Ithaca College Nineteenth Annual Choral Composition Contest

Total Page:16

File Type:pdf, Size:1020Kb

Ithaca College Nineteenth Annual Choral Composition Contest Ithaca College Digital Commons IC All Concert & Recital Programs Concert & Recital Programs 11-14-1998 Special Event: Ithaca College Nineteenth Annual Choral Composition Contest Ithaca College Choir Lawrence Doebler Ithaca College Choral Union Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Choir; Doebler, Lawrence; and Ithaca College Choral Union, "Special Event: Ithaca College Nineteenth Annual Choral Composition Contest" (1998). All Concert & Recital Programs. 7882. https://digitalcommons.ithaca.edu/music_programs/7882 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons IC. ITHACA COLLEGE NINETEENTH ANNUAL CHORAL COMPOSITION CONTEST SPONSORED JOINTLY BY ITHACA COLLEGE AND THEODORE PRESSER COMPANY The goals for this project are to encourage the creation and performance of new choral music and to establish the Ithaca College Choral Series. To achieve these objectives, scores from the United States, Canada and Europe were received. Five were chosen for performance this evening. This year Ithaca College commissioned Robert Maggio to write a choral piece for the festival. This composition Aristotle will be premiered by the Ithaca College Choir. Previously commissioned works: 1979 Vincent Persichetti Magnificat and NuncDimittis 1980 Samuel Adler Two Shelley Songs 1981 KarelHusa Every Day 1982 William Schuman Esses 1983 Dan Locklair Break Away 1984 Eugene Butler Eternity and Time 1985 Iain Hamilton The Convergence 1986 Ellen Taafe Zwilich Thanksgiving Song 1987 Richard Wernick The Eleventh Commandment 1988 Peter Schickele Songs I Taught My Mother 1989 Thomas Pasatieri Three Mysteries for Chorus 1990 Norman Dello Joio The Quest 1991 Augusta R. Thomas Sanctus 1992 Norman Dello Joio Songs of Memory* 1993 Ronald Caltabiano Metaphor 1994 Thea Musgrave On The Underground 1995 Daniel Pinkham Passion Music 1996 Daniel Asia purer than purest pure 1997 Chen Yi Spring Dreams ( *Centennial Commission ) ITHACA COLLEGE ADMINISTRATION President-Peggy Williams Provost-James Malek Dean, School of Music-Arthur E. Ostrander Associate Dean, School of Music-Jamal Rossi Coordinator of Music Admissions-Graham Stewart PRELIMINARY JUDGES LAWRENCE DOEBLER-Professor of Choral Music JANET GALVAN-Professor of Music Education and Choral Conductor FINAL JUDGES JANET GALVAN ARTHUR E. OSTRANDER-Dean, School of Music WILLIAM PELTO-Associate Professor of Theory DANA WILSON-Dana Professor of Music Theory and Composition GREGORY WOODWARD-Professor of Music Theory and Compostition VOICE FACULTY Randie Blooding Deborah Montgomery Angus Godwin David Parks Jean Loftus Patrice Pastore Carol McAmis Beth Ray Richard McCullough CHORAL FACULTY Lawrence Doebler Choir, Madrigals Janet Galvan Women's Chorale Jeffrey Gemmel Chorus Lauri Robinson-Keegan Vocal Jazz Ensemble CHORAL STAFF Bill DeMetsenaere Choral Secretary Jennifer Haywood Graduate Coordinator BIOGRAPHIES Robert Maggio was born in New Jersey on January 8, 1964. Robert Maggio began piano studies at age 7, started composing at 15, and completed a one-act musical comedy the following year. He began private study of music theory and composition at 17, graduated magm• cum laude with honors in music from Yale University in 1986, and subsequently received Master's and Doctorate degrees in Music Composition from the University of Pennsylvania. His teachers included Jonathan Berger, George Crumb, Michael Friedman, Jay Reise, Chinary Ung and Richard Wernick. Published by Theodore Presser Company, Maggio's music has been commissioned and performed by musicians and organizations including the Atlanta Symphony Orchestra, Cincinnati