GPB Journal 42 Summer 2011

Total Page:16

File Type:pdf, Size:1020Kb

GPB Journal 42 Summer 2011 42nd Edition, Summer 2011 It‟s a hack‟s life Simon Boughey Simon Boughey is a Cambridge graduate who has chosen in spite of (perhaps be- cause of) a childhood stammer to become a freelance financial journalist, presenta- tion coach and actor. He has worked in New York and now in London on a number of leading publications, such as the Financial News, Euromoney, and International Financing Review. He also writes for Icap, the City broker. We are very grateful to Grant Pearson Brown Simon for writing an article about what journalists are trying to achieve; a rare and Consulting Ltd. valuable glimpse of the „other side‟ in media interviews. The Presentation & Business Development Journalists are often sadly misunder- Specialists stood. Those who pose as fake sheikhs for the purpose of entrap- Advice squeezed ment, those who tap telephones of straight from the the beautiful, and those who rig up experts concealed cameras to record deli- ciously bizarre amatory entertainment give us a bad name. The vast bulk of reporters working in the news indus- try don‟t work for tabloids and aren‟t like that. At the most fundamental level, when journalists contact an institution or person, they are looking for simple information. They have jobs to do, white space to fill before they go home, but they often don‟t know all In this edition: the facts or even half the facts. There It’s a hack’s life is a lot of often quite tedious legwork to be the “who, what, when, where and why” format By Simon Boughey done in tying down the relevant facts about a of basic reporting. These are the “Five Ws” that Journalists are often sadly misunderstood—an story. To be sure, they will often have a par- have to be answered. These details should be insider’s view ticular angle with which they are approaching put at the top of a story, and then it builds a story, but this won‟t work unless the facts with comments from concerned individuals. What’s in a face? Quite a lot actually.. By Tim Farish add up. An insight into Eckman’s This is why journalists get annoyed, and then FACS system By the same token, journalists are also looking suspicious, when the most basic and seem- To Russia with a mission for confirmation or verification of what they ingly innocuous information is denied. It re- By Alastair Grant have been told by someone else. If, for exam- tards the development of a story, means we There are opportunities to be made if you go beyond ple, a comment has been passed about an in- can‟t go to the pub yet, and makes us far less the stereotype dividual or firm then the story looks a great inclined to look kindly upon the withholder of Taking chunks out of deal less convincing if that individual or firm information. We might also feel that if a pub- complexity has not had the chance to reply. This is how a licly owned company, for example, denies the By Ewan Pearson story builds up. Every journalist is told (or most basic information about its financial deal- Audiences need ‘chew time’ should be) from the earliest days on the job ings (which other similar publicly owned firms Continued on page 2 42nd Edition, Summer 2011 It‟s a hack‟s life...continued fess up willingly), then we have a responsibility robust denial, the subject might confess to to dig up the facts and not be stonewalled. some other misdemeanour by accident. For example, “Is it true that you are very unhappy Moreover, it seems to journalists that the with the role performed by (JP Magan) in this simple and most pressing responsibility of the deal?” Answer: “No, not at all. That is com- ever-burgeoning public relations industry is to pletely untrue. It is (Levitt Brothers) that messed do precisely that: to stonewall. To deny the it up.” most basic information in a particularly earnest and humourless manner. Public relations offi- Finally, any interview subject should be aware cials are the people that journalists believe are of the rules of on the record and off the record. the real practitioners of the black arts. Unless an interviewee says this at the top of a phone conversation, it is assumed to be on the Even when the PR people do allow access to a record and any comments made can be used senior person at the firm or bank, the officious and attributed. If the interview is specifically off or nervous ones, can seek to control the the record, or “on background”, then the process by, for example, disallowing questions comments provided cannot be attributed. not