lotte Lehmann Hall, 8 pm. Now through November 4 Legislative Council, UCen meeting room 2,6:30 pm. SUNDAY, Oct. 30th The Calendar is provided as a courtesy of the A.S. Program Board. Student sponsored Arts & Lectures: Sequoia String Student Groups: events con be listed by notifying the board in writing by 10:00 am Monday each week. Quartet, Campbell Hall, 8 pm. Arts & Lectures: Movie, “ The Color of Notices can be hand-delivered to the Program Board office, attn: Mark Wolf, Publicity Discussimi: “ Ikey, What ya learnl in " Pomegrantes,” Campbell Hall, 7:30 Chairperson, 3rd floor University Center. Be sure to include all pertinent information La.: school today?” UCen meeting room pm. event, date, time place, and sponsoring organization. All listings are free of charge. A.S. 12 noon. ÎI Program Board reserves the right to edit all submissions.