Indesign Basics FILE TYPES
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
How to Design a Recto-Verso Print Displaying Different Images In
How to design a recto-verso print displaying different images in various everyday-life lighting conditions Nicolas Dalloz, Serge Mazauric, Thierry Fournel, Mathieu Hébert To cite this version: Nicolas Dalloz, Serge Mazauric, Thierry Fournel, Mathieu Hébert. How to design a recto-verso print displaying different images in various everyday-life lighting conditions. Electronic Imaging Symposium, Jan 2017, Burlingame, CA, United States. pp.33 - 41, 10.2352/ISSN.2470-1173.2017.8.MAAP-289. hal-01458756 HAL Id: hal-01458756 https://hal.archives-ouvertes.fr/hal-01458756 Submitted on 6 Feb 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. How to design a recto-verso print displaying different images in various everyday-life lighting conditions Nicolas Dalloz,1 Serge Mazauric,2 Thierry Fournel, 2 Mathieu Hébert2 1 Institut d’Optique – Graduate School, 2 avenue Augustin Fresnel, 91127 Palaiseau, France. 2 Univ Lyon, UJM-Saint-Etienne, CNRS, Institut d’Optique Graduate School, Laboratoire Hubert Curien UMR 5516, F-42023, Saint- Etienne, France. Abstract The spectral reflectance and transmittance model for recto- This study aims at explaining how to design multi-view prints verso halftone prints necessary to compute the multiview images is that can show different images in different illumination conditions. -
New Undergrad Bulletin.Qxp
The Felician Sisters conduct three colleges: Felician College Lodi and Rutherford, New Jersey 07644 Villa Maria College Buffalo, New York 14225 Madonna University Livonia, Michigan 48150 MADONNA UNIVERSITY The , the first initial of Madonna, is a tribute to Mary, the patroness of Madonna University. The flame symbolizes the Holy Spirit, the source of all knowledge, and signifies the fact that liberal arts education is the aim of Madonna University whose motto is Sapientia Desursum (Wisdom from Above). The upward movement of the slanted implies continuous commitment to meeting the ever growing educational needs and assurance of standards of academic quality. The box enclosing the is symbolic of unity through ecumenism. The heavy bottom line of the box signifies the Judeo-Christian foundation of the University. (The Madonna University logo was adopted in 1980) Madonna University guarantees the right to equal education opportunity without discrimination because of race, religion, sex, age, national origin or disabilities. The crest consists of the Franciscan emblem, which is a cross and the two pierced hands of Christ and St. Francis. The Felician Sisters' emblem is the pierced Heart of Mary, with a host symbolizing the adoration of the Eucharist through the Immaculate Heart, to which the Community is dedicated. The University motto, Sapientia Desursum, is translated “Wisdom from Above”. MADONNA UNIVERSITY Undergraduate Bulletin Volume 38, 2004 - 2006 (Effective as of Term I, 2004) Madonna University 36600 Schoolcraft Livonia, Michigan 48150-1173 (734) 432-5300 (800) 852-4951 TTY (734) 432-5753 FAX (734) 432-5393 email: [email protected] Web site: http://www.madonna.edu Madonna University guarantees the right to equal educational opportunity without discrimination because of race, religion, sex, age, national origin, or disabilities. -
Educator's Guide
EDUCATOR’S GUIDE Ages 8-12 Grades 3-7 Visit us at www.nationalgeographic.com/books/librarians-and-educators • ZeustheMighty.com Dear educators and librarians, Everyone knows that kids love animal stories and that National Geographic Kids Books strives to bring you the most captivating, colorful, and cool animals on the planet—but, get ready to hear about some critters you’ve never heard of before in our new fact-based fiction series ZEUS THE MIGHTY! These animals believe they are Greek gods and goddesses, and their mighty quests in ancient Greece—aka the Mount Olympus Pet Center in Athens, Georgia—will give readers a whole new experience with Greek mythology. As the title suggests, each book in the series will follow our heroic hamster, Zeus, and his companions on epic journeys, battling mythical monsters and mis- understandings. We hope you enjoy this book and will join our quest to bring an exciting new world of Greek mythology to middle-grade readers everywhere. This second series in our fact-based fiction imprint, Under the Stars, gives readers a rollicking romp through reimagined tales, such as Jason and the Argonauts, while the “Truth Behind the Fiction” section in each book provides the original myth along with facts about ancient Greek history and culture. This fun combination of laughing and learning will appeal to fans of animals, mythology, and funny stories. Check out ZeusTheMighty.com for videos, excerpts, quizzes, educator and reader guides, and information about our companion podcast Greeking Out. Thank you for your valued partnership and support of our program. -
Coil Loop for Exhaust-Air Energy Recovery
