Birmingham Science Fiction Group Newsletter
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Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J. -
Applying a Rhizomatic Lens to Television Genres
A THOUSAND TV SHOWS: APPLYING A RHIZOMATIC LENS TO TELEVISION GENRES _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by NETTIE BROCK Dr. Ben Warner, Dissertation Supervisor May 2018 The undersigned, appointed by the dean of the Graduate School, have examined the Dissertation entitled A Thousand TV Shows: Applying A Rhizomatic Lens To Television Genres presented by Nettie Brock A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. ________________________________________________________ Ben Warner ________________________________________________________ Elizabeth Behm-Morawitz ________________________________________________________ Stephen Klien ________________________________________________________ Cristina Mislan ________________________________________________________ Julie Elman ACKNOWLEDGEMENTS Someone recently asked me what High School Nettie would think about having written a 300+ page document about television shows. I responded quite honestly: “High School Nettie wouldn’t have been surprised. She knew where we were heading.” She absolutely did. I have always been pretty sure I would end up with an advanced degree and I have always known what that would involve. The only question was one of how I was going to get here, but my favorite thing has always been watching television and movies. Once I learned that a job existed where I could watch television and, more or less, get paid for it, I threw myself wholeheartedly into pursuing that job. I get to watch television and talk to other people about it. That’s simply heaven for me. A lot of people helped me get here. -
Filozofické Aspekty Technologií V Komediálním Sci-Fi Seriálu Červený Trpaslík
Masarykova univerzita Filozofická fakulta Ústav hudební vědy Teorie interaktivních médií Dominik Zaplatílek Bakalářská diplomová práce Filozofické aspekty technologií v komediálním sci-fi seriálu Červený trpaslík Vedoucí práce: PhDr. Martin Flašar, Ph.D. 2020 Prohlašuji, že jsem tuto práci vypracoval samostatně a použil jsem literárních a dalších pramenů a informací, které cituji a uvádím v seznamu použité literatury a zdrojů informací. V Brně dne ....................................... Dominik Zaplatílek Poděkování Tímto bych chtěl poděkovat panu PhDr. Martinu Flašarovi, Ph.D za odborné vedení této bakalářské práce a podnětné a cenné připomínky, které pomohly usměrnit tuto práci. Obsah Úvod ................................................................................................................................................. 5 1. Seriál Červený trpaslík ................................................................................................................... 6 2. Vyobrazené technologie ............................................................................................................... 7 2.1. Android Kryton ....................................................................................................................... 14 2.1.1. Teologická námitka ........................................................................................................ 15 2.1.2. Argument z vědomí ....................................................................................................... 18 2.1.3. Argument z -
The Mentor 80
THE MENTOR 80 THE MENTOR CONTENTS #80 2 - EDITORIAL SLANT by Ron Clarke 3 - THE JAM JAR by Brent Lillie 5 - THE YANKEE PRIVATEER #17 by Buck Coulson 6 - FROM HUDDERSFIELD TO THE STARS by Steve Sneyd 8 - A SHORT HISTORY OF RUSSIAN "FANTASTIKA" by Andrew Lubenski 17 - A PERSONAL REFERENCE LIBRARY ON A BUDGET by James Verran 18 - JET-ACE LOGAN: The Next Generation by Andrew Darlington 25 - IN DEPTH by Bill Congreve 29 - THE R & R DEPT - Reader's letters 42 - REVIEWS Cover by Antoinette Ryder Internal Dios: Jozef Szekeres p. 6 Peggy Ranson p.17, 20, 42, 49, 38 Peter Lempert p.39 Rod Williams p.49 THE MENTOR 80, October 1993. ISSN 0727-8462. Edited, printed and published by Ron Clarke. Permanent Address: THE MENTOR, 78 Redgrave Rd., Normanhust, NSW 2076, Australia. THE MENTOR is published at intervals of roughly three months. It is available for published contribution (Australian fiction [science fiction or fantasy]), poetry, article, or letter of comment on a previous issue. It is not available for subscription, but is available for $5 for a sample issue (posted). Contributions preferred if oyer 5 pages, to be on an IBM 51/4" or 31/2" disc (DD or HD) or typed, single or double spaced, preferably a good photocopy (and if you want it returned, please type your name and address) and include an SSAEI Contributions are not paid; however they receive a free copy of the issue their contribution is in, and any future issue containing comments on their contribution. Contents (C) Copyright 1993 for the Contributors. -
