Immunity from Seizure
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Journal of the Malta Historical Society
VOL. 3. No.2 1961. I I I JOURNAL OF THE MALTA HISTORICAL SOCIETY CONTENTS lJil!!f VICTOR F. DENARO, More lIowws in Valletta ] HARRISON SMITH, Relations between the Court ot St. Petl'/'.~/)//r# . lind the Court of the Grand Masten; at Jlalta !l P.BONAVEKTURA FIORINI O.F.M.Conv., La Chiesa cd il COllventll di San Paolo (/ Mare clei F1'lIti ,1lSrlO1'i Conventuali ... H THE EDITOR, l1ctivities of the Society 1!l Can. ANTH. ZAMMIT GABARRETTA, The Nomination oj JIgI': YilleenziJ Lohini to the SCI' of Mllltll ... .. 21· I G. CASSAR-PULLICINO, Antiehi Cibi Maltesi ... 31 KR. I,EOPARDI, .l1J1JOintlllent of II School ]laster ill 1-1.70 ... • .. ;'5:'5 Recent Pub!ications P. CASSAR, [)()elllllcnj.~ lI'1'itten on Wood during the PllIglle oj 1813 ill J/lIlta. (E.R.L.), p. ::3. - Rev. PHILIP CALLUS, The Rising oj the Priests (W.F'. Bellizzi), p. 59. - Rev.A. ZAMMIT GABARRETTA, The 'Prc .~ell tntio)) E,Tlllllilllltir)?1 aud N ml/,;n II tirnl of the Bish()!)i( of JI altll in the SCl'Cntcc1lIth lind Ei#htl'l'nth CCIlt?lrics (P. BOil. Fiorini. O.F.M.Conv.). J p. fiO. MALTA Giov. !'Ifu5cat & Co. Ltd. - P)'inters HlGl. ,------------------,---- Admin l\opal Single n' :AL SOCIETY. Wllibtrsitp of :malta l.ibrar!' The aD shillings, pay- able in ad'IJ 06162 All COl Progressive No. of Work I be addressed "to the Secr I~ requested. to send in thE No. of Volumes Comml mould be sent to the Edi Class Mark ry Kingsway, Valletta. Other i Friary (COl Oopies through the The fo available at 4/6 each: Remarks Vol. -
The Treasury, Debts, and Deaths
The Treasury, Debts, and Deaths The Treasury, Debts and Deaths A study of the Common Treasury of the Order of St John and its relationship with the individual Hospitaller in matters of debts and deaths based on Giovanni Caravita’s Trattato del Comun Tesoro The Treasury, Debts and Deaths A study of the Common Treasury of the Order of St John and its relationship with the individual Hospitaller in matters of debts and deaths based on Giovanni Caravita’s Trattato del Comun Tesoro Stefan Cachia A dissertation submitted to the Faculty of Arts at the University of Malta, in part fulfilment of the requirements for the Degree of Master of Arts in History May 2004 To Christine, her family and my family Declaration of authenticity I, the undersigned, Stefan Cachia, declare that this dissertation is my original work, gathered and utilized especially to fulfil the purposes and objectives of this study, and has not been previously submitted to any university for a higher degree. I also declare that publications cited in this work have been personally consulted. ______________________________ Signiture ______________________________ ______________________________ Date Name in Block iv Acknowledgements I am greatly indebted to all those who have supported me throughout the past five years I have been working the present dissertation. At times, I felt overwhelmed by the task, particularly when the exigencies of my full-time job drained my leisure time and energies. Various friends and colleagues, often unwittingly, spurned me to continue in my endeavour, notwithstanding the certain difficulties that I encountered on the way. My deepest gratitude goes to my tutor, Prof. -
Lecce Accoglie Caravaggio
LECCE ACCOGLIE CARAVAGGIO LECCE ACCOGLIE CARAVAGGIO (DI MICHELE CUPPONE) Mai così strettamente legate, mistero e opera di un Caravaggio errante nel meridione in cerca di riscatto, approdano dopo quattro secoli in terra salentina. Da sempre paese di accoglienza, Lecce si prepara alla stagione estiva ospitando in primo luogo l'illustre lombardo che, nelle più disparate celebrazioni di quest’anno, forse un po' inaspettatamente scopre a sua volta una città d'arte e capitale della cultura degna del suo talento. Qui sono di certo le sfavillanti e fastose architetture barocche l'episodio artistico di maggior pregio, in un territorio che non lesina importanti testimonianze di altri periodi