They Bowed Down and Worshipped Jesus Edgar Ray Killen, 'Mississippi
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Miranda, 5 | 2011, « South and Race / Staging Mobility in the United States » [En Ligne], Mis En Ligne Le 01 Décembre 2011, Consulté Le 16 Février 2021
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 5 | 2011 South and Race / Staging Mobility in the United States Sud et race / Mise en scène et mobilité aux États-Unis Édition électronique URL : http://journals.openedition.org/miranda/83 DOI : 10.4000/miranda.83 ISSN : 2108-6559 Éditeur Université Toulouse - Jean Jaurès Référence électronique Miranda, 5 | 2011, « South and Race / Staging Mobility in the United States » [En ligne], mis en ligne le 01 décembre 2011, consulté le 16 février 2021. URL : http://journals.openedition.org/miranda/83 ; DOI : https://doi.org/10.4000/miranda.83 Ce document a été généré automatiquement le 16 février 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. 1 SOMMAIRE South and Race Introduction Anne Stefani Forgetting the South and the Southern Strategy Michelle Brattain Image, Discourse, Facts: Southern White Women in the Fight for Desegregation, 1954-1965 Anne Stefani Re-Writing Race in Early American New Orleans Nathalie Dessens Integrating the Narrative: Ellen Douglas's Can't Quit You Baby and the Sub-Genre of the Kitchen Drama Jacques Pothier Representing the Dark Other: Walker Percy's Shadowy Figure in Lancelot Gérald Preher Burning Mississippi: Race, Fatherhood and the South in A Time to Kill (1996) Hélène Charlery Laughing at the United States Eve Bantman-Masum Staging American Mobility Introduction Emeline Jouve Acte I. La Route de l'ouest : Politique(s) des représentations / Act I. The Way West: Representations and Politics The Road West, Revised Editions Audrey Goodman Le héros de la Frontière, un mythe de la fondation en mouvement Daniel Agacinski Acte II. -
The Attorney General's Ninth Annual Report to Congress Pursuant to The
THE ATTORNEY GENERAL'S NINTH ANNUAL REPORT TO CONGRESS PURSUANT TO THE EMMETT TILL UNSOLVED CIVIL RIGHTS CRIME ACT OF 2007 AND THIRD ANNUALREPORT TO CONGRESS PURSUANT TO THE EMMETT TILL UNSOLVEDCIVIL RIGHTS CRIMES REAUTHORIZATION ACT OF 2016 March 1, 2021 INTRODUCTION This is the ninth annual Report (Report) submitted to Congress pursuant to the Emmett Till Unsolved Civil Rights Crime Act of2007 (Till Act or Act), 1 as well as the third Report submitted pursuant to the Emmett Till Unsolved Civil Rights Crimes Reauthorization Act of 2016 (Reauthorization Act). 2 This Report includes information about the Department of Justice's (Department) activities in the time period since the eighth Till Act Report, and second Reauthorization Report, which was dated June 2019. Section I of this Report summarizes the historical efforts of the Department to prosecute cases involving racial violence and describes the genesis of its Cold Case Int~~ative. It also provides an overview ofthe factual and legal challenges that federal prosecutors face in their "efforts to secure justice in unsolved Civil Rights-era homicides. Section II ofthe Report presents the progress made since the last Report. It includes a chart ofthe progress made on cases reported under the initial Till Act and under the Reauthorization Act. Section III of the Report provides a brief overview of the cases the Department has closed or referred for preliminary investigation since its last Report. Case closing memoranda written by Department attorneys are available on the Department's website: https://www.justice.gov/crt/civil-rights-division-emmett till-act-cold-ca e-clo ing-memoranda. -
Cold Case Initiative 1St Report to Congress
