James Cassius Award® Rules

Total Page:16

File Type:pdf, Size:1020Kb

James Cassius Award® Rules JAMES CASSIUS AWARD® RULES The James Cassius Award is named in honour of and commemorates the memory and achievements of JC Williamson - 1 - LIVE PERFORMANCE AUSTRALIA©™ JAMES CASSIUS AWARD® Table of Contents Chapter 1 - Introduction ................................................................................... 2 Rule 1 – These Rules ........................................................................................ 2 Rule 2 – The James Cassius Award® ..................................................................... 2 Chapter 2 – Organisation and Conduct of the James Cassius Award® .............................. 4 Rule 3 – Nomination of Candidates ....................................................................... 4 Rule 4 – Recognition and Eligibility ...................................................................... 4 Rule 5 - Criteria ............................................................................................. 4 Rule 6 – The James Cassius Committee ................................................................. 5 Rule 7 – Selection of the Candidates ..................................................................... 5 Rule 8 – Consent of the Recipients ....................................................................... 6 Rule 9 – Presentation of the James Cassius Award® .................................................. 6 Rule 10 – James Cassius Trophy ........................................................................... 6 Chapter 3 – Commercial Matters ......................................................................... 7 Rule 11 - Interpretation of Chapter 3 .................................................................... 7 Rule 12 – Finance ........................................................................................... 7 Rule 13 – Sponsorship and Media Partners .............................................................. 7 Rule 14 – Intellectual Property ........................................................................... 7 Chapter 4 – General ........................................................................................ 8 Rule 15 – Adoption of these Rules ........................................................................ 8 Rule 16 – Amending these Rules .......................................................................... 8 Rule 17 – Matters Not Provided For ...................................................................... 8 Rule 18 – Definitions and Interpretation ................................................................ 8 SCHEDULES ................................................................................................. 10 Schedule 1 – Brief Biography of JC Williamson ....................................................... 11 © Frank Van Straten ...................................................................................... 13 Schedule 2 – JCC Charter of Responsibility ........................................................... 14 Schedule 3 – The Trophy ................................................................................. 16 PRESCRIBED FORMS ....................................................................................... 17 Form 1 – Letter of Appointment - JCC ................................................................. 18 - 2 - LIVE PERFORMANCE AUSTRALIA©™ JAMES CASSIUS AWARD® Chapter 1 - Introduction Rule 1 – These Rules 1. These Rules deal with the awarding and organisation of the James Cassius Award® by Live Performance Australia (LPA), an organisation of employers registered under the Workplace Relations Act 1996 (Cth) as the Australian Entertainment Industry Association (AEIA). 2. The LPA Executive Council has adopted these Rules in accordance with Rule 19 of the AEIA Rules. 3. These Rules apply to and are binding on: (a) LPA; (b) all LPA Members; and (c) any person that agrees to be bound by or comes within the purview of these Rules including by: (i) being a member of the James Cassius Committee established under these Rules (JCC); or (ii) by nominating an individual to be a candidate to receive the James Cassius Award® (Candidate). 4. Words used in these Rules and the rules of interpretation that apply are set out and explained in Rule 18. 5. The Schedules and the Prescribed Forms form part of these Rules. Rule 2 – The James Cassius Award® 1. The James Cassius Award® is named in honour of and commemorates the memory and achievements of JC Williamson, which are summarised in Schedule 1 to these Rules. The James Cassius Award® may also be referred to as the “James Cassius Williamson Award” or the “JC Williamson Award”. 