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Development of the Global Film Industry The global film industry has witnessed significant transformations in the past few years. Regions outside the USA have begun to prosper while non-traditional produc- tion companies such as Netflix have assumed a larger market share and online movies adapted from literature have continued to gain in popularity. How have these trends shaped the global film industry? This book answers this question by analyzing an increasingly globalized business through a global lens. Development of the Global Film Industry examines the recent history and current state of the business in all parts of the world. While many existing studies focus on the internal workings of the industry, such as production, distribution and screening, this study takes a “big picture” view, encompassing the transnational integration of the cultural and entertainment industry as a whole, and pays more attention to the coordinated develop- ment of the film industry in the light of influence from literature, television, animation, games and other sectors. This volume is a critical reference for students, scholars and the public to help them understand the major trends facing the global film industry in today’s world. Qiao Li is Associate Professor at Taylor’s University, Selangor, Malaysia, and Visiting Professor at the Université Paris 1 Panthéon- Sorbonne. He has a PhD in Film Studies from the University of Gloucestershire, UK, with expertise in Chinese- language cinema. He is a PhD supervisor, a film festival jury member, and an enthusiast of digital filmmaking with award- winning short films. He is the editor ofMigration and Memory: Arts and Cinemas of the Chinese Diaspora (Maison des Sciences et de l’Homme du Pacifique, 2019). -
Anne Lister's Use of and Contributions to British Romanticism
THE CLOSET ROMANTIC: ANNE LISTER’S USE OF AND CONTRIBUTIONS TO BRITISH ROMANTICISM ___________ A Thesis Presented to The Faculty of the Department English Sam Houston State University ___________ In Partial Fulfillment of the Requirements for the Degree of Master of Arts ___________ by Michelina Olivieri May, 2021 THE CLOSET ROMANTIC: ANNE LISTER’S USE OF AND CONTRIBUTIONS TO BRITISH ROMANTICISM by Michelina Olivieri ___________ APPROVED: Kandi Tayebi, PhD Committee Director Audrey Murfin, PhD Committee Member Evelyn Soto, PhD Committee Member Chien-Pin Li, PhD Dean, College of Humanities and Social Sciences DEDICATION For Jasmine, who never gave up on me, even when I did. We made it. iii ABSTRACT Olivieri, Michelina, The closet romantic: Anne Lister’s use of and contributions to British romanticism. Master of Arts (English), May, 2021, Sam Houston State University, Huntsville, Texas. In this thesis, I explore Anne Lister as a Romantic writer. While much criticism has focused on Lister’s place in queer history, comparatively little has examined her writing itself. Thus, this thesis aims to place Lister’s writings within popular Romantic genres and in conversation with other Romantic writers. Chapter I is an introduction to Anne Lister and the scholarship that has surrounded her since the first collection of her diaries was published in the 1980s and establishes the arguments that will be made in each chapter. In Chapter II, I examine how Lister uses Romantic works and their writers to construct her own personal identity despite her lack of participation in either the written tradition or in the major social movements of the period during her lifetime. -
Stoically Sapphic: Gentlemanly Encryption and Disruptive Legibility in Adapting Anne Lister
Stoically Sapphic: Gentlemanly Encryption and Disruptive Legibility in Adapting Anne Lister Sarah E. Maier and Rachel M. Friars (University of New Brunswick, Saint John, New Brunswick, Canada & Queen’s University, Kingston, Ontario, Canada) Abstract: Anne Lister (1791–1840) was a multihyphenate landowner-gentry-traveller-autodidact- queer-lesbian, a compulsive journal writer who lived through the late-Romantic and well into the Victorian ages. While her journals have proven to be an iconographic artefact for queer and lesbian history, our interest here is in the public adaptations of Lister’s intentionally private writings for twenty-first-century audiences as found in the film The Secret Diaries of Miss Anne Lister (2010) and the television series Gentleman Jack (2019–). Our discussion queries what it means to portray lived queer experience of the nineteenth century, how multimedia translate and transcribe Lister’s works onto screen, as well as how questions of legibility, visibility and ethics inevitably emerge in these processes. Keywords: adaptation, encryption, Gentleman Jack, journals, lesbianism, Anne Lister, queer history, queer visibility, The Secret Diaries of Miss Anne Lister, transcription. ***** Lister ought to tell her own story before anyone interpreted it for her. Hers is, after all, the truly authentic voice of the nineteenth century woman caught up in a dilemma not of her own making. She ought to be allowed to tell it as it was, from her own point of view. (Whitbread 1992: xii) The recent appearance of a woman given the nickname ‘Gentleman Jack’ in a show focused on a queer woman depicts a subject who writes her life into encrypted journals. -