storico-artistici: preistoria e protostoria, età messapica e romana, bizantina e normanna, rinascimentale e manierista, tardo manierista e barocca appunto. Frapposta e sovrapposta a queste ultime due, la vicenda del caravaggismo ebbe i suoi echi anche qui; allora si era al tempo dei Vicerè spagnoli, e la Napoli nella quale operò prolificamente il Merisi era il naturale punto di riferimento e centro di irradiazione di impulsi artistici per, nella fattispecie, i pittori locali. Nel capoluogo salentino, come hanno ricostruito gli studi di Antonio Cassiano e Pierluigi Leone de Castris, si trasferì, praticamente all’indomani della morte di Caravaggio, il partenopeo Paolo Finoglio, che veicolò il verbo caravaggesco di cui a Napoli fu uno dei primi seguaci; teneva a mente, oltre alle opere del Lombardo, che lì soggiornava negli stessi anni, quelle del suo più grande interprete napoletano Battistello Caracciolo o di un Carlo Sellitto, o ancora di pittori tardomanieristi che conobbero una, magari anche breve, stagione caravaggesca e naturalistica: Filippo Vitale e Ippolito Borghese. -
Kingston Lacy Illustrated List of Pictures K Introduction the Restoration
Kingston Lacy Illustrated list of pictures Introduction ingston Lacy has the distinction of being the however, is a set of portraits by Lely, painted at K gentry collection with the earliest recorded still the apogee of his ability, that is without surviving surviving nucleus – something that few collections rival anywhere outside the Royal Collection. Chiefly of any kind in the United Kingdom can boast. When of members of his own family, but also including Ralph – later Sir Ralph – Bankes (?1631–1677) first relations (No.16; Charles Brune of Athelhampton jotted down in his commonplace book, between (1630/1–?1703)), friends (No.2, Edmund Stafford May 1656 and the end of 1658, a note of ‘Pictures in of Buckinghamshire), and beauties of equivocal my Chamber att Grayes Inne’, consisting of a mere reputation (No.4, Elizabeth Trentham, Viscountess 15 of them, he can have had little idea that they Cullen (1640–1713)), they induced Sir Joshua would swell to the roughly 200 paintings that are Reynolds to declare, when he visited Kingston Hall at Kingston Lacy today. in 1762, that: ‘I never had fully appreciated Sir Peter That they have done so is due, above all, to two Lely till I had seen these portraits’. later collectors, Henry Bankes II, MP (1757–1834), Although Sir Ralph evidently collected other – and his son William John Bankes, MP (1786–1855), but largely minor pictures – as did his successors, and to the piety of successive members of the it was not until Henry Bankes II (1757–1834), who Bankes family in preserving these collections made the Grand Tour in 1778–80, and paid a further virtually intact, and ultimately leaving them, in the visit to Rome in 1782, that the family produced astonishingly munificent bequest by (Henry John) another true collector. -
Chivalry Isn't DEAD —Rome
report Order of Malta 01 Grand chancellor HE Albrecht Freiherr von Boeselager Tt 50 02 Coins and stamps produced by the Order 03 Reception room, conspicuously lacking dog-eared magazines chivaLRY isN’T dead —Rome 01 Preface The Sovereign Military Order of Malta is a 1,000-year-old institution that played a role in the Crusades and issues its own passports. Now it is fighting a very different battle: defending its honour 02 as a paragon of Christianity and humanitarian aid. writer David Plaisant photographer Jussi Puikkonen “Having our passport has its advantages but it can be quite problematic,” says Eleonore Habsburg. She is the spritely young Austrian-French desk officer for the Foreign Affairs Department, which is housed in the Palazzo Magistrale on Rome’s Via Condotti. She is referring to one of the 400 diplomatic passports that have been issued by the Sovereign Military Order of Malta. “If you are arriving in the right country it can give you incredible access and diplomatic clearance but many people simply don’t know of our existence.” As a sovereign entity the Order issues passports, prints stamps, has diplomatic missions and is recognised by 105 inde- pendent countries. However, it is not in itself a country as it has had no territory since it lost Malta to the French more issue 86 — 043 03 report Order of Malta 01 Coats of arms from the archive 02 The Sala Capitolare used for elections 03 Portraits of previous 01 grand masters 04 The Maltese cross makes its presence known in a state room 05 Monica Lais, curator 02 of the visitors centre than 200 years ago. -
