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QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op. -
Lightning in a Bottle
LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved. -
Musica Jazz Autore Titolo Ubicazione
MUSICA JAZZ AUTORE TITOLO UBICAZIONE AA.VV. Blues for Dummies MSJ/CD BLU AA.VV. \The \\metronomes MSJ/CD MET AA.VV. Beat & Be Bop MSJ/CD BEA AA.VV. Casino lights '99 MSJ/CD CAS AA.VV. Casino lights '99 MSJ/CD CAS AA.VV. Victor Jazz History vol. 13 MSJ/CD VIC AA.VV. Blue'60s MSJ/CD BLU AA.VV. 8 Bold Souls MSJ/CD EIG AA.VV. Original Mambo Kings (The) MSJ/CD MAM AA.VV. Woodstock Jazz Festival 1 MSJ/CD WOO AA.VV. New Orleans MSJ/CD NEW AA.VV. Woodstock Jazz Festival 2 MSJ/CD WOO AA.VV. Real birth of Fusion (The) MSJ/CD REA AA.VV. \Le \\grandi trombe del Jazz MSJ/CD GRA AA.VV. Real birth of Fusion two (The) MSJ/CD REA AA.VV. Saint-Germain-des-Pres Cafe III: the finest electro-jazz compilationMSJ/CD SAI AA.VV. Celebrating the music of Weather Report MSJ/CD CEL AA.VV. Night and Day : The Cole Porter Songbook MSJ/CD NIG AA.VV. \L'\\album jazz più bello del mondo MSJ/CD ALB AA.VV. \L'\\album jazz più bello del mondo MSJ/CD ALB AA.VV. Blues jam in Chicago MSJ/CD BLU AA.VV. Blues jam in Chicago MSJ/CD BLU AA.VV. Saint-Germain-des-Pres Cafe II: the finest electro-jazz compilationMSJ/CD SAI Adderley, Cannonball Cannonball Adderley MSJ/CD ADD Aires Tango Origenes [CD] MSJ/CD AIR Al Caiola Serenade In Blue MSJ/CD ALC Allison, Mose Jazz Profile MSJ/CD ALL Allison, Mose Greatest Hits MSJ/CD ALL Allyson, Karrin Footprints MSJ/CD ALL Anikulapo Kuti, Fela Teacher dont't teach me nonsense MSJ/CD ANI Armstrong, Louis Louis In New York MSJ/CD ARM Armstrong, Louis Louis Armstrong live in Europe MSJ/CD ARM Armstrong, Louis Satchmo MSJ/CD ARM Armstrong, Louis -
Indigo Girls the Indigo Girls Amy Ray (Left) and Emily Saliers Performing at by Carla Williams Park West, Chicago, in 2005
Indigo Girls The Indigo Girls Amy Ray (left) and Emily Saliers performing at by Carla Williams Park West, Chicago, in 2005. Encyclopedia Copyright © 2015, glbtq, Inc. Image appears under the Creative Commons Entry Copyright © 2002, glbtq, Inc. Attribution ShareAlike Reprinted from http://www.glbtq.com License. Photograph by Lesbians Amy Ray and Emily Saliers are Indigo Girls, one of the most successful folk/ Wikimedia Commons pop duos in recording history. Ray and Saliers have carved out an enduring career that contributor Andreac. is due largely to the fierce loyalty of their fans, many of them lesbians. Ray, a native Atlantan, and Saliers, a transplant from Connecticut, met in grade school in Atlanta and became friends. They shared a talent for writing and music and began playing together in Ray's parents' basement. During college at Emory University, they played club dates in and around Atlanta as the "B Band" and later "Saliers and Ray," developing their following and reputation as a particularly strong band in live performance. Beginning in 1981 they released several independent records on tape and in 1985 released a vinyl single, "Crazy Game." That same year Ray selected the name Indigo Girls on "sort of a whim," she explained in an interview years later. "I found it in the dictionary . it's a deep blue, a root--real earthy." The duo signed with Epic Records in 1988. Their first record for Epic, the multi-platinum Indigo Girls, included their best-known song, "Closer to Fine." That year they were nominated for two Grammy awards-- Best New Artist (they narrowly lost to Milli Vanilli) and Best Contemporary Folk Album, which they won. -
How the Performances, Song Lyrics, and Activism of the Indigo Girls Demonstrate the Mutable Composition of Southern Identity