Symphony Orchestra, Kennedy Center, Oakland East Bay Symphony, New York Festival of Song, Civic Orchestra of Chicago, Aspen Music Festival, American Dance Festival, New York Youth Symphony, Lincoln Center Out-of- Doors Festival, Detroit Chamber Winds, Meridian Arts Ensemble, National Orchestral Association, Yale Repertory Theater, Philadelphia Drama Guild, New York Theater Workshop, Villanova Theater, NYU Theater Program, Stephen Pelton Dance Company, 'I violinist Scott St. John, cellist John Koen and flutist Bart Feller. ~ Maggio has received awards, grants, and fellowships from the American Academy of Arts and Letters, ASCAP, BMI, Pennsylvania Council on the Arts, Meet the Composer, the Barlow Endowment, American Music Center, the Beams Prize, Yaddo, the MacDowell Colony, the Djerasst Resident Artists Program, West Chester University, and the Pennsylvania State System of higher Education. In March 1998, Maggio received a Fellowship from the Guggenheim Foundation for 1998-99. During this time, he will be collaborating on a new dance work with choreographer Leah Stein and Network for New Music in Philadelphia, to be premiered in Spring 1999. Robert Maggio lives in Media, Pennsylvania and is Associate Professor of Music Theory and Composition in the School of Music at Chester University. His music can be heard on the CRI label. THOMAS BROIDO is currently president of Theodore Presse. Company. ); ARNOLD BROIDO Currently chairman of the board at the Theodore Presser Company, Mr. Broido is a graduate of Ithaca College and Teacher's College, Columbia University and was recently granted an honorary doctorate degree from Ithaca College. LAWRENCE DOEBLER Mr. Doebler is the Director of Choral Activities and a Professor of Music at Ithaca College. He formerly taught and conducted at the University of Wisconsin-Madison and at Smith College. He has received awards for research and teaching excellence from the University of Wisconsin and Ithaca College. As an active clinician and guest conductor, Mr. Doebler has appeared throughout eastern and mid-western states. RAY BONO was born in Brooklyn in 1953 and received his B.A. in French from the University at Albany. In upstate New York he has worked in a variety of capacities for performing arts companies, from stage manager, operations director and librarian for the Albany Symphony Orchestra to Public Relations Director for the Empire State Institute for the Performing Arts, and he has acted in several plays, most recently in the Manhattan premiere of John Linley's Bruised. In music he has been a copyist, lyricist and arranger, has composed a few choral pieces (one of which placed second at Ithaca in 1990) and chamber works and has provided incidental music to a few stage productions. BRIAN HOMLES received a PhD in experimental low temperature physics from Boston University. He has been a member of the Physics Department of San Jose State University since 1983. His research interests included the physics of music, physics and sports, and science education. He has served as president of the Northern California section of the American Association of Physics Teachers. He studied horn with Harry Shapiro in Boston, and has performed with the San Jose Symphony and Opera San Jose. He is active as a composer and arranger. Many of his arrangements for chorus and brass have been performed and recorded by Revel, Inc. His voice and piano arrangements are featured in I Have a Song to Sing, 0, by John Langstaff, published by MacMillan. His carol I Saw a Fair Maiden was recently published by Thorpe Music of Boston. He has composed a variety of additional works, including the opera One Shepherd Stayed Behind and The Trumpet and other songs, a song cycle for tenor