SHAKESPEARE's ROBIN V by James Lewis Huss A
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King John in Fact and Fiction
W-i".- UNIVERSITY OF PENNS^XVANIA KING JOHN IN FACT AND FICTION BY RUTH WALLERSTEIN ff DA 208 .W3 UNIVERSITY OF FLORIDA LIBRARY ''Ott'.y^ y ..,. ^..ytmff^^Ji UNIVERSITY OF PENNSYLVANIA KING JOHN IN FACT AND FICTION BY RUTH WAIXE510TFIN. A THESIS PRESENTED TO THE FACULTY OF THE GiLA.DUATE SCHOOL IN PARTLVL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY 'B J <^n5w Introductory LITTLE less than one hundred years after the death of King John, a Scottish Prince John changed his name, upon his accession to L the and at the request of his nobles, A throne to avoid the ill omen which darkened the name of the English king and of John of France. A century and a half later, King John of England was presented in the first English historical play as the earliest English champion and martyr of that Protestant religion to which the spectators had newly come. The interpretation which thus depicted him influenced in Shakespeare's play, at once the greatest literary presentation of King John and the source of much of our common knowledge of English history. In spite of this, how- ever, the idea of John now in the mind of the person who is no student of history is nearer to the conception upon which the old Scotch nobles acted. According to this idea, John is weak, licentious, and vicious, a traitor, usurper and murderer, an excommunicated man, who was com- pelled by his oppressed barons, with the Archbishop of Canterbury at their head, to sign Magna Charta. -
Make We Merry More and Less
G MAKE WE MERRY MORE AND LESS RAY MAKE WE MERRY MORE AND LESS An Anthology of Medieval English Popular Literature An Anthology of Medieval English Popular Literature SELECTED AND INTRODUCED BY DOUGLAS GRAY EDITED BY JANE BLISS Conceived as a companion volume to the well-received Simple Forms: Essays on Medieval M English Popular Literature (2015), Make We Merry More and Less is a comprehensive anthology of popular medieval literature from the twel�h century onwards. Uniquely, the AKE book is divided by genre, allowing readers to make connec�ons between texts usually presented individually. W This anthology offers a frui�ul explora�on of the boundary between literary and popular culture, and showcases an impressive breadth of literature, including songs, drama, and E ballads. Familiar texts such as the visions of Margery Kempe and the Paston family le�ers M are featured alongside lesser-known works, o�en oral. This striking diversity extends to the language: the anthology includes Sco�sh literature and original transla�ons of La�n ERRY and French texts. The illumina�ng introduc�on offers essen�al informa�on that will enhance the reader’s enjoyment of the chosen texts. Each of the chapters is accompanied by a clear summary M explaining the par�cular delights of the literature selected and the ra�onale behind the choices made. An invaluable resource to gain an in-depth understanding of the culture ORE AND of the period, this is essen�al reading for any student or scholar of medieval English literature, and for anyone interested in folklore or popular material of the �me. -
Resource Guide the Adventures of Robin Hood
2019-2020 Theatre Season Heroes and Villains Blinn College Division of Visual/Performing Arts and Kinesiology Brenham Campus The Adventures of Robin Hood Resource Guide This resource guide serves as an educational starting point to understanding and enjoying Michele L. Vacca’s adaptation of The Adventures of Robin Hood. With this in mind, please note that the interpretations of the theatrical work may differ from the original source content. Performances November 21 & 22 7 p.m. November 23 & 24 2 p.m. Elementary School Preview Performances: November 21 & 22 10 a.m. & 1 p.m. Dr. W.W. O’Donnell Performing Arts Center Auditorium Brenham, Texas Tickets can be purchased in advance online at www.blinn.edu/BoxOffice, by calling 979-830-4024, or by emailing [email protected] Directed by Brad Nies Technical Theatre Direction by Kevin Patrick Costume, Makeup, and Hair Design by Jennifer Patrick KCACTF Entry The Adventures of Robin Hood is Blinn College-Brenham’s entry to the 2019 Kennedy Center American College Theatre Festival. The aims of this national theater program are to identify and promote quality in college-level theater production. Each production entered is eligible for a response by a KCACTF representative. Synopsis Based on the novel The Merry Adventures of Robin Hood by Howard Pyle, and adapted by Chicago playwright Michele L. Vacca, this play tells the story of a heroic outlaw who lives in Sherwood Forest and bestows generosity to the less fortunate. But when the nasty Sheriff of Nottingham forces the locals to pay unaffordable taxes, Robin fights against him by stealing from the rich so that he may give to the poor. -