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English 8-11-2015 How the Performances, Song Lyrics, and Activism of the Indigo Girls Demonstrate the Mutable Composition of Southern Identity Alison Law Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Recommended Citation Law, Alison, "How the Performances, Song Lyrics, and Activism of the Indigo Girls Demonstrate the Mutable Composition of Southern Identity." Thesis, Georgia State University, 2015. https://scholarworks.gsu.edu/english_theses/191 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. HOW THE PERFORMANCES, SONG LYRICS, AND ACTIVISM OF THE INDIGO GIRLS DEMONSTRATE THE MUTABLE COMPOSITION OF SOUTHERN IDENTITY by ALISON LAW Under the Direction of Gina Caison, Ph.D. ABSTRACT A common misconception about the southern region of the United States is that any one part of the region can stand alone as an accurate representation of the territory as a whole. To refute any notion of a homogeneous South and demonstrate the dynamic nature of an individual or community identity, I examine the history, song lyrics, performances, and activism of the folk-rock duo the Indigo Girls and their hometown of Atlanta, Georgia. This project applies the theories of locational feminism found in Susan Stanford Friedman’s Mappings and New Southern Studies in Tara McPherson’s text Reconstructing Dixie . Analyzing the biographies, song lyrics, performances, and activism of the Indigo Girls as an archive of southern literature allows us to understand the fluid, multiplex nature of regional identity and view Atlanta as one “borderland” in a heterogeneous U.S. -
Catalogmusic873 919.Pdf
INDEX 874 INDEX TITLE PAGE NO. TITLE PAGE NO. TITLE PAGE NO. A Acoustic Guitar Solo Fingerstyle Basics ..........707, 761 Afro-Cuban Slap Bass Lines............................693, 812 Acoustic Guitar Tab White Pages ....................394, 792 Aguilera, Christina – Stripped ..................................73 Aaberg, Philip – Piano Solos....................................72 Acoustic Instrumentalists – Guitar One Air Supply – Best of .................................................73 Above All – 15 Classic Praise Songs...............422, 535 Presents.....................................................394, 798 Aladdin – Big-Note Piano.......................................571 Above All – 50 EZ Inspirational Favorites...............422 INDEX Acoustic Piano Ballads...................................395, 545 Aladdin – Music Manuscript Paper ........................854 Above All Else, Your Name Be Praised!...................500 Acoustic Rock – Fingerstyle Guitar.........................395 Aladdin – P/V/G .....................................................271 Abrams, Daniel – Put Your Hands on the Acoustic Rock – Guitar Play-Along Volume 18.......789 Aladdin – Piano Fun! .............................................297 Piano and Play!..................................................848 Acoustic Rock – Guitar Recorded Versions............395 Aladdin – Recorder Fun!........................................294 Accompaniment Basics – Acoustic Guitar ......707, 741 Acoustic Rock – Guitar Technique Series.......733, 742 Aladdin – Xylotone -
Umass' Resident Assistants Unionize
An Associated Collegiate Press Pacemaker Award Winner • THE • Barry Manilow takes the Diver qualifies for NCA stage, Championships, Bl B8 Non-Profit Org. 250 Student Center • University of Delaware • Newark, DE 19716 U.S. Postage Paid Thesday & Friday Newark, DE Permit No. 26 FREE \'olumt• 128, Issue -tO www.n·,·iew.udel.edu Tucsda~. :\larch 19. 2002 ·clinton aide to discuss race UMass' BY AMIE VOITH Edley said his speech would be programs. Administrative New.<Editor relevant to people who expect to He said he helped Clinton Christopher Edley, special counsel live, work or lead lives in formulate his "Mend it, don't end it" to former President Bill Clinton, will resident communities with people different position in 1995, which effectively discuss his views on affirmative from themselves, which pertains to killed a threat in Congress at the action and racial injustice at the almost everyone in a diverse society. time to repeal Affirmative Action university's annual Louis Redding "If you are planning to live with programs. Diversity Lecture Thursday at 7 p.m. the white militia in the wilderness of Edley recently published "Not All assistants in 140 Smith Hall. Idaho, this won't be news you can Black & White: Affirmative Action, Using affirmative action as a use," be said. Race and American Values." • • central example, Edley will focus on Edley is currently an He said he is also proud of his its effects on a wide range of issues, administrative law professor at work during the Carter including law, social science, public UniOnize Harvard University, where he is the Administration in which he invented policy, values and politics. -