and orchestra. KEVIN OLSEN teaches theory, electronic music, and classical and jazz piano at Elmhurts College near Chicago, Illinois. In addition to being an active composer, pianist, and teacher, Kevin maintains a large piano studio with students of all ages and abilities. A native of Utah, Kevin began composing at age five. When he was twelve, his composition, An American Trainride, received Overall First Prize at the 1983 national PTA Convention at Albuquerque, New Mexico. Since then he has written, among other things, a piano concerto, music for three short films, and a big band jazz piece which was featured at the Rich Matteson Jazz Camp in Telluride, Colorado. He was named one of the Composers in Residence at the 1992 National Conference on Piano Pedagogy, an award he received for two piano compositions. Kevin has published pieces with Frederick Harris Company and Kjos Music. He is currently an exclusive writer for the FJH Music Company in Miami, Florida. He has taught at Humboldt State University in Arcata, California and was a graduate instructor at Brigham Young University, where he received his Bachelor's and Master's degrees in Music Composition. JONATHAN SANTORE is Assistant Professor of Music Theory and Composition at Plymouth State College in New Hampshire. Before moving to New England, he held teaching positions at Occidental College, California State University, Los Angeles, and the University of Minnesota. He holds degrees from Duke University, The University of Texas at Austin, and UCLA, and has studied composition with Stephen Jaffe, Eugene Kurtz, Donald Grantham, and William Kraft. Santore has won several scholarships, fellowships, and awards for his compositions (including a finalist performance in the 1995 Ithaca College Choral Composition Contest), and has conducted performances of his own works in the United States and Europe; his work has been recorded by California's Octagon New Music Ensemble. His commissions list
Recommended publications
  • Ofmusic PROGRAM
    NEW MUSIC AT RICE A program of works by guest composer STEPHEN JAFFE and by KARIM AL-ZAND RICHARD LAVENDA GEORGE ROCHBERG Friday, November 20, 2009 8:00 p.m. Lillian H Duncan Recital Hall ~herd RICE UNIVERSITY Sc~ol ofMusic PROGRAM Pattern Preludes (for solo piano) Karim Al-Zand Book 2 (2008-09; Premiere) (b. 1970) 1. Moderately; wistful 2. Extremely Quickly; manic, mechanical (figure-ground) 3. Slowly; delicate,fragile (ripple effect) 4. Quickly; raucous, boisterous (mirror game) 5. Slowly; calm, placid (parallel play) 6. Very Quickly; massive, unrelenting Book 3 (2008-09; Premiere) 1. Moderately; tranquil, serene 2. Very Quickly; fidgety, nervous 3. Moderately; flowing 4. Very Quickly; nimble, playful (solfeggio) 5. Slowly, with rubato; delicate, innocently (lullaby for Zayd) 6. Very Quickly; spirited, bouncing Brian Connelly, piano String Trio (2007) Richard Lavenda (b.1952) SoJin Kim, violin Roberto Papi, viola Lachezar Kostov, cello Caprice Variations for Solo Violin (1970) George Rochberg 1. Allegro energico (1918-2005) 5. Paco agitato ma con molto rubato 7. Presto (after Beethoven's Op. 74, Scherzo) 18. Allegro fantastico 19. Vivace 44. Scherzo (after Mahler's Symphony No. 5, Scherzo) 35. Allegro molto; fantastico 45. Presto 50. Fantasy 51. Quasi presto; Robusto Paganini's Theme. Caprice XXIV Kathleen Winkler, violin Offering (for flute, viola, and harp) (1996) Stephen Jaffe (b.1954) Catherine Ramirez, flute James Dunham, viola Sadie Turner, harp PROGRAM NOTES Pattern Preludes . Karim Al-Zand Pattern Prelude is a title I have been using for an ongoing collection ofshort piano pieces. These briefworks are characterized by a single, con­ sistent surface texture that prevails from beginning to end.