Coil loop for exhaust-air energy recovery An exhaust-air energy-recovery system can reduce utility costs by capturing and using energy that would normally be lost to the Devices (including total- exhaust air stream. energy wheels and heat pipes) other than the coil A coil loop can be applied either to the primary supply-air system loop described here can or to independent systems such as the dedicated ventilation exchange sensible and/or system that serves a laboratory. The effectiveness of the coil latent heat for energy loop typically ranges from 45 percent to 60 percent for recovery. recovering sensible heat. Figure 4–2 illustrates how the coil loop works. During the heating season (Inset A), heat extracted from the exhaust air stream (EA) warms the air brought into the building. Operation of the coil loop is limited to prevent the supply-air temperature from exceeding the cooling set point. (This condition is most likely to occur on mild days during the spring and fall.) Preconditioning the outdoor air (OA) in this manner reduces the heating load, which in turn reduces the energy consumption of the HVAC system. Figure 4–2 Operating modes for coil-loop energy recovery Inset A • winter operation Inset B • summer operation Coil-loop operation reverses during the cooling season (Inset B). Sensible heat is extracted from the air brought into the building and is rejected to the cooler and drier exhaust air stream. This time, preconditioning by the coil loop reduces the cooling load and, in turn, the energy consumption of the HVAC system. -
Copyrighted Material
INDEX A Bertsch, Fred, 16 Caslon Italic, 86 accents, 224 Best, Mark, 87 Caslon Openface, 68 Adobe Bickham Script Pro, 30, 208 Betz, Jennifer, 292 Cassandre, A. M., 87 Adobe Caslon Pro, 40 Bézier curve, 281 Cassidy, Brian, 268, 279 Adobe InDesign soft ware, 116, 128, 130, 163, Bible, 6–7 casual scripts typeface design, 44 168, 173, 175, 182, 188, 190, 195, 218 Bickham Script Pro, 43 cave drawing, type development, 3–4 Adobe Minion Pro, 195 Bilardello, Robin, 122 Caxton, 110 Adobe Systems, 20, 29 Binner Gothic, 92 centered type alignment Adobe Text Composer, 173 Birch, 95 formatting, 114–15, 116 Adobe Wood Type Ornaments, 229 bitmapped (screen) fonts, 28–29 horizontal alignment, 168–69 AIDS awareness, 79 Black, Kathleen, 233 Century, 189 Akuin, Vincent, 157 black letter typeface design, 45 Chan, Derek, 132 Alexander Isley, Inc., 138 Black Sabbath, 96 Chantry, Art, 84, 121, 140, 148 Alfon, 71 Blake, Marty, 90, 92, 95, 140, 204 character, glyph compared, 49 alignment block type project, 62–63 character parts, typeface design, 38–39 fi ne-tuning, 167–71 Blok Design, 141 character relationships, kerning, spacing formatting, 114–23 Bodoni, 95, 99 considerations, 187–89 alternate characters, refi nement, 208 Bodoni, Giambattista, 14, 15 Charlemagne, 206 American Type Founders (ATF), 16 boldface, hierarchy and emphasis technique, China, type development, 5 Amnesty International, 246 143 Cholla typeface family, 122 A N D, 150, 225 boustrophedon, Greek alphabet, 5 circle P (sound recording copyright And Atelier, 139 bowl symbol), 223 angled brackets, -
Sig Process Book
A Æ B C D E F G H I J IJ K L M N O Ø Œ P Þ Q R S T U V W X Ethan Cohen Type & Media 2018–19 SigY Z А Б В Г Ґ Д Е Ж З И К Л М Н О П Р С Т У Ф Х Ч Ц Ш Щ Џ Ь Ъ Ы Љ Њ Ѕ Є Э І Ј Ћ Ю Я Ђ Α Β Γ Δ SIG: A Revival of Rudolf Koch’s Wallau Type & Media 2018–19 ЯREthan Cohen ‡ Submitted as part of Paul van der Laan’s Revival class for the Master of Arts in Type & Media course at Koninklijke Academie von Beeldende Kunsten (Royal Academy of Art, The Hague) INTRODUCTION “I feel such a closeness to William Project Overview Morris that I always have the feeling Sig is a revival of Rudolf Koch’s Wallau Halbfette. My primary source that he cannot be an Englishman, material was the Klingspor Kalender für das Jahr 1933 (Klingspor Calen- dar for the Year 1933), a 17.5 × 9.6 cm book set in various cuts of Wallau. he must be a German.” The Klingspor Kalender was an annual promotional keepsake printed by the Klingspor Type Foundry in Offenbach am Main that featured different Klingspor typefaces every year. This edition has a daily cal- endar set in Magere Wallau (Wallau Light) and an 18-page collection RUDOLF KOCH of fables set in 9 pt Wallau Halbfette (Wallau Semibold) with woodcut illustrations by Willi Harwerth, who worked as a draftsman at the Klingspor Type Foundry. -
Indesign CC 2015 and Earlier
Adobe InDesign Help Legal notices Legal notices For legal notices, see http://help.adobe.com/en_US/legalnotices/index.html. Last updated 11/4/2019 iii Contents Chapter 1: Introduction to InDesign What's new in InDesign . .1 InDesign manual (PDF) . .7 InDesign system requirements . .7 What's New in InDesign . 10 Chapter 2: Workspace and workflow GPU Performance . 18 Properties panel . 20 Import PDF comments . 24 Sync Settings using Adobe Creative Cloud . 27 Default keyboard shortcuts . 31 Set preferences . 45 Create new documents | InDesign CC 2015 and earlier . 47 Touch workspace . 50 Convert QuarkXPress and PageMaker documents . 53 Work with files and templates . 57 Understand a basic managed-file workflow . 63 Toolbox . 69 Share content . 75 Customize menus and keyboard shortcuts . 81 Recovery and undo . 84 PageMaker menu commands . 85 Assignment packages . 91 Adjust your workflow . 94 Work with managed files . 97 View the workspace . 102 Save documents . 106 Chapter 3: Layout and design Create a table of contents . 112 Layout adjustment . 118 Create book files . 121 Add basic page numbering . 127 Generate QR codes . 128 Create text and text frames . 131 About pages and spreads . 137 Create new documents (Chinese, Japanese, and Korean only) . 140 Create an index . 144 Create documents . 156 Text variables . 159 Create type on a path . .. -