Band/Surname First Name Title Label No
BAND/SURNAME FIRST NAME TITLE LABEL NO DVD 13 Featuring Lester Butler Hightone 115 2000 Lbs Of Blues Soul Of A Sinner Own Label 162 4 Jacks Deal With It Eller Soul 177 44s Americana Rip Cat 173 67 Purple Fishes 67 Purple Fishes Doghowl 173 Abel Bill One-Man Band Own Label 156 Abrahams Mick Live In Madrid Indigo 118 Abshire Nathan Pine Grove Blues Swallow 033 Abshire Nathan Pine Grove Blues Ace 084 Abshire Nathan Pine Grove Blues/The Good Times Killin' Me Ace 096 Abshire Nathan The Good Times Killin' Me Sonet 044 Ace Black I Am The Boss Card In Your Hand Arhoolie 100 Ace Johnny Memorial Album Ace 063 Aces Aces And Their Guests Storyville 037 Aces Kings Of The Chicago Blues Vol. 1 Vogue 022 Aces Kings Of The Chicago Blues Vol. 1 Vogue 033 Aces No One Rides For Free El Toro 163 Aces The Crawl Own Label 177 Acey Johnny My Home Li-Jan 173 Adams Arthur Stomp The Floor Delta Groove 163 Adams Faye I'm Goin' To Leave You Mr R & B 090 Adams Johnny After All The Good Is Gone Ariola 068 Adams Johnny After Dark Rounder 079/080 Adams Johnny Christmas In New Orleans Hep Me 068 Adams Johnny From The Heart Rounder 068 Adams Johnny Heart & Soul Vampi 145 Adams Johnny Heart And Soul SSS 068 Adams Johnny I Won't Cry Rounder 098 Adams Johnny Room With A View Of The Blues Demon 082 Adams Johnny Sings Doc Pomus: The Real Me Rounder 097 Adams Johnny Stand By Me Chelsea 068 Adams Johnny The Many Sides Of Johnny Adams Hep Me 068 Adams Johnny The Sweet Country Voice Of Johnny Adams Hep Me 068 Adams Johnny The Tan Nighinggale Charly 068 Adams Johnny Walking On A Tightrope Rounder 089 Adamz & Hayes Doug & Dan Blues Duo Blue Skunk Music 166 Adderly & Watts Nat & Noble Noble And Nat Kingsnake 093 Adegbalola Gaye Bitter Sweet Blues Alligator 124 Adler Jimmy Midnight Rooster Bonedog 170 Adler Jimmy Swing It Around Bonedog 158 Agee Ray Black Night is Gone Mr. -
Rhythm & Blues...60 Deutsche
1 COUNTRY .......................2 BEAT, 60s/70s ..................69 OUTLAWS/SINGER-SONGWRITER .......23 SURF .............................81 WESTERN..........................27 REVIVAL/NEO ROCKABILLY ............84 WESTERN SWING....................29 BRITISH R&R ........................89 TRUCKS & TRAINS ...................31 INSTRUMENTAL R&R/BEAT .............91 C&W SOUNDTRACKS.................31 POP.............................93 COUNTRY AUSTRALIA/NEW ZEALAND....32 POP INSTRUMENTAL .................106 COUNTRY DEUTSCHLAND/EUROPE......33 LATIN ............................109 COUNTRY CHRISTMAS................34 JAZZ .............................110 BLUEGRASS ........................34 SOUNDTRACKS .....................111 NEWGRASS ........................36 INSTRUMENTAL .....................37 DEUTSCHE OLDIES112 OLDTIME ..........................38 KLEINKUNST / KABARETT ..............117 HAWAII ...........................39 CAJUN/ZYDECO ....................39 BOOKS/BÜCHER ................119 FOLK .............................39 KALENDER/CALENDAR................122 WORLD ...........................42 DISCOGRAPHIES/LABEL REFERENCES.....122 POSTER ...........................123 ROCK & ROLL ...................42 METAL SIGNS ......................123 LABEL R&R .........................54 MERCHANDISE .....................124 R&R SOUNDTRACKS .................56 ELVIS .............................57 DVD ARTISTS ...................125 DVD Western .......................139 RHYTHM & BLUES...............60 DVD Special Interest..................140 -
© 2010 Brian Matthew Felix
