Bibliografia De Bruno Netll
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Shadows in the Field Second Edition This Page Intentionally Left Blank Shadows in the Field
Shadows in the Field Second Edition This page intentionally left blank Shadows in the Field New Perspectives for Fieldwork in Ethnomusicology Second Edition Edited by Gregory Barz & Timothy J. Cooley 1 2008 1 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright # 2008 by Oxford University Press Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Shadows in the field : new perspectives for fieldwork in ethnomusicology / edited by Gregory Barz & Timothy J. Cooley. — 2nd ed. p. cm. Includes bibliographical references and index. ISBN 978-0-19-532495-2; 978-0-19-532496-9 (pbk.) 1. Ethnomusicology—Fieldwork. I. Barz, Gregory F., 1960– II. Cooley, Timothy J., 1962– ML3799.S5 2008 780.89—dc22 2008023530 135798642 Printed in the United States of America on acid-free paper bruno nettl Foreword Fieldworker’s Progress Shadows in the Field, in its first edition a varied collection of interesting, insightful essays about fieldwork, has now been significantly expanded and revised, becoming the first comprehensive book about fieldwork in ethnomusicology. -
Folklife Sourcebook: a Directory of Folklife Resources in the United States
DOCUMENT RESUME ED 380 257 RC 019 998 AUTHOR Bartis, Peter T.; Glatt, Hillary TITLE Folklife Sourcebook: A Directory of Folklife Resources in the United States. Second Edition. Publications of the American Folklife Center, No. 14. INSTITUTION Library of Congress, Washington, D.C. American Folklife Center. REPORT NO ISBN-0-8444-0521-3 PUB DATE 94 NOTE 172p.; For the first edition, see ED 285 813. AVAILABLE FROMSuperintendent of Documents, P.O. Box 371954, Pittsburgh, PA 15250-7954 ($11, include stock no. S/N 030-001-00152-1 or U.S. Government Printing Office, Superintendent of Documents, Mail Stop: SSOP, Washington, DC 20402-93280. PUB TYPE Reference Materials Directories/Catalogs (132) EDRS PRICE MFOI/PC07 Plus Postage. DESCRIPTORS *Archives; *College Programs; Cultural Education; Cultural Maintenance; Elementary Secondary Education; *Folk Culture; Foreign Countries; Higher Education; Library Collections; *Organizations (Groups); *Primary Sources; Private Agencies; Public Agencies; *Publications; Rural Education IDENTIFIERS Ethnomusicology; *Folklorists; Folk Music ABSTRACT This directory lists professional folklore networks and other resources involved in folklife programming in the arts and social sciences, public programs, and educational institutions. The directory covers:(1) federal agencies; (2) folklife programming in public agencies and organizations, by state; (3)a listing by state of archives and special collections of folklore, folklife, and ethnomusicology, including date of establishment, access, research facilities, services, -
Victory for Billy
SATURDAY • JULY 10, 2004 Including The Bensonhurst Paper Brooklyn’s REAL newspapers Published every Saturday — online all the time — by Brooklyn Paper Publications Inc, 55 Washington St, Suite 624, Brooklyn NY 11201. Phone 718-834-9350 • www.BrooklynPapers.com • © 2004 Brooklyn Paper Publications • 18 pages • Vol. 27, No. 27 BRZ • Saturday, July 10, 2004 • FREE VICTORY FOR BILLY ‘Billy’s Law’ awaits Pataki’s signature By Jotham Sederstrom At a July 1 press conference that come out of these facili- The Brooklyn Papers outside City Hall Vito Albanese ties,” said Vito Albanese. said, “New York State has taken Under the new law, whose A Bay Ridge father and a giant step forward in protect- Assembly version was spon- son claimed a legal victory ing our most voiceless and vul- sored by Assemblywoman Joan this week after elected offi- nerable citizens. New York Millman, each facility will be cials announced the passage should be very proud in doing subject to an inspection by the of a state law that would God’s work on the passage of state Department of Education. ensure thorough investiga- Billy’s Law.” The home would need approval tions of out-of-state mental State Sen. Marty Golden, from its own state as well as health facilities. who sponsored the Senate ver- New York before being granted sion of the bill, said that more a license. It would then be in- “Billy’s Law,” which will than 1,000 young New Yorkers spected once every three years take effect following expected with mental disabilities are cur- and would be re-evaluated if al- approval by Gov. -