2. By the giving of the James Cassius Award®, LPA seeks to recognise individuals who have made an outstanding contribution to the Australian live entertainment and performing arts industry (Industry) since the opening of JC Williamson’s first Australian production Struck Oil! in Melbourne on 1 August 1874. - 3 - 3. LPA may annually select up to 2 individuals to be recognised by the giving of the James Cassius Award® for their outstanding contribution to the Industry (Annual Recipients). Annual Recipients will receive the James Cassius Award® during the Helpmann Awards® Ceremony that year. 4. In 2007, LPA announced a number of historical recipients of the James Cassius Award® (Historical Recipients). Historical Recipients: (a) made an outstanding contribution to the Industry between 1874 and the inception of the James Cassius Award® in 1998; (b) are recognised in a virtual Hall of Fame at http://www.liveperformance.com.au/halloffame/ (Hall of Fame); and (c) join the Annual Recipients who have been recognised by the AEIA since 1999 for their outstanding contribution to the Industry. - 4 - Chapter 2 – Organisation and Conduct of the James Cassius Award® Rule 3 – Nomination of Candidates 1. An individual may be nominated to be a Candidate to receive an Annual James Cassius Award® by: (a) the JCC; or (b) an LPA Member on the invitation of and in the time and manner prescribed by the JCC. 2. An individual may be nominated to be a Candidate to receive an Historical James Cassius Award® by: (a) the JCC; (b) a Helpmann Awards® Nominating Panel in relation to the Artistic Discipline of the Nominating Panel in the time and manner prescribed by the JCC; or (c) an LPA Member by submitting nominees to the JCC between 8 August 2005 and 30 September 2005 in the manner prescribed by the JCC. Rule 4 – Recognition and Eligibility 1. The James Cassius Award® recognises an individual’s outstanding contribution to the Industry. Accordingly, the James Cassius Award® can only be given once and, once given, recognises the Recipient’s contribution in perpetuity. 2. Whilst the James Cassius Award® recognises the totality of an individual’s contribution to the Industry, a Candidate for an Annual James Cassius Award® may yet have work of significance within the Industry to be accomplished. 3. To be eligible to receive an Historical James Cassius Award®, a Candidate must have retired from or ceased to be active in the Industry by 31 December 1997, or have subsequently passed away. Rule 5 - Criteria 1. The principal criterion to guide the JCC in its deliberations whether to select a Candidate to receive the James Cassius Award® is whether the Candidate has made an outstanding contribution to the Industry. 2. In considering whether a Candidate has made an outstanding contribution to the Industry, the JCC is to have regard to the Candidate’s: (a) achievement in his or her chosen fields within the Industry; (b) positive impact on the Industry; and - 5 - (c) length of service within the Industry, although this is of less weight than the matters in paragraphs (a) and (b) and does not determine eligibility. 3. The JCC considers Candidates irrespective of their chosen field, location or nationality including, but not only, Candidates: (a) from all Artistic Disciplines; (b) from all parts of Australia; (c) who are Australian citizens who, by excelling on the world stage, made an outstanding contribution to the Industry; and (d) who are foreign citizens who made an outstanding contribution to the Industry within Australia. 4. The JCC considers Candidates for their contribution as a performer, administrator, entrepreneur, member of the media, writer, director, designer, technician, politician or in any other capacity which the JCC considers warrants recognition. 5. In choosing Candidates for the James Cassius Award®, the JCC will have regard to ensuring that a Candidate reflects the stature of prior Candidates and does not dilute the prestige of the Award. Rule 6 – The James Cassius Committee 1. The LPA Executive Council has: (a) established and constituted the JCC in accordance with the Charter of Responsibility of the JCC at Schedule 2 to these Rules (the Charter); and (b) in accordance with Rules 19(j) and (k) of the AEIA Rules, delegated to and vested the JCC with the responsibilities set out in the Charter and these Rules. 2. The JCC must: (a) effectively perform and carry out the responsibilities and comply with the procedures set out in the Charter; and (b) support and assist the LPA Management Committee to ensure the James Cassius Award® is organised, conducted and made in accordance with these Rules. Rule 7 – Selection of the Candidates 1. The JCC must meet to consider and select Candidates nominated under Rule 3 to receive the James Cassius Award®. 2. The JCC must: (a) select Candidates for an Annual James Cassius Award® by 31 March in the year the Annual James Cassius®
