DOCSLIB.ORG

Songs of Power Sunday 28 July 2019, 3Pm

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Songs of Power Sunday 28 July 2019, 3Pm Inspiration Choir Southampton and Bournemouth Symphony Orchestra present Songs Of Power Sunday 28 July 2019, 3pm Music Director: Pete Harrison WELCOME Welcome to our Summer concert; Songs of Power. Although it has only been four years since we held our first rehearsal in Southampton, I have been incredibly proud of everything we have achieved in that time. We have really grown into a family who rely on each other and help each other out, both musically and in day to day life. Many of our singers had never performed to this level, not to mention singing from memory with a world class For more information: British orchestra. I know you will hear the hard work that www.peteharrison.biz every single one of them has put into today’s concert @PeteBHarrison and see the smiles on their faces as we tackle our usual broad range of music. If you are interested in joining us then our next ‘Open Evening’ rehearsal is on Wednesday 18th September 2019. Our Choir is open to everyone to come and join our happy family so if you fancy coming along to have a look and see what we’re all about, then please do come and join us at Richard Taunton College in Southampton, starting at 7.15pm. No pressure or commitment, but a fun evening guaranteed! Pete Harrison, Inspiration Southampton Music Director About Pete… Pete studied at the Royal College of Music before starting his conducting career in the West End. He is a regular guest conductor and presenter with Bournemouth Symphony Orchestra. Recent concerts include Last Night of the Christmas Proms concerts (since 2010), Classic FM Live at the Royal Albert Hall, their regular series of film music concerts and Proms in the Park. He conducts regularly for Raymond Gubbay Ltd in major concert venues including Symphony Hall Birmingham, Philharmonic Hall Liverpool, The Opera House Dubai, The Grand Theatre Marina Bay Sands in Singapore, Bridgewater Hall Manchester and Royal Festival Hall London. He also regularly conducts the Royal Philharmonic Orchestra, the Philharmonia, Tthe Ulster Orchestra and the Russian State Symphony Orchestra. Studio work includes the City of Prague Philharmonic Orchestra, the BBC and regular UK session work. Pete also teaches at Wells Cathedral School. A VERY SPECIAL PLACE IN OUR HEARTS The songs in this concert have a very special place in the hearts of Inspiration. We are recreating the very first Inspiration concert from 10 years ago, up north in Leeds and Newcastle. In the four years since Inspiration Southampton joined our singing family, they have performed many of these iconic numbers, and under the marvelous conducting of Pete, have developed into the wonderful group of performers you are about to hear. We have a very loyal audience, thank you, and I hope you will hear and feel the development that has happened in those four years. Not only have they grown in number but also in the quality of performance. Now it’s time to sit back and enjoy the show. Gary Griffiths, Inspiration Music Director and Founder About Gary… I have been singing for as long as I can remember. Wolverhampton Grammar School was my major musical influence – School Choir, Choral Society, Musical Theatre Group, Jazz Band – alongside the Youth Orchestra and the Concert Band. When it came to University it had to be music, and so to York. Three wonderful years of music making also included being Chorus Master for York Light Opera and MD for Pickering Musical Society. I then became a tenor in the Choir of York Minster with all that entails; daily services as well as many world tours, concerts and recordings. After 18 years , I left and became part of the creative team behind the formation of SingLive. Now, with Inspiration as my sole focus, I really do have my dream job. Weekly rehearsals and trips around the country