Re-Presenting the Primitive in the Works of Zitkala Ša, Mourning Dove, John Joseph Mathews, and Woody Crumbo
QUEER MIMCRY: RE-PRESENTING THE PRIMITIVE IN THE WORKS OF ZITKALA ŠA, MOURNING DOVE, JOHN JOSEPH MATHEWS, AND WOODY CRUMBO By TREVER LEE HOLLAND Bachelor of Arts Northwestern State University Natchitoches, Louisiana 2009 Master of Arts in English Literature Northwestern State University Natchitoches, Louisiana 2011 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY May, 2016 QUEER MIMCRY: RE-PRESENTING THE PRIMITIVE IN THE WORKS OF ZITKALA ŠA, MOURNING DOVE, JOHN JOSEPH MATHEWS, AND WOODY CRUMBO Dissertation Approved: Dr. Lindsey Claire Smith Dissertation Adviser Dr. Katherine Hallemeier Dr. Chris Pexa Dr. Louise Siddons ii ACKNOWLEDGEMENTS I would like to thank my dissertation committee. Dr. Smith, I am so grateful to you for taking an interest in my work and guiding me through my tenure at Oklahoma State University. You have taught me so much, and I cannot express my gratitude for all your hard work on my behalf. Dr. Hallemeier, thank you so much for all your tireless work and gracious assistance in so many facets of my graduate work. Dr. Siddons, thank you for opening my eyes to so much and making research so much fun and enjoyable. Dr. Pexa, thank you for so graciously agreeing to serve on my committee so quickly at your arrival at Oklahoma State University, even though you did not know much about me or my work. I could not have asked for a more supportive committee, and I am so thankful for all your tireless work and backing. -
BORN, Western Music
Western Music and Its Others Western Music and Its Others Difference, Representation, and Appropriation in Music EDITED BY Georgina Born and David Hesmondhalgh UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles London All musical examples in this book are transcriptions by the authors of the individual chapters, unless otherwise stated in the chapters. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2000 by the Regents of the University of California Library of Congress Cataloging-in-Publication Data Western music and its others : difference, representation, and appropriation in music / edited by Georgina Born and David Hesmondhalgh. p. cm. Includes bibliographical references and index. isbn 0-520-22083-8 (cloth : alk. paper)—isbn 0-520--22084-6 (pbk. : alk. paper) 1. Music—20th century—Social aspects. I. Born, Georgina. II. Hesmondhalgh, David. ml3795.w45 2000 781.6—dc21 00-029871 Manufactured in the United States of America 09 08 07 06 05 04 03 02 01 00 10987654321 The paper used in this publication meets the minimum requirements of ANSI/NISO Z39.48-1992 (R 1997) (Permanence of Paper). 8 For Clara and Theo (GB) and Rosa and Joe (DH) And in loving memory of George Mully (1925–1999) CONTENTS acknowledgments /ix Introduction: On Difference, Representation, and Appropriation in Music /1 I. Postcolonial Analysis and Music Studies David Hesmondhalgh and Georgina Born / 3 II. Musical Modernism, Postmodernism, and Others Georgina Born / 12 III. Othering, Hybridity, and Fusion in Transnational Popular Musics David Hesmondhalgh and Georgina Born / 21 IV. Music and the Representation/Articulation of Sociocultural Identities Georgina Born / 31 V. -
SEM 61 Annual Meeting