Robin Hood Text Focus: Information Text (750L) STAGE 3
Unit focus: Robin Hood Text focus: Information Text (750L) STAGE 3 Who Was Robin Hood? We’ve all heard of Robin Hood. He’s possibly one of the most famous outlaws in English history. But did he ever actually exist? Is he more myth than man? Read on to fi nd out. Early Beginnings In the Middle Ages, lots of stories were told in song. These were called ballads. The earliest ballads that talk about Robin Hood are from the 15th century. However, there is a ballad from 1370AD that talks about poems about Robin Hood, but it doesn’t menti on him directly. Lots of the things we now associate with Robin didn’t appear back then. There were no Merry Men and no Maid Marian. These were all added in the following centuries as the story was passed along. Stealing From The Rich Everybody has heard that Robin Hood stole from the rich to give to the poor. Unfortunately, this might not have been quite true. If he existed, Robin was defi nitely an outlaw at some point in his life. Most outlaws didn’t only steal from the rich, though. They’d take money from anybody passing by. There is a good chance that he may have been generous with his takings. He might have shared it amongst his own band of outlaws, but it’s unlikely he would share it with everybody else. The Legend So how much of what we know is true? King Richard and King John were very real. In fact, John did succeed in taking the throne while King Richard was fi ghti ng in the Crusades. -
Remembering the Outlaw in Medieval England
Remembering the Outlaw in Medieval England The emergence of the Robin Hood legend Charles Robert Kos, B.Sc. (Melb), B.A. (Hons). Thesis submitted for the degree of Doctor of Philosophy, in the School of Philosophical, Historical and International Studies, Faculty of Arts, Monash University, Australia. July 2014 Under the Copyright Act 1968, this thesis must be used only under the normal conditions of scholarly fair dealing. In particular no results or conclusions should be extracted from it, nor should it be copied or closely paraphrased in whole or in part without the written consent of the author. Proper written acknowledgement should be made for any assistance obtained from this thesis. I certify that I have made all reasonable efforts to secure copyright permissions for third- party content included in this thesis and have not knowingly added copyright content to my work without the owner's permission. Table of Contents Summary ....................................................................................................................... v Statement .................................................................................................................... vii Acknowledgements ...................................................................................................... ix Abbreviations .............................................................................................................. xi Introduction .............................................................................................................. -
Robin Hood Sample
The Wurtherington Diary Robin Hood & the Magna Carta This book is available in print at many online retailers. The novel is a work of fiction. Names, characters, places and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, organizations, or persons, living or dead, is entirely coincidental and beyond the intent of the author or publisher. The Author and the Publisher specifically disclaim any liability, loss, or risk, personal or otherwise, which is incurred as a consequence, directly or indirectly, of the use and application of any of the contents of this work. The Wurtherington Diary: Robin Hood and the Magna Carta Book Eight in the Series Copyright 2016 by Reynold Jay Illustration: Duy Truong Editor: Carol Ward Confectionery World: Restoration & Publishing Division 3024 Blossom Circle Saginaw, Mi 48603 All rights reserved 1st edition ISBN- ISBN- People who appear in Robin Hood & the Magna Carta Baron Robert Fitzwalter: Banished and later became known as Robin Hood. Arch rival of King John Stephen Langton, Archbishop of Canterbury, Cardinal of the Holy Roman Church Queen Ermengarde: Wife of King William of Scotland and mother of Alexander II (14 year old son) Sir Mandeville: A knight for King William (Chapter 2) King John: King of England who lived in the Tower of London King William: Scottish. William the Lion. With him is Queen Ermengarde, his young son, Prince Alexander II, (chapter 2) Prince Henry: 6 year old, son of King John and became King Henry III at the age of nine Prince Richard: 4 year old, brother of Prince Henry Prince Llewelyn ab Iowerth: Welch prince and Joan (Sister of King John) Pope Innocent III: Pope who resided in St. -
Magna Carta-Lesson 3