Red Dwarf” - by Lee Russell
Falling in love with “Red Dwarf” - by Lee Russell It was around 2003 or 2004 when I fell in love with the British sci-fi comedy show “Red Dwarf”. I had been somewhat aware of the series when it launched in 1988 but the external model shots looked so unrealistic that I didn’t bother to try it… what a mistake! My epiphany came late one night after a long session of distance-studying for a degree with the Open University. Feeling very tired and just looking for something to relax with before going to bed, I was suddenly confronted with one of the funniest comedy scenes I had ever seen. That scene was in the Season VIII episode ‘Back in the Red, part 2’. I tuned in just at the moment that Rimmer was using a hammer to test the anaesthetic that he’d applied to his nether regions. I didn’t know the character or the back story that had brought him to that moment, but Chris Barrie’s wonderful acting sucked me in – I was laughing out loud and had suddenly become ‘a Dwarfer’. With one exception, I have loved every series of Red Dwarf, and in this blog I’ll be reflecting on what has made me come to love it so much over the 12 series that have been broadcast to date. For anyone was hasn’t seen Red Dwarf (and if you haven’t, get out there and find a copy now – seriously), the story begins with three of the series’ main characters who have either survived, or are descended from, a radiation accident that occurred three million years ago and killed all of the rest of the crew of the Jupiter Mining Corp ship ‘Red Dwarf’. -
Drive Room Issue 2
Issue #2 February 2021 FUTURE ECHOES An in-depth look behind the production of Red Dwarf’s second episode Contents LEVEL 159 2 Editorial NIVELO 3 Synopsis Well, there was quite a lot to look at for the first ever episode 5 Crew & Other Info of a show, who knew? So this issue will be a little more brief 6 Guest Stars I suspect, a bit leaner, a bit more ‘Green Beret’... but hopefully still a good informative read. 7 Behind The Scenes 11 Adaptations/Other Media My first experience of ‘Future Echoes’ was via the comic-book 14 Character Spotlight version printed in the Red Dwarf Smegazines, and the version 23 Robot Claws used in the Red Dwarf novel. The TV version has therefore 29 always held a bit of a wierd place in my love of the show - as Actor Spotlight much as I can recite it line for line, I’m forever comparing it to 31 Next Issue the other versions! Still, it’s easily one of the best episodes Click/tap on an item to jump to that article. from the first series, if not THE best, and it’s importance in Click/tap the red square at the end of each article to return here. guiding the style of the show cannot be understated. And that’s simple enough that Lister can understand it. “So what is it?” “Thankski Verski Influenced by friends and professionals Muchski Budski!” within the Transformers fandom, I’ve opted to take a leaf out of their book and try and Many thanks to Jordan Hall and James Telfor for create a Red Dwarf fanzine in the vein of providing thier own photographs, memories and other a partwork - where each issue will take a information about the studio filming of Future Echoes deep in-depth dive into a specific episode for this issue. -
Michael Filocamo