and abroad are a joy. SONGS OF POWER ACT ONE Funny Girl Overture Funny Girl Styne This Is The Hour Miss Saigon Boublil, Schönberg, Maltby Bridge Over Troubled Water Simon, Garfunkel Children Of Eden Children Of Eden Schwartz Fields Of Gold Sumner Ashokan Farewell Ungar From A Distance Gold Would you like to join Memory Inspiration on the risers for Cats our summer concert? For Lloyd Webber, Eliot more information visit www.inspirationuk.com Love Changes Everything Aspects Of Love Lloyd Webber, Black, Hart SONGS OF POWER ACT TWO O Fortuna Carmina Burana Orff Chorus Of The Hebrew Slaves Nabucco Verdi The Impossible Dream (The Quest) Man Of La Mancha Leigh, Darion One Voice Manilow Lullabye (Goodnight, My Angel) Joel Candle On The Water Pete’s Dragon Kasha, Hirschhorn Prologue/The Story of Chess Chess Ulvaeus, Andersson Keep up to date with all the latest news from Anthem Inspiration by visiting Chess www.inspirationuk.com Ulvaeus, Andersson or join us on Facebook at www.facebook.com/ inspirationchoirs World In Union Holst, Skarbek INSPIRATION SOUTHAMPTON SINGERS Jeanette Albinson Jill Gardner Gillian Pearson Michael Albinson Hugh Glover Jackie Perryman Angela Anderton Donna Goodwin Sandra Perryman John Aynsley Natalie Gore Anna Phillips-Moat Sarah Barker Sarah Greenham Karen Platt Alison Barnes Jan Griffin Douglas Powell Nola Bayley Bob Grimble Barry Price Peter Bayley Ann Grimble Kerry Pringle Marie-Helene Beauchamp Albert Harding Bobby Pyart Lucy Beaumont Winifred Hatch Liz Ralls Hazel Beaumont Laura Havercan Caroline Rand Mandy Belton Helen Hawkins Carol Rawlinson Marie Bennett Zoe Heathcote Masaaki Sakakura Pamela Bennett Ruth Heine Yoko Sakakura Christine Blackmore Laura Hepburn Diane Sebon Mary Blake Sue Hibberd Rachel Shipsides Margaret Bradley Helen Hodrien Pat Simmonds Kathy Bradley Anne Holmes Tammi Sinha Tim Brooks Helen Humphrey Edwin Smith Yvonne Brooks Carol Hurlock Marie Smith Margaret Buchan Diana Ibbitson Ruth Spencer Gina Budden Pauline Imrie Gill Spratt Carolyne Burbridge Nicola Jolliffe Jane Stephenson Vicky Burke John Jones Paul Stephenson Janet Cairney Wendy Jones Katrina Stout Genevieve Caldwell-Holmes Helena Kurczynska Brian Stubbington Richard Calton William Lamin Dee Sullivan Dawn Carr Ann Le Grice Katherine Swift Peter Clay Robert Le Grice Fran Taylor Penelope Clay Sheila Leete Jenny Titcombe Simon Clift David Livermore Jane Tudor Sara Cobby Jackie Long Veronique Veness Jennifer Crittell Victoria Macleod David Ware Helen Davis Robert Marsh Peter Watkins Andrea Dixon Alan Matlock Donald Weaver Hazel Douglas Mandy Matlock Margaret Welling Jo Dunne Suzanne Middleton Ruth White Jane Durston Diana Morrell-Glenister Alison White Debbie Dyke Lisa Nichols Sandra Williams Christine Farmery Michela O’Brien Sarah Wilson Madeline Footitt Virginia Osmond Julia Winkworth Mary Fort Carol Paddison Julia Wolf Janet French Sam Paine Diana Woodfin Lesley-Anne Fuller Rachel Paul Glenda Young Keep up to date with all the latest news from Inspiration by visiting inspirationuk.com or join us on Facebook at facebook.com/inspirationchoirs BOURNEMOUTH SYMPHONY INSPIRATION ORCHESTRA PLAYERS TEAM First Violin Clarinet Music Director and Founder Amyn Merchant (Leader) Hannah Morgan Gary Griffiths Mark Derudder Elizabeth Drew Kate Turnbull Bassoon Southampton Karen Leach Music Director Tammy Thorn Magdalena Pete Harrison Gruca-Broadbent Kim Murphy Tim Fisher Horn Southampton Kate Hawes Rehearsal Accompanist Robert Harris Joan Martinez Teresa Barlow Ruth Spicer Second Violin Trumpet Director of Carol Paige Community Involvement Angela Whelan Jens Lynen Sue Mitchell Nicola Gleed Rob Johnston Vicky Berry Ruth Shaddock Concert materials, programmes and website Lara Carter Trombone Rebecca Burns Penny Wilson Kevin Morgan www.penny-wilson.co.uk Agnieszka Gesler Robb Tooley Ines Montero Fuentes Bass Trombone Viola Kevin Smith BSO TEAM Tom Beer Jacoba Gale Tuba Chief Executive Dougie Scarfe