© 2010 Brian Matthew Felix ROCK BECOMES JAZZ: INTERPRETATIONS OF POPULAR MUSIC BY IMPROVISING ARTISTS IN THE 1960s BY BRIAN MATTHEW FELIX THESIS Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Music with a concentration in Jazz Performance in the Graduate College of the University of Illinois at Urbana-Champaign, 2010 Urbana, Illinois Doctoral Committee: Associate Professor John “Chip” Stephens, Chair Associate Professor Gabriel Solis, Director of Research Professor Jim Pugh Associate Professor Erik Lund ABSTRACT The advent of rock and roll changed the jazz world’s relationship to itself and its musical public. The popularity of jazz, in decline since the rise of bebop in the mid-1940s, was further eroded by rock and roll’s rise to prominence in the mid-1950s. By the mid-1960s, the jazz world seemed to be faced with a choice: adapt to accommodate the burgeoning new genre or risk fading further into popular irrelevance. Many jazz artists chose to ignore rock, oftentimes viewing it as a simple-minded pursuit dominated by white artists stealing from black musicians. Other artists, though, chose to engage with the new music and bring it into the jazz world by interpreting rock repertoire. In a way, this trend was no different than the time-honored jazz tradition of interpreting contemporary popular songs. Interpreting rock songs and incorporating them into their repertoire was different, though, because of the many prejudices that jazz musicians held toward rock music and the relative simplicity of rock’s musical attributes. This paper is dedicated to the in-depth study of jazz versions of rock music in the 1960s. -
Rob Mounsey Discography
JDManagement.com 914.777.7677 Rob Mounsey - Discography updated 09.01.13 P=Producer / A=Arranger/Conductor / C=Composer / W=Writer / Musical Director=MD / K=Keyboardist/Pianist/Artist / I=Instrumentalist ARTIST SINGLE/ALBUM CREDIT LABEL/ENTITY 2013 Megan Hilty It Happens All the Time A Sony Masterworks George Michael upcoming 2013 release A tbd Idina Menzel 2013 UK and AU tour A/K/MD Live Dominick Farinacci upcoming 2013 release A Independent Karoline Krüger & Sigvart Dagsland upcoming 2013 release A Universal Yvette Rovira upcoming 2013 release P/A/K Independent Lisa Gary upcoming 2013 release P/A/K Independent Various Artists Live at the White House and Congress A/K Live Gigs 2012 Aretha Franklin Live Performances A Aretha Franklin Stevie Wonder, Sheryl Crow, Diana Krall, Live at the White House and Congress A, K Live Gigs Michael Feinstein, Lyle Lovett, Rumer, Mike Myers, Arturo Sandoval, Shelea Dionne Warwick Now A/K H&I Music Productions Dionne Warwick Sings Cole Porter/Aquarela do Brasil A Soulmusic.com Idina Menzel Idina Live: Barefoot at the Symphony P/A/I/MD Concord Music Group Rod Stewart As Time Goes By/Stardust (The Great American A/I Legacy/RCA Songbook, Vols. 2-3) Plácido Domingo Songs A Sony Classical Michael Franks The Dream 1973-2011 A/K Warner Brothers Various Artists Gershwin Prize at the White House A/I/MD NBC 2011 Tony Bennett Duets II C Colombia Rod Stewart The Best of… The Great American Song Book C/A/K RCA Jackie Evancho Heavenly Christmas P/A Columbia Olivia Newton-John Portraits: A Tribute to Great Women of Song -
Senate Calls for Bishop to Stand Firm on Hall Dances Economics
Tuesday, February 4, 2003 Indigo THE Girls play in S.B. page 11 The Independent Newspaper Serving Notre Dame and Saint Mary's VOL XXXVII NO. 87 HTTP://OBSERVER.ND.EDU Senate calls for Bishop to stand firm on hall dances more informational and she By MEGHANNE DOWNES removed the clause regarding Associate News Editor a proposal for one in-hall dance per year per dorm. Senators called on Libby Bishop does not want to "put Bishop to give them a copy of all of her eggs in one basket" her Board of Trustees report and said, "I am not asking for and to stress the reinstatement anything. I am conveying to of in-hall dances for a yearlong them how students feel." probationary period at Senators were divided on Monday's emergency Student what the role of the Senate Senate meeting. should be with regard to Eight senators submitted a directing Bishop on her petition on Friday for an emer report's content. Erin Cushing, gency meeting to discuss the off-campus senator, said the content of Bishop's report Senate l)hould trust Bishop to because of concern that Bishop express student opinion. wait would not accurately represent to hear the results of the Board student opinion regarding in of Trustees meeting and then hall dances. decide whether another step is Bishop said at the beginning necessary. Blake Haan, of the meeting she was glad Keenan Hall senator, said it senators called the meeting to was not the duty of the Senate hear their opinions but did not to direct Bishop on this matter attend in order to argue the and the Senate should work issue.