    [Show full text]
  • November 14 Program
    Extraordinary Measures 2020-2021 Season Music by Emma O’Halloran & Gregory T.S. Walker 36th Season 14 November 2020, 7:30 pm Virtual Concert Network Ensemble Members Violin Tenor Saxophone & Julia Li Electronics Hirono Oka Matthew Levy Extraordinary Measures • November 14, 2020 Music by Emma O’Halloran & Gregory T. S. Walker PROGRAM ❧ Introduction by Tomas Schuttenhelm, Artistic Director Introduction by Emma O’Halloran Sum of Its Parts Emma O’Halloran Matthew Levy, tenor saxophone & electronics Introduction by Gregory T.S. Walker Selections from Rock, Pop, and Hip-Hop Fantasies Gregory T. S. Walker Boom Badoom Boom (Hooked Bowing) -- Heartbeat runnin' away Evanescence (Te Syncopation) -- Frozen Inside Your Grandad's Clothes (Octaves) -- Search'in in that section Horse Dance (Chromatic Glissando) -- Allegro con Bounce Julia Li, violin Hirono Oka, violin mma O’Halloran is an Irish composer and vocalist. Freely E intertwining acoustic and electronic music, O’Halloran has written for folk musicians, chamber ensembles, turntables, laptop orchestra, symphony orchestra, flm, and theatre. For her efforts, she has been praised by I Care If You Listen editor-in-chief Amanda Cook for writing “some of the most unencumbered, authentic, and joyful music that I have heard in recent years,” and has won numerous competitions, including National Sawdust’s inaugural Hildegard competition and the Next Generation award from Beth Morrison Projects. O’Halloran’s music aims to capture the human experience, exploring complex emotions felt in specifc moments in time. Tis approach has found a wide audience: her work has been featured at the international Classical NEXT conference in Rotterdam, the Prototype Festival in New York, Bang on a Can Summer Music Festival, and MATA Festival.
    [Show full text]
  • The Pivotal Role of Messiaen's Quartet for the End of Time in The
    KEEN HOCK, RENA CATHERINE, D.M.A. The Pivotal Role of Messiaen’s Quartet for the End of Time in the Establishment of the Clarinet-Piano Quartet Genre. (2012) Directed by Dr. Kelly J. Burke. 109 pp. Messiaen’s Quartet for the End of Time played a pivotal role in the development of the clarinet-piano quartet genre. Messiaen’s Quartet for the End of Time and the subsequent rise of the clarinet-piano quartet genre exemplify a modernist shift in genre identity in twentieth century chamber music. Contributing factors to this identity include the success of professional quartets in performing, promoting, and expanding the repertoire, the quality of work within the genre, and the ability of ensembles who promote this genre to sustain themselves in a changing socioeconomic environment. In this study I examine the different factors of genre identity that relate to the clarinet-piano quartet. These factors include: the problem of genre identity in the twentieth century; a historical account of the development of the clarinet-piano quartet genre from the first performance of Quartet for the End of Time through the work of current professional ensembles; the quality of literature for this genre, represented by the analysis of Toru Takemitsu’s Quatrain (1978) and Paul Moravec’s Tempest Fantasy (2002); and how this new genre meets the social and economic demands of the current information age. The appendices provided with this study are reference tools designed to help musicians discover works within this genre, and to collect the available literature in one location. They include an annotated list of influential or most recently published quartets, a complete list of all clarinet-piano quartets arranged by composition date, and a list of commissioned quartets organized by their commissioning ensemble.
    [Show full text]
  • NWCR642 Gerald Levinson
    NWCR642 Gerald Levinson 4. Bronze Music for two pianos (1980) ................... (6:28) James Freeman and Charles Abramovic, pianos. Black Magic / White Magic (1981) ............................ (22:36) 5. Prelude ..................................................... (0:41) 6. Bright Wish .............................................. (1:23) 7. Green ........................................................ (1:05) 8. The Hummingbird .................................... (1:00) 9. The Tropics .............................................. (2:59) 10. Twilight .................................................... (2:31) 11. The Night Herd ........................................ (0:37) 12. Serpent Song ............................................ (2:39) 13. Piscivorous Jack ....................................... (2:17) 14. Stones Sing ............................................... (4:27) 15. Lilacs ........................................................ (2:18) 16. Envoi (The Pheasant) ............................... (0:39) Constance Beavon, mezzo-soprano; Orchestra 2001: Pamela Guidetti, flute/alto flute/piccolo; Dorothy Freeman, oboe/English horn; Allison Herz, clarinet; Dong Jin Kim, clarinet/bass clarinet; Barbara Sonies, violin; Lori Barnet, violoncello; and Charles Abramovic, piano. James Freeman, conductor Dreamlight (1990) ..................................................... (38:28) 1. I. Very slow, meditative ............................ (9:37) 17. Morning Star chorale for piano, 2. II. Poco Pesante ........................................
