Dreamingand the Ideology of Mantics: Homer and Ancient Near Eastern Oneiromancy."
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Hellenic Saga Gaia (Earth)
The Hellenic Saga Gaia (Earth) Uranus (Heaven) Oceanus = Tethys Iapetus (Titan) = Clymene Themis Atlas Menoetius Prometheus Epimetheus = Pandora Prometheus • “Prometheus made humans out of earth and water, and he also gave them fire…” (Apollodorus Library 1.7.1) • … “and scatter-brained Epimetheus from the first was a mischief to men who eat bread; for it was he who first took of Zeus the woman, the maiden whom he had formed” (Hesiod Theogony ca. 509) Prometheus and Zeus • Zeus concealed the secret of life • Trick of the meat and fat • Zeus concealed fire • Prometheus stole it and gave it to man • Freidrich H. Fuger, 1751 - 1818 • Zeus ordered the creation of Pandora • Zeus chained Prometheus to a mountain • The accounts here are many and confused Maxfield Parish Prometheus 1919 Prometheus Chained Dirck van Baburen 1594 - 1624 Prometheus Nicolas-Sébastien Adam 1705 - 1778 Frankenstein: The Modern Prometheus • Novel by Mary Shelly • First published in 1818. • The first true Science Fiction novel • Victor Frankenstein is Prometheus • As with the story of Prometheus, the novel asks about cause and effect, and about responsibility. • Is man accountable for his creations? • Is God? • Are there moral, ethical constraints on man’s creative urges? Mary Shelly • “I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion. Frightful must it be; for supremely frightful would be the effect of any human endeavour to mock the stupendous mechanism of the Creator of the world” (Introduction to the 1831 edition) Did I request thee, from my clay To mould me man? Did I solicit thee From darkness to promote me? John Milton, Paradise Lost 10. -
Myrtle2018.Pdf
Ron Martin THE STAFF “Thunder” Welcome to the Hurricane Alley Rally! I hope [email protected] [email protected] you all survived and are doing well. God bless the people Phone: (386) 323-9955 Illustrator / Maps in the Carolinas that had major damage. Please donate to your local charities and make sure they are the real Publisher Paul Fabiano deal before you give the money. Many thank to all the first Mike Barnard Phone: (386) 717-1110 responders, fireman, police, linemen, and ALL for their [email protected] service. [email protected] Okay. I want to thank Myrtle Beach Harley-Davidson for Art Director Sales the cover – awesome as always; Russ Brown for the back cover, and Spokes The Biker’s Pocket Guide, and Bones for the Centerfold. Without you guys, we don't exist. Linda Montgomery Inc. So much going on, so let's begin. [email protected] 1000 Walker St. Unit 379 Tattoos – Pit Bull Tattoo voted the best tattoo shop 11 years in a row; and Tiki Daytona Beach, FL 32117 Tattoo specializing in Polynesian art. Editor / Event Listings Phone: (386) 323-9955 Come take a demo ride at Coastal Indian Motorcycle of Myrtle Beach. Demo BikersPocketGuide.com trucks will be there for the Rally on Thursday, Friday and Saturday. Live entertainment at Suck Bang Blow! Rebel Son, Bobby Friss, Sonny Led- Made & Printed in the USA. furd, Jamine Cain to mention a few. Fall Rally parties – check out the complete list for Myrtle Beach Harley-David- SOUVENIR BIKER'S POCKET GUIDE FOR MYRTLE BEACH FALL RALLY 2018 son's Rally Events and parties. -
Fabolous Featuring Tamia
Fabolous Into You mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Into You Country: Australasia Released: 2003 MP3 version RAR size: 1167 mb FLAC version RAR size: 1884 mb WMA version RAR size: 1771 mb Rating: 4.7 Votes: 301 Other Formats: ADX FLAC WMA MIDI DXD AC3 AHX Tracklist Hide Credits Into You (Amended Edit) 1 Featuring – Tamia Into You (Explicit Version) 2 Featuring – Tamia 3 Young'N (Explicit Version) 4 Keepin' It Gangsta (Explicit Version) Companies, etc. Manufactured By – Digital Audio Technologies Australia Barcode and Other Identifiers Barcode: 0 75596 747226 Rights Society: GEMA/BIEM Other versions Category Artist Title (Format) Label Category Country Year Fabolous Featuring Tamia Elektra, Fabolous PRCD 1890 - Into You (CD, Single, Desert Storm PRCD 1890 US 2003 Featuring Tamia Ltd, Promo) Records Fabolous Fabolous Featuring Tamia 0-67452 Elektra 0-67452 US 2003 Featuring Tamia - Into You (12") Desert Storm Fabolous Fabolous Featuring Tamia PR04218 Records, PR04218 2003 Featuring Tamia - Into You (12", Promo) Elektra Fabolous Featuring Tamia Fabolous none - Into You (CDr, Single, Elektra none US 2003 Featuring Tamia Promo) Fabolous Fabolous Featuring Tamia E7470CD Elektra E7470CD US 2003 Featuring Tamia - Into You (CD, Single) Related Music albums to Into You by Fabolous Fabolous, Tamia - Into you Fabolous featuring The-Dream - Throw It In The Bag Red Cafe Featuring Lloyd Banks & Fabolous - The Realest Tamia - Love Life Tamia - More DJ Clue - DJ Clue And Desert Storm Present... He's A Hustler Part 2 Cassie Feat. Fabolous - Radio Albe Back Featuring Fabolous - Mira Mira Lil' Mo Featuring Fabolous - Superwoman PT. II Fabolous - Street Dreams. -
