Pragda Miguelito Study Guide
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RAFAEL CORTIJO Perc
AMIGOS DEL SON CALI Audición Mayo 6 de 2011 “CORTIJO Y SU COMBO Y VIENTOS MOVIDOS PARA EL BAILADOR” RAFAEL CORTIJO Percusionista, Compositor y Director Fecha de nacimiento: 11 de diciembre de 1928 , Parada 21, Santurce, Puerto Rico Falleció el 3 de octubre de 1982 en Santurce, Puerto Rico En el diccionario de la música afroantillana, el nombre de Rafael Cortijo es sinónimo de leyenda. Una de sus figuras cumbres y más veneradas. Líder de una de las organizaciones rítmicas más admiradas durante la segunda mitad del Siglo 20: Cortijo y Su Combo. Maestro del tambor caribeño. Inspirador de dos generaciones de cultores de la rumba y de los puertorriqueñísimos ritmos de bomba y plena. Este personaje irrepetible, de origen muy humilde, era hijo de Juan Cortijo Clemente y Juana Verdejo, quienes también procrearon a Francisco, Cecilia, Rosa y Gilberto. Contaba 11 años cuando el trompetista Paulino Flores lo introdujo al fascinante universo de la música caribeña enseñándole lo elemental en la ejecución del bongó. En lo sucesivo, sin maestro, aprendió a ejecutar el timbal, las tumbadoras – o congas – y algunos acordes en la guitarra. A los 14 emprendió su carrera musical uniéndose, como bongosero, al Conjunto Hermanas Soustache (1943-1944). Posteriormente (1944-1947) figuró en el Conjunto Monterrey, de Monchito Muley y Juan Palm «Mentoquín». Durante el período 1947-1953 trabajó de manera alternada con las orquestas de Frank Madera, Armando Castro, Augusto Coén y Miguelito Miranda, así como con la Sonora Boricua de Daniel Santos y los conjuntos acompañantes de Bobby Capó, Myrta Silva, Ruth Fernández y Miguelito Valdés, culminando aquella etapa con el dirigido por el pianista Mario Román en La Riviera Night Club, en el Viejo San Juan. -
Ing the Needs O/ the 960.05 Music & Record Jl -1Yz Gî01axiï0h Industry Oair 13Sní1s CIL7.: D102 S3lbs C,Ft1io$ K.'J O-Z- I
Dedicated To Serving The Needs O/ The 960.05 Music & Record jl -1yZ GÎ01Axiï0H Industry OAIr 13SNí1S CIL7.: d102 S3lbS C,ft1iO$ k.'J o-z- I August 23, 1969 60c In the opinion of the editors, this week the following records are the SINGLE 1'1('It-.%" OE 111/î 11'1î1îA MY BALLOON'S GOING UP (AssortedBMI), 411) Atlantic WHO 2336 ARCHIE BELL AND WE CAN MAKE IT THE DRELLS IN THE RAY CHARLES The Isley Brotiers do more Dorothy Morrison, who led Archie Bell and the Drells Ray Charles should stride of their commercial thing the shouting on "0h Happy will watch "My Balloon's back to chart heights with on "Black Berries Part I" Day," steps out on her Going Up" (Assorted, BMI) Jimmy Lewis' "We Can (Triple 3, BMI) and will own with "All God's Chil- go right up the chart. A Make It" (Tangerine -blew, WORLD pick the coin well (T Neck dren Got (East Soul" -Mem- dancing entry for the fans BMI), a Tangerine produc- 906). phis, BMI) (Elektra 45671). (Atlantic 2663). tion (ABC 11239). PHA'S' 111' THE U lî lî /í The Hardy Boys, who will The Glass House is the Up 'n Adam found that it Wind, a new group with a he supplying the singing first group from Holland - was time to get it together. Wind is a new group with a for TV's animated Hardy Dozier - Holland's Invictus They do with "Time to Get Believe" (Peanut Butter, Boys, sing "Love and Let label. "Crumbs Off the It Together" (Peanut But- BMI), and they'll make it Love" (Fox Fanfare, BMI) Table" (Gold Forever, BMI( ter, BMI(, a together hit way up the list on the new (RCA 74-0228). -
Rethinking Minimalism: at the Intersection of Music Theory and Art Criticism
