Three Fun Fables for Narrator and Orchestra
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Women Pioneers of American Music Program
Mimi Stillman, Artistic Director Women Pioneers of American Music The Americas Project Top l to r: Marion Bauer, Amy Beach, Ruth Crawford Seeger / Bottom l to r: Jennifer Higdon, Andrea Clearfield Sunday, January 24, 2016 at 3:00pm Field Concert Hall Curtis Institute of Music 1726 Locust Street, Philadelphia Charles Abramovic Mimi Stillman Nathan Vickery Sarah Shafer We are grateful to the William Penn Foundation and the Musical Fund Society of Philadelphia for their support of The Americas Project. ProgramProgram:: WoWoWomenWo men Pioneers of American Music Dolce Suono Ensemble: Sarah Shafer, soprano – Mimi Stillman, flute Nathan Vickery, cello – Charles Abramovic, piano Prelude and Fugue, Op. 43, for Flute and Piano Marion Bauer (1882-1955) Stillman, Abramovic Prelude for Piano in B Minor, Op. 15, No. 5 Marion Bauer Abramovic Two Pieces for Flute, Cello, and Piano, Op. 90 Amy Beach (1867-1944) Pastorale Caprice Stillman, Vickery, Abramovic Songs Jennifer Higdon (1962) Morning opens Breaking Threaded To Home Falling Deeper Shafer, Abramovic Spirit Island: Variations on a Dream for Flute, Cello, and Piano Andrea Clearfield (1960) I – II Stillman, Vickery, Abramovic INTERMISSION Prelude for Piano #6 Ruth Crawford Seeger (1901-1953) Study in Mixed Accents Abramovic Animal Folk Songs for Children Ruth Crawford Seeger Little Bird – Frog He Went A-Courtin' – My Horses Ain't Hungry – I Bought Me a Cat Shafer, Abramovic Romance for Violin and Piano, Op. 23 (arr. Stillman) Amy Beach June, from Four Songs, Op. 53, No. 3, for Voice, Violin, and -
Mimi Stillman, Artistic Director
MIMI STILLMAN, ARTISTIC DIRECTOR 2017 2018 “ONE OF THE MOST DYNAMIC GROUPS IN THE US!” SEA—The Huffington SON Post DOLCE SUONO ENSEMBLE has been enriching and informing people’s lives through chamber music since its founding by flutist and Artistic Director Mimi Stillman in 2005. Hailed as an “adventurous ensemble” (The New York Times) and “One of the most dynamic groups in the US!” (The Huffington Post), the ensemble performs critically acclaimed chamber music concerts at home and on tour, commissions new works, makes recordings, and engages in community engagement partnerships. Dolce Suono Trio, its high-profile trio of flute, cello, and piano, evolved organically from the longstanding collaboration of flutist Mimi Stillman and pianist Charles Abramovic joined by cellist Nathan Vickery (Gabriel Cabezas) to explore and expand the repertoire of this captivating combination. “The three were flawlessly in sync – even their trills!” (The Philadelphia Inquirer) Dolce Suono Ensemble presents innovative programs of Baroque to new music. Historian Mimi Stillman’s curatorial vision sets the music in its broadest cultural context. Some of its artistically and intellectually powerful projects include the celebrated Mahler 100/ Schoenberg 60, Debussy in Our Midst: A Celebration of the 150th Anniversary of Claude Debussy, A Place and a Name: Remembering the Holocaust, Women Pioneers of American Music, and Música en tus Manos (Music in Your Hands), our engagement initiative with the Latino community. Dolce Suono Ensemble enjoys the support of grantors including the Nation- al Endowment for the Arts, William Penn Foundation, Knight Foundation, Pennsylvania Council on the Arts, and Yamaha Corporation of America. -
Constellations Persichetti @ 100 and Music From
2015/16 Season: Constellations Persichetti @ 100 and Music from the Generation He Inspired 31ST SEASON 17 & 18 October, 2015 Curtis Institute of Music Philadelphia, PA Introduction: Vincent Persichetti @ 100 Vincent Persichetti was one of the most widely respected musicians of his generation. A prolific composer, brilliant educator and lecturer, and prodigious pianist, he composed more than 150 works in virtu- ally all genres and for virtually all performing media, while serving for 40 years on the faculty of the Juilliard School, many of them as chairman of the composition department. During his lifetime Persichetti influenced the musical lives of thou- sands of people from all walks of life, and his name