RCC Turning Back Time to Kickoff Dewitt Performing Arts Series

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RCC Turning Back Time to Kickoff Dewitt Performing Arts Series

NEWS RELEASE FOR IMMEDIATE RELEASE Contact: Andy Cagle Director of Marketing and Communications Richmond Community College 910.410.1811 [email protected] RCC Turning Back Time To Kickoff DeWitt Performing Arts Series Hamlet, N.C. (October 13, 2014) – The 2014-15 DeWitt Performing Arts Series will kickoff Tuesday, Oct. 21, with “Smokey Joe’s Café,” the longest running musical revue in Broadway history. The two-act performance showcases around 40 pop music standards penned by the songwriting team of Jerry Lieber and Mike Stoller, including hit songs recorded by Elvis, The Coasters, The Drifters and Aretha Franklin. Among the tunes performed by the cast will be “Jailhouse Rock,” “Hound Dog,” “Treat Me Nice,” “On Broadway,” “There Goes My Baby,” “Spanish Harlem” and “Stand By Me.” Headlining the show will be super group The Coasters who will bring to life eight songs written specifically for them by Lieber and Stoller, including “Yakety Yak,” “Poison Ivy,” “Love Potion #9,” “Charlie Brown” and the show’s title cut, “Smokey Joe’s Café.” “Lieber and Stoller wrote all of these songs in the 1950s and ’60s, and really, they shaped the face of what rock-and-roll is today,” said cast member Seth Danner. The original Broadway production was nominated for five Tony awards in 1995, and in 1996, it won a Grammy award for Best Musical Show Album. “It has been sometime since the Cole has hosted a musical revue,” said Cole Auditorium Director Joey Bennett. “We are excited to be able to offer one of the most popular revues in the history of Broadway. This show will encourage you to stand to your feet, clap and dance along.” Links to promotional videos to get audience members excited about the show are included on RCC’s website, www.richmondcc.edu. “We are excited to showcase this performance as the season opener,” Bennett said. Smokey Joe’s Café is the first of six shows scheduled for the 2014-15 DeWitt Performing Arts Series, which will also include concerts by The Beach Boys, Collin Raye and folk family royalty Livingston Taylor and Tom Chapin, as well as a piano battle and Rhythm of the Dance. “Like last year, we do have season tickets available for sale,” Bennett said. “One low price will get you seats to these top quality, professional, touring productions as well as some other perks.” Season ticket prices range from $115 to $145 per seat and include reserved-seating tickets for all six shows. Individual tickets for Smokey Joe’s Café may also be purchased for $35 through the Cole Auditorium box office. Box office hours are Monday through Thursday from 8:30 a.m. to 4:30 p.m. and Friday from 8:30 a.m. to 2 p.m. You can also call the box office at (910) 410-1691. Information is also available on Facebook, Twitter and YouTube. ###.

