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Musik-Katalog Bassetthorn Bassettklarinette
Musik-Katalog für Bassetthorn (3604 Werke) und Bassettklarinette (189 Werke) von Thomas Graß und Dietrich Demus Stand vom 31.Mai 2020 Ergänzungen und Berichtigungen des Katalogs aus dem Sachbuch: „Das Bassetthorn. Seine Entwicklung und seine Musik“, 2. Aufl. 2004, Hrsg. T. Grass und D. Demus, BOD, ISBN 3-8311-4411-7. [email protected] [email protected] Formatierung und Druckherstellung: Michael Baasner 1 Inhaltsverzeichnis 1. Konzerte mit Solo-Bassetthorn 5 1.1 Solo für ein oder mehrere Bassetthörner und Orchester oder Sinfonisches Blasorchester ........5 1.2 Werke mit Solo-Bassetthorn, weiteren Solo-Instrumenten oder Singstimme und Orchester oder Blasorchester, auch Sinfonie Concertanti .........................................................................13 1.3 Historische Bearbeitungen für Bassetthorn und fälschlich oder fraglich dem Bassetthorn zugeschriebene Solowerke mit Orchester .................................................................................18 2 Kammermusik 19 2.1 Bassetthorn Solo ........................................................................................................................19 Duos 24 2.2 Bassetthorn und Klavier / Cembalo / Orgel / Vibraphon / elektronische Musik / Tape ..............24 2.3 Zwei Bassetthörner ....................................................................................................................34 2.4 Bassetthorn und ein anderes Instrument / Singstimme .............................................................37 2.5 Bassetthorn und Gitarre -
Finale Transposition Chart, by Makemusic User Forum Member Motet (6/5/2016) Trans
Finale Transposition Chart, by MakeMusic user forum member Motet (6/5/2016) Trans. Sounding Written Inter- Key Usage (Some Common Western Instruments) val Alter C Up 2 octaves Down 2 octaves -14 0 Glockenspiel D¯ Up min. 9th Down min. 9th -8 5 D¯ Piccolo C* Up octave Down octave -7 0 Piccolo, Celesta, Xylophone, Handbells B¯ Up min. 7th Down min. 7th -6 2 B¯ Piccolo Trumpet, Soprillo Sax A Up maj. 6th Down maj. 6th -5 -3 A Piccolo Trumpet A¯ Up min. 6th Down min. 6th -5 4 A¯ Clarinet F Up perf. 4th Down perf. 4th -3 1 F Trumpet E Up maj. 3rd Down maj. 3rd -2 -4 E Trumpet E¯* Up min. 3rd Down min. 3rd -2 3 E¯ Clarinet, E¯ Flute, E¯ Trumpet, Soprano Cornet, Sopranino Sax D Up maj. 2nd Down maj. 2nd -1 -2 D Clarinet, D Trumpet D¯ Up min. 2nd Down min. 2nd -1 5 D¯ Flute C Unison Unison 0 0 Concert pitch, Horn in C alto B Down min. 2nd Up min. 2nd 1 -5 Horn in B (natural) alto, B Trumpet B¯* Down maj. 2nd Up maj. 2nd 1 2 B¯ Clarinet, B¯ Trumpet, Soprano Sax, Horn in B¯ alto, Flugelhorn A* Down min. 3rd Up min. 3rd 2 -3 A Clarinet, Horn in A, Oboe d’Amore A¯ Down maj. 3rd Up maj. 3rd 2 4 Horn in A¯ G* Down perf. 4th Up perf. 4th 3 -1 Horn in G, Alto Flute G¯ Down aug. 4th Up aug. 4th 3 6 Horn in G¯ F# Down dim. -
Boosey & Hawkes
City Research Online City, University of London Institutional Repository Citation: Howell, Jocelyn (2016). Boosey & Hawkes: The rise and fall of a wind instrument manufacturing empire. (Unpublished Doctoral thesis, City, University of London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/16081/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Boosey & Hawkes: The Rise and Fall of a Wind Instrument Manufacturing Empire Jocelyn Howell PhD in Music City University London, Department of Music July 2016 Volume 1 of 2 1 Table of Contents Table of Contents .................................................................................................................................... 2 Table of Figures...................................................................................................................................... -
Band Director's Catalog