Recommended publications
  • Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ
    1 GENE WIL Laughing all the way to the 23rd Making a difference LONDON'S THEATRE CRITI Are they going soft? PIUS SAVE £££ on your theatre tickets ,~~ 1~~EGm~ Gf1ll~ G~rick ~he ~ ~ e,London f F~[[ IIC~[I with ever~ full price ticket purchased ~t £23.50 Phone 0171-312 1991 9 771364 763009 Editor's Letter 'ThFl rul )U -; lmalid' was a phrase coined by the playwright and humourl:'t G eorge S. Kaufman to describe the ailing but always ~t:"o lh e m Broadway Theatre in the late 1930' s . " \\ . ;t" )ur ul\'n 'fabulous invalid' - the West End - seems in danger of 'e:' .m :: Lw er from lack of nourishmem, let' s hope that, like Broadway - presently in re . \ ,'1 'n - it too is resilient enough to make a comple te recovery and confound the r .: i " \\' ho accuse it of being an en vironmenta lly no-go area whose theatrical x ;'lrJ io n" refuse to stretch beyond tired reviva ls and boulevard bon-bons. I i, clUite true that the season just past has hardly been a vintage one. And while there is no question that the subsidised sector attracts new plays that, =5 'ears ago would a lmost certainly have found their way o nto Shaftes bury Avenue, l ere is, I am convinced, enough vitality and ingenuity left amo ng London's main -s tream producers to confirm that reports of the West End's te rminal dec line ;:m: greatly exaggerated. I have been a profeSSi onal reviewer long enough to appreciate the cyclical nature of the business.
    [Show full text]
  • Text Pages Layout MCBEAN.Indd
    Introduction The great photographer Angus McBean has stage performers of this era an enduring power been celebrated over the past fifty years chiefly that carried far beyond the confines of their for his romantic portraiture and playful use of playhouses. surrealism. There is some reason. He iconised Certainly, in a single session with a Yankee Vivien Leigh fully three years before she became Cleopatra in 1945, he transformed the image of Scarlett O’Hara and his most breathtaking image Stratford overnight, conjuring from the Prospero’s was adapted for her first appearance in Gone cell of his small Covent Garden studio the dazzle with the Wind. He lit the touchpaper for Audrey of the West End into the West Midlands. (It is Hepburn’s career when he picked her out of a significant that the then Shakespeare Memorial chorus line and half-buried her in a fake desert Theatre began transferring its productions to advertise sun-lotion. Moreover he so pleased to London shortly afterwards.) In succeeding The Beatles when they came to his studio that seasons, acknowledged since as the Stratford he went on to immortalise them on their first stage’s ‘renaissance’, his black-and-white magic LP cover as four mop-top gods smiling down continued to endow this rebirth with a glamour from a glass Olympus that was actually just a that was crucial in its further rise to not just stairwell in Soho. national but international pre-eminence. However, McBean (the name is pronounced Even as his photographs were created, to rhyme with thane) also revolutionised British McBean’s Shakespeare became ubiquitous.
    [Show full text]
  • NEW Media Document.Indd
    MEDIA RELEASE WICKED is coming to Australia. The hottest musical in the world will open in Melbourne’s Regent Theatre in July 2008. With combined box office sales of $US 1/2 billion, WICKED is already one of the most successful shows in theatre history. WICKED opened on Broadway in October 2003. Since then over two and a half million people have seen WICKED in New York and just over another two million have seen the North American touring production. The smash-hit musical with music and lyrics by Stephen Schwartz (Godspell, Pippin, Academy Award-winner for Pocahontas and The Prince of Egypt) and book by Winnie Holzman (My So Called Life, Once And Again and thirtysomething) is based on the best-selling novel by Gregory Maguire. WICKED is produced by Marc Platt, Universal Pictures, The Araca Group, Jon B. Platt and David Stone. ‘We’re delighted that Melbourne is now set to follow WICKED productions in New York, Chicago, Los Angeles, the North American tour and London’s West End,’ Marc Platt and David Stone said in a joint statement from New York. ‘Melbourne will join new productions springing up around the world over the next 16 months, and we’re absolutely sure that Aussies – and international visitors to Melbourne – will be just as enchanted by WICKED as the audiences are in America and England.’ WICKED will premiere in Tokyo in June; Stuttgart in November; Melbourne in July 2008; and Amsterdam in 2008. Winner of 15 major awards including the Grammy Award and three Tony Awards, WICKED is the untold story of the witches of Oz.