came to signify a comprehensive musicianship virtually unparalleled among American composers. Countless young pianists were nurtured on his sonatinas and the Little Piano Book, while many other young instrumental students first experienced serious contemporary music through his works for band; church choirs turned to his Hymns and Respons- es for the Church Year as an inexhaustible resource, while many young composers have found his classic textbook Twentieth Century Harmony to be an indispensable tool; among professional soloists and conductors his sonatas, concertos, and symphonies stood among the masterworks of American music. Throughout his life Persichetti encouraged healthy, creative participation in music at all levels of proficiency, while shunning dogmas that advocated one composition- al approach at the expense of others. He was beloved and admired as a teacher, and was in great demand as a lecturer, using his comprehensive knowledge of the repertoire, extraordinary gift for improvisation, awe-inspiring piano technique, and mischievous wit to captivate audiences. -
Concert & Recital Programs Concert & Recital Programs
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 11-10-2012 Concert: The Thirty-Fourth Annual Ithaca College Choral Composition Contest Ithaca College Choir Lawrence Doebler Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Choir and Doebler, Lawrence, "Concert: The Thirty-Fourth Annual Ithaca College Choral Composition Contest" (2012). All Concert & Recital Programs. 4058. https://digitalcommons.ithaca.edu/music_programs/4058 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. THE THIRTY-FOURTH ANNUAL ITHACA COLLEGE CHORAL COMPOSITION CONTEST Sponsored jointly by Ithaca College and Roger Dean Publishing Company Ford Hall Saturday November 10th, 2012 7:00 pm ITHACA COLLEGE THIRTY-FOURTH ANNUAL CHORAL COMPOSITION CONTEST AND FESTIVAL Sponsored jointly by Ithaca College and Roger Dean Publishing Company Professor Lawrence Doebler founded the Choral Composition Festival in 1979 to encourage the creation and performance of new choral music and to establish the Ithaca College Choral Series. Six scores were chosen for performance this evening from entries submitted from around the world. The piece …to balance myself upon a broken world (September, 1918) (Amy Lowell) by Paul Carey was commissioned by Ithaca College and -
Mimi Stillman, Artistic Director
Mimi Stillman, Artistic Director Wednesday, February 20, 2019 at 7:00pm Trinity Center for Urban Life 22 nd and Spruce Streets, Philadelphia Dolce Suono Ensemble Presents Rediscoveries: Festival of American Chamber Music I Dolce Suono Trio Mimi Stillman, flute/piccolo – Gabriel Cabezas, cello – Charles Abramovic, piano with Kristina Bachrach, soprano Trio for Flute, Cello, and Piano (1944) Norman Dello Joio (1913-2008) Moderato Adagio Allegro spiritoso Stillman, Cabezas, Abramovic Enchanted Preludes for Flute and Cello (1988) Elliott Carter (1908-2012) Stillman, Cabezas Dozing on the Lawn from Time to the Old (1979) William Schuman (1910-1992) Orpheus with His Lute (1944) Bachrach, Abramovic Winter Spirits for Solo Flute (1997) Katherine Hoover (1937-2018) Stillman Two Songs from Doña Rosita (1943) Irving Fine (1914-1962) (arr. DSE) Stillman, Cabezas, Abramovic Intermission Moon Songs (2011) * Shulamit Ran (1949) Act I: Creation Act II: Li Bai and the Vacant Moon Entr’acte I Act III: Star-crossed Entr’acte II: Prayer to Pierrot Act IV: Medley Bachrach, Stillman, Cabezas, Abramovic Tonight from West Side Story (1961) Leonard Bernstein (1918-1990) [premiere of new arrangement ] (arr. Abramovic) Stillman, Cabezas, Abramovic *Commissioned by Dolce Suono Ensemble About the Program – Notes by Mimi Stillman We are pleased to present Dolce Suono Ensemble (DSE)’s new project “Rediscoveries: Festival of American Chamber Music,” which seeks to illuminate an important but largely neglected body of chamber music by American composers. Aside from the most celebrated American composers from this period whose chamber works are regularly performed, i.e. Copland, Barber, Bernstein, and Carter, there are many other composers highly lauded in their time and significant in shaping the story of music in the United States, who are rarely heard today. -