Oneiromancy in the Bible
Oneiromancy 1 Oneiromancy in the Bible So what did the medieval or early Renaissance reader make of oneiromancy--the process of divination through dreams? Even through the King James Bible would not appear in English until the 1600s, most educated readers would be familiar with various biblical accounts of divinely inspired dreams. These pages list biblical passages that Christians in the medieval period considered important. In some cases, there is some confusion in the Latin text as to whether or not the events described took place as a dream (somnium) during sleep (somnus), or as a waking vision (visio). To differentiate, I include the Latin below. Note that the phrases "in somno" and in somnis" can mean "in dreams" or "while asleep." Genesis 20:3-7 (somnium): In the story of Abraham and Sarah, a male dreamer (Abimelech) is warned against taking Sarah from Abraham. 28:12-15 (in somnis) Jacob's dream of a ladder, with angels moving up and down it. 31:10-13 (in somnis) Angel appears to Jacob in a dream, shows him Laban's sheep producing speckled and striped ewes, which will be his according to agreement. 31:24 (in somnis) Laban warned by God in dream not to speak harshly to Jacob. 37:5-9 (ut visum somnium) Joseph hated by his brothers, he tells them a dream he already dreamed; the frame is a narrator telling a past dream in which Jacob's brothers' sheaves stand in a field with sheaves bowing down to his. Then the sun and moon and stars worship it as well. -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
Divination in the Ancient Near East Humans Are Creatures That Thrive on Information
1 Divination in the Ancient Near East Humans are creatures that thrive on information. We have always tried to learn what was going on around us, particularly in times of danger or crisis. If we cannot find hard facts, we will make something up. Divination in the ancient world helped to soothe this need, but it served other functions as well. The ultimate basis of divination was a sense that divine action and intent has a ripple effect across the rest of the physical world. These manifest themselves in subtle changes and events both large and small that the wise could identify and interpret. Usually when we talk of divination we focus on the mechanics, and we will do that here to some extent. Perhaps the most famous form of divination among Israel’s neighbors and especially the civilizations of Mesopotamia was hepatoscopy or divining based on marks or deformations of the liver of a sacrificial animal. This was part of a larger form of divination called extispicy, which tried to discern divine intent by examining an animal’s internal organs. The Figure 1: Etruscan Bronze Mirror of Chalchas the Seer Babylonian and Assyrians were Reading a Liver (Vatican: Gregorian Museum, Rome, not the only ones to practice cat # 12240). this; one finds it throughout the Mediterranean basin, but they brought it to unparalleled levels of sophistication. One obvious question is, “why a liver?” The most likely reason is that it was something beyond reach until it was extracted by the diviner. Until then, no one could touch it or manipulate it, and so it constituted something on which the action and intent of the gods could write itself without human interference or manipulation. -
DIVINATION SYSTEMS Written by Nicole Yalsovac Additional Sections Contributed by Sean Michael Smith and Christine Breese, D.D