THE ATTORNEY GENERAL'S FIRST ANNUAL REPORT TO CONGRESS PURSUANT TO THE EMMETT TILL UNSOLVED CIVIL RIGHTS CRIME ACTOF 2007 APRIL 7,2009 This report is submitted pursuant to the Emmett Till Unsolved Civil Rights Crime Act of 2007, regarding the activities ofthe Department ofJustice (DOJ or the Department) under the Act. This initial report covers activities predating the Act, which was signed into law on October 7,2008, and the six months since its enactment.! 1. THE DEPARTMENT OF JUSTICE'S EFFORTS TO INVESTIGATE AND PROSECUTE UNSOLVED CIVIL RIGHTS ERA HOMICIDES A. Overview and Background The Department of Justice fully supports the goals ofthe Emmett Till Unsolved Civil Rights Crime Act of2007. For more than 50 years, the Department of Justice has been instrumental in bringing justice to some ofthe nation's horrific civil rights era crimes. These crimes occurred during a terrible time in our nation's history when some people viewed their fellow Americans as inferior, and as threats, based only on the color of their skin. The Department of Justice believes that racially motivated murders from the civil rights era constitute L some of the greatest blemishes upon our history. As such, the Department stands ready to lend our assistance, expertise, and resources to assist in the investigation and possible prosecution of these matters. Unfortunately, federal jurisdiction over these historic cases is limited. The Ex Post Facto Clause of the Constitution and federal statutory law have limited the Department's ability to prosecute most civil rights era cases at the federal level. For example, two ofthe most important federal statutes that can be used to prosecute racially motivated homicides, 18 U.S.C. -
'Tortured' Reasoning for Snubbing 'Zero'? by Christy Lemire January
‘Tortured’ reasoning for snubbing ‘Zero’? By Christy Lemire January 16, 2013 A few weeks ago, “Zero Dark Thirty” seemed well on its way to capturing the Academy Award for best picture. It was winning early critic awards and gaining the kind of momentum a movie needs to win Hollywood’s biggest prize. Much was made about the authenticity of the film by director Kathryn Bigelow and screenwriter Mark Boal, who used insider access to tell the sweeping, meticulously detailed story of the decade-long search for Osama bin Laden. Then last week, “Zero Dark Thirty” won five Academy Award nominations, including for best picture, and this past weekend, it was No. 1 at the domestic box office with a gross of nearly $25 million. Yet what may be the film’s biggest challenge in the pursuit of Oscar glory is playing out from Hollywood to Washington as debate mounts over the film’s accuracy in its depiction of what some regard as torture and whether the movie itself endorses the use of torture. Lawmakers are also investigating whether the CIA gave Ms. Bigelow and Mr. Boal false information as to whether enhanced-interrogation tactics led directly to the 2011 capture and killing of the al Qaeda leader in Pakistan. The Academy of Motion Picture Arts and Sciences failed to nominate Ms. Bigelow for director, and on Sunday night, “Zero Dark Thirty” received only one Golden Globe award from the Hollywood Foreign Press Association — for best actress Jessica Chastain’s portrayal of a driven CIA operative. Could congressional scrutiny over such an emotionally charged issue as alleged torture be affecting the film’s awards momentum? Will the bicoastal backlash ultimately prevent the film from winning the best picture award when the Oscars are presented on Feb. -
Emmett Till Cold Case Investigation and Training and Technical Assistance Program” Hosted by the Bureau of Justice Assistance
MARY JO GIOVACCHINI: Good afternoon everybody and welcome to today's webinar “Emmett Till Cold Case Investigation and Training and Technical Assistance Program” hosted by the Bureau of Justice Assistance. At this time, I'd like to introduce today's presenters: Elizabeth Griffith, Associate Deputy Director with the Bureau of Justice Assistance; Barbara Kay Bosserman, Deputy Chief of the Cold Case Unit and Senior Legal Counsel with the U.S. Department of Justice; LaShunda Williams, Supervisory Special Agent Civil Rights Division within the Bureau of—in the Federal Bureau of Investigation; and Gerri Ratliff, Acting Director for Community Relations Service within the Department of Justice. At this time I'm going to turn the presentation