Annual Report 2016
Annual Report 2016 Left to right: Liz Cuddy of DUCoL, Director of DUCoL Jane Alger, Lord Mayor of Dublin Críona Ní Dhálaigh, Author Lia Mills, City Librarian Margaret Hayes and Jackie Lynam of DUCoL at the launch of Two Cities One Book 2016 Visit www.dublincityofliterature.ie email [email protected] dublincityofliterature @dublincityoflit CHAIR Our work this year has been guided by the Dublin UNESCO City of Literature Strategic Plan 2016 – 2018, which provides the development framework for the realisation of Dublin’s ambition across six themes, each with local, national and international dimensions. It also connects strongly to the aims and objectives of the UNESCO Creative Cities Network as a whole. The Irish National Decade of Commemoration 2012 to 2022 remembers, respects and reflects on the most important events in the history of the state. During 2016, the centenary year of the Easter Rising, Dublin has been a centre of activity and we were pleased and proud to contribute a strong literary strand to national events and to Dublin In June, DUCoL director Jane Alger resigned from City Council’s award winning programme, Dublin her post. Jane was the inaugural director of the Remembers 1916–2016: Is Cuimhin Linn. office and I would like to take this opportunity of thanking her for her outstanding contribution to This year, the successful Dublin One City, One Dublin UNESCO City of Literature – Annual Report 2016 the work of DUCoL, which has helped lay solid Book initiative partnered with Belfast City for the foundations for the city’s role as a leader in literary Two Cities, One Book programme of reading and and cultural development in the years ahead. -
AAA Midwest Traveler | September/October 2018 AAA.Com Walks
Feast for the These UNESCO Creative Cities give travelers a taste Sensesof American cuisine, art, design, and music. BY LISA WATERMAN GRAY On weekday mornings, Kansas City’s 18th & Vine Jazz District Tom’s on W. 19th Terrace. Visitors should also check out Green Lady is pretty quiet. But after dark, live performances at the Blue Room Lounge, Majestic Restaurant and Jazz Club, and The Phoenix KC. Jazz Club inside the American Jazz Museum get the place hopping. The UNESCO designation “… provides a unique opportunity for The iconic 1912 Gem Theater across the street and the Mutual our city to showcase its cultural significance and contributions to Musicians Foundation on Highland Avenue also draw fans amid music history,” says Scott Wagner, Kansas City’s mayor pro tem this birthplace neighborhood of Kansas City jazz. The historical and 1st District councilman at-large. “Our application showed the district also played a pivotal role in local African-American life. movement of jazz from Kansas City to (New York, New Orleans and O Last year, Kansas City, Mo., was named a UNESCO City of Music. Chicago) and the world – especially Europe.” Since 2004, the UNESCO (United Nations Educational, Scientific The Wendell Phillips Neighborhood Association, home to Kansas and Cultural Organization) Creative Cities Network has recognized City’s Historic 18th & Vine Jazz District, filed the winning application. member cities for their accomplishments in Music, Crafts and Folk While there is a four-year plan associated with UNESCO’s desig- Art, Design, Film, Gastronomy, Literature, and Media Arts. The nation, Wagner said it’s “less about museums and more about cul- network includes nearly 200 cities in 72 countries. -
Country Fact Sheet: ITALY
Country fact sheet: ITALY #EUCreativeCities https://composite-indicators.jrc.ec.europa.eu/cultural-creative-cities-monitor The Cultural and Creative Cities Monitor is a new tool to benchmark the performance of European cities compared to their peers using both quantitative and qualitative data. It provides a common evidence base at city level that helps decision- makers learn from each other and inspires fit-for-purpose policies to boost economic growth and job creation, foster social development and citizens' well-being, and strengthen resilience. This year's first edition covers 168 cities in 30 countries, selected from about 1000 cities in Eurostat’s Urban Audit on the basis of their verifiable engagement in promoting culture and creativity. Being included in the Monitor is thus in itself an acknowledgement of the importance these cities attach to culture and creativity. The Monitor’s quantitative information is captured in 29 indicators. These are grouped into 9 dimensions reflecting 3 major facets of cities’ cultural, social and economic vitality: ‘Cultural Vibrancy’, ‘Creative Economy’ and ‘Enabling Environment’. In addition, qualitative evidence helps illustrate what cities are good at. Selected cities Eight European Capitals of Culture Winners: Bologna, Florence, Genoa and Matera - shortlisted: Cagliari, Lecce, Perugia and Ravenna Three UNESCO Creative Cities: Parma, Rome and Turin Six cities hosting at least two international cultural festivals: Brescia, Milan, Naples, Venice, Trento and Trieste Key findings Milan excels on 'Cultural Vibrancy' (3rd in the XXL group of 21 ranked cities), mostly thanks to its good performance on both Cultural Venues & Facilities (4th) and Cultural Participation & Attractiveness (2nd). Milan is home to a rich offer of cultural landmarks, as well as its continuously growing number of ‘urban’ festivals – such as Book City, and business gatherings – such as Fashion Week. -