2008 Convention Program Book
F6 Flute,HighWinds 36th Annual National Flute Association Convention August 7-10,2008 Kansas City, MO 2 nfaonline.org JIM WALKER DEPENDS ON YAMAHA. Congratulations on receiving the National Flute Association Lifetime Achievement Award ©2008 Yamaha Corporation of America. All rights reserved. www.yamaha.com nfaonline.org 3 2 Shaker Road #D107 · Shirley, MA 01464 USA www.burkart.com See us at booths 209 & 211 4 nfaonline.org Welcome to Kansas City, F6 Flute—High Winds!— the 36th annual convention of the National Flute Association our officers, board of directors, CEO Phyllis YPemberton, and her staff welcome you and are delighted that you are here. We look forward to greeting each of you! We are grateful to program chair Jonathan Patti Adams Keeble, who has spent the past two years creating this high-energy whirlwind of events for all of us to enjoy. His imaginative planning, organizational skills, and great humor through it all have been wondrous to behold. We thank him, the local volunteer committee in Kansas City, and all of the NFA’s innumerable and indefatigable volunteer committees who, with their remarkable work throughout the year, have made this convention possible. Have you ever experienced the exhibit hall at our conventions? It is an amazing F6 vortex of sights and sounds, with displays from the world’s finest flute manufacturers, music publishers, and innovators. These exhibitors are showcasing for you the latest technological marvels of our industry, and we are grateful to each of them for their participation. In the exhibit hall, you’ll also find my N’Awlins neighbors, exhibits manager extraordinaire, Jim Magee, and his assistant, Patti McCleney. -
A Design Thinking Approach to Leadership Development
University of Pennsylvania ScholarlyCommons Master of Science in Organizational Dynamics Theses Organizational Dynamics Programs 12-15-2010 A Design Thinking Approach To Leadership Development Tamara Nuzzaci University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/od_theses_msod Nuzzaci, Tamara, "A Design Thinking Approach To Leadership Development" (2010). Master of Science in Organizational Dynamics Theses. 41. https://repository.upenn.edu/od_theses_msod/41 Submitted to the Program of Organizational Dynamics in the Graduate Division of the School of Arts and Sciences in Partial Fulfillment of the Requirements of the Degree of Master of Science in Organizational Dynamics at the University of Pennsylvania. Advisor: John Pourdehnad This paper is posted at ScholarlyCommons. https://repository.upenn.edu/od_theses_msod/41 For more information, please contact [email protected]. A Design Thinking Approach To Leadership Development Abstract This thesis argues that a systems and design thinking approach to education can have a transformational affect on individuals and organizations. This thesis looks at the Curtis Institute of Music and how the school is challenging students to expand their thinking by involving a diverse group of stakeholders in the complete redesign of performance experience. A description of an interactive planning and idealized design project, called the Curtis Leadership Workshop, is presented. This thesis specifically provides an overview of the theory, model and applied methodology, and an account of the preparation for and first critical steps of the project. Outcomes of critical steps are presented and a number of research questions for a formal impact analysis are proposed. Comments Submitted to the Program of Organizational Dynamics in the Graduate Division of the School of Arts and Sciences in Partial Fulfillment of the Requirements of the Degree of Master of Science in Organizational Dynamics at the University of Pennsylvania. -
Haddonfield-TPC Tip Sheet.PMD