covered by the previously arranged brief. Often an entire conversation will be on back- But journalists don‟t like sticking to a script and ground, but then the journalist may use quotes ideas may be stimulated in the course of the only if checked by the public relations official interview. and/or the interviewee before publication. These details should be arranged in advance. In this regard, it‟s worth pointing out that, gen- erally journalists are not seeking to make some- However dishonourable, and often on a Babylo- one‟s life a misery and are not, generally, seek- nian scale, journalists might be in their private ing to score points. It would be naïve, of lives, I have never known one abuse this Advice squeezed course, to assume that journalists are not also system. At the end of the day, they want to straight from the interested in bad news more than good news. build relationships that can be exploited in experts Conflict and controversy sell. Who is not more the future, and it is not in their interest to be fascinated by a story about a devastating dishonest. tsunami than a fireman rescuing a lost kitten? Journalists love anything that suggests that events in a business or government have not turned out as they were intended, and that, consequently, people are at each other‟s throats. Such stories are more ex- citing to write and more fun to read. In my experience as a financial journalist, one of the best stories I ever wrote was about a treasurer of a European firm who man- aged to shoot his assistant treasurer on a hunting expedition to the Black Forest. This sub-Sherlock Holmes tale was ever so much more interesting than the latest sterling denominated bond issue. To get to the controversy, journalists might sometimes ask a question to which they know the answer hoping that the interviewee will reveal more than he or she intends in responding. In making a 2 42nd Edition, Summer 2011 What‟s in a face? Quite a lot actually... In 1992, shortly after Bill Clinton entered the White House as the new President of United States, his office received a phone call. It was answered by his recently appointed Head of Communications. „Please trust me, I am calling with the best of These are a series of subtle facial gestures that intentions but I‟m worried for the President‟ communicate emotion through the different the voice on the other end of the line said with actions of facial muscle groups. These groups a great deal of concern. „Bill Clinton‟s got this each produce a different emotion and can be Tim Farish way of rolling his eyes along with a certain understood in practically every culture in the expression and what it conveys is “I‟m a bad world. To test the universality of his theories, boy”. I don‟t think it‟s a good thing and I could he went to Papua New Guinea in 1967, and teach him how not to do that in two to three spent time with a tribe who had never seen hours. The thing is his facial gestures give the other human beings from outside their tribe, impression that he‟s like a kid who has his or even their own faces in a mirror. When his hands in a cookie jar. I‟m telling you, this guy theories stood up during 12 months of testing is going to do something and he‟s going to get in this remote village, he knew he was onto found out‟. Understandably, the new Head of something groundbreaking. Communications quickly put the phone down and dismissed the caller as another crackpot. He discovered that there are 6 key emotions These people unfortunately do call and get that can be recognised in the face (see through the Whitehouse switchboard from time pictures) which are recognised universally. to time, he reminded himself. Except that the person on the other end of the line was far from being your standard weirdo. Strange maybe, unusual certainly but no crack- pot. In fact, the person dialling the White Advice squeezed House was Professor Paul Eckman, one of the straight from the world‟s leading facial experts, and what he had experts seen in a recent television interview of the new President had caused him great concern. He had watched the same clip, over and over again just to be sure, and then he‟d been compelled to get on the phone. What he‟d seen had convinced him that the Happiness can be recognised by a wide smile new President was capable of lying and that he and a lighting up or activation of the eyes. The thought he could get away with it. He knew the key thing for a genuine smile is that both top signs, as he had been researching facial and bottom parts of the face are working.