    [Show full text]
  • 9-18 Notes.Indd
    2006-07 Season Earplay:22 Musing Monday, September 18, 2006, 7:00 PM Earplay 22: Exploring Monday, March 12, 2007 James H. Carr Christopher Wendell Jones György Ligeti Krzysztof Penderecki Kurt Rohde Earplay 22: Visioning Monday, May 21, 2007 as part of the San Francisco International Arts Festival Tickets: Free (Donations appreciated) September 18, 2006 SPECIAL PRODUCTION: Libby Larsen, Every Man Jack (2006) World Premiere Sonoma City Opera November 11, 12, 15, 18 & 19, 2006 www.sonomaopera.org elcome to an Earplay performance.performance. Our mission is to nuture new chamber music --composition, performance, and audience--all vital components. Each concert Wfeatures the renowned members of the Earplay ensemble performing as soloists and ensemble artists, along with special guests. Over twenty-one years, Earplay has made an enormous contribution to the bay area music community. Th e Earplay Earplay ensemble has performed hundreds of works by more than two hundred composers. Earplay hashas commissionedcommissioned anan averageaverage ofof twotwo Donald Aird new works per season, and has presented more than one hundred Memorial world premieres. Composers Competition Th is year the concerts are free to encourage more people to listen to new music. We appreciate your donations to make this possible. We look forward to meeting you and hearing your Downloadable application at: www.earplay.org/competitions responses.. Deadline: October 28, 2006 Richard Aldag President, Board of Directors Special Thanks To: Earplay Earplay Staff Dennis Wadlington,
    [Show full text]
  • Acknowledgments Scott Lindroth YTTE Stephen Jaffe Four Pieces Quasi Sonata YTTE Is Available from the Composer: Miriam Gideon [email protected]
    Acknowledgments Scott Lindroth YTTE StEphEn JaffE four piEces QuaSi Sonata YTTE is available from the composer: MiriaM GidEon [email protected]. crEaturE to crEaturE Four Pieces Quasi Sonata and Offering StEphEn JaffE offErinG are published by Theodore Presser Company. Creature to Creature is published by Mobart Music Publications Recorded August 2008, August 2009 and January 2010. Produced and engineered by Judith Sherman Engineering and editing assistant: Jeanne Velonis Cover image: Brian Peterson “Earth and Sky” #18, 2005 (www.brianhpetersonwordimage.com) Support provided by the Duke University Faculty of Arts and Sciences. Elation www.albanyrecords.com TROY1483 albany records u.s. 915 broadway, albany, ny 12207 tel: 518.436.8814 fax: 518.436.0643 albany records u.k. box 137, kendal, cumbria la8 0xd tel: 01539 824008 © 2014 albany records made in the usa ddd Laura Gilbert flute Jonathan Bagg viola Daniel Lippel guitar waRning: cOpyrighT subsisTs in all Recordings issued undeR This label. Donald Berman piano Stacey Shames harp Elizabeth Shammash mezzo-soprano Elation is a result of the collaborative cross-relations that exist between the musicians and the composers & the music composers on the disc, and their enthusiasm for each other’s work. Stephen Jaffe’s Offering Scott Lindroth: YTTE was produced in 1993 as a joint commission, for flutist Laura Gilbert’s Auréole Trio and for Scott Lindroth’s work as a composer has centered on instrumental and vocal media, and includes compositions for the Chicago Symphony, Philadelphia Orchestra, and New York Philharmonic, as well violist Jonathan Bagg’s Mallarmé ensemble. Bagg and Jaffe are colleagues at Duke University, as the Netherlands Wind Ensemble, the Los Angeles Philharmonic New Music Ensemble, the California E.A.R.
