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Copyright by Tolga Ozyurtcu 2014
Copyright by Tolga Ozyurtcu 2014 The Dissertation Committee for Tolga Ozyurtcu Certifies that this is the approved version of the following dissertation: Flex Marks the Spot: Histories of Muscle Beach Committee: Janice S. Todd, Supervisor Thomas M. Hunt Marlene A. Dixon Joan H. Neuberger Janet M. Davis Flex Marks the Spot: Histories of Muscle Beach by Tolga Ozyurtcu, B.A.; M.S. Kin. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2014 Dedication To memory of my mother, my first reader. To my father: nereden nereye. Acknowledgements If there is one person responsible for this project, it is my father, Huseyin Ozyurtcu. For over thirty years, he has been my biggest influence and my best friend. Together with my late my mother, he taught me to love knowledge, think independently, and trust my instincts. In his love and unwavering support, I have found the strength and confidence to be myself. I owe him everything. I am also very grateful for my stepmother Vanessa, my brother Marcos, and my sister Yasmin. It has been almost ten years since our families came together and I cannot imagine life without them—to be in their presence is to know how good life can be. I consider myself fortunate to have had the support of Dr. Jan Todd since I began my graduate education in 2008. As my dissertation advisor, Dr. Todd gave me the freedom, encouragement, and feedback necessary to complete a large and ambitious project. -
Reconstruction and Reclamation: the Erased African American Experience in Santa Monica’S History | Alison Rose Jefferson | Page 2 of 155
Reconstruction and Reclamation The Erased African American Experience in Santa Monica’s History ALISON ROSE JEFFERSON M.H.C. | PH.D. 1 Cover: (Top row, left to right) The Rev. James A. Stout and family, 1919, Cristyne Lawson Collection; Verna and Arthur Lewis at the Santa Monica Beach, 1924, Shades of L.A. Photo Collection/Los Angeles Public Library; South Santa Monica Beaches, 1939, UCLA Department of Geography, Thomas Air Photo Archives, Spence Air Photo Collection; Protest at Sears Department Store, Santa Monica, ca. 1947–48, Santa Monica History Museum, Bill Beebe Collection, 3.2.8069; Burning a shotgun home in the Belmar area, 1953, Courtesy of Santa Monica Public Library Image Archives, donated to the Library from City Collections. (Bottom row, left to right) Phillips Chapel Christian Methodist Episcopal Church, Ocean Park, 1908, Santa Monica History Museum, Virginia Tegner Spurgin Collection, 36.2.5866; Cristyne Lawson at the Bay Street Beach, 1953, Cristyne Lawson Collection; Vernon Brunson and friend in the neighborhood north of Santa Monica High School, ca. 1930, Santa Monica History Museum Collection, 36.2.2294. ________________________________________________________________ Copyright © 2020 Alison Rose Jefferson Portions of this essay were first published by Dr. Jefferson in her book Living the California Dream: African American Leisure Sites during the Jim Crow Era (University of Nebraska Press, 2020). Use of quotes in excess of fair use (2,500 words) only by permission of the author. www.alisonrosejefferson.com ________________________________________________________________ This essay was developed for the Belmar History + Art project, supported by the City of Santa Monica, to inform the project’s history and sculptural artwork exhibition, educational program, and website. -
Alumni History and Hall of Fame Project
Los Angeles Unified School District Alumni History and Hall of Fame Project Los Angeles Unified School District Alumni History and Hall of Fame Project Written and Edited by Bob and Sandy Collins All publication, duplication and distribution rights are donated to the Los Angeles Unified School District by the authors First Edition August 2016 Published in the United States i Alumni History and Hall of Fame Project Founding Committee and Contributors Sincere appreciation is extended to Ray Cortines, former LAUSD Superintendent of Schools, Michelle King, LAUSD Superintendent, and Nicole Elam, Chief of Staff for their ongoing support of this project. Appreciation is extended to the following members of the Founding Committee of the Alumni History and Hall of Fame Project for their expertise, insight and support. Jacob Aguilar, Roosevelt High School, Alumni Association Bob Collins, Chief Instructional Officer, Secondary, LAUSD (Retired) Sandy Collins, Principal, Columbus