SEM 61st Annual Meeting November 10 – 13, 2016 Washington, D.C. Hosted by Smithsonian Folkway Recordings and The George Washington University Society for Ethnomusicology 61st Annual Meeting, 2016 Individual Presentation and Organized Panel Abstracts SEM 2016 Abstracts Book – Note to Reader The SEM 2016 Abstracts Book is divided into two sections: 1) Individual Presentations, and 2) Organized Sessions. Individual Presentation abstracts are alphabetized by the presenter’s last name, while Organized Session abstracts are alphabetized by the session title. Note that Organized Sessions are designated in the Program Book as “Panel,” “Roundtable,” or “Workshop.” Sessions designated as “Paper Session” or “Mixed Session” do not have a session abstract. To determine the time and location of an Individual Presentation, consult the index of participants at the back of the Program Book. To determine the time and location of an Organized Session, see the session number (e.g., 1A) in the Abstracts Book and consult the program in the Program Book. Individual Presentation Abstracts Pages 1 – 97 Organized Session Abstracts Pages 98 – 118 0 Society for Ethnomusicology 61st Annual Meeting, 2016 Individual Presentation Abstracts David Aarons, University of Washington limitations of Jinta-la-Mvta’s “protest music” by exploring these two modes of Making Reggae Ethiopian: Strategies for Mass Appeal and Sonic socialities produced through sonic responses to the nuclear crisis. I suggest Essences of Ethiopianness that Jinta-la-Mvta evince social precarity not merely -
In Defence of the Term and Concept of Traditional Music
Trabzon University State Conservatory © 2017-2021 Volume 5 Issue 1 June 2021 Research Article Musicologist 2021. 5 (1): 1-30 DOI: 10.33906/musicologist.913512 ULRICH MORGENSTERN University of Music and Performing Arts Vienna, Austria [email protected] orcid.org/0000-0003-0190-7475 In Defence of the Term and Concept of Traditional Music ABSTRACT Regardless of Eric Hobsbawm’s negativistic understanding, ‘tradition’ is KEYWORDS a powerful and dynamic (and in no way traditionalist) concept in academic folkloristics. The widespread scepticism against ‘traditional Ethnomusicology music’, both as a recognizable field of research and a matter of Folkloristics theoretical thought, is based on an insufficient and sometimes stereotypic understanding of a term and concept with a fascinating Traditional music history. I argue that there is good reason to maintain a term which is intrinsically linked to core issues of ethnomusicology, among them community-based music, cultural innovation, oral/aural transmission, sonic orders, and stylistic pluralism. Received: April 11, 2021; Accepted: May 15, 2021 1 “The interest evinced, since the beginning of the present century, by several European nations in the popular songs, folk-lore, and other monuments of the mental condition of man in different parts of the world, is therefore a sign of progress not less delightful than the most important discoveries which have been made through the agency of practical science.” Carl Engel (1866: vii) Definitions always have something suspicious about them, especially when we consider the impressive rise of ‘inclusiveness’, both as a social ideal and a rhetorical figure. There is no identity—be it of phenomena or of groups of humans—without exclusion. -
Bruno Nettl Theory and Method in Ethnomusicology for Becky
Bruno Nettl - Theory and Method in Ethnomusicology 1 Bruno Nettl Theory and method in ethnomusicology SCHIRMER BOOKS A Division of Macmillan Publishing Co., Inc. NEW YORK COLLIER MACMILLAN PUBLISHERS LONDON Copyright @ 1964 by The Free Press of Glencoe A Division of Macmillan Publishing Co., Inc. All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical including photo-copying, recording, or by any information storage and retrieval system, Whithout permission in writing from the Publisher. SCHIRMER BOOKS A Division of Macmillan Publishing Co., Inc. 866 Third Avenue, New York, N.Y. 10022 Library of Congress Catalog Card Number: 64-16970 Printed in the United States of America printing number 6 7 8 9 10 Library of Congress Cataloging in Publication For Becky Bruno Nettl - Theory and Method in Ethnomusicology 2 PREFACE The field of ethnomusicology has undergone tremendous growth and expansion since World War II. Many American institutions of