Rethinking Minimalism: At the Intersection of Music Theory and Art Criticism Peter Shelley A dissertation submitted in partial fulfillment of requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee Jonathan Bernard, Chair Áine Heneghan Judy Tsou Program Authorized to Offer Degree: Music Theory ©Copyright 2013 Peter Shelley University of Washington Abstract Rethinking Minimalism: At the Intersection of Music Theory and Art Criticism Peter James Shelley Chair of the Supervisory Committee: Dr. Jonathan Bernard Music Theory By now most scholars are fairly sure of what minimalism is. Even if they may be reluctant to offer a precise theory, and even if they may distrust canon formation, members of the informed public have a clear idea of who the central canonical minimalist composers were or are. Sitting front and center are always four white male Americans: La Monte Young, Terry Riley, Steve Reich, and Philip Glass. This dissertation negotiates with this received wisdom, challenging the stylistic coherence among these composers implied by the term minimalism and scrutinizing the presumed neutrality of their music. This dissertation is based in the acceptance of the aesthetic similarities between minimalist sculpture and music. Michael Fried’s essay “Art and Objecthood,” which occupies a central role in the history of minimalist sculptural criticism, serves as the point of departure for three excursions into minimalist music. The first excursion deals with the question of time in minimalism, arguing that, contrary to received wisdom, minimalist music is not always well understood as static or, in Jonathan Kramer’s terminology, vertical. The second excursion addresses anthropomorphism in minimalist music, borrowing from Fried’s concept of (bodily) presence. -
9789004184473 08-Lapidus-2
Mazal Tov, Amigos! Jews and Popular Music in the Americas Edited by Amalia Ran and Moshe Morad LEIDEN | BOSTON For use by the Author only | © 2016 Koninklijke Brill NV Contents Acknowledgements vii List of Figures viii List of Contributors ix Introduction 1 Amalia Ran and Moshe Morad 1 Is “White Christmas” a Piece of Jewish Music? 11 Ellen Koskofff 2 The Musical Worlds of Jewish Buenos Aires, 1910–1940 25 Pablo Palomino 3 Tristes Alegrías: The Jewish Presence in Argentina’s Popular Music Arena 44 Amalia Ran 4 Jacob do Bandolim: A Jewish(-)Brazilian Composer 60 Thomas George Caracas Garcia 5 Walls of Sound: Lieber and Stoller, Phil Spector, the Black-Jewish Alliance, and the “Enlarging” of America 78 Ari Katorza 6 Singing from Diffference: Jewish Singers-Songwriters in the 1960s and 1970s 96 Jon Stratton 7 ¡Toca maravilloso! Larry Harlow and the Jewish Connection to Latin Music 109 Benjamin Lapidus 8 Roberto Juan Rodriguez’ Timba Talmud: Diasporic Cuban-Jewish Musical Convergences in New York 122 Nili Belkind For use by the Author only | © 2016 Koninklijke Brill NV vi contents 9 Yiddish Song in Twenty-First Century America: Paths to Creativity 142 Abigail Wood 10 Fight for Your Right to Partycipate: Jewish American Rappers 153 Uri Dorchin 11 Gypsy, Cumbia, Cuarteto, Surf, Blah Blah Blah: Simja Dujov and Jewish Musical Eclecticism in Argentina 171 Lillian M. Wohl 12 Queer Jewish Divas: Jewishness and Queerness in the Life and Performance of Barbra Streisand, Bette Midler, and Olga Guillot 188 Moshe Morad 13 Third Diaspora Soundscapes: Music of the Jews of Islam in the Americas 208 Edwin Seroussi Closing Notes: The Soundstage of Jewish Life, North and South 237 Judah M. -
Program Guide Table of Contents 50 Years Later He Remains Undefeated
PRESENTING SPONSOR FOUNDING SPONSOR PROGRAM GUIDE TABLE OF CONTENTS 50 YEARS LATER HE REMAINS UNDEFEATED Festival Sponsors & Partners 4 PRESENTS Founder / Leadership / Team 5 Executive Producer Welcome 6 Presenting Sponsor Welcome 8 Founding Sponsor Welcome 9 NY Film Office Welcome 11 Schedule Of Events 12 Venues Map 13 Urbanworld Digital 14 Live Screenplay Readings 20 BET AD Opening Night Film 22 Closing Night Film 23 Spotlight Screenings 24 Narrative Features 28 Documentary Features 44 Urbanworld Music 52 Documentary Short 54 Narrative Shorts 56 Festival Jurors 82 DIRECTED BY COODIE & CHIKE Screening Schedule 88 Film Contact Information 90 WEDNESDAY SEPT 23 Acknowledgements 10P/9C #PeoplesChampBET @BETNetworks @BETNews URBANWORLD FILM FESTIVAL 2015 1 B:8.75” T:8.5” S:8” THERE’S A NEW WAY TO GET ALL OF HBO® B:11.25” S:10.5” T:11” The Wiz Live! Archive Name Wiz_UrbWrldAd_150003941 MECH SIZE 100% PRINT SIZE 100% Project / Pub UrbanWorld Film Festival Program Book Ad Trim: 8.5” x 5.5” Trim: 8.5” x 5.5” Insertion Date 9/23/15 Bleed: 8.75” x 5.75” Bleed: 8.75” x 5.75” I.O. # Live: 8.5” x 5.5” Live: 8.5” x 5.5” ALL YOU NEED IS THE INTERNET Start your free trial now HBONOW.COM Free trial offer is for a limited time to new customers and may vary by participating subscription providers. HBO NOWSM is only accessible in the U.S. and certain U.S. territories where a high-speed broadband connection is available. Minimum 3G connection is required for viewing for mobile devices. -