    [Show full text]
  • CHICAGO to Tour Australia in 2009 with a Stellar Cast
    MEDIA RELEASE Embargoed until 6pm November 12, 2008 We had it coming…CHICAGO to tour Australia in 2009 with a stellar cast Australia, prepare yourself for the razzle-dazzle of the hit musical Chicago, set to tour nationally throughout 2009 following a Gala Opening at Brisbane‟s Lyric Theatre, QPAC. Winner of six Tony Awards®, two Olivier Awards, a Grammy® and thousands of standing ovations, Chicago is Broadway‟s longest-running Musical Revival and the longest running American Musical every to play the West End. It is nearly a decade since the “story of murder, greed, corruption, violence, exploitation, adultery and treachery” played in Australia. Known for its sizzling score and sensational choreography, Chicago is the story of a nightclub dancer, a smooth talking lawyer and a cell block of sin and merry murderesses. Producer John Frost today announced his stellar cast: Caroline O’Connor as Velma Kelly, Sharon Millerchip as Roxie Hart, Craig McLachlan as Billy Flynn, and Gina Riley as Matron “Mama” Morton. “I‟m thrilled to bring back to the Australian stage this wonderful musical, especially with the extraordinary cast we have assembled. Velma Kelly is the role which took Caroline O‟Connor to Broadway for the first time, and her legion of fans will, I‟m sure, be overjoyed to see her perform it once again. Sharon Millerchip has previously played Velma in Chicago ten years ago, and since has won awards for her many musical theatre roles. She will be an astonishing Roxie. Craig McLachlan blew us all away with his incredible audition, and he‟s going to astound people with his talent as a musical theatre performer.
    [Show full text]
  • Remembering Edouard Borovansky and His Company 1939–1959
    REMEMBERING EDOUARD BOROVANSKY AND HIS COMPANY 1939–1959 Marie Ada Couper Submitted in total fulfillment of the requirements of the degree of Doctor of Philosophy 2018 School of Culture and Communication The University of Melbourne 1 ABSTRACT This project sets out to establish that Edouard Borovansky, an ex-Ballets Russes danseur/ teacher/choreographer/producer, was ‘the father of Australian ballet’. With the backing of J. C. Williamson’s Theatres Limited, he created and maintained a professional ballet company which performed in commercial theatre for almost twenty years. This was a business arrangement, and he received no revenue from either government or private sources. The longevity of the Borovansky Australian Ballet company, under the direction of one person, was a remarkable achievement that has never been officially recognised. The principal intention of this undertaking is to define Borovansky’s proper place in the theatrical history of Australia. Although technically not the first Australian professional ballet company, the Borovansky Australian Ballet outlasted all its rivals until its transformation into the Australian Ballet in the early 1960s, with Borovansky remaining the sole person in charge until his death in 1959. In Australian theatre the 1930s was dominated by variety shows and musical comedies, which had replaced the pantomimes of the 19th century although the annual Christmas pantomime remained on the calendar for many years. Cinemas (referred to as ‘picture theatres’) had all but replaced live theatre as mass entertainment. The extremely rare event of a ballet performance was considered an exotic art reserved for the upper classes. ‘Culture’ was a word dismissed by many Australians as undefinable and generally unattainable because of our colonial heritage, which had long been the focus of English attitudes.