Eva Malmbom Andy Cresci Liam Buckley Head of Marketing John Murphy Timpani Anthony Brown Judith Preston Sacha Johnson Cello Percussion BSO Participate Coordinator Chris Bell Thomas Isaac Matt King Toby Turton Alastair Marshallsay Senior Marketing Manager Kate Keats Harp Johanna Perkins Double Bass Eluned Pierce Marketing Intern Nickie Dixon Keyboard Laura Robertson Jane Ferns Teresa Barlow Andy Baker Orchestra Manager Bass Guitar Liz Williams Flute Andy Baker Anna Pyne Librarian Owain Bailey Kit Alastair Simpson Greg Walker Oboe Stage Managers Edward Kay Scott Caines Emily Cockbill Emily Trevett “Taking music beyond the concert hall BOURNEMOUTH lies at the heart of the BSO’s commitment SYMPHONY to give back to the community” ORCHESTRA The BSO remains at the forefront of the UK orchestral scene since its foundation in 1893. A cultural beacon, it serves communities across the South and South West and extends its influence across the whole of the UK and internationally with regular festival appearances, an extensive catalogue of recordings, numerous plays on Classic FM as the station’s Orchestra in the South of England and continued live broadcasts on BBC Radio 3. Taking its lead from founder Sir Dan Godfrey, the BSO is one of the UK’s most dynamic and innovative symphony orchestras. He established a world class ensemble and during his tenure not only did the Orchestra work For more information with such illustrious figures as Bartók, Sibelius, Holst, about Bournemouth Stravinsky, Elgar and Vaughan Williams, Bournemouth Symphony Orchestra visit was also the first orchestra to have performed all the www.bsolive.com Tchaikovsky symphonies in the UK and gave more premières than any other orchestra at the time. More recently composers who have worked with the BSO include Sir Michael Tippett, Sir John Tavener, Sir Peter Maxwell
Load more

Recommended publications
  • Delius Monument Dedicatedat the 23Rd Annual Festival by Thomas Hilton Gunn
    The Delius SocieQ JOUrnAtT7 Summer/Autumn1992, Number 109 The Delius Sociefy Full Membershipand Institutionsf 15per year USA and CanadaUS$31 per year Africa,Australasia and Far East€18 President Eric FenbyOBE, Hon D Mus.Hon D Litt. Hon RAM. FRCM,Hon FTCL VicePresidents FelixAprahamian Hon RCO Roland Gibson MSc, PhD (FounderMember) MeredithDavies CBE, MA. B Mus. FRCM, Hon RAM Norman Del Mar CBE. Hon D Mus VernonHandley MA, FRCM, D Univ (Surrey) Sir CharlesMackerras CBE Chairman R B Meadows 5 WestbourneHouse. Mount ParkRoad. Harrow. Middlesex HAI 3JT Ti,easurer [to whom membershipenquiries should be directed] DerekCox Mercers,6 Mount Pleasant,Blockley, Glos. GL56 9BU Tel:(0386) 700175 Secretary@cting) JonathanMaddox 6 Town Farm,Wheathampstead, Herts AL4 8QL Tel: (058-283)3668 Editor StephenLloyd 85aFarley Hill. Luton. BedfordshireLul 5EG Iel: Luton (0582)20075 CONTENTS 'The others are just harpers . .': an afternoon with Sidonie Goossens by StephenLloyd.... Frederick Delius: Air and Dance.An historical note by Robert Threlfall.. BeatriceHarrison and Delius'sCello Music by Julian Lloyd Webber.... l0 The Delius Monument dedicatedat the 23rd Annual Festival by Thomas Hilton Gunn........ t4 Fennimoreancl Gerda:the New York premidre............ l1 -Opera A Village Romeo anrl Juliet: BBC2 Season' by Henry Gi1es......... .............18 Record Reviews Paris eIc.(BSO. Hickox) ......................2l Sea Drift etc. (WNOO. Mackerras),.......... ...........2l Violin Concerto etc.(Little. WNOOO. Mackerras)................................22 Violin Concerto etc.(Pougnet. RPO. Beecham) ................23 Hassan,Sea Drift etc. (RPO. Beecham) . .-................25 THE HARRISON SISTERS Works by Delius and others..............26 A Mu.s:;r1/'Li.fe at the Brighton Festival ..............27 South-WestBranch Meetinss.. ........30 MicllanclsBranch Dinner..... ............3l Obittrary:Sir Charles Groves .........32 News Round-Up ...............33 Correspondence.......