McKinney Macartney Management Ltd HOWARD BURDEN - Costume Designer RED DWARF SPECIAL Director: Doug Naylor. Producer: Richard Naylor. Starring: Craig Charles, Chris Barrie, Danny John-Jules and Robert Llewellyn. Baby Cow Productions. YOUNG WALLANDER Director: Ole Endresen and Jens Jonsson. Producers: Berna Levin, Eiffel Mattsson and Luke Franklin. Starring: Adam Pålsson, Richard Dillane, Ellise Chappell and Leanne Best. Yellow Bird / Netflix. WORZEL GUMMIDGE (Pilot & Season 1) Director: Mackenzie Crook. Producers: Georgie Fallon and Kristian Smith. Starring: Mackenzie Crook, Michael Palin and Zoe Wanamaker. Leopard Pictures. DAD’S ARMY: THE LOST EPISODES Director: Ben Kellett. Producers: Candida Julian-Jones and Tom Webber. Starring: Kevin McNally, Robert Bathurst, Kevin Eldon and David Hayman. Mercury Productions. POLDARK (Series 5) Directors: Sallie Aprahamian and Justin Molonikov. Producer: Michael Ray. Starring: Aidan Turner and Eleanor Tomlinson. Mammoth Screen. ZAPPED! (Series 1, 2 & 3) Director: Dave Lambert. Producers: Kerry Waddell and Candida Julian Jones. Starring: James Buckley, Louis Emerick, Paul Kay and Sharon Rooney. Baby Cow Productions. RTS Craft and Design Awards Nomination 2018 – Best Costume Design Series 2 Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 HOWARD BURDEN Cont’d… 2 WAR OF THE WORLDS Director: Craig Viveiros. Producer: Betsan Morris Evans. Starring: Eleanor Tomlinson, Rafe Spall and Robert Carlyle. Mammoth Screen. POLDARK (Series 4) Directors: Joss Agnew and Brian Kelly. Producer: Michael Ray. Starring: Aidan Turner and Eleanor Tomlinson. Mammoth Screen. POLDARK (Series 3) Directors: Stephen Woolfenden and Joss Agnew. Producers: Roopesh Parekh and Michael Ray. -
A Red Dwarf Novel Kindle
BETTER THAN LIFE : A RED DWARF NOVEL PDF, EPUB, EBOOK Grant Naylor | 240 pages | 01 Jan 2098 | Penguin Books Ltd | 9780241988039 | English | London, United Kingdom Better Than Life : A Red Dwarf Novel PDF Book Almost an entire year of consistent podcasting and all it took was a global pandemic and stay at home orders to make it happen. View Results. Lister is happy, knowing that he and Kochanski have many years behind them to look forward to. Reserve online, pay on collection. Red dwarf : infinity welcomes careful drivers. Recently, I've had the utter delight of watching Hancock's Half Hour for the first time. Discover Premium Shows Likes. Featuring the Office of Government Commerce, London and Ressie 6 The suiteness is her weakness: the woman who's addicted to eating sofas. Click OK to close the Options popup. January 1, I know I'm counting the days until The Breaker is released this month. Not only is there no introduction, preamble or exposition, the book begins in an extremely strange situation indeed. Danny Stephenson, Jonathan Capps and Ian Symes once again convene to discuss this episode's title of 'the good one in series viii', the nature of predeterminism, and to offer a surprisingly generous appraisal of series VIII's position in Red Dwarf history. The human race began as slime and ended as slime. This item can be requested from the shops shown below. The Last Wish. Military type uncredited Nigel Peever Still, his…. DwarfCasts a Red Dwarf podcast Episodes. Francine Toon. What do Grant Naylor have against Brian Kidd, anyway? One of comics' most inventive minds take on the world's greatest superheroes, as Grant Morrison gathers DC's icons for a bold new era of the JLA! Red Dwarf : infinity welcomes careful drivers. -
Download Scenes from the Dwarf, Rob Grant, Doug Naylor, Penguin
Scenes from the Dwarf, Rob Grant, Doug Naylor, Penguin Books, Limited, 1996, 0146002431, 9780146002434, . DOWNLOAD http://kgarch.org/1eqe2Bu Better than life , Grant Naylor, Jul 2, 1991, Fiction, 302 pages. Science fiction-roman.. Colony , Robert Ray Grant, 2000, , 289 pages. The far future, deep space: the remnants of the human race are in trouble. They have decided that Dr Piers Morton is their last hope for rescue from a nasty, messy death. There .... Red Dwarf Omnibus Red Dwarf, Grant Naylor, 1992, , 589 pages. Here are the first two novels of the cult series Red Dwarf in one volume – Red Dwarf and Better Than Life – plus the first draft of the original TV pilot script. It all when .... Red Dwarf Log, Issue 1997 , Paul Alexander, Mar 1, 1997, , 111 pages. Red Dwarf VIII The Official Book, Doug Naylor, Mar 1, 2000, , 192 pages. Red Dwarf, the BBC'S cult TV classic, celebrated its tenth anniversary in 1999 with the transmission of Series VIII. With its charismatic cast and superbly written scripts, Red .... Backwards , Rob Grant, 1996, Fiction, 352 pages. This is the third adventure of the unlikely space heroes of the cult TV hit Red Dwarf – Lister, Rimmer, Kryten, Holly and the Cat – as they continue their epic journey through .... Last Human , Doug Naylor, 1995, , 309 pages. Primordial Soup Red Dwarf Scripts, Grant Naylor, 1993, , 150 pages. The Red Dwarf Quiz Book , Nicky Hooks, Sharon Burnett, 1994, , 216 pages. Red dwarf infinity welcomes careful drivers, Grant Naylor, 1989, Fiction, 298 pages. -