over to Betsi Griffith. ELIZABETH GRIFFITH: Good afternoon and thank you. I'm Betsi Griffith from the Bureau of Justice Assistance. I just want to lay out here the agenda for today. We're going to spend a little bit of time talking about the agency who's offering this opportunity, the Bureau of Justice Assistance where I work, talk a little bit about the particular opportunity including eligibility and grant-related information, and some background on how we review our applications to assist you in applying. This project has—is really building on the foundation of some tremendous work that's been happening across the Department over the last decade so I really want to turn it over to subject matter expertise that can kind of give you that context and are available to work with sites that receive funding or generally have an interest in this work so I wanted you all to be aware of that, and then we'll close with a few minutes around, you know, just logistics of both things that we've learned from experience you want to keep an eye out for as you apply as well as to talk briefly about our new Grants Management System, and answer question and—answer any questions you have. -
Teaching Social Studies Through Film
Teaching Social Studies Through Film Written, Produced, and Directed by John Burkowski Jr. Xose Manuel Alvarino Social Studies Teacher Social Studies Teacher Miami-Dade County Miami-Dade County Academy for Advanced Academics at Hialeah Gardens Middle School Florida International University 11690 NW 92 Ave 11200 SW 8 St. Hialeah Gardens, FL 33018 VH130 Telephone: 305-817-0017 Miami, FL 33199 E-mail: [email protected] Telephone: 305-348-7043 E-mail: [email protected] For information concerning IMPACT II opportunities, Adapter and Disseminator grants, please contact: The Education Fund 305-892-5099, Ext. 18 E-mail: [email protected] Web site: www.educationfund.org - 1 - INTRODUCTION Students are entertained and acquire knowledge through images; Internet, television, and films are examples. Though the printed word is essential in learning, educators have been taking notice of the new visual and oratory stimuli and incorporated them into classroom teaching. The purpose of this idea packet is to further introduce teacher colleagues to this methodology and share a compilation of films which may be easily implemented in secondary social studies instruction. Though this project focuses in grades 6-12 social studies we believe that media should be infused into all K-12 subject areas, from language arts, math, and foreign languages, to science, the arts, physical education, and more. In this day and age, students have become accustomed to acquiring knowledge through mediums such as television and movies. Though books and text are essential in learning, teachers should take notice of the new visual stimuli. Films are familiar in the everyday lives of students. -
Crossroads Film and Television Program List
Crossroads Film and Television Program List This resource list will help expand your programmatic options for the Crossroads exhibition. Work with your local library, schools, and daycare centers to introduce age-appropriate books that focus on themes featured in the exhibition. Help libraries and bookstores to host book clubs, discussion programs or other learning opportunities, or develop a display with books on the subject. This list is not exhaustive or even all encompassing – it will simply get you started. Rural themes appeared in feature-length films from the beginning of silent movies. The subject matter appealed to audiences, many of whom had relatives or direct experience with life in rural America. Historian Hal Barron explores rural melodrama in “Rural America on the Silent Screen,” Agricultural History 80 (Fall 2006), pp. 383-410. Over the decades, film and television series dramatized, romanticized, sensationalized, and even trivialized rural life, landscapes and experiences. Audiences remained loyal, tuning in to series syndicated on non-network channels. Rural themes