    [Show full text]
  • Daniel Jones Symphonies Nos
    Daniel Jones Symphonies Nos. 3 & 5 BBC Welsh Symphony Orchestra conducted by Bryden Thomson ‘The process of writing any piece of music really is one of discovery and the feeling I always have is that what I’m setting myself to write already exists and that what I have Also Available by Daniel Jones Symphonies on Lyrita to do is unveil it, discover it’.1 This characterisation by Daniel Jones of the creative process as one of exploration and excavation seems appropriate for a composer whose Symphony No. 1 BBC Welsh Symphony Orchestra, Bryden Thomson scores have a powerful sense of rightness and inevitability. His lifelong dedication to Symphony No. 10 BBC Welsh Symphony Orchestra, Bryden Thomson.………………..SRCD358 music meant that he was unwilling to compromise by diluting it with other work, such as teaching. When he was mischievously accused of never having had a proper job, his Symphony No. 2 BBC Welsh Symphony Orchestra, Bryden Thomson Symphony No. 11 BBC Welsh Symphony Orchestra, Bryden Thomson…..…..…………SRCD364 response was to tap his manuscript and reply, ‘This is a proper job’.2 Born in Pembroke, South Wales, on 7 December 1912, he was brought up in Swansea Symphony No. 4 Royal Philharmonic Orchestra, Sir Charles Groves Symphony No. 7 Royal Philharmonic Orchestra, Sir Charles Groves where he lived for most of his life, describing it as ‘that magnet city’.3 His mother was Symphony No. 8 BBC Welsh Symphony Orchestra, Bryden Thomson.………………….SRCD329 a singer and his father, Jenkin Jones, was an amateur composer who wrote religious and choral pieces. The young Daniel soon began to compose and by the time he was nine Symphony No.
    [Show full text]
  • Britten Spring Symphony Welcome Ode • Psalm 150
    BRITTEN SPRING SYMPHONY WELCOME ODE • PSALM 150 Elizabeth Gale soprano London Symphony Chorus Alfreda Hodgson contralto Martyn Hill tenor London Symphony Orchestra Southend Boys’ Choir Richard Hickox Greg Barrett Richard Hickox (1948 – 2008) Benjamin Britten (1913 – 1976) Spring Symphony, Op. 44* 44:44 For Soprano, Alto and Tenor solos, Mixed Chorus, Boys’ Choir and Orchestra Part I 1 Introduction. Lento, senza rigore 10:03 2 The Merry Cuckoo. Vivace 1:57 3 Spring, the Sweet Spring. Allegro con slancio 1:47 4 The Driving Boy. Allegro molto 1:58 5 The Morning Star. Molto moderato ma giocoso 3:07 Part II 6 Welcome Maids of Honour. Allegretto rubato 2:38 7 Waters Above. Molto moderato e tranquillo 2:23 8 Out on the Lawn I lie in Bed. Adagio molto tranquillo 6:37 Part III 9 When will my May come. Allegro impetuoso 2:25 10 Fair and Fair. Allegretto grazioso 2:13 11 Sound the Flute. Allegretto molto mosso 1:24 Part IV 12 Finale. Moderato alla valse – Allegro pesante 7:56 3 Welcome Ode, Op. 95† 8:16 13 1 March. Broad and rhythmic (Maestoso) 1:52 14 2 Jig. Quick 1:20 15 3 Roundel. Slower 2:38 16 4 Modulation 0:39 17 5 Canon. Moving on 1:46 18 Psalm 150, Op. 67‡ 5:31 Kurt-Hans Goedicke, LSO timpani Lively March – Lightly – Very lively TT 58:48 4 Elizabeth Gale soprano* Alfreda Hodgson contralto* Martyn Hill tenor* The Southend Boys’ Choir* Michael Crabb director Senior Choirs of the City of London School for Girls† Maggie Donnelly director Senior Choirs of the City of London School† Anthony Gould director Junior Choirs of the City of London School
    [Show full text]
  • MALCOLM WILLIAMSON (1931-2003) 1 Overture ‘Santiago De Espada’ (1957) (6’33”) Elevamini – Symphony No