    [Show full text]
  • From Real Time to Reel Time: the Films of John Schlesinger
    From Real Time to Reel Time: The Films of John Schlesinger A study of the change from objective realism to subjective reality in British cinema in the 1960s By Desmond Michael Fleming Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2011 School of Culture and Communication Faculty of Arts The University of Melbourne Produced on Archival Quality Paper Declaration This is to certify that: (i) the thesis comprises only my original work towards the PhD, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is fewer than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. Abstract The 1960s was a period of change for the British cinema, as it was for so much else. The six feature films directed by John Schlesinger in that decade stand as an exemplar of what those changes were. They also demonstrate a fundamental change in the narrative form used by mainstream cinema. Through a close analysis of these films, A Kind of Loving, Billy Liar, Darling, Far From the Madding Crowd, Midnight Cowboy and Sunday Bloody Sunday, this thesis examines the changes as they took hold in mainstream cinema. In effect, the thesis establishes that the principal mode of narrative moved from one based on objective realism in the tradition of the documentary movement to one which took a subjective mode of narrative wherein the image on the screen, and the sounds attached, were not necessarily a record of the external world. The world of memory, the subjective world of the mind, became an integral part of the narrative.
    [Show full text]
  • The Black Orchid on Talking Pictures TV Stars: Sophia Loren, Anthony Quinn, Ina Balin and Jimmy Baird
    Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Mon 20th July 2020 FREESAT 306 | VIRGIN 445 The Black Orchid on Talking Pictures TV Stars: Sophia Loren, Anthony Quinn, Ina Balin and Jimmy Baird. Directed by Martin Ritt in 1959. Rose Bianco, a florist widowed by a famous gangster, looks for happiness with widower Frank Valente. Rose is dealing with her son Ralph who is in a work farm for troubled boys, though Ralph is warned that if he runs away one more time he will be sent to reform school. Sophia Loren convincingly portrays the mother, the widow and the bride. Anthony Quinn combines charm with strength. Airs Saturday 25th July 7:10pm. Monday 20th July 11:10am Wednesday 22nd July 9:30am Heart of a Child (1958) It’s Hard to be Good (1948) Drama, directed by Clive Donner. Comedy. Directed by: Jeffrey Dell. Stars: Jean Anderson, Stars: Anne Crawford, Jimmy Hanley, Donald Pleasence, Richard Williams. Raymond Huntley. A conscientious During wartime rationing, a young captain emerges from the war Austrian boy is forced to sell the with ambitions to spread peace family dog to pay for food. Will his and goodwill. canine friend find him when he is Wednesday 22nd July 1:10pm trapped in a snowstorm? My Six Loves (1962) Monday 20th July 2:35pm Comedy, directed by Gower Don’t Bother To Knock (1961) Champion. Stars: Debbie Reynolds, Comedy. Director: Cyril Frankel. Stars: David Janssen, Cliff Robertson. Richard Todd, Nicole Maurey and Comic story of a Broadway musical Elke Sommer.
    [Show full text]
  • 'Movie Memories'
    ‘MOVIE MEMORIES’ …USA…..1930s….1940s ‘THE GOLDEN AGE’ 1950s….1960s…..UK… SUSAN HAYWARD ISSUE 67 – SPRING 2010 MOVIE MEMORIES MAGAZINE HONORARY MEMBERS DINAH SHERIDAN – DORA BRYAN – DEBBIE REYNOLDS – ROBERT OSBORNE – MURIEL PAVLOW – PEGGY CUMMINS GOOGIE WITHERS – BELLA EMBERG – RENEE ASHERSON – ANNE AUBREY – PATRICIA DAINTON – JULIE HARRIS JANETTE SCOTT – FAITH BROOK – ELAINE SCHREYECK – JOANNA McCALLUM – ANN RUTHERFORD – LIZABETH SCOTT BERNARD CRIBBINS – SUSANNAH YORK – JEAN KENT – BRYAN FORBES – NANETTE NEWMAN – MICHAEL CRAIG Whilst welcoming everyone to the first issue of 2010, it is with much regret and sadness to have to announce the death of one of MVM’s longest serving honorary members – John McCallum. John, along with his wife of 62 years – the delightful Googie Withers and their charming eldest daughter Joanna McCallum, helped to thoroughly enthral and entertain many MVM members at the annual gathering back in September 2007, giving us all an afternoon to remember for a very long time. On that occasion, John kindly signed my copy of his excellent book ‘Life With Googie’ which naturally I will treasure even more now, along with his thoughtful and most gracious letters regarding MVM – and the enjoyment each magazine gave both Googie and himself. Not only a talented actor of the stage and screen, John went into the production side of the business in Australia – especially with the popular TV series ‘Skippy’ in the 1960s, which I remember with affection. John and Googie (pictured here in the 1950s) appeared together many times on the screen – and more so on the stage in a wide variety of successful productions spanning some fifty years.