Cocinando Suave: Ensayos De Salsa En Puerto Rico
AM_Cocinando suave - Ensayos de salsa en Puerto Rico_Cesar Colon Montijo.indd 1 26/02/15 16:45 AM_Cocinando suave - Ensayos de salsa en Puerto Rico_Cesar Colon Montijo.indd 2 26/02/15 16:45 Cocinando suave: ensayos de salsa en Puerto Rico Compilador: César Colón Montijo Serie Pensamiento Social Caracas, Venezuela 2015 AM_Cocinando suave - Ensayos de salsa en Puerto Rico_Cesar Colon Montijo.indd 3 26/02/15 16:45 © Compilador: César Colón Montijo © Fundación Editorial El perro y la rana, 2015 Centro Simón Bolívar Torre Norte, piso 21, El Silencio, Caracas - Venezuela / 1010 Teléfonos: 0212-7688300 / 7688399 Correos electrónicos: [email protected] [email protected] Páginas web: www.elperroylarana.gob.ve www.mincultura.gob.ve/mppc/ Diseño de la colección Dileny Jiménez Hernán Rivera Corrección Érika Palomino Diagramación y diseño de portada Hernán Rivera Edición Lenin Brea Foto de portada José Rodríguez Hecho el Depósito de Ley Depósito legal lf4022015641226 ISBN 978-980-14-2950-0 Impreso en la República Bolivariana de Venezuela AM_Cocinando suave - Ensayos de salsa en Puerto Rico_Cesar Colon Montijo.indd 4 26/02/15 16:45 La Colección Alfredo Maneiro, Política y sociedad, publica obras puntuales, urgentes, necesarias, capaces de desentrañar el significado de los procesos sociales que dictaminan el curso del mundo actual. Venezuela integra ese mundo en formación, de allí la importancia del pensamiento, la investigación, la crítica, la reflexión, y por ende, de las soluciones surgidas del análisis y la comprensión de nuestra realidad. Firmes propósitos animan a esta colección: por una parte, rendir homenaje a la figura de Alfredo Maneiro, uno de los principales protagonistas de los movimientos sociales y políticos que tuvieron lugar en Venezuela durante los duros y conflictivos años sesenta, y por la otra, difundir ediciones de libros en los cuales se abordan temas medulares de nuestro tiempo. -
Harvey Averne, Producer, Musician and Living Legend
Harvey Averne, Producer, Musician and Living Legend Harvey Averne is an American record producer, and the founder of CoCo Records, as well as its many subsidiaries. Established in 1972, CoCo was a label specializing in Afro-Cuban and Latin American Popular music, with special emphasis on the “New York Sound”, commonly referred to as “Salsa”. Averne’s gift for identifying and bringing together new and established musical talent, along with the careful management of his artists’ public image, initially made CoCo Records a major label nationally, and subsequently an international success. Over the next decade, he signed internationally known artists and was instrumental in bringing Latin American music into the American cultural mainstream. Averne personally ran the label from 1972 until 1979. His only rival was Fania Records, the leading Latin music label at the time and for whom Averne had previously been employed. He incorporated his new company (in partnership with Sam Goff, previously of Scepter/Wand Records) and quickly became one of the leading record producers in the Latin music field. In 1972 Averne signed the iconic artist Eddie Palmieri to his label, producing and mixing two of Palmieri’s groundbreaking albums; “Sentido” and “Sun Of Latin Music”. These recordings were considered radical departures from the type of dance- oriented music that had prevailed during the previous two decades. The latter album earned Palmieri, Averne and CoCo the first Grammy ever awarded to an artist in the newly created “Latin Music” category (1975) The following year (1976), Averne produced and mixed a third Eddie Palmieri album (“Unfinished Masterpiece”), which also won the coveted Grammy award. -
