At last a life paul david pdf Continue Position: Forward Paul Arizin's hometown, Philadelphia, is a fertile ground for basketball players. Greats like Wilt Chamberlain, Earl Monroe and Guy Rodgers cut their hoop teeth in city playgrounds. Arizin, on the other hand, never even turned out for basketball until his final year at La Salle High School. He was cut out of the team. Sixteen years later, he retired as the second-highest scorer in NBA history. Advertising Hard-nosed 6'4 forward, Arizin (born April 9, 1928) matured into one of the best shooters of his generation. After high school, he enrolled at Villanova University without a scholarship, worked in basketball at night, and angled a spot on the team. He made it his second year, and a year later he set a school record of 85 points a game. In his final season, he was the nation's leading scorer (25.3) and the 1950 World Record. That's where the Philadelphia Warriors were. When Arizin broke into the professional ranks, most players still shot flat leg; Pitchin' Paul had already had a jump shot. His form was unusual because he hit his feet back when he fired. Her favorite area was the corner, though she was adept at pump-shaming and driving around with her man to look closely at the basket. He won the scoring championship in 1951-52, his second of the season, with 25.4 points per game, denying George Mikan the crown for the first time in Mikan's career. After two years of military service, Arizin returned for another eight seasons with the Warriors. From 1955 to 1956, they defeated the Fort Wayne Pistons in the NBA championship. Arizin won the second scoring title the following season, and he poured in a career-high 49 points against the Boston Celtics in 1961. Instead of moving to San Francisco with the Warriors in 1962, Arizin retired the NBA with 16,266 points, trailing only Dolph Schayes on the career leader board. Still eager to play, Arizin migrated to the Eastern League, where he continued his high-scoring manner with the Camden Bullets. He was introduced to the Hall of Fame in 1977 and died in 2006. The more greatest basketball players of all time, visit: Cancer is happening right now, which is why I'm taking part in Race for Life 5k to raise money and save lives. 1 in 2 people are diagnosed with cancer in their lifetime. Every pound to donate makes Cancer Research UK groundbreaking work, so please sponsor me now. Cancer is happening right now, which is why I am taking part in the Race for Life 10k to raise money and save lives. 1 in 2 people are diagnosed with cancer in their lifetime. Every pound to donate makes Cancer Research UK groundbreaking work, so please sponsor me now. Get a free digital download from the Ultimate Beginner's Guide to Real Estate Investing. Connect to 1,000,000+ real estate investors! Find Local Real meetings and events in your area. Start analyzing the real estate, we'll calculate for you. Keep up with the latest daily buzz with the BuzzFeed Daily newsletter! David Ricardo was born in 1772. He was the third of 17 children. His family was descended from the Iberian Jews, who were in the 18th century. Ricardo's father, a stockbroker, emigrated to England shortly before David was born. Ricardo started working full-time on his father's London Stock Exchange when he was fourteen. When he was 21, his family deprived him when he married Kveeker. Fortunately, he already had a great reputation in finance and founded his business as a government securities dealer. He quickly became very rich. David Ricardo left in 1814. In Parliament, his main interests were the currency and business issues of the day. When he died, his property was worth over $100 million in today's dollars. Ricardo read the riches of adam smith's peoples (1776) when he was in his late twenties. It sparked an interest in an economy that lasted its entire life. In 1809, Ricardo began writing his ideas in the economics of newspaper articles. In his essay on the impact of low-priced Corn Profits Stock (1815), Ricardo formulated what became known as the law's dwindling earnings. (This principle was also discovered simultaneously and independently by Malthus, Robert Torrens and Edward West). In 1817, David Ricardo published the principles of political economy and taxation. In this text, Ricardo created a theory of value in his theory of distribution. David Ricardo's attempts to answer important economic questions led to an unprecedented level of theoretical complexity in the economy. He described the classic system more clearly and consistently than anyone had ever done before. His ideas became known as The Classic or Ricardian School. Although his ideas were followed, they were slowly