PDF Download Malta, 1565
MALTA, 1565: LAST BATTLE OF THE CRUSADES PDF, EPUB, EBOOK Tim Pickles,Christa Hook,David Chandler | 96 pages | 15 Jan 1998 | Bloomsbury Publishing PLC | 9781855326033 | English | Osprey, United Kingdom Malta, 1565: Last Battle of the Crusades PDF Book Yet the defenders held out, all the while waiting for news of the arrival of a relief force promised by Philip II of Spain. After arriving in May, Dragut set up new batteries to imperil the ferry lifeline. Qwestbooks Philadelphia, PA, U. Both were advised by the yearold Dragut, the most famous pirate of his age and a highly skilled commander. Elmo, allowing Piyale to anchor his fleet in Marsamxett, the siege of Fort St. From the Publisher : Highly visual guides to history's greatest conflicts, detailing the command strategies, tactics, and experiences of the opposing forces throughout each campaign, and concluding with a guide to the battlefields today. Meanwhile, the Spaniards continued to prey on Turkish shipping. Tim Pickles describes how despite constant pounding by the massive Turkish guns and heavy casualties, the Knights managed to hold out. Michael across a floating bridge, with the result that Malta was saved for the day. Michael, first with the help of a manta similar to a Testudo formation , a small siege engine covered with shields, then by use of a full-blown siege tower. To cart. In a nutshell: The siege of Malta The four-month Siege of Malta was one of the bitterest conflicts of the 16th century. Customer service is our top priority!. Byzantium at War. Tim Pickles' account of the siege is extremely interesting and readable - an excellent book. -
Gallery Baroque Art in Italy, 1600-1700
Gallery Baroque Art in Italy, 1600-1700 The imposing space and rich color of this gallery reflect the Baroque taste for grandeur found in the Italian palaces and churches of the day. Dramatic and often monumental, this style attested to the power and prestige of the individual or institution that commissioned the works of art. Spanning the 17th century, the Baroque period was a dynamic age of invention, when many of the foundations of the modern world were laid. Scientists had new instruments at their disposal, and artists discovered new ways to interpret ancient themes. The historical and contemporary players depicted in these painted dramas exhibit a wider range of emotional and spiritual conditions. Artists developed a new regard for the depiction of space and atmosphere, color and light, and the human form. Two major stylistic trends dominated the art of this period. The first stemmed from the revolutionary naturalism of the Roman painter, Caravaggio, who succeeded in fusing intense physical observations with a profound sense of drama, achieved largely through his chiaroscuro, or use of light and shadow. The second trend was inspired by the Bolognese painter, Annibale Carracci, and his school, which aimed to temper the monumental classicism of Raphael with the optical naturalism of Titian. The expressive nature of Carracci and his followers eventually developed into the imaginative and extravagant style known as the High Baroque. The Docent Collections Handbook 2007 Edition Niccolò de Simone Flemish, active 1636-1655 in Naples Saint Sebastian, c. 1636-40 Oil on canvas Bequest of John Ringling, 1936, SN 144 Little documentation exists regarding the career of Niccolò de Simone. -
Recent Discoveries in the Forum, 1898-1904