Recommended publications
  • 2 5 C. on Hand, Putting in Their Work That Will Saturday, Oct
    75c A Y ear in Advance . ST. JOHNS, MICHIGAN, THURSDAY AFTERNOON, AUGUST 14, 1890. Number 50 soii; Dallas, Wm Young; Watertown, H ATTENTION VETERANS. Business Locals . D Clark; Eagle, L W Hill; Ovid, C Farn - Here’ll a Kt»tenieiit fr«*m the Auditors on Cuutloti. er; Essex, W'alter Float; Riley, H R the llounty ^ueMtloii. Jones; Ureenbush, Dan Turner; West­ The public are oautioned against buy ­ phalia, J B Randolph; Victor, Clias (Jif- The 8upn*me court decision on tlie sol­ ing a note given by mo to Gilbert Chap- REPUBLICANS OF CLINTON COUNTY fels; Olive, Henry Case. dier bounty question is causing so much l>ell or bearer, for f 77, dated .April, 1890 trouble to veterans and others that the _ ARE READY- Tbealaetiott otch a>na aiM>f-the eounty one year. G rant W aldo . committee was taken up, R M Swigart following circular bos been issued by the BiMk silk MlttN at J.Hivkn ’. iV board of state auditors: received 88 votes; J W Fitzgerald 9; 1) S Cmbrellaii and PanuioU . They Hold » Large C'onventiun, eleetDel- French 5; C M Merrill 18. No state bounty was authorized pi-evi- . Special bargains nt J. Hicks.* efpitee and Chouite a County C'oiuiiiittee. ous to Mandi (1,1808. At that date an Mr Swigart was de<*lare<l ele(de«l. CablnetM $S.OO Per Dozen. The flrHt convention iii (linton county C C Vaughan was electi'd secretary of act was passed authorizing the f ovemor comity committee by acclamation, and 1) in his discretion to cause to be paid from For August only, Jackson will make of the republicttiiH for the conipaijtn of S French, treasurer.
    [Show full text]
  • STEPHEN MOYER in for ITV, UK
    Issue #7 April 2017 The magazine celebrating television’s golden era of scripted programming LIVING WITH SECRETS STEPHEN MOYER IN for ITV, UK MIPTV Stand No: P3.C10 @all3media_int all3mediainternational.com Scripted OFC Apr17.indd 2 13/03/2017 16:39 Banijay Rights presents… Provocative, intense and addictive, an epic retelling A riveting new drama series Filled with wit, lust and moral of the story of Versailles. Brand new second season. based on the acclaimed dilemmas, this five-part series Winner – TVFI Prix Export Fiction Award 2017. author Åsa Larsson’s tells the amazing true story of CANAL+ CREATION ORIGINALE best-selling crime novels. a notorious criminal barrister. Sinister events engulf a group of friends Ellen follows a difficult teenage girl trying A husband searches for the truth when A country pub singer has a chance meeting when they visit the abandoned Black to take control of her life in a world that his wife is the victim of a head-on with a wealthy city hotelier which triggers Lake ski resort, the scene of a horrific would rather ignore her. Winner – Best car collision. Was it an accident or a series of events that will change her life crime. Single Drama Broadcast Awards 2017. something far more sinister? forever. New second series in production. MIPTV Stand C20.A banijayrights.com Banijay_TBI_DRAMA_DPS_AW.inddScriptedpIFC-01 Banijay Apr17.indd 2 1 15/03/2017 12:57 15/03/2017 12:07 Banijay Rights presents… Provocative, intense and addictive, an epic retelling A riveting new drama series Filled with wit, lust and moral of the story of Versailles.
    [Show full text]
  • Ellsworth American, Hi Ellsworth, Day
    —*---- Rites 01 M? CUfvirtt JUwdfwi Adverting * 1 wk. 3 wks. 3 mot. 6 mot. l*r 1 00 18 PIBLISHBP IT inch. $loo $150 $ 4 $boO ffo no < inches, 3 00 4 00 0 50 16 00 IU column, 8 00 13 00 80 00 P0 00 to to 1.•*’ w o;it T II ,M K, l column, 14 00 $0 00 60 00 90.00 160.09 B1 THK special Notices, One square 3 weeks, $2 iQ Kacli additional wets, 6o cents. Vluunisiralor’s and Executor’s Notices, 1-60 Uncock County Publishing Company Citation from Probate Court, 8.C6 Commissioner’! Notices $.00 Messenger’s and Assignee7* Notices, 2 c0 Kditon.il Ncvices, |»er line, .10 Term. ol Obitnary notices, j>er line, .1 Sitb«<-ri|>lion. No charge less than .50 One inch snare will One copy, 11 pai l within three months,. constitute a square Transient oi ,• ,i within three months,. Advertisements to be paid in advance. No advertisements reckoned less ii paid at the en,l •*! the year -11*' than a square. and Deaths inserted tree. o paper will he discontinued until alt arrs.tr- Marriages Yearly advertisers to gt* arc paid, except at the publisher'* option— pav quarterly. nd ftnr person wishing his paper stopped, must gt re notice thereof at the expiration -»i the tern: waether oiev.oue notice ha* bseigiven or not. M III.WloltNo. 1087.Ns.47. her bonnet Advertisements. half oil her bead, and her hair ! Count her children?” •**« »! too of P* n^idi her; tin* makim'* <>t a ! His Honor and The firing.