DIVINATION SYSTEMS Written by Nicole Yalsovac Additional sections contributed by Sean Michael Smith and Christine Breese, D.D. Ph.D. Introduction Nichole Yalsovac Prophetic revelation, or Divination, dates back to the earliest known times of human existence. The oldest of all Chinese texts, the I Ching, is a divination system older than recorded history. James Legge says in his translation of I Ching: Book Of Changes (1996), “The desire to seek answers and to predict the future is as old as civilization itself.” Mankind has always had a desire to know what the future holds. Evidence shows that methods of divination, also known as fortune telling, were used by the ancient Egyptians, Chinese, Babylonians and the Sumerians (who resided in what is now Iraq) as early as six‐thousand years ago. Divination was originally a device of royalty and has often been an essential part of religion and medicine. Significant leaders and royalty often employed priests, doctors, soothsayers and astrologers as advisers and consultants on what the future held. Every civilization has held a belief in at least some type of divination. The point of divination in the ancient world was to ascertain the will of the gods. In fact, divination is so called because it is assumed to be a gift of the divine, a gift from the gods. This gift of obtaining knowledge of the unknown uses a wide range of tools and an enormous variety of techniques, as we will see in this course. No matter which method is used, the most imperative aspect is the interpretation and presentation of what is seen. -
Tolono Library CD List
Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J. -
An Apology of Euripides: Defending the Poets
[Expositions 11.1 (2017) 118–137] Expositions (online) ISSN: 1747–5376 An Apology of Euripides: Defending the Poets MARLENE K. SOKOLON Concordia University One of the main prosecutors of Socrates on charges of impiety and corruption in 399 B.C.E. was the poet Miletus. In Plato’s version of his Apology (22b), Socrates defends himself by pointing out that poets are merely inspired and their audiences are better at explaining their poems.1 This critique of poetry is found and developed across Plato’s corpus, especially in the Republic (604b– 608d) where Socrates ends the ancient quarrel by exiling the poets from the city and philosophic education. This banishment, however, unleashed a new quarrel as to the meaning of Socrates’ critique of poetry, especially in light of his generous use of poetic elements in Plato’s dialogues. Generally, this debate has examined whether Socrates’ critique is ironic from the philosopher’s perspective. In contrast, this analysis takes up Socrates’ explicit challenge in the Republic (607e) for a defender (prostatēs) to give apology of poetry demonstrating that it is not simply pleasant but beneficial to regimes and human life. Offering two of Euripides’ plays in defense—Suppliant Women and Ion—the article investigates Euripides’ poetic contribution to understanding two enduring questions of political philosophy: what is the best regime; and what is the role of myth in political origin. Importantly, Euripides provides a serious account of such questions and reveals that a poetic education may be not only beneficial, but essential in any democratic regime. Socrates’ Critique of the Poets In Plato’s Apology, Socrates’ critique of the poets appears in the context of his defense against his old accusers. -
Artists in Transition New on the Charts This Month
Vol. 30 No. 9 9 www.notc.com Artists In Transition New On The Charts This Month ¥ POP, COUNTRY & URBAN CREDITS - w/Contacts at WWW.NOTC.COM ¥ PUBLISHER'S NEWSLETTER - Who Needs Songs ¥ SOUNDTRACK NEWSLETTER - Films & TV that need Music ¥ MUSIC VIDEOS - Titles, Producers and Directors This is a listing of ARTISTS that previously recorded for a major label, and now control their own master rights, as noted in New On The Charts ¥ INTERNATIONAL DEALS AVAILABLE THE MUSIC BUSINESS INFORMATION SERVICE / SEPTEMBER 2005 this past year. (Please note however, that some of these acts may have new situations since the original time of printing.) Allie Doug E. Fresh Formerly: Koch- Female Club-Dance artist who enjoyed major success Formerly: Reality, then Bust It, then Gee Street- The ‘Original Human with Mike Rizzo produced “Can’t Go On” is now touring and open to a Beatbox’ is still recording, including an instructional DVD and live concerts new situation and he is now in the studio working on a new LP Contact: Ruben D. Martinez- Nene Musik Prod’ns. 1406 SW Santiago Contact: Gerald Spence- Gerald Spence Ents. 3609 Broadway, #6M NYC NY Ave. Port St. Lucie FL 34953 (772)807-8305FAX:(772)807-8306 e-mail: 10031 (212)281-7480FAX:(212)690-9083 e-mail: [email protected] [email protected] Ari Hest Dickey Betts & Great Southern Formerly: Columbia- Signed to Columbia w/first album “Someone To Tell” in Formerly: Razor & Tie- Previously known for his work with The Allman 2004,followed w/"The Break-In",then opted out for more control & spent a Bros., Betts then joined with Great Southern and is still touring and year recording one song a week for his ‘52’project- see:arihest.com recording Contact: Shannon Quisenberry- Brick Wall Mgm’t. -