BAND DIRECTor’s CATALOG We make legends. A division of Steinway Musical Instruments, Inc. P.O. Box 310, Elkhart, IN 46515 www.conn-selmer.com AV4230 1 TABLE OF CONTENTS Eb Soprano, Harmony & Eb Alto Clarinets ....... 10 Bb Bass, EEb Bass & BBb Bass Clarinets ........... 11 308 Student Instruments Step-Up & Pro Saxophones .............................. 12-13 Step-Up & Pro Bb Trumpets .............................. 14 Piccolos & Flutes ...................................................... 1 Step-Up & Pro Cornets ..................................... 14 Oboes & Clarinets .................................................... 2 C Trumpets, Harmony Trumpets, Flugelhorns .... 15 Saxophones .............................................................. 3 Step-Up & Pro Trombones ................................ 16-17 204 Trumpets & Cornets .................................................. 4 Alto, Valve & Bass Trombones .......................... 18 Trombones ............................................................... 5 Double Horns .................................................. 19 PICCOLOS Single Horns ............................................................ 5 Baritones & Euphoniums .................................. 20 Educational Drum, Bell and Combo Kits .................. 6 BBb Tubas - Three Valve .................................... 21 ARMSTRONG Mallet Instruments .................................................... 6 BBb & CC Tubas - Four Valve ............................ 21 204 “USA” – Silver-plated headjoint and body, silver-plated -
View PDF Online
MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
Boston Symphony Chamber Players 50Th Anniversary Season 2013-2014
Boston Symphony Chamber Players 50th anniversary season 2013-2014 jordan hall at the new england conservatory october 13 january 12 february 9 april 6 BOSTON SYMPHONY CHAMBER PLAYERS Sunday, January 12, 2014, at Jordan Hall at New England Conservatory TABLE OF CONTENTS 3 Welcome 4 “The Boston Symphony Chamber Players: For Fifty Years, Champions of Chamber Music,” by Richard Dyer 6 From the Players 10 Today’s Program Notes on the Program 11 Aaron Copland 13 Irving Fine 14 Wolfgang Amadè Mozart 15 Johannes Brahms Artists 16 Boston Symphony Chamber Players 17 Gilbert Kalish 19 The Boston Symphony Chamber Players: A Discography COVER PHOTO (top) Founding members of the Boston Symphony Chamber Players, 1964: (seated, left to right) Joseph Silverstein, violin; Burton Fine, viola; Jules Eskin, cello; Doriot Anthony Dwyer, flute; Ralph Gomberg, oboe; Gino Cioffi, clarinet; Sherman Walt, bassoon; (standing, left to right) Georges Moleux, double bass; Everett Firth, timpani; Roger Voisin, trumpet; William Gibson, tombone; James Stagliano, horn (BSO Archives) COVER PHOTO (bottom) The Boston Symphony Chamber Players in 2012 at Jordan Hall: (seated in front, from left): Malcolm Lowe, violin; Haldan Martinson, violin; Jules Eskin, cello; Steven Ansell, viola; (rear, from left) Elizabeth Rowe, flute; John Ferrillo, oboe; William R. Hudgins, clarinet; Richard Svoboda, bassoon; James Sommerville, horn; Edwin Barker, bass (photo by Stu Rosner) ADDITIONAL PHOTO CREDITS Individual Chamber Players portraits pages 6, 7, 8, and-9 by Tom Kates, except Elizabeth Rowe (page 8) and Richard Svoboda (page 9) by Michael J. Lutch. Boston Symphony Chamber Players photo on page 16 by Michael J. Lutch. -
Preview Magazine
NEWS CASSGB Young Saxophone Soloist Competition CASSGB is running a Young from first-round entrants. It will take Saxophone Soloist Competition place on 12 January 2020 in London for entrants who will be aged 19 (venue to be confirmed). or under on 12 January 2020. The The competition is open to competition is open to UK nationals CASSGB members and non- or non-UK students in full-time members. For non-members there is education and resident in the UK. a fee of £10 which includes a one- Prizes are as follows: year subscription to CASSGB (the • 1st prize: £1,500 plus an normal cost of student membership invitation to perform at is £12). CASSGB’s 2020 Single Reed Day Application forms for the • 2nd prize: £1,000 competition can be downloaded • 3rd prize: £500 from www.cassgb.org and completed forms should be emailed Round 1 is a recorded submission to [email protected]. Turn to Blaz Sparovec (closing date: 15 October) which page 25 for more information. must include a new specially commissioned work that can be wins Nielsen found on the centre pages of this issue. Round 2, the final, will feature Competition a maximum of six players selected The 24-year-old Slovenian clarinettist Blaz SOCIETY OF GREAT BRITAIN Sparovec has won the 2019 International Nielsen Clarinet Competition. Second prize was awarded to Aron Chiesa (22, Italy) and 3rd prize to Victor Diaz (22, Spain). 35 rare saxophones stolen Following a pre-selection video round, 24 players aged 19 to 27 from 15 countries were invited to attend the live finals in from Italian collector Odense, Denmark on 20-30 March. -