replaced. But even today, there is a Neo-Ricardian research program. Paul Klee (1879–1940) was a German artist of Swiss descent who was a 20th-century German artist. His abstract work was diverse and could not be categorized, but influenced by expressionism, surrealism and Cubism. His primitive drawing style and use of symbols in his art revealed his wit and child-like perspective. He wrote prolifically about color theory and art diaries, essays and lectures. His lectures throughout Writings on Form and Design Theory, published in English as Paul Klee Notebooks, are one of the most important treats of contemporary art. Date of birth: 18.11.1955. Hans Wilhelm Klee and Ida Marie Klee, née FrickAmet: painter (expressionism, surrealism) and teacherEducation: Academy of Arts, Munich Husband: Lily StumpfChildren: Felix Paul KleeMost Famous Works: Ad Parna ssum (1932), Twittering Machine (1922), Fish Magic (1925), Landscape with Yellow Birds (1923), Viaducts Break Ranks (1937), Cat and Bird (1928), Insula Dulcamara (1938), Castle and Sun (1928). Noteworthy Quote: Color possesses me. I don't have to follow it. I know that, I know it. That's the meaning of happy hour: Color and I are one. I'm a painter. Klee was born on April 18, 1925, in New He grew up in Bern, Switzerland, where his father was transferred to bern as a conductor of the Concert Orchestra. Klee was a sufficient, but not overly enthusiastic student. He was particularly interested in his study of Greek and continued to read Greek poetry in the original language throughout his life. He was rounded, but his love of art and music was clearly evident. He drew constantly - ten sketchbooks to survive his childhood - and also continued to play music, even the extra Municipal Orchestra of Bern. Corbis through Getty Images/Getty Images Based on his broad education, Klee could have gone to any profession, but decided to become an artist because, as he said in the 1920s, it seemed to be lagging behind and he felt that maybe he could help promote it. He became a very influential painter, draughtman, print producer and art teacher. However, his love of music continues to have a lifelong impact on his unique and idiosyncratic art. Klee went to Munich in 1898 to study at the private Knirr Art School, working for Erwin Knirr, who was very enthusiastic about having Klee as his student, and expressed the opinion at the time that if Klee remained the result could be extraordinary. Klee studied drawing and painting with Knirr, and then Franz Stuck at the Munich Academy. In June 1901, after three years of studying in Munich, Klee travelled to Italy, where he spent most of his time in Rome. After that, in 1902, he converted to The New York Times. He remained there until his marriage in 1906. Heritage Images/Getty Images/Getty Images The three years Klee spent studying in Munich she met pianist Lily Stumpf, who later became her husband. In 1906, Klee returned to Munich, the Centre for Art and Artists, to promote his career as an artist and to marry Stumpf, who already had an active career there. They had a son, Felix Paul, a year later. During the first five years of marriage, Klee stayed at home and child and home, while Stumpf continued to teach and enforce. Klee made both graphic art and painting, but struggled as a way to compete with domestic demands. In 1910, his studio was visited by designer and illustrator Alfred Kubin, encouraged him and became one of his most important collectors. Later that year, Klee exhibited 55 drawings, watercolor and etchings in three different cities in Switzerland, and in 1911 was his first one-man show in Munich. In 1912, Klee participated in the second Exhibition of Blue Rider (Der Blaue Reider), dedicated to graphics, at Munich's Goltz Gallery. The other participants were Vasily Kandinsky, Georges Braque, Andre Dérain and Pablo Picasso, whom he later met during a visit to Paris. Kandinsky became a close friend. Klee and Klumpf lived in Munich until 1920. In 1920, Klee was appointed to the Bauhaus faculty under Walter Gropius, where he taught for ten years, first in Weimar until 1925. He then returned to his hometown of Bern, Switzerland, where he had spent two or three months each summer since moving to Germany. In 1937, 17 Klee paintings were added to the Nazi-famous Exhibition of Degenerate Art as examples of art corruption. The Nazis confiscated many of Klee's works in public collections. Klee reacted to Hitler's treatment of artists and the general inhumanity of his work, though often masked by seemingly childlike images. Heritage Images/Getty Images/Getty Images Klee was ambitious and idealistic, but had a demeanor that was reserved and peaceful.