still appear in films and series, and treatments of the subject matter range from realistic to sensational. FEATURE LENGTH FILMS The following films are listed alphabetically and by Crossroads exhibit theme. Each film can be a basis for discussions of topics relevant to your state or community. Selected films are those that critics found compelling and that remain accessible. Identity Bridges of Madison County (1995) In rural Iowa in 1965, Italian war-bride Francesca Johnson begins to question her future when National Geographic photographer Robert Kincaid pulls into her farm while her husband and children are away at the state fair, asking for directions to Roseman Bridge. -
James Chaney James Earl Chaney, the Son of a Plasterer, Was Born In
Page 1 of 3 James Chaney James Earl Chaney, the son of a plasterer, was born in Meridian, Mississippi, on 30th May 1943. An early supporter of the struggle for civil rights, Chaney was suspended from school for wearing a NAACP badge. After leaving Harris Junior College he worked with his father as an apprentice plasterer. In October, 1963, Chaney began volunteer work at the Meridian office of the Congress on Racial Equality (CORE). He impressed Michael Schwerner, the head of the office, and was recommended for a full-time post with the organisation. Chaney was involved with the CORE's Freedom Summer campaign. On 21st June, 1964, Chaney, along with Andrew Goodman and Michael Schwerner, went to Longdale to visit Mt. Zion Methodist Church, a building that had been fire-bombed by the Ku Klux Klan because it was going to be used as a Freedom School. On the way back to the CORE office in Meridian, the three men were arrested by Deputy Sheriff Cecil Price. Later that evening they were released from the Neshoba jail only to be stopped again on a rural road where a white mob shot them dead and buried them in a earthen dam. When Attorney General Robert Kennedy heard that the men were missing, he arranged for Joseph Sullivan of the Federal Bureau of Investigations (FBI) to go to Mississippi to discover what has happened. On 4th August, 1964, FBI agents found the bodies in an earthen dam at Old Jolly Farm. Page 2 of 3 James Earl Chaney's mother, Fannie Chaney and brother Ben at his funeral. -
PEGODA-DISSERTATION-2016.Pdf (3.234Mb)
© Copyright by Andrew Joseph Pegoda December, 2016 “IF YOU DO NOT LIKE THE PAST, CHANGE IT”: THE REEL CIVIL RIGHTS REVOLUTION, HISTORICAL MEMORY, AND THE MAKING OF UTOPIAN PASTS _______________ A Dissertation Presented to The Faculty of the Department of History University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Andrew Joseph Pegoda December, 2016 “IF YOU DO NOT LIKE THE PAST, CHANGE IT”: THE REEL CIVIL RIGHTS REVOLUTION, HISTORICAL MEMORY, AND THE MAKING OF UTOPIAN PASTS ____________________________ Andrew Joseph Pegoda APPROVED: ____________________________ Linda Reed, Ph.D. Committee Chair ____________________________ Nancy Beck Young, Ph.D. ____________________________ Richard Mizelle, Ph.D. ____________________________ Barbara Hales, Ph.D. University of Houston-Clear Lake ____________________________ Steven G. Craig, Ph.D. Interim Dean, College of Liberal Arts and Social Sciences Department of Economics ii “IF YOU DO NOT LIKE THE PAST, CHANGE IT”: THE REEL CIVIL RIGHTS REVOLUTION, HISTORICAL MEMORY, AND THE MAKING OF UTOPIAN PASTS _______________ An Abstract of A Dissertation Presented to The Faculty of the Department of History University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Andrew Joseph Pegoda December, 2016 ABSTRACT Historians have continued to expand the available literature on the Civil Rights Revolution, an unprecedented social movement during the 1940s, 1950s, and 1960s that aimed to codify basic human and civil rights for individuals racialized as Black, by further developing its cast of characters, challenging its geographical and temporal boundaries, and by comparing it to other social movements both inside and outside of the United States. -
Build a Be4er Neplix, Win a Million Dollars?