Soprano Cornet
SOPRANO CORNET: THE HIDDEN GEM OF THE TRUMPET FAMILY by YANBIN CHEN (Under the Direction of Brandon Craswell) ABSTRACT The E-flat soprano cornet has served an indispensable role in the British brass band; it is commonly considered to be “the hottest seat in the band.”1 Compared to its popularity in Britain and Europe, the soprano cornet is not as familiar to players in North America or other parts of world. This document aims to offer young players who are interested in playing the soprano cornet in a brass band a more complete view of the instrument through the research of its historical roots, its artistic role in the brass band, important solo repertoire, famous players, approach to the instrument, and equipment choices. The existing written material regarding the soprano cornet is relatively limited in comparison to other instruments in the trumpet family. Research for this document largely relies on established online resources, as well as journals, books about the history of the brass band, and questionnaires completed by famous soprano cornet players, prestigious brass band conductors, and composers. 1 Joseph Parisi, Personal Communication, Email with Yanbin Chen, April 15, 2019. In light of the increased interest in the brass band in North America, especially at the collegiate level, I hope this project will encourage more players to appreciate and experience this hidden gem of the trumpet family. INDEX WORDS: Soprano Cornet, Brass Band, Mouthpiece, NABBA SOPRANO CORNET: THE HIDDEN GEM OF THE TRUMPET FAMILY by YANBIN CHEN Bachelor -
A Chinese Clarinet Legend Also in This Issue
Vol. 45 • No. 1 December 2017 Tao AChunxiao: Chinese Clarinet Legend Also in this issue... ClarinetFest® 2017 Report The Genesis of Gustav Jenner’s Clarinet Sonata D’ADDARIO GIVES ME THE FREEDOM TO PRODUCE THE SOUND I HEAR IN MY HEAD. — JONATHAN GUNN REINVENTING CRAFTSMANSHIP FOR THE 21ST CENTURY. President’sThe EDITOR Rachel Yoder [email protected] ASSOCIATE EDITOR Jessica Harrie [email protected] EDITORIAL BOARD Dear ICA Members, Mitchell Estrin, Heike Fricke, Jessica Harrie, ope you are enjoying a wonderful new season Caroline Hartig, Rachel Yoder of music making with fulflling activities and MUSIC REVIEWS EDITOR events. Many exciting things are happening in Gregory Barrett – [email protected] our organization. Te ICA believes that if you Hdo good things, good things happen! I want to thank everyone AUDIO REVIEWS EDITOR who has contributed to our Capital Campaign. We especially Chris Nichols – [email protected] wish to thank Alan and Janette Stanek for their amazing gift of $11,250.00 to fund our competitions for the coming GRAPHIC DESIGN ClarinetFest® 2018. Te ICA is grateful for your generosity Karry Tomas Graphic Design and the generosity of all Capital Campaign donors. Please [email protected] visit www.youcaring.com/internationalclarinetassociation to Caroline Hartig make your donation today. We would love to hear your story ADVERTISING COORDINATOR and look forward to our continued campaign which will last Elizabeth Crawford – [email protected] through ClarinetFest® 2018. Also, visit www.clarinet.org/ donor-wall to check out our donor wall with many photos and thank-yous to those who INDEX MANAGER contributed to the ICA for ClarinetFest® 2017. -
BRIIDGE B,Z-I-Dge: a L)Nh, a *)E, a Conttedion, an Alllance' to Bon-Dtoge,Tlrc,N, to Unld4, O Bond
TheBrass Band BRIIDGE b,z-i-dge: a l)nh, a *)e, a conttedion, an allLance' to bon-dtoge,tlrc,n, to unLd4, o bond.....,.. tsSt E 11, JANUABY 19t3 Third Place: TEE FIRST NORTN AMEBICAN BBTTISE BBASS BAND GHAMPIONSEIPS, . test-pieces will be as follows: t200.00 SchweppesPrize Money Trophy - Selmer, Inc. Championship Section: "Sinfonietta in Three - Movements," by Gordon Langford. Plaque Boosey & Hawkes/Buffet Crampon For the Outstanding Soloist of the day from either section, (Op. Second Section: "Little Suite For Brass" 80), Conn will award a trophy. Malcolm Arnold. Non-competitive Section: No set test-piece. Norcompetltlve Sectlon In addition to playing a set test-piece,each band is required to No prizes awarded. Bands play for adjudicator's present a 2$minute concert. Ratings and points awarded by evaluations and eomments only. the three judges will be based upon the excellence of the muscial perfornanee coupled with the composition of the We remind all our readers