    [Show full text]
  • FCC), October 14-31, 2019
    Description of document: All Broadcasting and Mass Media Informal Complaints received by the Federal Communications Commission (FCC), October 14-31, 2019 Requested date: 01-November-2019 Release date: 26-November-2019-2019 Posted date: 27-July-2020 Source of document: Freedom of Information Act Request Federal Communications Commission 445 12th Street, S.W., Room 1-A836 Washington, D.C. 20554 The governmentattic.org web site (“the site”) is a First Amendment free speech web site, and is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. Federal Communications Commission Consumer & Governmental Affairs Bureau Washington, D.C. 20554 tfltJ:J November 26, 2019 FOIA Nos.
    [Show full text]
  • Mick Taylor © Felix Aeppli 07-2020 / 08-2021
    Blues Breaker Mick Taylor © Felix Aeppli 07-2020 / 08-2021 5001 January 17, 1949 (not 1948) Born in Welwyn Garden City, Hertfordshire: Michael Kevin (not James) Taylor. 5001A 1963 Hatfield, Hertfordshire, or London: THE STRANGERS, MEET THE STRANGERS (One-sided 10" acetate, 1963): 1. A Picture Of You (Beveridge, Oakman), 2. The Cruel Sea (Maxfield), 3. It’ll Be Me (Clement), 4. Saturday Night At The Duck Pond (Owen, based on a section from Tchaikovsky's Swan Lake) MT, Alan Shacklock: guitar; Malcolm Collins: vocals (1, 3); John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5001B 1964 Hatfield, Hertfordshire, or London: THE JUNIORS, Single (Columbia DB 7339 [UK], Aug. 1964); MADE IN ENGLAND VOL. 2 – BRITISH BEAT SPECIAL 1964 - 69 (LCD 25-2, CD [France], Spring, 2000): 1. There’s A Pretty Girl (Webb), 2. Pocket Size (White) MT, Alan Shacklock: guitar; Malcolm Collins: vocals; John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5002 May, 1967 Probably London THE GODS (THOR, HERMES, OLMPUS, MARS), Single (Polydor 56168 [UK], June, 1967): 1. Come On Down To My Boat Baby (Farrell, Goldstein), 2. Garage Man (Hensley) NOTES: Cuts 1, 2: MT’s participation in this session is very much open to speculation and his own interviews on the subject are full of contradictions; most likely MT had taken part in some live shows, but he never was in THE GODS’ actual line-up (Lee Kerslake: guitar; Ken Hensley: organ, vocals; John Glascock: bass, back-up vocals; Brian Glascock, perhaps alternating with Lee Kerslake: drums); – Nor is MT identical with MICK TAYLOR playing guitar and singing on a Single (CBS 201770 [UK], June, 1965), London Town, Hoboin’ (both Taylor - produced by Jimmy Duncan and Peter Eden); or involved in Cockleshells (Taylor), a track recorded by MARIANNE FAITHFULL (NORTH COUNTRY MAID, Decca LK 4778 [UK], Feb.