SOURCE 1: Extract from the Pipe Rolls of King John 1214 E 372/60, rot 1d m1 The National Archives An arrangement between John and Geoffrey of Mandeville in relation to his marriage to Isabel Countess of Gloucester. Transcript: Geoffrey de Mandeville gave 20,000 marks so that he might marry Isabel Countess of Gloucester with all the lands and tenements and knights fees, which belong to Isabel herself. He is committed to pay 5,000 marks before the passage of the king in Poitou in the 25th year of the reign of the king and 5,000 marks at Easter of the same year and 5,000 marks at the feast of St John the Baptist in the 26th year and 5,000 marks at the feast of St Michael in the next year. Notes: This document is an example of a traditional tax and how John used it. The barons were used to paying fees to the king when they inherited land, or married, or their children got married. This was seen as a fair exchange because they held their lands from the king. However, John could use this to his advantage. When a baron stood to gain a lot of land by marriage, the king could charge a huge amount. At the time, 20,000 marks was seen as a huge sum to pay for marriage. The situation was complicated slightly because Mandeville became much richer and more powerful as a result of this marriage, so John may have seen him as a political threat as well as trying to get money out of him. -
Local Legends, Places and Walks Within 2.5 Miles of Kings Clipstone
Robin of Sherwood "Lythe and listin, gentilmen, That be of frebore blode; I shall you tel of a gode yeman, His name was Robyn Hode." -A Gest of Robyn Hode Local legends, places and walks within 2.5 miles of Kings Clipstone Includes maps of the local path network and Sherwood Pines Forest Park The Robin Hood legends may be just story telling, but they are still important historically because they were the popular culture of the late mediaeval period. In 1377 the first written reference was made to rhymes about Robin that already existed. Outlaws were just that, outside the law and its protection; they could be hunted by anyone. According to different versions Robin had been a yeoman, a knight and an earl before becoming an outlaw. Walter Bower, a chronicler in the early 1400’s, calls Robin a “cut-throat”. By the 1460’s Robin and his band are said to have “infested Sherwood and other law-abiding areas of England with continuous robberies.” In the early tales Robin's main targets were not the ruling classes, but figures of medieval corruption, like bishops, abbots and the sheriff. It was the mediaeval ‘May Games’ that turned Robin into a mythological figure. At the May Games, Robin was often portrayed as the King of the May or Summer King, leading the procession. King ‘Robin’ and his followers from the town or church would go to another community and collect money. Perhaps the church gave the money collected to the poor, giving rise to the tales of that Robin and his merry men robbing ‘from the rich to give to the poor’. -
Robin Hood As Much As Possible
Issue 34 ∙ April-May 2010 . LeftLion Magazine Issue 34 contents April - May 2010 editorial Youths and ducks, If you’ve read any of the thirty-three previous issues of LeftLion, you’ll know that we’ve avoided covering the subject of Robin Hood as much as possible. There’s a good reason for that; because, like you, we’ve always known that there is far more to the Motherland than some bloke arsing about in Sherwood Forest, and we’d sooner give the less bigged-up avenues of Nottingham culture a shine. There are many reasons why we decided to cave in and roll out a massive tribute to the Hooded Man this ish. For one, it’s because of the resurgence of pride in our mythical lore. For two, it’s a reaction to the disgusting attempt by 9 16 28 the North to nick our local hero (hey, Yorkshire; we gave the world the greatest and most enduring goodies-versus- baddies story ever. You gave us Emmerdale. End of). For May Contain Notts CSI: Sherwood Music Reviews three, it’s because people ‘round here have finally realised 04 The local news diary that pays your 12 Carl Fellstrom on the link between the 21 Beck Stacey, Fists, Feelings By Design, that it’s time to firmly reclaim the legend for Nottingham, Nana and her mate to dress up as Merry Men and the Disaffected Youths Grande Duke, Kingclaw, Mascot Fight, and we want to chip in on the debate. And yeah, because schoolgirls and erotically pass a Moules & Miggins, Nephu Huzzband there’s a new film coming out. -
PDF Download Robin Hood Ebook, Epub