Boogaloo : Le « Ritmo Moderno » a 50 Ans
Boogaloo : le « Ritmo Moderno » a 50 ans Extrait du 7 Lames la Mer http://7lameslamer.net/boogaloo-1964.html Mix spécial « Boogaloo » Boogaloo : le « Ritmo Moderno » a 50 ans - Le monde - Date de mise en ligne : vendredi 30 décembre 2016 Description : 1966, Spanish Harlem, New York. Une révolution se prépare... « Bang ! Bang ! ». Le Boogaloo est né ! Tambourin et claps de mains sur le 3ème temps. Claquements de doigts. Cuivres, percussions, riffs de piano, basse hypnotique. La fièvre Boogaloo déferle sur la planète. Après cette vague euphorique et fulgurante, la salsa reprendra son envol. Mais pendant 3 ans (1966-1969), les « King of the Boogaloo » seront... les rois ! Hommage à ces musiciens de génie avec un mix spécial « 50 ans du Boogaloo » concocté par DJ KonsöLe : « Ritmo Moderno ! » Copyright © 7 Lames la Mer - Tous droits réservés Copyright © 7 Lames la Mer Page 1/12 Boogaloo : le « Ritmo Moderno » a 50 ans 1966, Spanish Harlem, New York. Une révolution se prépare... « Bang ! Bang ! ». Le Boogaloo est né ! Tambourin et claps de mains sur le 3ème temps. Claquements de doigts. Cuivres, percussions, riffs de piano, basse hypnotique. La fièvre Boogaloo déferle sur la planète. Après cette vague euphorique et fulgurante, la salsa reprendra son envol. Mais pendant 3 ans (1966-1969), les « King of the Boogaloo » seront... les rois ! Hommage à ces musiciens de génie avec un mix spécial « 50 ans du Boogaloo » concocté par DJ KonsöLe : « Ritmo Moderno ! » Vous voulez du Boogaloo ? Voilà du Boogaloo ! Le DJ ajuste son casque, pose un disque sur la platine et la magie du Boogaloo envahit la piste de danse. -
Kenneth Goldsmith
6799 Kenneth Goldsmith zingmagazine 2000 for Clark Coolidge 45 John Cage 42 Frank Zappa / Mothers 30 Charles Ives 28 Miles Davis 26 James Brown 25 Erik Satie 24 Igor Stravinsky 23 Olivier Messiaen 23 Neil Young 23 Kurt Weill 21 Darius Milhaud 21 Bob Dylan 20 Rolling Stones 19 John Coltrane 18 Terry Riley 18 Morton Feldman 16 Rod McKuen 15 Thelonious Monk 15 Ray Charles 15 Mauricio Kagel 13 Duke Ellington 3 A Kombi Music to Drive By, A Tribe Called Quest M i d n i g h t Madness, A Tribe Called Quest People’s Instinctive Travels and the Paths of Rhythm, A Tribe Called Quest The Low End Theory, Abba G reatest Hits, Peter Abelard Monastic Song, Absinthe Radio Trio Absinthe Radio Tr i o, AC DC Back in Black, AC DC Dirty Deeds Done Dirt Cheap, AC DC Flick of the Switch, AC DC For Those About to Rock, AC DC Highway to Hell, AC DC Let There Be R o c k, Johnny Ace Again... Johnny Sings, Daniel Adams C a g e d Heat 3000, John Adams Harmonium, John Adams Shaker Loops / Phrygian Gates, John Luther Adams Luther Clouds of Forgetting, Clouds of Unknowing, King Ade Sunny Juju Music, Admiral Bailey Ram Up You Party, Adventures in Negro History, Aerosmith Toys in the Attic, After Dinner E d i t i o n s, Spiro T. Agnew S p e a k s O u t, Spiro T. Agnew The Great Comedy Album, Faiza Ahmed B e s a r a h a, Mahmoud Ahmed E re Mela Mela, Akita Azuma Haswell & Sakaibara Ich Schnitt Mich In Den Finger, Masami Akita & Zbigniew Karkowski Sound Pressure Level, Isaac Albéniz I b e r i a, Isaac Albéniz Piano Music Volume II, Willy Alberti Marina, Dennis Alcapone Forever Version, Alive Alive!, Lee Allen Walkin’ with Mr. -
Big 3 Revamps Structure (Con't
Big 3 Revamps Structure (Con't. from Page 7) separate entities all evolved landmark as executive assistant to Lesser for operational methods in the publishing all aspects of the firm's professional industry. In 1939 they were merged activities. He joined The Big Three within a corporate entity called "The in 1956 as coordinator of professional Big Three." activity, after an extensive career in MGM has the majority interest in the music aspects of broadcasting. the company, owning in excess of 60% In New York, Hy Ross and Joseph of The Big Three. The next largest Ergas, a recent addition to the com- interest-one - third-is controlled by pany, form the nucleus for contact 20th Century -Fox. The main publish- and promotion activities. ing companies