    SRCD.281 STEREO ADD MALCOLM WILLIAMSON (1931-2003) 1 Overture ‘Santiago de Espada’ (1957) (6’33”) Elevamini – Symphony No. 1 (1957) (29’49”) 2 1st movement: Lento (13’27”) Malcolm 3 2nd movement: Allegretto (5’45”) 4 3rd movement: Lento assai - Allegro (10’37”) Sinfonia Concertante for three tumpets, piano and strings (1958/61) * (18’46”) Williamson 5 1st movement: 'Gloria in excelsis Deo' (5’17”) 6 2nd movement: ‘Salve Regina’ (5’16”) 7 3rd movement: ‘Gloria Patri’ (8’13”) Piano Sonata No. 2 (1957 rev.1971) ** (17’28”) Overture ‘Santiago de Espada ’ 8 1st movement: Quasi lento (6’35”) 9 - 2nd movement: Poco adagio (7’19”) Elevamini – Symphony No. 1 10 3rd movement: Allegro assai (3’34”) Sinfonia Concertante (72’43”) * Martin Jones, piano Piano Sonata No. 2 ** Malcolm Williamson, piano Royal Liverpool Philharmonic Orchestra Martin Jones conducted by Malcolm Williamson Sir Charles Groves Royal Liverpool The above individual timings will normally each include two pauses. One before the beginning of each movement or work, and one after the end. ൿ 1976 ** ൿ 1972 The copyright in these sound recordings is owned by Lyrita Recorded Edition, England Philharmonic Orchestra This compilation and digital remastering ൿ 2007 Lyrita Recorded Edition, England © 2007 Lyrita Recorded Edition, England. Made in the UK Sir Charles Groves LYRITA RECORDED EDITION. Produced under an exclusive license from Lyrita by Wyastone Estate Ltd, PO Box 87, Monmouth, NP25 3WX, UK hough Malcolm Williamson lived in London for fifty years, many of the titles central movement, in A flat; it was conceived as a set of variations on a theme related T and first performance venues of his works confirm that he was at heart an to the first movement, but in simpler and less astringent language.
    [Show full text]
  • The Perfect Fool (1923)
    The Perfect Fool (1923) Opera and Dramatic Oratorio on Lyrita An OPERA in ONE ACT For details visit https://www.wyastone.co.uk/all-labels/lyrita.html Libretto by the composer William Alwyn. Miss Julie SRCD 2218 Cast in order of appearance Granville Bantock. Omar Khayyám REAM 2128 The Wizard Richard Golding (bass) Lennox Berkeley. Nelson The Mother Pamela Bowden (contralto) SRCD 2392 Her son, The Fool speaking part Walter Plinge Geoffrey Bush. Lord Arthur Savile’s Crime REAM 1131 Three girls: Alison Hargan (soprano) Gordon Crosse. Purgatory SRCD 313 Barbara Platt (soprano) Lesley Rooke (soprano) Eugene Goossens. The Apocalypse SRCD 371 The Princess Margaret Neville (soprano) Michael Hurd. The Aspern Papers & The Night of the Wedding The Troubadour John Mitchinson (tenor) The Traveller David Read (bass) SRCD 2350 A Peasant speaking part Ronald Harvi Walter Leigh. Jolly Roger or The Admiral’s Daughter REAM 2116 Narrator George Hagan Elizabeth Maconchy. Héloïse and Abelard REAM 1138 BBC Northern Singers (chorus-master, Stephen Wilkinson) Thea Musgrave. Mary, Queen of Scots SRCD 2369 BBC Northern Symphony Orchestra (Leader, Reginald Stead) Conducted by Charles Groves Phyllis Tate. The Lodger REAM 2119 Produced by Lionel Salter Michael Tippett. The Midsummer Marriage SRCD 2217 A BBC studio recording, broadcast on 7 May 1967 Ralph Vaughan Williams. Sir John in Love REAM 2122 Cover image : English: Salamander- Bestiary, Royal MS 1200-1210 REAM 1143 2 REAM 1143 11 drowned in a surge of trombones. (Only an ex-addict of Wagner's operas could have 1 The WIZARD is performing a magic rite 0.21 written quite such a devastating parody as this.) The orchestration is brilliant throughout, 2 WIZARD ‘Spirit of the Earth’ 4.08 and in this performance Charles Groves manages to convey my father's sense of humour Dance of the Spirits of the Earth with complete understanding and infectious enjoyment.” 3 WIZARD.