Euboea and Athens
Euboea and Athens Proceedings of a Colloquium in Memory of Malcolm B. Wallace Athens 26-27 June 2009 2011 Publications of the Canadian Institute in Greece Publications de l’Institut canadien en Grèce No. 6 © The Canadian Institute in Greece / L’Institut canadien en Grèce 2011 Library and Archives Canada Cataloguing in Publication Euboea and Athens Colloquium in Memory of Malcolm B. Wallace (2009 : Athens, Greece) Euboea and Athens : proceedings of a colloquium in memory of Malcolm B. Wallace : Athens 26-27 June 2009 / David W. Rupp and Jonathan E. Tomlinson, editors. (Publications of the Canadian Institute in Greece = Publications de l'Institut canadien en Grèce ; no. 6) Includes bibliographical references. ISBN 978-0-9737979-1-6 1. Euboea Island (Greece)--Antiquities. 2. Euboea Island (Greece)--Civilization. 3. Euboea Island (Greece)--History. 4. Athens (Greece)--Antiquities. 5. Athens (Greece)--Civilization. 6. Athens (Greece)--History. I. Wallace, Malcolm B. (Malcolm Barton), 1942-2008 II. Rupp, David W. (David William), 1944- III. Tomlinson, Jonathan E. (Jonathan Edward), 1967- IV. Canadian Institute in Greece V. Title. VI. Series: Publications of the Canadian Institute in Greece ; no. 6. DF261.E9E93 2011 938 C2011-903495-6 The Canadian Institute in Greece Dionysiou Aiginitou 7 GR-115 28 Athens, Greece www.cig-icg.gr THOMAS G. PALAIMA Euboea, Athens, Thebes and Kadmos: The Implications of the Linear B References 1 The Linear B documents contain a good number of references to Thebes, and theories about the status of Thebes among Mycenaean centers have been prominent in Mycenological scholarship over the last twenty years.2 Assumptions about the hegemony of Thebes in the Mycenaean palatial period, whether just in central Greece or over a still wider area, are used as the starting point for interpreting references to: a) Athens: There is only one reference to Athens on a possibly early tablet (Knossos V 52) as a toponym a-ta-na = Ἀθήνη in the singular, as in Hom. -
NARRATIVE SETTING and EURIPIDES' ION Setting May Be
CHAPTER TWO NARRATIVE SETTING AND EURIPIDES' ION Setting may be used most often to introduce the traditional tales of tragedy and, more obliquely, the poets' interest in them, but in some few extant plays spatial definition is central to and insepa rable from the poet's construction of his meaning in the whole of the tragedy. In the final two plays of Sophocles, discussed in the previous chapter and subsequently in Chapter Six, 1 the physical context of the dramatic action is used to define evocatively the character and situation of the protagonist not only at the plays' beginnings but throughout. The same might be said of the harsh environment of Prometheus' punishment in the Prometheus Bound, or of Thetis' shrine in the Andromache, or of Thebes and Mt. Cithaeron in the Bacchae. 2 In these tragedies, in different ways, the verbal definition of setting is extensive and crucial to the meaningful structure of the tragedy and must be evaluated as part of a larger reading of the tragedy as both a verbal and a performa tive text. In order to explore some of the extensive and diverse uses of setting in tragedy, I focus in this chapter on a single play, Euripides' Ion, in which the significance of setting for the thema tic development of the play includes but extends beyond the intro ductory naming either of Delphi, the play's geographic locale, or of Athens, which provides a larger context to the events at Delphi enacted in the play. Examination of the ways in which setting is used in this drama will allow fuller detailing of the expressive capacity of setting as a device of drama and provide a useful intro duction to the discussions that follow of cult settings in suppli cation scenes, discussed in Chapter Three, and of the character defining antinomy of home and not-home discussed in Part Two.