Xil^A.: ORum 1898- 1:904 I^H^^Hyj|Oj|^yL|i|t I '^>^J:r_J~ rCimiR BADDELEY '•^V^^^' ^^^ i^. J^"A % LIBRARY RECENT DISCOVERIES IN THE FORUM Digitized by the Internet Archive in 2011 with funding from University of Toronto http://www.archive.org/details/recentdiscoverieOObadd ^%p. ji^sa&i jI Demolishing the Houses Purchased by Mp. L. Piitlltps (1899) Frontispiece RECENT DISCOVERIES IN THE FORUM 1898-1904 BY AN EYE-WITNESS S:i^ CLAIR BADDELEY BEING A HANDBOOK FOR TRAVELLERS, WITH A MAP MADE FOR THIS WORK BY ORDER OF THE DIRECTOR OF THE EXCAVATIONS AND 45 ILLUSTRATIONS LONDON GEORGE ALLEN, 156, CHARING CROSS ROAD 1904 [All rights reserved] -. s* r \ i>< ^^ARY# r^ ¥ ^ y rci/O FEB 26 'X_> Printed by BALLANTYNK, HANSON <5r» Co. At the Ballantyne Press TO LIONEL PHILLIPS, Esq, IN MEMORY OF DAYS IN THE FORUM PREFATORY NOTE 1 HAVE heard life in the Forum likened unto ' La Citta Morte/ wherein the malign influences of ancient crimes rise up from the soil and evilly affect those who live upon the site. I have also heard it declared to be a place dangerous to physical health. It is with gratifi- cation, therefore, after living therein, both beneath it and above, as few can have done, for considerable portions of the last six years, that I can bring solid evidence to belie both accusations. They indeed would prove far more applicable if levelled at certain other august centres of Rome. For I find it necessary to return thanks here for valuable assistance given to me without hesitation and at all times, not only by my personal friend Comm. -
The Newsletter of the ITALIAN ART SOCIETY XXIV, 1 Winter 2012
The Newsletter of the ITALIAN ART SOCIETY XXIV, 1 Winter 2012 An Affiliated Society of the College Art Association, Society of Architectural Historians, and the Renaissance Society of America President’s Message from Kirstin Noreen also through the sponsorship of the Kress Foundation, on ―Kairo. On the Efficacy of a Classical Motif in Italian February 1, 2012 Medieval Art‖ at the International Congress on Medieval Studies in Kalamazoo in the IAS session dealing with Italian Dear Italian Art Society Members: Art and the Confluence of Cultures. Competition was particularly strong for funding, with numerous worthy It is with pleasure that I would like to announce the applicants for these grants. We encourage members to apply speaker of the third annual Italian Art Society-Kress for all of these opportunities in the future; details and Foundation Lecture Series in Italy, which this summer deadlines are posted on the IAS website. will take place in Venice. On June 6, 2012, Debra Pincus will speak on ―The Lure of the Letter: We are considering some changes in IAS procedures that we Renaissance Venice and the Recovery of Antique hope will allow greater access for more members to IAS Writing‖ at the Palazzo Cavalli-Franchetti, seat of the activities and positions. By the time of this newsletter, you Istituto Veneto di Scienze, Lettere ed Arti. More details will have received a link for a survey related to IAS grant will be circulated through the Notes of the Society and offerings and to the voting process for electing officers and posted on our website and Facebook page. -
Emergenza Coronavirus: La Pronta Risposta Dell'ordine Di Malta
“... Cristo patì per voi, lasciandovi un esempio, affinché ne seguiate Tuitio le orme...” (Pt 2/21) Fidei et Obsequium Pauperum Anno XXXVIII N. 1 RIVISTA DELL’ORDINE DI MALTA ITALIA Marzo 2020 In 14 scali e in varie postazioni sul territorio i nostri medici, infermieri e volontari si sono attivati subito sotto il coordinamento della Protezione Civile Emergenza Coronavirus: la pronta risposta dell’Ordine di Malta (Foto: Giorgio Minguzzi) (Foto: Per la prima volta in oltre 60 anni siasi racconto l’attività di controllo Torino e Pescara. A queste attivi- medico 1110 giornate/soccorritore. il Gran Magistero del Sovrano Milita- sanitario che gli operatori del CISOM, tà si aggiungono quelle sui territori. Le squadre CISOM sono operative re Ordine di Malta si è visto costretto il Corpo italiano di soccorso dell’Or- In Umbria le squadre sanitarie sup- dallo scorso 5 