    [Show full text]
  • CHAN 10425X Booklet.Indd
    Gerald Finzi Classics Violin and Cello Concertos Tasmin Little violin Raphael Wallfi sch cello City of London Sinfonia Richard Hickox Royal Liverpool Philharmonic Orchestra Vernon Handley CHAN 10425 X Gerald Finzi (1901–1956) Cello Concerto, Op. 40 39:10 in A minor • in a-Moll • en la mineur Lebrecht Music & Arts Photo Library 1 I Allegro moderato 15:53 2 II Andante quieto 13:34 3 III Rondo: Adagio – Allegro giocoso 9:44 Raphael Wallfi sch cello Royal Liverpool Philharmonic Orchestra Malcolm Stewart leader Vernon Handley Gerald Finzi 3 Finzi: Cello Concerto and Violin Concerto Finzi completed his Cello Concerto for the reaches out to a major sixth, so swinging the 4 Prelude, Op. 25 5:00 Cheltenham Festival of 1955. He had long harmony round in its second bar to a major for string orchestra had a cello concerto in mind, and some of it chord; with this reaching out, and the fi erce Adagio espressivo – Poco più mosso – Tempo primo already composed, when Sir John Barbirolli trills, scotch-snap rhythms, and up-thrusting asked him for a major work; so the fi rst shape, the theme sets up a restless energy. performance was given by Christopher The second subject is a gentler cantabile, but 5 Romance, Op. 11 7:52 Bunting and The Hallé Orchestra under the movement ends stormily, gathered into a for string orchestra Barbirolli on 19 July 1955. cadenza and then despatched with four great Andante espressivo – Più mosso – Tempo primo Those who know Finzi only from his more hammer-blows. lyrical songs, perhaps even from his Clarinet The slow movement opens in a mood of † Concerto as well, may be surprised at the shy rapture, the song-melody beautifully Concerto for Small Orchestra and Solo Violin 20:05 breadth and power of this work.
    [Show full text]
  • Vaughan Williams a Cotswold Romance • the Death of Tintagiles
    VAUGHAN WILLIAMS A Cotswold Romance • The Death of Tintagiles London Philharmonic Choir Rosa Mannion soprano London Symphony Orchestra Thomas Randle tenor Matthew Brook baritone Richard Hickox Greg Barrett Richard Hickox (1948 – 2008) Ralph Vaughan Williams (1872 – 1958) premiere recordings A Cotswold Romance* 39:34 Adapted from Hugh the Drover by Maurice Jacobson (1896 – 1976) in collaboration with the composer 1 1 The Men of Cotsall 3:47 2 2 Sweet Little Linnet 1:27 3 3 Hugh’s Song of the Road 4:06 4 4 Love at First Sight 6:05 5 5 The Best Man in England 2:22 6 6 Alone and Friendless 2:24 7 7 The Fight and its Sequel 4:48 8 8 Hugh in the Stocks 1:51 9 9 Mary Escapes 4:28 10 10 Freedom at Last 7:52 3 The Death of Tintagiles 14:48 11 Prelude. Largo – Andantino – Adagio – 5:37 12 1 Lento – 1:10 13 2 Allegro – 0:42 14 3 Lento – Andante tranquillo – Lento – 2:51 15 4 Moderato – 1:09 16 41/2 Allegro – 1:00 17 5 Lento 2:15 TT 54:34 Rosa Mannion soprano (Mary)* Thomas Randle tenor (Hugh)* Matthew Brook baritone* London Philharmonic Choir* London Symphony Orchestra Richard Hickox 4 Vaughan Williams: A Cotswold Romance / The Death of Tintagiles Vaughan Williams composed his ‘ballad-opera’ and ‘The Roadside Fire’ from the earlier Hugh the Drover, from which A Cotswold setting of Robert Louis Stevenson’s poetry in Romance is adapted, between 1910 and 1914. Songs of Travel. Writing to his librettist, the journalist Harold Hugh the Drover was first performed in Child, in 1910, he said: public on 14 July 1924 by forces of the British I have an idea for an opera written to real National Opera Company at His Majesty’s English words, with a certain amount of Theatre, London, conducted by Malcolm real English music… Sargent.