that this historic event will take musical progrsm offered. place on the eampus of North Carolina State Univercity on Saturday, April 23, 1988. The actual contest will be held in Prizes are to be as follows: Stewart Theatre while bands will assemble, warm-up and Ghrnptouhlp Sectlon tuneup, and generally prepare for the Championshipe in First Plaee: Price Music Center which is right next door. Adult admigsion t1,000 SehweppesPrize Money will be i6.00 and students (1? ind younger) wiU be f8.00. We Sovereign Bb Baritone horn Boosey & are pleased to announcethat the New York Salvation Army Hawkes/Buffet Crampon Staff Band will be the guest band for these first Champion- Two Bach Short Model Cornets - Selmer, Inc. -
Mozart - Brahms
MOZART - BRAHMS CLARINET QUINTETS OSLO PHILHARMONIC CHAMBER GROUP WOLFGANG AMADEUS MOZART KLARINETTKVINTETT I A–DUR K 581 | CLARINET QUINTET IN A MAJOR, K. 581 1756-1791 JOHANNES BR AHMS KLARINETTKVINTETT I H–MOLL, OP. 115 | CLARINET QUINTET IN B MINOR, OP. 115 1833-1897 Tidlig på 1700-tallet utviklet instrumentmakeren Around the turn of the eighteenth century the Ger- Johann Christoph Denner i Nürnberg klarinetten, man instrument maker Johann Christoph Denner of med grunnlag i eldre instrumenttyper. Tross visse Nuremberg developed the clarinet as a modification of mangler viste det nye instrumentet lovende takter. earlier-style instruments. In spite of some shortcomings, Noen komponister var tidlig ute med verk for kla- it showed considerable promise, and a few composers rinett, blant dem Johann Molter, som i 1740-årene soon had works for clarinet, including Johann Molter, skrev fire konserter for den lille D–klarinetten. who wrote four concertos for the smaller D clarinet. The Det framsynte orkesteret i Mannheim var snare til forward-looking orchestra in Mannheim was prompt å inkorporere instrumentet i sin krets, og de ek- to incorporate the instrument into its ranks, and the sperimentlystne komponistene som var knyttet til experimental composers associated with the orchestra orkesteret, skrev gjerne for klarinett. For eksempel liked writing for the clarinet. Carl Stamitz, for exam- skrev Karl Stamitz kammermusikk og ikke mindre ple, composed chamber music and no less than eleven enn elleve mindre konserter for klarinett, alle trolig lesser concertos for clarinet, all of them presumably for for Johann Joseph Beer. Johann Joseph Beer. Siden har flere av de store komponistene skrevet verk for klarinett med tanke på bestemte framstå- Since that time a number of major composers have writ- ende klarinettister. -
Louis Spohr, Autoportrait - DR
Louis Spohr, autoportrait - DR 2 SPOHR - SECHS DEUTSCHE LIEDER OP.103, N° 6 (1837) Wach auf Awaken! Was stehst du lange und sinnest nach? Ach schon so lange ist Liebe wach! Hörst du das Klingen allüberall? Die Vöglein singen mit süßem Schall; Aus Starrem sprießet Baumblättlein weich, Das Leben fl ießet um Ast und Zweig. Das Tröpfl ein schlüpfet aus Waldesschacht, Das Bächlein hüpfet mit Wallungsmacht; Der Himmel neiget in’s Wellenklar, Die Bläue zeiget sich wunderbar, Ein heitres Schwingen zu Form und Klang, Ein ew‘ges Fügen im ew’gen Drang! La traduction du poème se trouve page 13. The translation of the poem is on page 27. 3 LOUIS SPOHR (1784-1859) CD 1 Concerto pour clarinette et orchestre n° 1 en ut majeur Op. 26 1 Adagio Allegro 10’13’’ 2 Adagio 03’01’’ 3 Rondo Vivace 05’01’’ Concerto pour clarinette et orchestre n° 2 en mi bémol majeur Op. 57 1 Allegro 10’38’’ 2 Adagio 04’57’’ 3 Rondo alla polacca 07’48’’ On this recording Paul Meyer plays a prototype Buffet-Crampon ‘Divine’ clarinet in B fl at, serial no 11500920101, and a prototype Buffet-Crampon ‘Divine’ clarinet in A, serial no 12500120091, with a Vandoren 5rv mouthpiece and Vandoren V.12 3.5+ and 4 reeds. Paul Meyer wishes to thank Cyrille Mercadier for adjusting the instruments. 4 CD 2 Concerto pour clarinette et orchestre n° 3 en fa mineur WoO 19 1 Allegro moderato 09’56’’ 2 Adagio 07’20’’ 3 Vivace non troppo 07’14’’ Concerto pour clarinette et orchestre n° 4 en mi mineur WoO 20 1 Allegro vivace 13’20’’ 2 Larghetto 03’47’’ 3 Rondo al espagnol 08’03’’ Paul Meyer a joué pour cet enregistrement la clarinette en si bémol Buffet-Crampon Prototype Divine n°11500920101 et la clarinette en la Buffet-Crampon Prototype Divine n°12500120091, avec un bec 5RV Vandoren et des anches Vandoren V.12 No 3,5+ et les traditionnelles No 4.