Build a Be)er Ne,lix, Win a Million Dollars? Lester Mackey 2012 USA Science and Engineering FesDval Nelix • Rents & streams movies and TV shows • 100,000 movie Dtles • 26 million customers Recommends “Movies You’ll ♥” Recommending Movies You’ll ♥ Hated it! Loved it! Recommending Movies You’ll ♥ Recommending Movies You’ll ♥ How This Works Top Secret Now I’m Cinematch Computer Program I don’t unhappy! like this movie. Your Predicted Rang: Back at Ne,lix How can we Let’s have a improve contest! Cinematch? What should the prize be? How about $1 million? The Ne,lix Prize October 2, 2006 • Contest open to the world • 100 million movie rangs released to public • Goal: Create computer program to predict rangs • $1 Million Grand Prize for beang Cinematch accuracy by 10% • $50,000 Progress Prize for the team with the best predicDons each year 5,100 teams from 186 countries entered Dinosaur Planet David Weiss David Lin Lester Mackey Team Dinosaur Planet The Rangs • Training Set – What computer programs use to learn customer preferences – Each entry: July 5, 1999 – 100,500,000 rangs in total – 480,000 customers and 18,000 movies The Rangs: A Closer Look Highest Rated Movies The Shawshank RedempDon Lord of the Rings: The Return of the King Raiders of the Lost Ark Lord of the Rings: The Two Towers Finding Nemo The Green Mile Most Divisive Movies Fahrenheit 9/11 Napoleon Dynamite Pearl Harbor Miss Congeniality Lost in Translaon The Royal Tenenbaums How the Contest Worked • Quiz Set & Test Set – Used to evaluate accuracy of computer programs – Each entry: Rang Sept. -
Working for Justice in Neshoba County, Mississippi: Andy Sheldon
THE JURY EXPERT Working for Justice in Neshoba County, Mississippi: Andy Sheldon and Beth Bonora discuss trial consulting in this landmark case by Beth Foley “Neshoba: The Price of Freedom,” is a newly released documentary by Micki Dickoff and Tony Pagano that focuses on one of the most notorious crimes of the Civil Rights Era and the long road to justice that followed. The case of Mississippi v. Edgar Ray Killen is about three young men murdered in Mississippi in 1964 James Chaney, a 20-year-old black Mississippian, and Andrew Goodman and Michael Schwerner, two white New Yorkers, also in their early 20s disappeared in Neshoba County, Mississippi. The young men were spending their summer working to register African Americans to vote. Six long weeks later their bodies were found in a mud dam on the property of Olen Burrage. Goodman and Schwerner had been shot. Chaney, the young black man, was also shot, but only after he was beaten, tortured and mutilated. Although the F.B.I. and the Justice Department won a handful of convictions, and light sentences, on federal civil rights charges a few years later against some of the men involved with the murders, no state charges, for murder or anything else, were brought until 2005. Finally, in 2005 Edgar Ray Killen, the 80-year-old preacher and sawmill operator long believed to have been one of the main organizers of the killings was brought to justice and convicted of manslaughter and sentenced to prison. The documentary tells the story of these murders, from black and white members of the Philadelphia Coalition, a dedicated group of citizens who push to make sure the truth about that fateful night is told and pressure Mississippi state officials to bring the murderers to justice. -
Neshoba: the Price of Freedom
A film by Micki Dickoff and Tony Pagano 87 mins, 2010 DigiBeta, Stereo, 4:3 First Run Features (212) 243-0600/Fax (212) 989-7649 Website: www.firstrunfeatures.com Email: [email protected] PRAISE FOR NESHOBA: THE PRICE OF FREEDOM ““Fascinating and troubling… history is richly present in Neshoba , (yet) it is not only of historical interest. It was a Mississippi writer, after all, who observed that ‘the past isn’t dead. It isn’t even past.’ This film is a document of hope, progress and idealism but also a reminder that the deep springs of bigotry and violence that fed a long, vicious campaign of domestic terrorism have not dried up.”” – A.O. Scott, The New York Times "A film about fiery passions and murderous deeds that is disturbing in ways that go beyond what might be expected." -Kenneth Turan, Los Angeles Times “Potent…Riveting!" - Dennis Harvey, Variety FOUR STARS! “ Neshoba reopens the debate: How was this allowed to happen? How do we move forward? Some questions, this compelling movie reminds us, still require answers.” -S. James Snyder, Time Out New York CRITICS’ PICK! “Seriously disturbing…gains raw power thanks to unrepentant racist Edgar Ray Killen’s unlikely cooperation with the film.” –New York Magazine “This is a superb and intelligent film that brought an awaking to me of a problem that has never been addressed correctly.” -Gerald Wright Rotten Tomatoes "Masterful!" - Ernest Hardy, The Village Voice “Provides a fresh perspective on history”- Nora Lee Mandel, Film-Forward FOUR STARS! “Reveals that although many have belatedly come to embrace the notion of universal brotherhood, some still remain inveterate racists willing to go their graves waving the flag of intolerance.” –Kam Williams, Newsblaze “The tools used to tell the tale (newsreels, family photos, crime scene and autopsy photos) are masterfully employed.