    [Show full text]
  • Delius-Liner-Notes-Koanga.Pdf
    SBLX-3808 14 1-.Angel Koanga in America response: Keary's libretto was denigrated through an optical machine, in order to phere. Only the principals and a few first recording by Frank Corsaro and Delius' music highly praised. Yet get opaque darknesses and multiple color supernumeraries, representing the priest of the composer's "American" opera alack, alas, and sad to say, Miss Kemble's schemes. This process enabled us to create and his retinue, were visible during the On March 2, 1884, the ocean liner "fortune of an opera" was not to be, In the surreal, even occultish landscape sur­ wedding ceremony. Koanga and Palmyra "Gallia" departed Liverpool bound for fact, "Koanga" was not co be again until rounding Koanga's flight from his white scrolled hand in hand between the three America. Two weeks and a stormy crossing its American premiere in 1970, where masters, and the ensuing Voodoo rites. scrimmed areas on stage, their wander­ DELIUS later, she docked in New York harbor. Keary's gaucheries (revised from a revi­ As in the later "Village Romeo;· three ings sharply outlined by the imaginative With not a single celebrity aboard, the sion) still proliferated, while Delius, scrims served as projection surfaces - a Miss Porcher's use of side lighting. A few arrival passed unnoticed by the press but Wagner cum spiritual, utterly captivated. front, rear, and middle distance scrim - steps taken by the lovers, and the skies, for a brief item concerning George Payn­ More than a decade after "Koanga's" ini­ which could be flown in and out as the waters, the land itself c'.1anged magi­ KOANGA ter, the "Gallia's" bar-keep.
    [Show full text]
  • Newsletter29-Christmas1970-1.Pdf
    NEWSLETTER of the DELIUS SOCIETY President: Eric Fenb,y, O.B.E. Hon. Secretary: Miss Estelle Palmley. Hon. Treasuer: G.H. Parfitt. Editor: John White. No. 29. Cnri.stmae, 1970. - ~ - - - - - - -- -- - - . - - - - - - - - - - - - - - - - - - --- - - -- Contents Forthcoming Events Editorial "A Mass of Life" 1. The Beecham recording re-issued. Geoffrey Crankshaw. 2. The Liverpool perfomance. 20th January, 1970 (press notices). 3. Musical Profile: Charles Gr07ee - Henry Raynor. Koanga in Washington - December, 1970. Midlands' Miscellany. FORmCOMlNG EV]NTS Thursday, 14th January, 1971. Society Meeting, Talk by Brude Boyce. Holborn Library, 7.3Op,m. (to be preceded by a special. meeting, commencing at 6.45p.m. to -discuss proposed changes in the structure of the present Commi. ttee). ._. .. Tuesday, 16th February; 1971. itA Mass of Life". London Philhannonic Orchestra and Choir conduoted by Charles Groves with Heather Harper, Helen Watts, Ryland Davies and Thomas Hemsley. ~oya1 Festival Hall.· . S~ats: 9/-(45p); 14/-(1Op); 18/-(9OP); 22/-(£1.lOp); 26/-(1.3Op); 30/-(£1.50) • . Monday, 8th March, 1971. ''Paris". Charles Groves conducting the Royal Philharmonic Orchestra. Royal Festival Hall. Thursday, 18th March, 1971.-) . ) "Brigg Fair" Sunday, 21st March, 1971. ) Vernon Handley ~onducting the London Symphony Orchestra. Royal Festival Hall. Thursday, 25th March, 1971. Society Meeting. A talk on Walt Whi tman by Dawn Redwood. Holborn 14brary, 7.30 p.m• . Sunday, 9th May, 1971. 7.30 p.m. Royal Liverpool Philharmonic Society, at the Philharmonic Hall. Song recital by Joan Sutherland accompanied by Richard Bonynge, which includes Heimkehr and Abendstimmung; also two songs by Grie~. Seats: 35s(175p); 30s.(15Op); 25/-(125p); 20s(100p); 15s(75p).