    [Show full text]
  • F. Ludwig Diehn Concert Series: Lambert Orkis, Piano and David Hardy, Cello
    Diehn Concert Series 2013–2014 season Old Dominion University’s F. Ludwig Diehn Concert Series in collaboration with the Norfolk Chamber Consort Sept. 9, 2013 presents Andrew Pelletier, horn Sept. 23, 2013 Stefon Harris and the Blackout Band, composer, vibraphonist, marimbist Oct. 29, 2013 Boston Camerata, early music Feb. 17, 2014 Berlin Philharmonic Wind Quintet with Andrey Kasparov, woodwind quintet with piano Photo by Margot Ingoldsby Schulman March 24, 2014 Lambert Orkis (In conjunction with the Annual Lambert Orkis, piano and David Hardy, Harold Protsman Classical Period Piano Competition) cello April 14, 2014 Monday, March 24, 2014 Nicki Parrott, with the John Toomey Trio 8:00 p.m. (In conjunction with a five day residency, April 10 – 14) Wilson G. Chandler Recital Hall, F. Ludwig Diehn Center for the Performing Arts An endowment established at the Hampton Roads Community Foundation, made possible by a generous gift from F. Ludwig Diehn, funds this program. Program of the Kennedy Center Chamber Players and has appeared with this ensemble before enthusiastic audiences in the Kennedy Center’s Terrace Theater since 2003 and on an Atlantic Ocean crossing aboard the Queen Mary 2 in 2009. He Sonata for Viola da gamba Johann Sebastian Bach appears on two recordings by this ensemble including “The and Cembalo No. 2 1685–1750 Beauty of Two” (duos for cello and piano by Grieg and Martin, in D major, BWV 1028 performed with Lambert Orkis), and “An Emotional Journey,” Adagio clarinet works of Johannes Brahms, joining principal clarinet Allegro Loren Kitt and Lambert Orkis for the Trio in A minor, Op.
    [Show full text]
  • Dec 12 Program
    Extraordinary Measures 2020-2021 Season Music by Caleb Burhans, Tomas Kraines & Roberto Pace 36th Season 12 December 2020, 7:30 pm Virtual Concert Network Ensemble Members Double Bass Cello Mary Javian Tomas Kraines Marimba Guitar Phillip O’Banion Tomas Schuttenhelm Extraordinary Measures • December 12, 2020 Music by Caleb Burhans, Tomas Kraines & Roberto Pace PROGRAM ❧ Introduction by Tomas Schuttenhelm, Artistic Director Introduction by Roberto Pace Solo on Puryear* Roberto Pace Mary Javian, double bass Introduction by Tomas Kraines Hatchback Tortoise+ Tomas Kraines Tomas Kraines, cello Tomas Schuttenhelm, guitar Introduction by Caleb Burhans Time Well Spent Caleb Burhans Phillip O’Banion, marimba *NNM Commission +World Premiere **Philadelphia Premiere oberto Pace is a composer, music director, pianist and educator. He is recognized in R concert music, as well as in music for theater and dance. His works have been played, and he has performed, throughout the U.S. and Europe, as well as in Canada, Brazil and Japan. Mr. Pace studied at the New England Conservatory of Music with Pulitzer Prize-winning composer Donald Martino, and the late great theorist Ernst Oster. He holds an M.F.A. in composition from SUNY Purchase, where he was the frst to be awarded the Anthony Newman Prize for artistic and academic excellence. Mr. Pace's recent commissions include the Network for New Music, American Opera Projects, Te Greenwich Village Orchestra, the canonization of Padre Pio, the Viola Society of Philadelphia, the baroque/contemporary ensemble Mélomanie, which has released a commercial recording of his sextet written for them, Chamber Music Now!, the Elysian Camerata, Te Gleeksman-Kohn Chorus of the Settlement Music School, and the American Composer's Forum of Philadelphia.