    [Show full text]
  • THE GARY MOORE DISCOGRAPHY (The GM Bible)
    THE GARY MOORE DISCOGRAPHY (The GM Bible) THE COMPLETE RECORDING SESSIONS 1969 - 1994 Compiled by DDGMS 1995 1 IDEX ABOUT GARY MOORE’s CAREER Page 4 ABOUT THE BOOK Page 8 THE GARY MOORE BAND INDEX Page 10 GARY MOORE IN THE CHARTS Page 20 THE COMPLETE RECORDING SESSIONS - THE BEGINNING Page 23 1969 Page 27 1970 Page 29 1971 Page 33 1973 Page 35 1974 Page 37 1975 Page 41 1976 Page 43 1977 Page 45 1978 Page 49 1979 Page 60 1980 Page 70 1981 Page 74 1982 Page 79 1983 Page 85 1984 Page 97 1985 Page 107 1986 Page 118 1987 Page 125 1988 Page 138 1989 Page 141 1990 Page 152 1991 Page 168 1992 Page 172 1993 Page 182 1994 Page 185 1995 Page 189 THE RECORDS Page 192 1969 Page 193 1970 Page 194 1971 Page 196 1973 Page 197 1974 Page 198 1975 Page 199 1976 Page 200 1977 Page 201 1978 Page 202 1979 Page 205 1980 Page 209 1981 Page 211 1982 Page 214 1983 Page 216 1984 Page 221 1985 Page 226 2 1986 Page 231 1987 Page 234 1988 Page 242 1989 Page 245 1990 Page 250 1991 Page 257 1992 Page 261 1993 Page 272 1994 Page 278 1995 Page 284 INDEX OF SONGS Page 287 INDEX OF TOUR DATES Page 336 INDEX OF MUSICIANS Page 357 INDEX TO DISCOGRAPHY – Record “types” in alfabethically order Page 370 3 ABOUT GARY MOORE’s CAREER Full name: Robert William Gary Moore. Born: April 4, 1952 in Belfast, Northern Ireland and sadly died Feb.
    [Show full text]
  • State Torture
    18 OCTOBER 2018 State Torture PROFESSOR JOANNA BOURKE Not to be cited without permission from the author Just two months after the 9/11 attacks in New York City and Washington DC, Fox TV broadcast the first of their series “24”. The main protagonist is Jack Bauer (played by Kiefer Sutherland), an agent of the Los Angeles Counter Terrorism Unit. The first episode, which was filmed before 9/11, focuses on a terrorist attempt to blow up a plane and assassinate a Democratic presidential candidate. But the series’ main theme is torture. Suspects are electrocuted, beaten, cut with knives, burned, and suffocated; their families are threatened with execution. In this series, torture works: the suspects almost always confess. The series won an Emmy Award for Outstanding Drama Series and had a weekly audience of 15 million views. Millions more bought the DVDs. Although not the first to depict torture as necessary in the fight against a pernicious enemy, “24” is a typical example of a trend within film and television drama since 9/11. While in earlier films – such as the 1976 Marathon Man, starring Dustin Hoffman – the hero was a victim of torture, more recent representations present the hero as a perpetrator of torture. The Bauer character is a morally dedicated, self-sacrificing officer of the people, hell- bent only on safeguarding democracy. Who would not torture a terrorist if it would save hundreds of innocent lives? In “24”, torturing caricatured villains is portrayed redemptive and ennobling for the “good guys”. As Bauer reiterates in various ways throughout the series: “I don’t wanna bypass the Constitution, but these are extraordinary circumstances”.
    [Show full text]
  • The Russian Television Industry in the Global Age
    Moscow Goes Hollywood: The Russian Television Industry in the Global Age by Jeffrey R. Brassard A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Sociology University of Alberta © Jeffrey R. Brassard, 2017 Abstract This study examines ways that both authoritarian capitalism and global flows of culture have shaped the Russian television industry. This dissertation explores three main questions: How does the system of state-directed capitalism shape television production, particularly with regards to balancing propaganda and profit? What kinds of representations are possible on television in Russia under authoritarian capitalism? What is the relationship of the Russian television industry with other parts of the global media industry? To explore these questions, this dissertation examines the structure of the Russian television industry with particular attention given to the most important channels and production companies. In all cases, the relationship of these companies to both the Putin-led state and their level of integration with the global television marketplace is examined in-depth. Using a mix of semi-structured interviews with industry workers, analysis of industry trade journals, popular press and textual analysis, this dissertation examines four of the main television stations in the country all of whom have different relationships to the state. I argue that typical accounts of Russian media as merely serving the interests of the state are overly simplistic. The expectation that television channels or production companies linked to the ruling elite create programming that supports the Putin government’s nation-building efforts while commercial stations use their platforms to criticize the status-quo is shown to be erroneous.