    [Show full text]
  • Or.K's a JOURNAL for the CONTE MPORARY WIND BAND
    or.k's A JOURNAL FOR THE CONTE MPORARY WIND BAND ISSUE 3 FALL 1999 CONTENTS Defining the Wind Band Sound WIND LIBRARY by Donald Hunsberger ... page 1 Fantasy Variations Tracing wind band development through by Donald Grantham .. page 20 American brass bands of the 1800s A prize-winning set of variations on a popular Gershwin composition CONVERSATIONS Dancin ' into the '20s A Talk with Timothy Reynish ... page 14 by Reeg, Scates, Herbert, and Levy ... page 22 Conductor and educator Reynish reflects on the A lively group of dance tunes from the early days wind band movement in England and abroad. ofthe 1900s INSIGHTS My Robin is to the Greenwood Gone Gershwin s Rhapsody in Blue by Percy Grainger ... page 2 4 by Thomas Verrier ... page 31 A new wind setting from Fred Sturm for this A detailed narrative on its evolution in scoring pastoral delight Concerto for Trumpet in E-jlat Major, Hob VIle: 1 INNOVATIONS by Franz Joseph Haydn ... page 26 Music Meets Technology ... page 30 The newest work from the Classical Wind Band Parts on CD-ROM point the way to the future! Accompaniment Project. DEFINING THE WIND BAND SOUND WIND SCORING IN AMERICA 1830-1890: THE BRASS BAND ERA BY DONALD HUNSBERGER During the nineteenth century, English military bands grew in a common heritage or of long-standing traditions. England and size and instrumentation through the stabilizing influence of pub­ various other countries in Europe were fairly homogeneous soci­ lished military band journals. Balanced instrumental family sec­ eties with long histories, but the new American population was, tions, along with logical scoring patterns, resulted in an emerging from its earliest days, a mix of national and ethnic backgrounds, repertoire that satisfied the military, social, and musical demands a land that accepted from its immigrants the benefit of their pre­ made of the wind band, especially during the second half of the vious experience and knowledge.
    [Show full text]
  • San Josã© Studies, Fall 1983
    San Jose State University SJSU ScholarWorks San José Studies, 1980s San José Studies Fall 10-1-1983 San José Studies, Fall 1983 San José State University Foundation Follow this and additional works at: https://scholarworks.sjsu.edu/sanjosestudies_80s Recommended Citation San José State University Foundation, "San José Studies, Fall 1983" (1983). San José Studies, 1980s. 12. https://scholarworks.sjsu.edu/sanjosestudies_80s/12 This Journal is brought to you for free and open access by the San José Studies at SJSU ScholarWorks. It has been accepted for inclusion in San José Studies, 1980s by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. SAN JOSE STUDIES Volume IX, Number 3 Fall1983 POETRY Hank Lazer Summers in Capitola . 5 1463 Hanchett Avenue . 6 Elegy for My Grandfather, Charles Goodman .................... 8 Comer of Moorpark and Winchester............................ 10 Deathwatch for My Father's Father ............................. 12 Kerensky .................................................... 13 Beginning ................................................... 14 ARTICLES Excellence and Equality Hobert W. Bums ............................................. 16 Nicaragua-The Painter-Peasants of Solentiname Betty La Duke ................................................ 30 The Problem of Evil and the Language of Religion Robert E. Larsen .............................................. 80 The English Musical Renaissance Revisited John R Douglas .............................................
    [Show full text]
  • Dame Joan Hammond (1912-1966) 2
    AUSTRALIAN EPHEMERA COLLECTION FINDING AID DAME JOAN HILDA HOOD HAMMOND (1912-1996) PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA JULY 2018 Dame Joan Hilda Hood Hammond, DBE, CMG (24 May 1912 – 26 November 1996) was a New Zealand born Australian operatic soprano, singing coach and champion golfer. She toured widely, and became noted particularly for her Puccini roles, and appeared in the major opera houses of the world – the Royal Opera House Covent Garden, La Scala, the Vienna State Opera and the Bolshoi. Her fame in Britain came not just from her stage appearances but from her recordings. A prolific artist, Hammond's repertoire encompassed Verdi, Handel, Tchaikovsky, Massenet, Beethoven, as well as folk song, art song, and lieder. She returned to Australia for concert tours in 1946, 1949 and 1953, and starred in the second Elizabethan Theatre Trust opera season in 1957. She undertook world concert tours between 1946 and 1961. She became patron and a life member of the Victorian Opera Company (since 1976, the Victorian State Opera – VSO), and was the VSO's artistic director from 1971 until 1976 and remained on the board until 1985. Working with the then General Manager, Peter Burch, she invited the young conductor Richard Divall to become the company's Musical Director in 1972. She joined the Victorian Council of the Arts, was a member of the Australia Council for the Arts opera advisory panel, and was an Honorary Life Member of Opera Australia. She was important to the success of both the VSO and Opera Australia. Hammond embarked on a second career as a voice teacher after her performance career ended.
    [Show full text]