    [Show full text]
  • Short Report
    COLLECTION FINDING AID John McCallum, AO, CBE (1918–2010) Performing Arts Programs and Ephemera (PROMPT) Australian Collection Development In collecting materials relating to prominent Australians, programs and ephemera documenting all aspects of John McCallum stage acting career in Australia and overseas. Material on McCallum’s film and television screen career is not generally collected by the Library. The list is based on imperfect holdings and is updated as gaps in the Library’s holdings for this artist are filled. Content Printed materials in the PROMPT collection include programs and printed ephemera such as brochures, leaflets, tickets, etc. Theatre programs are taken as the prime documentary evidence of a performance by McCallum. In a few cases however, the only evidence of a performance is a piece of printed ephemera. In these cases the type of piece is identified, eg, brochure. The list is based on imperfect holdings and is updated as gaps in the Library’s holdings for this artist are filled. Unless otherwise stated, all entries are based on published programs in the PROMPT collection. Access The John McCallum PROMPT files may be accessed through the Library’s Petherick Reading Room by eCallslip request: http://nla.gov.au/nla.cat‐vn3529350. Arrangement The McCallum material in the PROMPT Collection is in the chronological order of his Australian and overseas performance and this list reflects this arrangement. Entries identify the city and the venue. All the information is taken from programs, flyers and ephemera. www.nla.gov.au Creative Commons Attribution-NonCommercial-ShareAlike 2.1 Australia June 2010 PROMPT Collection Finding Aid John McCallum, AO, CBE (1918–2010) Entries for each program are arranged as follows: Year, day/s and month; Venue/Theatre (Location) Company Name of production / Creator McCallum’s role or other involvement.
    [Show full text]
  • The Seekers on Talking Pictures TV! Stars: Jack Hawkins, Glynis Johns, Noel Purcell and Kenneth Williams
    Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Mon 22nd June 2020 FREESAT 306 | VIRGIN 445 The Seekers on Talking Pictures TV! Stars: Jack Hawkins, Glynis Johns, Noel Purcell and Kenneth Williams. Directed by Ken Annakin, this 1954 feature overflows with beautiful scenery, colour and set pieces. In 1821 adventuring seafarer Philip Wayne (Jack Hawkins) and Paddy Clarke (Noel Purcell) set ashore to explore the Bay of Plenty. Stumbling upon a Maori burial cave, they are captured but Wayne impresses the chief, and is adopted as his honorary son. Back in England he marries, and decides to return to the Pacific with his new wife Marion (Glynis Johns). Airs Tuesday 23rd June at 10pm. Monday 22nd June 7:10am Tuesday 23rd June 10pm The Teckman Mystery (1954) The Seekers (1954) Drama. Director: Wendy Toye. Adventure directed by: Ken Stars: Margaret Leighton, John Justin Annakin. Stars: Jack Hawkins, and Roland Culver. A writer is Glynis Johns, Noel Purcell, commissioned to write the biography Kenneth Williams. In 1821, a British of a young airman who died while sailor visits New Zealand, befriends a testing a new plane. Maori chief, marries in England and returns with a group of followers. Monday 22nd June 9:30am Kill Her Gently (1957) Wednesday 24th June 9:30am Thriller. Director: Charles Saunders. Trouble Brewing (1939) Stars: Griffith Jones, Maureen Connell Comedy. Director: Anthony and Marc Lawrence. Two convicts who Kimmins. Stars: George Formby, escape prison are picked up by a Googie Withers & Gus McNaughton. motorist who helps them on the run.