higher learning have begun to offer courses in this discipline and its various aspects and subdivisions. Many publications devoted entirely to ethnomusicology have appeared; most of these are devoted to the music of non-Western and folk cultures, individually or in groups, which is the basic subject matter of ethnomusicology, but there have been few attempts .to bring together the methods which ethnomusicologists use and the theories on which their work has been based. There is a need, I believe, for the specialist in African music, in Finnish folk song, and in pre-Colombian instruments to have some common backgrolmd of method and of theoretical orientation. -
Sonoritiesthe News Magazine of the University of Illinois School of Music
WINTER 2005 sonoritiesThe News Magazine of the University of Illinois School of Music CRME Bulletin Revamped Boardman: Hall of Famer Zimmerman Foundation Funds Music Education Lessons from Native American Music Alumni Profile Viktor Krauss: Far from Enough Alumni Profile IanIan DingDing andand Detroit’sDetroit’s StrikingStriking New Beat A Tale of Two Chips Two longtime band mates reconnect to enliven UI’s Jazz program Campus News From the Dean The School of Music is vibrant with change and new direc- tions on multiple fronts which the College of Fine and Applied Arts is proud to support. From its major professional faculty ensembles such as the Sinfonia da Camera, the world renowned Pacifica Quartet, and the Illinois Brass Quintet to the student orchestras, ensembles, and choruses to the innovative scholarship of the sonorities musicologists so aptly illustrated by Bruno Nettl’s conference on improvisation—the Winter 2005 School is responding to the new realities impacting scholarship and practice in the twenty-first century. I join in welcoming the new faculty and staff who are committed Published for alumni and friends of the to preserving the legacy of the School of Music on the one hand while shaping its School of Music at the University of Illinois at Urbana-Champaign future with a sense of urgency, a commitment to excellence and a recognition of our responsibility to speak to a new generation of students. The School of Music is a unit of the College of Fine and Applied Arts at the University We have managed to move the School forward in these exciting ways in spite of the of Illinois at Urbana-Champaign and has been an accredited institutional member of stunning challenges of the state’s dwindling financial support for higher education. -
Shamanism and the Ancient Greek Mysteries
SHAMANISM AND THE ANCIENT GREEK MYSTERIES: THE WESTERN IMAGININGS OF THE “PRIMITIVE OTHER” A thesis submitted To Kent State University in partial Fulfillment of the requirements for the Degree of Master of Arts by Troy Markus Linebaugh December, 2017 © Copyright All rights reserved Except for previously published materials Thesis written by Troy Markus Linebaugh B.A., Saint Vincent College, 2011 M.A., Slippery Rock University, 2013 M.A., Kent State University, 2017 Approved by Richard Feinberg, Ph.D., Advisor Mary Ann Raghanti, Ph.D., Chair, Department of Anthropology James L. Blank, Ph.D., Dean, College of Arts and Sciences ii TABLE OF CONTENTS TABLE OF CONTENTS………………………………………………………………………...iii LIST OF FIGURES………………………………………………………………………………v PREFACE………………………………………………………………………………………vi ACKNOWLEDGEMENTS…………………………………………………………………...viii CHAPTER I. Introduction: the Problem of Shamanism in Ethnology, Archaeology, and Historiography………………………………………………………………………...1 a. Primitivism and Shamanism………………………………………………………3 b. The Problem with Ethnographic Analogue and the Archaeology of Religion……9 c. Entheogens and Altered States of Consciousness in the Narrative……………....14 d. From the Problems of Paleo-Shamanism to its Application in Historiography….19 e. Shamanism as Practically Barbarian Religion………………………………...…23 II. Gods, Beasts, and the Polis: Redux………………………………………………….28 a. The Barbarian Other……………………………………………………………..29 b. “Eaters of Flesh, Drinkers of Milk:” Nomads in Relationship to the Polis……...35 c. Barbarians as Naturally Slaves in the Polis……………………………………...41 d. Stereotypes and Other Hellenic Misinterpretations of Pontic-Caspian Cultures…………………………………………………………………………..44 e. The Oikoumene: from the Polis to the Eschatiai………………………………...50 f. Concluding Remarks for Chapter 2…………………………………………...…64 III. Pontic Barbarian Religions and the Invention of the Mysteries……………………..66 a. Animism, Totemism, and Northern Eurasian Ontologies………………………..70 iii b. -