    [Show full text]
  • (Liam) – Eric Mabius Is Best Known for His Role As B
    ‘IT’S BEGINNING TO LOOK A LOT LIKE CHRISTMAS’ Cast Bios ERIC MABIUS (Liam) – Eric Mabius is best known for his role as Betty's raffish, but good- hearted boss in the hit series “Ugly Betty.” With over 20 years of experience, Mabius is an actor with intense screen presence who has brought nuance to a variety of roles over a full spectrum of genres. Born in Pennsylvania but spending much of his young life growing up in rural Massachusetts, he went on to graduate from Sarah Lawrence College and has lived in cities all over the United States and the world. Mabius first came to the attention of movie fans with his film debut in Welcome to the Dollhouse. He then earned favorable notice for his performance as a high school gang leader in Black Circle Boys but became more widely known for his role as a blackmailed prep school athlete in the box office smash Cruel Intentions. Mabius also starred in The Crow: Salvation, a sequel to the Brandon Lee film, and appeared in the science fiction action film, Resident Evil. In addition to his starring role on “Ugly Betty,” Mabius was a series regular on “The O.C.,” “The L Word,” “Eyes” and “Outcasts.” Other television appearances include guest roles on hits “Chicago Fire,” “Scandal,” “Blue Bloods,” “Franklin & Bash,” “The Client List” and the mini-series “Political Animals.” Mabius stars in Hallmark Movies & Mysteries’ popular “Signed, Sealed, Delivered” franchise and he has also starred in the Hallmark Channel Original Movies “Welcome to Christmas,” “How to Fall in Love” and “Reading, Writing & Romance.” # # # TRICIA HELFER (Sarah) — Tricia Helfer is a Canadian cover girl model-turned-actress who has developed her resume beyond the catwalk to include many diverse roles highlighting her versatile and natural screen presence.
    [Show full text]
  • 00001. Rugby Pass Live 1 00002. Rugby Pass Live 2 00003
    00001. RUGBY PASS LIVE 1 00002. RUGBY PASS LIVE 2 00003. RUGBY PASS LIVE 3 00004. RUGBY PASS LIVE 4 00005. RUGBY PASS LIVE 5 00006. RUGBY PASS LIVE 6 00007. RUGBY PASS LIVE 7 00008. RUGBY PASS LIVE 8 00009. RUGBY PASS LIVE 9 00010. RUGBY PASS LIVE 10 00011. NFL GAMEPASS 1 00012. NFL GAMEPASS 2 00013. NFL GAMEPASS 3 00014. NFL GAMEPASS 4 00015. NFL GAMEPASS 5 00016. NFL GAMEPASS 6 00017. NFL GAMEPASS 7 00018. NFL GAMEPASS 8 00019. NFL GAMEPASS 9 00020. NFL GAMEPASS 10 00021. NFL GAMEPASS 11 00022. NFL GAMEPASS 12 00023. NFL GAMEPASS 13 00024. NFL GAMEPASS 14 00025. NFL GAMEPASS 15 00026. NFL GAMEPASS 16 00027. 24 KITCHEN (PT) 00028. AFRO MUSIC (PT) 00029. AMC HD (PT) 00030. AXN HD (PT) 00031. AXN WHITE HD (PT) 00032. BBC ENTERTAINMENT (PT) 00033. BBC WORLD NEWS (PT) 00034. BLOOMBERG (PT) 00035. BTV 1 FHD (PT) 00036. BTV 1 HD (PT) 00037. CACA E PESCA (PT) 00038. CBS REALITY (PT) 00039. CINEMUNDO (PT) 00040. CM TV FHD (PT) 00041. DISCOVERY CHANNEL (PT) 00042. DISNEY JUNIOR (PT) 00043. E! ENTERTAINMENT(PT) 00044. EURONEWS (PT) 00045. EUROSPORT 1 (PT) 00046. EUROSPORT 2 (PT) 00047. FOX (PT) 00048. FOX COMEDY (PT) 00049. FOX CRIME (PT) 00050. FOX MOVIES (PT) 00051. GLOBO PORTUGAL (PT) 00052. GLOBO PREMIUM (PT) 00053. HISTORIA (PT) 00054. HOLLYWOOD (PT) 00055. MCM POP (PT) 00056. NATGEO WILD (PT) 00057. NATIONAL GEOGRAPHIC HD (PT) 00058. NICKJR (PT) 00059. ODISSEIA (PT) 00060. PFC (PT) 00061. PORTO CANAL (PT) 00062. PT-TPAINTERNACIONAL (PT) 00063. RECORD NEWS (PT) 00064.