Middle School (Retired) Art Duardo, Principal, El Sereno Middle School (Retired) Nicole Elam, Chief of Staff Grant Francis, Venice High School (Retired) Shannon Haber, Director of Communication and Media Relations, LAUSD Bud Jacobs, Director, LAUSD High Schools and Principal, Venice High School (Retired) Michelle King, Superintendent Joyce Kleifeld, Los Angeles High School, Alumni Association, Harrison Trust Cynthia Lim, LAUSD, Director of Assessment Robin Lithgow, Theater Arts Advisor, LAUSD (Retired) Ellen Morgan, Public Information Officer Kenn Phillips, Business Community Carl J. Piper, LAUSD Legal Department Rory Pullens, Executive Director, LAUSD Arts Education Branch Belinda Stith, LAUSD Legal Department Tony White, Visual and Performing Arts Coordinator, LAUSD Beyond the Bell Branch Appreciation is also extended to the following schools, principals, assistant principals, staffs and alumni organizations for their support and contributions to this project. -
Pumping Irony from GQ by Robert Draper
Pumping Irony from GQ by Robert Draper "THIS GUY- this guy," said Lou Ferrigno as he unwrapped his 6'5" assemblage of muscle tissue and rope-like veins to reveal a middle- aged man of more plausible dimensions blushing beneath, "was my hero." The Incredible Hulk star grinned, and continued, "No foolin '. Two guys inspired me to get into bodybuilding: Arnold and this guy." This guy wore a thin-lipped smile as he studied the office carpet of Weider Publications, the muscle-mag empire that had made both men stars in an earlier day. Ferrigno then said. "Hey, Dave, I'm goin' boar hunting this weekend. You do any hunting?" Looking up then, his eyes squinting apologetically, Dave Draper said, "No. I can't hunt animals. I feel sorry for them. " Ferrigno seemed surprised at first. He blinked, smiled incredulously, and reared back as if to say Who the hell is THIS guy 1 Then he regarded Dave Draper afresh- and as others have done, re- minded himself that only one of his two inspirations had been the Terminator, while the other had nearly been terminated. Now Dave had returned from the dead, emerging as a force in the body- building industry that he had helped popularize three decades ear- lier. But this was not a comeback, technically speaking, as Dave Draper didn't want to go back to where he'd once been. Besides, I'U be back was the other guy's line. This guy? This guy was the anti-Arnold. Here is the stake some of us had in Dave Draper, way back when: Before OJ. -
CITY LANDMARK EVALUATION ASSESSMENT REPORT 1659 OCEAN FRONT WALK SANTA MONICA, CALIFORNIA Purser Apartment Building
CITY LANDMARK EVALUATION ASSESSMENT REPORT 1659 OCEAN FRONT WALK SANTA MONICA, CALIFORNIA Purser Apartment Building Prepared for: City of Santa Monica City Planning Division 1685 Main Street, Room 212 Santa Monica, CA 90401 Prepared by: Ostashay & Associates Consulting Jan Ostashay Principal PO BOX 542 Long Beach, CA 90801 January 2017 THIS PAGE INTENTIONALLY BLANK CITY LANDMARK EVALUATION ASSESSMENT REPORT Purser Apartment Building 1659 Ocean Front Walk Santa Monica, CA 90401 APN: 4290‐022‐005 INTRODUCTION This landmark assessment and evaluation report, completed by Ostashay & Associates Consulting (OAC) for the City of Santa Monica, documents and evaluates the local individual significance and landmark eligibility of the multi‐family apartment building referred to as the Purser Apartments located at 1659 Ocean Front Walk in the City of Santa Monica, California. This assessment report includes a discussion of the survey methodology used for the evaluation, a summarized description of the property under review, a brief history (historic context) of the property, an evaluation of significance under the City of Santa Monica landmark designation criteria, photographs, and applicable supporting materials. METHODOLOGY In order to assess and evaluate the property as a potential individual local landmark an intensive‐level survey was conducted. The assessment included a review of the National Register of Historic Places (National Register) and its annual updates, the California Register of Historical Resources (California Register), and the California Historic Resources Inventory (CA‐ HRI) list maintained by the State Office of Historic Preservation (OHP) in order to determine if the property had been previously evaluated or documented for historical significance. The City of Santa Monica Historic Resources Inventory database was also reviewed.