ROSSEN MILANOV, Music Director DANIEL DORFF, Composer-In-Residence © 1997, 2000 by Symphony In C and Theodore Presser Company. Limited permission is granted to reproduce this document, without alteration, for educational use only. SUGGESTIONS FOR PREPARING ORCHESTRAL SCORES AND PARTS 1) Since conductors read a score from 3-4 feet away, it is essential to produce scores large enough to read comfortably in rehearsal and performance. If you need to print small staffs to fit the pages onto your letter-size printer, then your copies should be enlarged. It is essential that the conductor can clearly see time signatures, notes, and all other words and symbols, so plan your choice of noteheads and type sizes well. 2) Scores must be printed on both sides of the page, bound either with a plastic spiral or stapled into a book-like format. 3) Instruments need to be clearly labeled at the left margin of the score, and staves for pairs of instruments must always be clearly labeled, including indications for a2, solo, etc. Tempo markings should use metronome indications whenever possible. 4) Orchestra scores are best notated with all instruments shown in their proper transposition. In transposed scores it is important to indicate whether Clarinets are in A or Bf, whether Trumpets are in Bf or C, and to label all other transposing instruments (including the use of Horns in bass clef). If you prefer to keep your scores in concert pitch, they must be clearly marked as such. 5) It is distracting to conduct a score when every page has a different staff setup. -
Van Cott Information Services (Incorporated 1990) Offers Books
Clarinet Catalog 9a Van Cott Information Services, Inc. 02/08/08 presents Member: Clarinet Books, Music, CDs and More! International Clarinet Association This catalog includes clarinet books, CDs, videos, Music Minus One and other play-along CDs, woodwind books, and general music books. We are happy to accept Purchase Orders from University Music Departments, Libraries and Bookstores (see Ordering Informa- tion). We also have a full line of flute, saxophone, oboe, and bassoon books, videos and CDs. You may order online, by fax, or phone. To order or for the latest information visit our web site at http://www.vcisinc.com. Bindings: HB: Hard Bound, PB: Perfect Bound (paperback with square spine), SS: Saddle Stitch (paper, folded and stapled), SB: Spiral Bound (plastic or metal). Shipping: Heavy item, US Media Mail shipping charges based on weight. Free US Media Mail shipping if ordered with another item. Price and availability subject to change. C001. Altissimo Register: A Partial Approach by Paul Drushler. SHALL-u-mo Publications, SB, 30 pages. The au- Table of Contents thor's premise is that the best choices for specific fingerings Clarinet Books ....................................................................... 1 for certain passages can usually be determined with know- Single Reed Books and Videos................................................ 6 ledge of partials. Diagrams and comments on altissimo finger- ings using the fifth partial and above. Clarinet Music ....................................................................... 6 Excerpts and Parts ........................................................ 6 14.95 Master Classes .............................................................. 8 C058. The Art of Clarinet Playing by Keith Stein. Summy- Birchard, PB, 80 pages. A highly regarded introduction to the Methods ........................................................................ 8 technical aspects of clarinet playing. Subjects covered include Music ......................................................................... -
Faculty Recital Series Amanda Sage Program
The D’Angelo Department of Music at Mercyhurst University presents Faculty Recital Amanda Sage, flute Elizabeth Etter, piano Walker Recital Hall Wednesday, October 7, 2020 8:00pm www.mercyhurst.edu/music PROGRAM Flute Concerto in D major “Il Gardellino”, RV 428 Antonio Vivaldi (1678-1741) I. Allegro II. Cantabile III. Allegro Sur L’eau (“On the Water”) for flute and piano Philippe Gaubert (1879-1941) Woodland Reverie for solo flute Daniel Dorff (b. 1951) Mountain Air for piccolo and piano Steven Tung and Victor Wong As the Clouds Parted for alto flute and piano Phyllis Avidan Louke (b. 1954) I. Romance II. Gallop III. Lullaby IV. Scherzo V. Finale Flight of the Bumblebee Nikolai Rimsky-Korsakov from The Tale of Tsar Saltan (1844-1908) Pie in the Face Polka from “The Great Race” Henry Mancini (1924-1994) The use of recording devices is