    [Show full text]
  • Page to Stage
    PAGE TO STAGE Curriculum resources based on the extraordinary children’s classic by Roald Dahl Updated for the Australian Curriculum by Eli Erez and David Perry The World’s No. 1 Storyteller Appropriate for ages 7-12 www.qpac.com.au/event/charlie_chocolate_factory_21/ 1 LIST OF CONTENTS INTRODUCTION CONNECTIONS TO AUST CURRICULUM ACTIVITIES: ENGLISH VISUAL ARTS Slam Writing Unchartered Territory Diary Entry Setting the Scene Poetry in Motion Packaging Design Spotting Adjectives Create Your Own Chocolate Treat A Ride in the Glass Elevator Your Favourite Scene Which Words WORKSHEETS: THE ARTS 1. Character Cards DANCE 2. Poetry In Motion Making Moves 3. Spotting the Adjectives Discussing Dance 4. Mr Wonka’s Factory Creating Choreography 5. Character Portraits 6. Adventure Cards DRAMA 7. Structuring Your Scene 8. Who’s Involved? Character Portraits 9. Design A Mood Board What Would You Ask? 10. The Right Material Storyboarding a Scene 11. Dressing the Oompa-Loompas The Final Chapter 12. Read All About It Who’s Involved 13. Create Your Own Chocolate Treat The Right Material 14. Design A Chocolate Bar Wrapper Dressing the Oompa-Loompas (Parts 1, 2 & 3) 15. Design Your Own Packaging MEDIA ARTS Read All About It ADDITIONAL RESOURCES: Design an Ad Biographies of the Cast & Creative Team Spread the Word Synopsis Where Are They Now? Character Descriptions Wonka Promo Ad Other Resources MUSIC Be a Broadway Songwriter Have a Good Time with Rhyme Call and Response Special Effects The Oompa-Loompa Song 2 WELCOME TO THE WONDROUS WORLD OF THE MAJOR NEW STAGE MUSICAL Charlie and the Chocolate Factory, the deliciously dark children’s classic, has been turned into a brand-new musical from three-time Tony Award© winning director Jack O’Brien and the Grammy© and Tony-winning songwriters of Hairspray: Marc Shaiman and Scott Wittman.
    [Show full text]
  • Theatre Australia Historical & Cultural Collections
    University of Wollongong Research Online Theatre Australia Historical & Cultural Collections 11-1977 Theatre Australia: Australia's magazine of the performing arts 2(6) November 1977 Robert Page Editor Lucy Wagner Editor Bruce Knappett Associate Editor Follow this and additional works at: https://ro.uow.edu.au/theatreaustralia Recommended Citation Page, Robert; Wagner, Lucy; and Knappett, Bruce, (1977), Theatre Australia: Australia's magazine of the performing arts 2(6) November 1977, Theatre Publications Ltd., New Lambton Heights, 66p. https://ro.uow.edu.au/theatreaustralia/14 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Theatre Australia: Australia's magazine of the performing arts 2(6) November 1977 Description Contents: Departments 2 Comments 4 Quotes and Queries 5 Letters 6 Whispers, Rumours and Facts 62 Guide, Theatre, Opera, Dance 3 Spotlight Peter Hemmings Features 7 Tracks and Ways - Robin Ramsay talks to Theatre Australia 16 The Edgleys: A Theatre Family Raymond Stanley 22 Sydney’s Theatre - the Theatre Royal Ross Thorne 14 The Role of the Critic - Frances Kelly and Robert Page Playscript 41 Jack by Jim O’Neill Studyguide 10 Louis Esson Jess Wilkins Regional Theatre 12 The Armidale Experience Ray Omodei and Diana Sharpe Opera 53 Sydney Comes Second best David Gyger 18 The Two Macbeths David Gyger Ballet 58 Two Conservative Managements William Shoubridge Theatre Reviews 25 Western Australia King Edward the Second Long Day’s Journey into Night Of Mice and Men 28 South Australia Annie Get Your Gun HMS Pinafore City Sugar 31 A.C.T.
    [Show full text]