febbraio. ad annullare il consueto Pellegri- dine di Malta, hanno iniziato a svol- portano il pre-triage negli ospedali Alla chiamata della Protezione naggio del primo weekend di mag- gere poco dopo l’esplodere dell’e- di Amelia e Narni ed è stata allestita Civile - che coordina gli interventi in gio a Lourdes. La dolorosa iniziativa mergenza Coronavirus. Le immagini una tenda CISOM presso l’ospedale collaborazione con il Ministero della interrompe temporaneamente e per della misurazione della temperatura di Amelia. In Toscana è stata allestita Salute e gli USMAF, gli Uffici terri- cause di forza maggiore una grande dei passeggeri grandi e piccoli sono una tenda CISOM presso l’Ospedale toriali di Sanità Marittima Aerea e tradizione di Fede e di solidarietà ver- state prese nell’aeroporto di Bologna di Volterra. -
Il Rione Monti
UNIVERSITA’ DEGLI STUDI DI ROMA TRE DOTTORATO DI RICERCA IN STORIA E CONSERVAZIONE DELL’OGGETTO D’ARTE E D’ARCHITETTURA XVIII CICLO TESI DI DOTTORATO IL TESSUTO DELLE VILLE A ROMA NEL SETTECENTO: CARATTERISTICHE E DINAMICHE DI TRASFORMAZIONE. UNA PRIMA RICOGNIZIONE: IL RIONE MONTI Dottorando: GIUSEPPE LA MASTRA Tutor: PROF.SSA LILIANA BARROERO 1 "Non si sarà affatto vista Roma se non se ne siano percorse le strade dei quartieri in cui si mescolano gli spazi vuoti, i giardini pieni di rovine, le recinzioni degli alberi e delle vigne, i chiostri dove salgono i palmeti e i cipressi, gli uni somiglianti a donne dell'Oriente, gli altri a religiose in lutto...". René de Chateaubriand Louis-François Cassas, Panorama di Roma. Il Monte Quirinale, 1780 circa. Incisione acquerellata. Parigi, Bibliothéque Mazarine. 2 INDICE INDICE........................................................................................................................................................................3 INTRODUZIONE ....................................................................................................................................................4 IL CONTESTO CULTURALE......................................................................................................................... 11 REPERTORIO ICONOGRAFICO.................................................................................................................. 36 I NUMERI DELLA RICERCA – IL RIONE MONTI .............................................................................. -
Reflections & Undercurrents Exhibition Catalogue
Fairfield University DigitalCommons@Fairfield Reflections and Undercurrents: Ernest Roth and Reflections and Undercurrents - Ephemera Printmaking in Venice, 1900-1940 1-2014 Reflections & Undercurrents Exhibition Catalogue Jill J. Deupi Fairfield University Eric Denker National Gallery of Art Elizabeth Petrino Fairfield University Jo Yarrington Fairfield University Follow this and additional works at: https://digitalcommons.fairfield.edu/roth-ephemera Recommended Citation Deupi, Jill J.; Denker, Eric; Petrino, Elizabeth; and Yarrington, Jo, "Reflections & Undercurrents Exhibition Catalogue" (2014). Reflections and Undercurrents - Ephemera. 7. https://digitalcommons.fairfield.edu/roth-ephemera/7 This item has been accepted for inclusion in DigitalCommons@Fairfield by an authorized administrator of DigitalCommons@Fairfield. It is brought to you by DigitalCommons@Fairfield with permission from the rights- holder(s) and is protected by copyright and/or related rights. You are free to use this item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses, you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. In the Wake of the Butterfly JAMES MCNEILL WHISTLER AND HIS CIRCLE IN VENICE Bellarmine Museum of Art, Fairfield University 8 January 23 – April 4, 2014 8 Reflections & Undercurrents ERNEST ROTH AND PRINTMAKING IN VENICE, 1900-1940 Thomas J. Walsh Art Gallery, Fairfield University Reflections & Undercurrents is a touring exhibition organized by The Trout Gallery, Dickinson College, Carlisle, PA rnest David Roth. Emanuele Brugnoli. Fabio Mauroner. Louis Conrad Rosenberg.