    [Show full text]
  • Lie to Me" Page 1 of 3
    Fib expert tells the truth about "Lie to Me" Page 1 of 3 Fib expert tells the truth about "Lie to Me" Seth Rosenfeld, Special to The Chronicle Saturday, September 26, 2009 J.J. Newberry chuckles when he watches "Lie to Me," the Fox television series about scientists who help cops catch crooks with their extraordinary ability to detect lies by analyzing facial expressions and body language. Starring Tim Roth as Dr. Cal Lightman - a character inspired by the work of San Francisco scientist Paul Ekman, - the highly rated series is set to premiere its second season at 9 p.m. Monday, appearing on KTVU in the coveted slot after the network's smash hit "House." "If you shrug your shoulder, rotate your hand or even just slightly raise your lower lip, Lightman will spot the lie," says the show's Web site. "It's not so easy in real life," said Newberry, a former agent with the federal Bureau of Alcohol, Tobacco and Firearms and Explosives who has helped crack some of the Bay Area's most notorious criminal cases and is considered one of the nation's foremost deception detectors. Newberry runs the Institute of Analytic Interviewing, which has trained several thousand law enforcement officials at agencies ranging from the San Francisco Police Department to the CIA and Scotland Yard in the craft of questioning people. The dramatic series has been hailed as educating the public about nonverbal communication and the latest police methods. It has even sparked law enforcement interest in interviewing techniques, but Newberry and other experts say "Lie to Me" presents a deceptively simple view of police interviews.
    [Show full text]
  • The Impact of Lie to Me on Viewers' Actual Ability to Detect Deception
    crx362686CRX Communication Research 37(6) 847 –856 The Impact of Lie to Me on © The Author(s) 2010 Reprints and permission: http://www. Viewers’ Actual Ability to sagepub.com/journalsPermissions.nav DOI: 10.1177/0093650210362686 Detect Deception http://crx.sagepub.com Timothy R. Levine,1 Kim B. Serota,1 and Hillary C. Shulman1 Abstract The new television series Lie to Me portrays a social scientist solving crimes through his ability to read nonverbal communication. Promotional materials claim the content is based on actual science. Participants (N = 108) watched an episode of Lie to Me, a different drama, or no program and then judged a series of honest and deceptive interviews. Lie to Me viewers were no better at distinguishing truths from lies but were more likely than control participants to misidentify honest interviewees as deceptive. Watching Lie to Me decreases truth bias thereby increasing suspicion of others while at the same time reducing deception detection ability. Keywords lying, lie detection, media effects, truth bias, outcome expectations From writer Samuel Baum (“The Evidence”) and the executive producers of 24 and “Arrested Development” comes LIE TO ME, a compelling new drama series inspired by the scientific discoveries of Dr. Paul Ekman, a real-life specialist who can read clues embedded in the human face, body and voice to expose both the truth and lies in criminal investigations. Fox Broadcasting Company, 2009 As described in the promotional material above, a new television crime drama on the Fox network is based on the premise that lies can be detected though the expert observations of nonverbal behavior.
    [Show full text]