Anne Lister Lesson Plan
ANNE LISTER Pioneering British Lesbian Landowner and Businesswoman (1791-1840) In an era when women had virtually no voice or power, Anne Lister of Yorkshire, England defied the odds to become what some call the first modern lesbian for her open lifestyle and self-knowledge. Despite being taunted by fellow Halifax residents, who referred to her as “Gentleman Jack,” Lister flouted convention by dressing in black men’s attire and talking part in typically male activities, such as riding and shooting. In 1830, she became the first woman to ascend Mount Perdu in the Pyrenees and several years later completed the official ascent of the Vignelmale, the highest point in the mountain range. Though she conventionally shied away identification with “Sapphists,” she declared in her voluminous 4-million-word diary “I love and in love the fairer sex and thus beloved by them I turn, my heart revolts from any love but theirs.” Obscuring the nature of her affections, the diary incorporated a special code combining Algebra and Ancient Greek to detail her intimate relationships as well as her day to day life as a wealthy “rural gentlemen”—including the operation of her family estate, her business interests, and social and national events. It has also come to be highly prized by historians who value its unique perspective on the experience of lesbians in early 19th-century England. Lister’s first great romance, with Mariana Lawton, ended when Lawton refused to leave her husband. In 1832, she met heiress Anne Walker and the two were “married” in a private declaration of their life-commitment. -
Download Annual Report 2014
REYKJAVIK EDINBURGH DUBLIN PRAGUE NORWICH KRAKOW IOWA CITY HEIDELBERG GRANADA MELBOURNE DUNEDIN Annual Report 2014 Celebrating Seamus Heaney Presented by Dublin City Council and Poetry Ireland THE NATIONAL CONCERT HALL, DUBLIN Wednesday 23 April 2014 CHAIR The UNESCO Creative Cities Network has a specific cultural mandate and 2014 saw the addition of 28 newly designated cities across the seven thematic areas - including the Irish city of Galway as a City of Film. Dublin is particularly pleased to welcome four new sister Cities of Literature - Dunedin in New Zealand, Granada in Spain, Heidelberg in Germany and Prague in the Czech Republic. Dublin UNESCO City of Literature (DUCoL) is proud to present this annual report which outlines the progress made in delivering on the UNESCO Creative Cities mandate during the past year. As chair of the DUCoL Management Group I am pleased to announce the beginning of a consultation process which will lead to a new events of which are now well established on the DUCoL strategic plan for the next three years. city’s literary calendar. Dublin UNESCO City of Literature – Annual Report 2014 “The Seamus Heaney It was encouraging to note that the Your Dublin I would like to take this opportunity of event was emotional, Your Voice survey*, carried out for Dublin congratulating Director Jane Alger and her staff dignified and a City Council in early June, found that 64% of for their dedicated work throughout the year. The wonderful tribute to his respondents were aware that Dublin is a UNESCO important role of the Management and Steering genius.” City of Literature and a further 71% were aware Groups in bringing together the many strands of of the Dublin: One City One Book Festival - one literary endeavour in the city is also acknowledged. -
MEMBERSHIP MONITORING REPORT November 2017
MEMBERSHIP MONITORING REPORT November 2017 D A 1 A 1 067 OA 40 A D O Y RO A D D R A L BA N E R R D AY AY EA TO D LS A N N AD E HA RO O SH IPSTON E R L ESON R O TT A AD M PA D O R A D G HE RO A OA O KE S ON L CL A R T AT X M T BU R D S E H T T M A N SEY E RR A R T E R RO G UE V A T S A LL L O LD I MA W EE M O U SEH I R AL ENH NG A ER T Y RD D AC RE ST TR G D RK I S N BA D R EL OA FI R D R NG E R CE AG PI W O D E H O U O WI M SE ST TABLE OF CONTENTS N AD A R RO E S E D R ST ED 1. Executive Summary ________________________________________________________________KE SP 1 A V B W L T SILV I A ER S REE ST ST R RE TE B X ET A A E D 2. General Information ________________________________________________________________U SS 3 NG RK S CH WI ST E R EET M R O AT T OF A A R S HA C EN G ATE 3. Contribution to the KNetwork’s LGlobalD Management ___________________________________C O WG 4 TR GI D M RAC K S A R HE EE BA ST T PH R S E T L E CA I T T T GH E N 4. -