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Bear Family Records Sales Sheet
PRODUCT INFO (CD) May 8, 2020 Artist The Coasters Title Rock Label Bear Family Productions Catalog no. BCD17526 EAN-Code 5397102175268 Price code: AR Format CD (Digipak) with 36-page booklet Genre Rock 'n' Roll, R&B No. of tracks 31 79:00 mns. Release date May 8, 2020 INFO: • The Coasters are one of the most popular Doo-Wop and Rock 'n' Roll vocal groups in music history! • We've included their best rockin' tunes such as That Is Rock And Roll, Yakety Yak, Keep On Rolling, Idol With The Golden Head, Turtle Dovin' and many more. • Contains their complete uptempo material recorded between 1957 and 1962 for Atco Records. • Besides their hits this compilation contains lesser known songs like Gee Golly, Thumbin' A Ride, Stewball and Teach Me How To Shimmy. • 31 tracks and a 36 page booklet in an elegant digipak, with liner notes by Bill Dahl! The Coasters are one of the most successful vocal groups of the 1950s and early '60s, alongside The Drifters and The Platters. The group was formed in 1957 by two members of the Robins, Bobby Nunn and Carl Gardner, plus Billy Guy, Leon Hughes and Adolph Jacobs. The Coasters were produced by none others than Jerry Leiber and Mike Stoller, who also wrote most of their hits like Charlie Brown, Yakety Yak, Young Blood and Poison Ivy. The Coasters were the first group to be inducted into the Rock and Roll Hall of Fame in 1987. Their groundbreaking blend of raucous humor and rocking rhythms without question deserves such hallowed enshrinement, right alongside Chuck Berry, Fats Domino, Little Richard, and Elvis.
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A Symposium Honoring Judge Jon O. Newman’s Thirty Years on the Bench forthcoming New York Law Review © 2002 Peter S. Menell Envisioning Copyright Law’s Digital Future Peter S. Menell1 “May you live in interesting times.”2 Copyright initially developed in response to the printing press and gradually evolved to encompass other methods of mechanically storing and reproducing works of authorship, such as photography, motion pictures, and sound recordings. The advent of broadcasting -- the ability to perform works at distant points -- led to the expansion of copyright to encompass exploitation of creative expression in new markets. The digital revolution represents a third distinct wave of technological innovation that portends significant changes in copyright protection. By bringing about new modes of expression (such as computer programming and digital sampling of music) and empowering anyone with a computer and an Internet connection to flawlessly, inexpensively, and instantaneously reproduce and distribute works of authorship on a wide scale, digital technology represents possibly the most profound challenge to copyright law. This article divides the analysis of digital technology into two categories: (1) squeezing computer software within copyright’s non-functionally oriented protection regime and (2) developing new rules and governance institutions to address the ease of reproduction and porosity of the digital platform. Part I of the article traces the two decades of evolution of copyright protection for computer software and demonstrates that copyright law has proven quite adaptable to this hybrid of expressive and utilitarian creativity. The courts have enabled copyright law to serve effectively as an anti-piracy regime without allowing it to intrude unduly into patent law’s domain.
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The Coasters on Atco and King by Claus Röhnisch
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Scanned Using Scannx OS15000 PC
2B NEWS & PUBLIC OPINION October 15, 2008 __ENTERTAINMENT & ARTS— Musical ‘Cafe’ doesn’t need a storyline to move audience By DENNIS THOMPSON________ ___ portrayed. for a cute rendition of You’re the Boss. on weeknights). Heads were nodding and Stephano’s staging of the supporting suits in feet were tapping throughout. Suburban News Theater Critic D. Glen Vander bilt’s set is black Shoppin’ For Clothes is quite fun. The woman next to me was swaying so Otterbein College Theatre offers Smokey floor, black back There are program notes that try to estab hard I thought she’d fall into me. My chair Joe’s Cafe, a retrospective of the musical wall with red neon lish a framework, as a high school reunion was vibrating as the row behind me was tap works of Jerry Leiber and Mike Stoller. ‘Smokey Joe’s Cafe’ remembering the past, showing moments of ping their feet so hard. Maybe those names are not familiar to sign. A black half life experiences. It’s that kind of show; no dialogue, just you, but their music probably is. Leiber and wall shields Music These frameworks may be helpful for the one well staged hit after another. This is Stoller wrote 24 songs recorded by Elvis REVIEW Director Dennis back stories during the rehearsal process, breezy and charming. Presley, half written specifically for him. Davenport and his but they mean nothing to us and we see The duo also wrote for the Drifters, the six-piece orchestra none of it. So why even mention it - this is Otterbein College Theatre's Smokey Coasters and a variety of groups and indi who are centered throughout and provide simply a revue of songs and that’s fine, as Joe’s Cafe continues at 8 p.m.
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Rock Script 1/29
Rock Around the Clock! 100 Years of Rock n’ Roll History! ! ! ! ! CAST:! CAST:! CAST:! ! Lana! Duke Ellington Diana Ross! ! Ria! Robert Johnson! Buddy Holly! ! Friend 1! Ray Charles! The Big Bopper! ! Friend 2! Beatles:! Ritchie Valens! ! (Teacher/ Class)! John, Paul, George, (Hippies)! ! Elvis Presley*! Ringo! Hippie #1! ! (Prisoners)! Chuck Berry! Hippie #2! ! Lead Prisoner 1&2! Little Richard! Joey Ramone! ! Lead Belly! Wanda Jackson! Tommy Ramone! ! Jimmie Rodgers! Bill Haley! ! ! Trixie Smith! The Coasters (4)! Stage Manager! ! Robert Palmer*! Fats Domino Curtain Engineer ! ! SET:! • 2-4 Pedestals for statues! • Standing Arch with big sign [ROCK n’ ROLL MUSEUM] with working door/ OPEN/CLOSED sign.! !• Risers! ! ! ACT ONE - SCENE ONE - INTRO! Class and teacher are at the last exhibit of the ROCK AND ROLL MUSEUM. As the teacher is lining !the kids up to leave she takes a head count. After she counts the last student! [CURTAIN]! Music starts and curtain opens: I LOVE ROCK AND ROLL! Students roam around the stage chatting and looking at an Elvis statue on a pedestal. ! TEACHER: ! [The second the music stops -shouting] C’mon class! We need to shake a leg or we will miss the bus!! Teacher leads the class towards the exit.! TEACHER: !Alright students, partner up -PARTNER-UP!! Students start lining up and joining their partners, teacher assists. Students and teacher’s backs are to the statue! ELVIS !! [statue sings and thrusts his pelvis] [Sung] Well it’s one for the money! No one notices but LANA! LANA:! [nudges his/her friend] Hey! Did you see that?! RIA: ! See what? You’re so weird, just listen to the teacher will you?!! ELVIS: ! [Sung and moves to the beat] Two for the show!! Still, no one notices.
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Smokey Joes Audition Information
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