    [Show full text]
  • “Always Something New”
    sonoritiesWINTER 2016 The News Magazine of the University of Illinois School of Music “Always Something New” Illinois Bands Enters a New Era campus news Published for the alumni and friends of the —Compiled by Emily Wuchner, associate editor School of Music at the University of Illinois at Urbana-Champaign. The School of Music is a unit of the College of A Nip Here, A Tuck There Fine + Applied Arts and has been an accredited institutional member of the National Association of You know how it is . a celebrity hits 40 and starts contemplating “having a little Schools of Music since 1933. work done.” Such is the story of the Music Building. A tireless performer since its birth Edward Feser, Dean of the College of Fine + in 1972, it has served (virtually 24/7) thousands of music and non-music students, Applied Arts Jeffrey Magee, Director of the School of Music faculty, staff, and joyful audiences over the years. Needless to say, the building was Emily Wuchner, Associate Editor starting to look, and feel, a bit worn. Joy McClaugherty, Assistant Editor Thanks to a grant from the University of Illinois Chancellor’s Fund and a match Lauren Coleman, Research Assistant from the College of Fine + Applied Arts, this summer kicked off a deferred mainte- Michael Siletti, Copy Editor nance program for the Music Building which included wayfinding, life and safety, Design and Layout by Studio 2D and much-needed cosmetic and user-friendly upgrades. Cover Photo by Justine Bursoni “Music is such an all-consuming passion, we sometimes overlook, or sacrifice, Front Cover: The jacket on the left belonged to the basic creature comforts,” Jeffrey Magee, professor and director of the School clarinetist John Van Fossen, who played in the of Music, said.
    [Show full text]
  • 559288 Bk Wuorinen US
    559639 bk Biscardi US 21/3/11 11:15 Page 12 Society. Recent New York Times reviews have cited her work in Tania León’s Alma, and her “passionate, warm- blooded performance” of the Berio Sequenza. Spencer has commissioned dozens of pieces, including Thea AMERICAN CLASSICS Musgrave’s now-classic Narcissus and Judith Shatin’s Kairos recorded on Neuma Records. Spencer has received awards from the National Endowment for the Arts, the Mary Flagler Cary Charitable Trust, and the Aaron Copland Fund for Music. She teaches flute and chamber music at Bard College and Hofstra University. Meighan Stoops CHESTER BISCARDI Clarinetist Meighan Stoops has distinguished herself in the classical and new-music realms as a solo, chamber, and orchestral performer. Recent highlights include Ligeti’s Chamber Concerto with Pierre-Laurent Aimard and the Chamber Orchestra of Europe, the première of Gunther Schuller’s Three Little Expressions (Homage to Brahms), In Time’s Unfolding and a Switzerland tour with the Glass Farm Ensemble. Recent reviews in The New York Times praised her “vibrant, richly shaded” solo performance of Mario Davidovsky’s Synchronisms No. 12, her “star turn” in Joan Tower’s Chamber and Instrumental Music Wings, and her “impressive agility and a supple sound” in Schuller’s Three Little Expressions. She has recorded for Bridge, CRI, Naxos, Albany, and Chesky Records, including music for some of the country’s most cutting-edge films. A founding member of the American Modern Ensemble and Walden School Players, Stoops has also Da Capo Chamber Players • Goldsworthy • Helias appeared with the Gotham Sinfonietta, Wet Ink, Talea Ensemble, and Washington Square Chamber Music Society.
    [Show full text]