Reykjavík Unesco City of Literature
Reykjavík unesco City of Literature Reykjavík unesco City of Literature Reykjavík unesco City of Literature Reykjavík City of Steering Committee Fridbjörg Ingimarsdóttir Submission writers: Literature submission Svanhildur Konrádsdóttir Director Audur Rán Thorgeirsdóttir, (Committee Chair) Hagthenkir – Kristín Vidarsdóttir Audur Rán Thorgeirsdóttir Director Association of Writers (point person) Reykjavík City of Non-Fiction and Literature Trail: Project Manager Department of Culture Educational Material Reykjavík City Library; Reykjavík City and Tourism Kristín Vidarsdóttir and Department of Culture Esther Ýr Thorvaldsdóttir Úlfhildur Dagsdóttir and Tourism Signý Pálsdóttir Executive Director Tel: (354) 590 1524 Head of Cultural Office Nýhil Publishing Project Coordinator: [email protected] Reykjavík City Svanhildur Konradsdóttir audur.ran.thorgeirsdottir Department of Culture Gudrún Dís Jónatansdóttir @reykjavík.is and Tourism Director Translator: Gerduberg Culture Centre Helga Soffía Einarsdóttir Kristín Vidarsdóttir Anna Torfadóttir (point person) City Librarian Gudrún Nordal Date of submission: Project Manager/Editor Reykjavík City Library Director January 2011 Reykjavík City The Árni Magnússon Institute Department of Culture and Audur Árný Stefánsdóttir for Icelandic Studies Photography: Tourism/Reykjavík City Library Head of Primary and Lower Cover and chapter dividers Tel: (354) 411 6123/ (354) 590 1524 Secondary Schools Halldór Gudmundsson Raphael Pinho [email protected] Reykjavík City Director [email protected] -
Saint-Etienne UNESCO City of Design Activity Report 2014-2017
Saint-Etienne UNESCO City of Design Activity report 2014-2017 Saint-Etienne – 15 décembre 2017 Table of contents Introduction 3 1 Executive summary 7 2 General information 9 3 Contribution to the global network’s 11 management Building the network together 4 Major initiatives implemented 15 at the local level Saint-Etienne - a design lab city 5 Major initiatives implemented through 23 inter-city cooperation to achieve the UCCN objectives Welcoming and sharing 6 Proposed action plan for 37 the forthcoming 4 years mid-term period Annexes 39 3 4 In November 2010, Saint-Etienne companies , who would like to Introduction became the first French city to understand the benefits of design, join the UNESCO Creative Cities who want to innovate through the of Design Network. Saint-Etienne methodological tools of the Cité is a city in transformation, which du Design: Lupi®, Labos®, Labos adopted design as an agent of Express®. There are many success change of the living environment and stories. Research design expertise economic development engine for that generates numerous research the territory. programs with national and international companies. Designers The expertise and activities of and creators who have settled Cité du design and Higher School in Saint-Etienne and pool their of Art and Design Saint-Etienne knowledge in shared workspaces and (ESADSE) have largely contributed incubators created by Metropolitan to the designation of Saint-Etienne Government. A growing number of as a UNESCO City of Design. The creative people and communities Cité du design, which is the expert committed to revitalizing their and referent for Saint-Etienne, districts. -
English (ENGL) 1
English (ENGL) 1 ENGL 193 - Reading Disability (3 Hours) ENGLISH (ENGL) This course takes disability’s pervasiveness in literature—Oedipus’s blindness, Richard III’s humpback, Ahab’s peg leg—as an opportunity ENGL 185 - Critical Reading and Writing (4 Hours) to examine the meaning of disability itself. While it is easy to assume This course provides an intensive introduction to all of the skills that that “disability” refers only to a scientific category or medical diagnosis, go into good writing: critical reading, framing arguments for different reading literary texts that concentrate on disabled experience reveals audiences, mechanics, style, and research. The seminar must be taken how disability inevitably connects to cultural and historical concepts during a student’s first year at the College. The core curriculum will that have equal bearing on our perceptions of it. In fact, the cultural ask students to continue to refine their writing, but this course lays the connotations surrounding disability often condition how it is treated foundation for the kinds of writing expected of students throughout within the medical community. In surveying a wide variety of literary college. texts, this course will ask students to analyze the historical variations ENGL 190 - Midnight Tales (3 Hours) in disability’s meaning with the ultimate aim of contesting simplistic Ambrose Bierce once defined the ghost as “an outward and visible sign divisions between able-bodied (or “normal”) and disabled (“abnormal”) of an invisible fear.” He might have said the same of any number of other individuals. Partially fulfills the AOK requirement in Arts and Literature supernatural creatures: vampires, zombies, werewolves, that thing you (literature).