comprising The Big Three are: Nashville Plans Robbins Music Corp., Miller Music Corp., Leo Feist Music Corp., Hastings Personnel and plans for The Big Music Corp., The Big Three Music Three's Nashville Professional office Corp., Pine Ridge Music, Inc., and will be finalized shortly in a series of Lion Music Corp. The Big Three's company meetings. But the initial firms are members of both the ASCAP groundwork for the Nashville opera- and BMI roster. tion was made during the Country and The new professional set-up will be Western Music Convention in mid - under the direction of Lesser. Lesser October. joined MGM in 1960 as accounting de- Other appointments announced partment manager and became assist- under the new Big Three reorganiza- ant comptroller in 1964. Before assum- tion plan are these: ing his present duties, he was named Richard Delvy has been named administrative & financial vice presi- head of Robbins Productions and will dent of Robbins Music Corp. -
Wanted LP Cover Scans
LPs WANTED‐COVER‐SCANS ( 28th Apr 2021) ‐‐‐ if possible: Size 1500x1500pix or better / 300dpi / TIF Format if possible (otherwise JPG not compressed) /no Shrink visible / no mirroring / no bent borders / horizontal adjustment (if possible) Scans/Pictures only from Original Records (no reissues!!) / if different releases exists ‐ prefered are USA‐Originals Funky & Groovy Music Records Lexicon ‐ Contact for Contributions (send scans to): [email protected] Title Label Label # Year Pict # Wanted Scans Priority 1 Abahambi "Balomhlaba" Freeway Flame [*] FF80102 1975 0 Afrocult Foundation Black goddess Afrodisia DWAPS2049 1978 0 Akaeze Eric (Show Boy) & His Royal Ericos ‐ Decca WAPS92 197~ 0 Aktion Celebration Clover CXL2005 1977 1898 Allen Rance Group A soulful experience Truth TRS4207 1975 229 Apples Mind twister EMI NEMI0311 1978 337 Asiko Love & peace Taretone TTL109 1978 0 Aura Spiritual conection Afrodisia DWAPS2003 1976 2710 Averne Harvey Band Brotherhood Fania SLP379 1969 2723 Averne Harvey Dozen Harvey Averne Fania SLP367 1969 2662 Bendel Volume 50 Iyeye ma ni iye EMI NEMI0404 1978 2685 Black Children Sledge Funk Co. Band Aviation grand father RTS RTLPS018 1979 0 BLO BLO is back Afrodisia DWAPS2080 1979 1647 Bo Eddie The other side of Eddie Bo Bo‐Sound EB55379 1977 1503 Boscoe ‐ Kingdom of Chad S1001 1973 1071 Buari Sidiku Disco soccer Polydor 2940007 1977 0 Clark Mildred & The Kansas City Melody‐Aires Joined together Peacock PLP59206 1974 0 Cooper Popular & His All Beats Band of Nigeria ‐ Car Studio CLP05 197~ 0 Corner Gang Stone out of -
J2P and P2J Ver 1
-International General News 65 'We Believe' New f From The Music Capitals Salsoul Campaign Salsa Sales Falling Off t :mrinued from page N mambo or where the hustle NEW 'YORK -"We Believe" is "Not rnuch, but a little Now ..une from". the motto being used by Salsoul Of The World where do you think we stand, where This is one reason why Coco has Records & Tapes in at new national released "Salsa Disco Fever," IO "tie Consumed from page ad Cooperative company Sassert, put Oui two advertising so much of our business is done by campaign. pico" hiss new LPs on the Deapasao label 'Aqua Mole Lm nickel and dime stores in the barrio? disco -mixed by D1 Hector Italia Bane (Hispavox) visited Madrid on a In conjunction with (rade and na- Pedra Dura.' by Pedro Barrow, and "Ca Pra Flow do you police that"" Sac, The surprise success TR had short tip, tor two tv spots and general promo tional consumer press advertising, with its earlier "Salsa Disco Gente by Francisco Naib.. , . Big sales here lot Nigrone estimates that for every Party:" dort. with the Spanish recording Solo Tu' al lour -color buttons "My arc being mailed which was first greeted as a big success FERNANDO SALAVERRI Lite." a song taken from the Brazilian tele three units sold Iegalln one bootleg joke, will reedy local to sales personnel, vision series sung radio and disco probably spur more "0 Casarao, by Brazilian tape is bought "That's a big busi- such releases disk jockeys and local and national singer Ed Costa (Chantecler label) Though not ness by our standards.