strictly prohibited. Please turn off and stow all electronic devices. Thank you. NOTES Antonio Vivaldi (also known as the red priest) was a master of the instrumental forms and genres of his time. Among his output are nearly 500 concertos, including both solo concertos and concertos written for different numbers of soloists in a variety of combinations. He was ordained a priest in 1703, but was also well known as a violinist. He was appointed violin teacher at the Ospedale della Pieta, a home for orphaned or illegitimate girls. Most of his concerti were written for his students there. His Flute Concerto in D major, RV 428 was published in a set of six in 1728. The concerto is nicknamed “Il Gardellino” (The Goldfinch) and is meant to depict bird-song, including trills, repeated notes, and arpeggios. -
DOLCE SUONO TRIO Lucy Shelton, Soprano DOLCE SUONO TRIO American Canvas Innova 991
HIGDON\RAN\ZHOU\CLEARFIELD DOLCE SUONO TRIO Lucy Shelton, soprano DOLCE SUONO TRIO American Canvas Dolce Suono Trio Lucy Shelton, soprano JENNIFER HIGDON (1962) [14:57] American Canvas for Flute, Cello, and Piano (2015) 1. O’Keeffe (6:30) 2. Pollock (4:20) 3. Wyeth (4:07) Stillman, Vickery, Abramovic ANDREA CLEARFIELD (1960) [14:07] Spirit Island for Flute, Cello, and Piano (1996) 4. I. Variations on a Dream (9:23) 5. II. Rowing (4:44) Stillman, Vickery, Abramovic ZHOU TIAN (1981) Live in concert [9:41] 6. Viaje for Flute, Cello, and Piano (2015) Stillman, Cabezas, Abramovic SHULAMIT RAN (1949) Moon Songs: A Song Cycle in Four Acts for Soprano, Flute, [25:00] Cello, and Piano (2011) 7. Act I: Creation (5:41) 8. Act II: Li Bai and the Vacant Moon (8:04) 9. Entr’acte I (1:14) 10. Act III: Star-Crossed (3:52) 11. Entr’acte II: Prayer to Pierrot (1:17) 12. Act IV: Medley (4:52) Shelton, Stillman, Gerlach, Abramovic innova 991 Total: 63:47 © Dolce Suono Ensemble. All Rights Reserved, 2018. innova® Recordings is the label of the American Composers Forum. www.innova.mu www.dolcesuono.com PROGRAM NOTES American Canvas introduces premiere recordings of four works, three commissioned by Dolce Suono Trio. Each of the pieces by Jennifer Higdon, Shulamit Ran, Andrea Clearfield, and Zhou Tian is a remarkable work of chamber music and an important contribution to the repertoire for flute, cello, and piano. The earliest major works for this trio combination are by Haydn (1790), not surprising as he was an initiator of other genres such as the string quartet and the symphony. -
Dolce Suono Ensemble 2016-2017 Season
Mimi Stillman, Artistic Director 135 N. 22 nd St. Philadelphia, PA 19103 215-665-1816 www.dolcesuono.com For Immediate Release – April 15, 2016 Philadelphia, PA Dolce Suono Ensemble’s 2016-2017 Season Features Dynamic Programs, Acclaimed Artists, and Exciting World Premieres Dolce Suono Ensemble 2016-2017 Season Dolce Suono Ensemble (DSE) Presents Dolce Suono Ensemble’s 2016-2017 season will include brilliant artistry, imaginative programs, and high profile premieres. The season opens with DSE Goes to the Opera on Sepember 25, 2016 , a program devoted to opera arias and fantasies as well as vocal chamber music by composers including Mozart, Bellini, Delibes, Bizet, and Floyd, including DSE’s own arrangements created for this concert and arrangements made for the ensemble by composer Steven Stucky. DSE favorite Sarah Shafer , soprano, joins our core artists Mimi Stillman , flute, Nathan Vickery , cello, and Charles Abramovic , piano. We continue the season on December 11, 2016 with The Americas Project / Música en tus Manos , DSE’s highly praised exploration of the chamber music of the U.S. and Latin America, coupled with engagement initiatives in the Latino community of Philadelphia. This project features the world premiere of a new trio for flute, cello, and piano by Michael-Thomas Foumai , supported by a grant from the Fromm Music Foundation at Harvard University. Foumai, a young composer garnering impressive commissions and awards, was a winner of DSE’s first Young Composers Competition in 2013. This program will also include music by Astor Piazzolla and Vivian Fine, and features the DSE trio of Stillman, Vickery, and Abramovic, along with core guitar artist Gideon Whitehead .