Intercultural Education Series. a Selected, Annotated Bibliography of Inter-American Teaching Aids for Art, English Language Arts, Music, Social Studies, and Spanish
DOCUMENT RESUME ED 052 097 SO 001 425 AUTHOR Dean, Frances F. TITLE Intercultural Education Series. A Selected, Annotated Bibliography of Inter-American Teaching Aids for Art, English Language Arts, Music, Social Studies, and Spanish. INSTITUTION Bryan Independent School District, Tex.; Texas A and M Univ., College Station. SPONS AGENCY Office of Education (DHEW) ,Washington, D.C. REPORT NO Monogr-2 PUB DATE 67 NOTE 312p. EDRS PRICE EDRS Price MF-$0.65 HC-$13.16 DESCRIPTORS Annotated Bibliographies, *Area Studies, Art, *Audiovisual Aids, *Cross Cultural Studies, Cultural Awareness, Humanities, *Instructional Materials, Intercultural Programs, International Education, Language Arts, *Latin American Culture, Music, Resource Guides, Secondary Grades, Social Studies, Spanish, Spanish American Literature IDENTIFIERS *Latin America, Texas ABSTRACT This bibliography was compiled by the Programa de Educacion Interamericana for teachers who need ready sources of good information useable in the classroom, and suitable for a given grade level. The major division of entries is by country in Central and South America, with sections for Canada and the United States. Within each section, entries are arranged according to subject matter: art and the crafts, English language arts, music, the social studies, and Spanish. These teaching areas are further subdivided as follows: 1) publications, with separate listings for books, periodicals, leaflets, pamphlets, fact sheets, and special issues; 2)visual aids, including films and filmstrips or slides; and, 3)listening aids, with records and tapes. Complete bibliographic citations and the suggested grade level are listed for each entry. An appendix contains: publishers, and addresses, producers and rental sources of films, and a short list of free materials. -
NAMA Recordings
NAMA Archives Listed by Title Title Artist - Last Name Year 1492 - 1975 Little Hawk 2004 20 Aboriginal Greatest Hits various 1998 20 Aboriginal Hits Various 2005 2nd Album So Far Lunar Drive 1999 4 Life Eyabay 1998 4 the People Fernandez 2006 500 Years of the Blues Nelson 1997 6 & 12 String Slack Key Pahinui 1994 A Dream Takes Flight Ta-Otha Spirit 1998 A Little White Lie Bluedog 2006 A Native American Odyssey various 1998 A New Day Reibach 2004 A Place Called Survival Natay 1998 A Place I Call Home Native Roots 1998 A Simple Man Burning Sky 2003 A Soldier's Dream Elk Soldier 2006 A Time for Change Blackstone 2006 A Time Like Now Tonemah 2001 A Tradition Continues Primeaux Sr. 2004 A Tribute to Hank Williams Monias 2002 A Tribute to Johnny Cash Westerman 2006 A Way of Life Mike 2004 A Wonderful Place Dreadfulwater & Cherokee C 2001 06/01/2007 Page 1 of 50 Title Artist - Last Name Year A World of Love and Beauty Nelson 2001 Across Indian Lands various 1996 Across Indian Lands various 1999 Ain't Nuthin' but a "E" thang Eyabay 2000 AKA Grafitti Man Trudell 1992 Akua Tuta Kashtin 1994 All in the Family McGilvery 2003 All Native Project All Native Project 2003 All Spirits Sing Shenandoah 1997 All Together Here Lunar Drive 1996 All Together Here Lunar Drive 1999 Alligator Tales Billie 1998 Alluvia Ozan 2006 Aloha No Na Kupuna Kuo 1996 Along the Way Scabby Robe 2005 alterNATIVES Boyd 2001 Amajacoustic Clan / Destine 2000 Amazing Mauchahty-Ware 1998 Amazing Grace Seymour 2003 America Martinez 2006 American Indian Christmas Jana 2005 American Indian