Red Dwarf / Červený Trpaslík
1. řada (1988) 2. řada (1988) 3. řada (1989) 4. řada (1991) 01. Konec 07. Kryton 13. Pozpátku 19. Kamila CSFD.cz - 93% # IMDB.com - 9,0/10 02. Ozvěny budoucnosti 08. Lepší než život 14. Trosečníci 20. D.N.A 03. Rovnováha sil 09. Díky za tu vzpomínku 15. Polymorf 21. Spravedlnost 04. Čekání na Boha 10. Škvíra ve stázi 16. Výměna těl 22. Bílá díra 05. Sebevědomí a mindrák 11. Queeg 17. Fotostroj času 23. Jiná dimenze 06. Já^2 12. Paralení vesmír 18. Poslední den 24. Roztavení 5. řada (1992) 6. řada (1993) 7. řada (1997) 8. řada (1999) 25. Hololoď 31. Psirény 37. Pekelně ostrý výlet 45. Zpátky v Červeném 1. část 26. Inkvizitor 32. Legie 38. Nachystejte květináče 46. Zpátky v Červeném 2. část 27. Psychoteror 33. Pistolníci z Apokalypsy 39. Uroboros 47. Zpátky v Červeném 3. část 28. Karanténa 34. Emocuc Polymorf 2 40. Zkouška kanálem 48. Kassandra 29. Démoni a andělé 35. Rimmerosvět 41. Stesk 49. Televize Kryton 30. Návrat do reality 36. Mimo realitu 42. Žádná legrace 50. Pete 1 43. Epidém 51. Pete 2 44. Nanarchie 52. Jenom sympaťáci Seriál je z produkce BBC a jeho stvořitelé jsou Rob Grant a Doug Naylor. Dočkal se řady britských i mezinárodních cen, např: World Television Society Award (efekty, 1991 a 1992), BAFTA (Nejlepší britská komedie 1991), British Comedy Awards (sitcom 1994), ale hlavně získal cenu Emmy (1994 - díl Pistolníci z Apokalypsy), na kterou byl již 3x předtím nominován (1987, 1989, 1992). Dave Lister (Craig Charles) je 25 let starý s dredy vzadu na hlavě, jeho největší zábavou je pojídat indická jídla (karí a indické placky), hrát na svou kytaru s pěti strunami, z nichž jsou tři G. -
The Essential Cult Television Reader
Red Dwarf Dee Amy-Chinn Red Dwarf is the most successful and long-running comedy yet shown on BBC2. 1 First broadcast on 15 February 1988, the show was celebrated ten years later by Red Dwarf night hosted by Jean-Luc Picard himself, Patrick Stewart, a die-hard Dwarfer. The content of that evening stands as testimony to Dwarf’s achievement of cult status, demonstrating many of the features —quizzes, trivia, shared expertise—described as key features of cult TV. 2 The evening began with a spoof version of a then-popular cookery program Can’t Cook, Won’t Cook (1995-1999), in which the cast was challenged to cook a chicken vindaloo (a mouth-burningly hot curry) —the favorite dish of lead character, Dave Lister. The Dwarf version was billed as Can’t Smeg, Won’t Smeg (smeg being a generic term of abuse within the show—as in “smeg-head” 3) and given added resonance for fans as Can’t Cook, Won’t Cook ’s regular host—TV Chef Ainsley Harriot —had made a well disguised appearance as the Gelf Chief in the Season Six episode “Emohawk—Polymorph II” (6.4). This was followed by a version of another popular BBC show, a Dwarf-themed University Challenge (1962-present), in which members of the cast lost (not surprisingly) to a team of Dwarf fans. Another special, Red Dwarf A-Z saw famous fans including Stewart, Stephen Hawking, and Terry Pratchett focusing on different aspects of the show. The evening concluded with a screening of the Emmy award -winning episode “Gunmen of the Apocalypse” (6.3). -
The Essential Cult TV Reader
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Kentucky University of Kentucky UKnowledge American Popular Culture American Studies 2010 The Essential Cult TV Reader David Lavery Middle Tennessee State University Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Lavery, David, "The Essential Cult TV Reader" (2010). American Popular Culture. 2. https://uknowledge.uky.edu/upk_american_popular_culture/2 THE ESSENTIAL CULT TV READER Essential Readers in Contemporary Media and Culture This series is designed to collect and publish the best scholarly writing on various aspects of television, fi lm, the Internet, and other media of today. Along with providing original insights and explorations of critical themes, the series is intended to provide readers with the best available resources for an in-depth understanding of the fundamental issues in contemporary media and cultural studies. Topics in the series may include, but are not limited to, critical-cultural examinations of creators, content, institutions, and audiences associated with the media industry. Written in a clear and accessible style, books in the series include