ROBIN HOOD PDF, EPUB, EBOOK Henry Gilbert | 288 pages | 01 Jan 1998 | Wordsworth Editions Ltd | 9781853261275 | English | Herts, United Kingdom Robin Hood PDF Book Allan A Dale 38 episodes, Richard Armitage Alternate Versions. His partisanship of the common people and his hostility to the Sheriff of Nottingham are early recorded features of the legend, but his interest in the rightfulness of the king is not, and neither is his setting in the reign of Richard I. It has long been suggested, notably by John Maddicott , that "Robin Hood" was a stock alias used by thieves. Eleanor of Aquitaine Mark Addy Articles from Britannica Encyclopedias for elementary and high school students. At the end of Season 2 they set the audience up for a big showdown, but they deflated the tension in the very first episode. Laing, David ed. Will Scarlett 26 episodes, Anjali Jay Photo Gallery. Allan A'Dayle Douglas Hodge Quotes Marian : You call that a disguise? Official Sites. Little John 38 episodes, Written by don minifie Edit page. Journal of Medieval History. User Ratings. National Heritage List for England. Near the end of the 16th century an unpublished prose life of Robin Hood was written, and included in the Sloane Manuscript. Vahimagi, Tise Company Credits. In 14th-century England, where agrarian discontent had begun to chip away at the feudal system, he appears as an anti-establishment rebel who murders government agents and wealthy landowners. User Ratings. Nominated for 1 Primetime Emmy. The political and social assumptions underlying the early Robin Hood ballads have long been controversial. Archived from the original on 24 August This is it Philly. -
Wimbish Through the Centuries
WIMBISH THROUGH THE CENTURIES ISABEL WISEMAN 1954 INTRODUCTION ODAY we have grown so used to thinking of progress as emanating Tfrom the large centres of population — our cities and towns — that we are apt to forget that until comparatively recent times Britain was mainly a country of villages, always excepting on, Cobbett’s “great wen” It was in the villages, in the country seats dominating them, plans (political and otherwise) were often evolved. Perhaps reason why we are apt to overlook these facts is the absence village records. A town, with its own local government organisation, usually possesses a nucleus of Minute Books, Account Books other archives, from which it is fairly easy for the historian to trace its development. But the first task of the village historian is discover and bring together scattered records, which are often disjointed and lacking continuity. In her book on Wimbish Through the Centuries Miss Wiseman has been fortunate in her discovery of such records, the reward of much able and painstaking work. A general historical background, sufficient for the purpose, provides continuity, and to this background are fitted illustrative Wimbish records. Broadoaks, Tiptofts, Pinkneys, Hodges, Thunderley, Little Stonards — the very names have a fascination, and all in turn contribute stories. Perhaps the most fascinating account in the book comes from Broadoaks, which under the Wisemans in Elizabeth’s sreign became headquarters of the Jesuit priest, Father John Gerard, whose biography is quoted, giving a detailed description of his ventures and concealment in the Broadoaks hiding during a four-days search for him. Anyone interested in the devotion and scorn of danger to their lives shown by many of the Jesuits would amply repaid for acquiring a copy of Wimbish through the Centuries. -
José Ramón Narváez H Universidad Nacional Autónoma De México [email protected]
José Ramón Narváez H Universidad Nacional Autónoma de México [email protected] Oído y vencido. El debido proceso en la cultura y la jurisprudencia* Heard and convicted. The due process in culture and jurisprudence Escutado e condenado. O devido processo legal inserido na cultura e na jurisprudência Artículo de reflexión: recibido 24/03/2014 y aprobado 23/05/2014 * El presente trabajo es fruto de una investigación sobre el impacto normativo de la jurisprudencia judicial mexicana en la cultura popular, auspiciado por el Instituto de Investigaciones Jurisprudenciales y de Promoción y Difusión de la Ética Judicial de la Suprema Corte de Justicia de la Nación de México. ISSN 1657-6535 PRECEDENTE 2014 VOL. 4 / ENERO-JUNIO, 263-292. CALI – COLOMBIA Resumen El debido proceso es una institución técnica del Derecho que también está presente en la cultura popular. En este sentido, el presente trabajo identifica ciertos momentos emble- máticos en los que la cultura popular habla del aprecio social por la institución del debido proceso, en especial en dos figuras literarias clásicas: Robin Hood y El proceso de Franz Kafka. Finalmente, se muestra cómo la jurisprudencia actual tiene también sus referencias de prioridad respecto de esta institución. La idea es acercar al lector, a través del Debido proceso, a la lectura de la historia, la literatura y de la cultura popular universal donde subyace una idea muy acabada del derecho. Palabras clave: cultura popular y derecho, literatura y derecho. El debido proceso en la historia universal. Abstract The due process is a technical body of law also present in popular culture.