Miramo®: Reference Guide (9.2)
Miramo® Automated Publishing Reference Guide VERSION 9.2 Copyright © 2000 - 2012 Datazone Ltd. All rights reserved. Miramo® and mmChart are trademarks of Datazone Ltd. All other trademarks are the property of their respective owners. Readers of this documentation should note that its contents are intended for guidance only, and do not con- stitute formal offers or undertakings. ‘License Agreement’ This software, called Miramo, is licensed for use by the user subject to the terms of a License Agreement between the user and Datazone Ltd. Use of this software outside the terms of this license agreement is strictly prohibited. Unless agreed otherwise, this License Agreement grants a non-exclusive, non-transfer- able license to use the software programs and related documentation in this package (collectively referred to as Miramo) on licensed computers only. Any attempted sublicense, assignment, rental, sale or other transfer of the software or the rights or obligations of the License Agreement without prior written consent of Datazone shall be void. In the case of a Miramo Development License, it shall be used to develop appli- cations only and no attempt shall be made to remove the associated watermark included in output docu- ments by any automated method. The documentation accompanying this software must not be copied or re-distributed to any third-party in either printed, photocopied, scanned or electronic form. The software and documentation are copyrighted. Unless otherwise agreed in writing, copies of the soft- ware may be made only for backup and archival purposes. Unauthorized copying, reverse engineering, decompiling, disassembling, and creating derivative works based on the software are prohibited. -
A Guide to Quarkcopydesk 8.5 CONTENTS
A Guide to QuarkCopyDesk 8.5 CONTENTS Contents About this guide...............................................................................9 What we're assuming about you............................................................................9 Where to go for help..............................................................................................9 Conventions..........................................................................................................10 Technology note...................................................................................................10 The user interface...........................................................................11 Menus...................................................................................................................11 QuarkCopyDesk menu (Mac OS only)...........................................................................11 File menu.......................................................................................................................12 Edit menu......................................................................................................................12 Style menu.....................................................................................................................13 Component menu.........................................................................................................15 View menu.....................................................................................................................15 -
Traffic Control Design Overview June 2018 6
For Work Zone Designers Technical Report Documentation Page 1. Report No. 2. Government Accession No. 3. Recipient’s Catalog No. 4. Title and Subtitle 5. Report Date Guidelines for Work Zone Designers - Traffic Control Design Overview June 2018 6. Performing Organization Code 7. Author(s) 8. Performing Organization Report No. William Bremer, Madhav V. Chitturi, Andrea Bill, David A. Noyce, and John W. Shaw. 9. Performing Organization Name and Address 10. Work Unit No. (TRAIS) Traffic Operations & Safety Laboratory University of Wisconsin – Madison 1415 Engineering Drive #2205 11. Contract or Grant No. Madison WI 53706 DTHF6114H00011 12. Sponsoring Organization Name and Address 13. Type of Report and Period Covered Federal Highway Administration Guidebook Office of Operations 1200 New Jersey Avenue SE 14. Sponsoring Agency Code Washington DC 20590 15. Supplementary Notes This material is based on work supported by the Federal Highway Administration. This publication does not constitute a national standard, specification or regulation. 16. Abstract Most State and many other transportation departments in the U.S. maintain roadway and/or work zone design manuals containing State specific regulations, policies, and design guidance for their designers and consultants to use. However, those manuals vary widely in the depth of coverage and the work zone design topics offered. National work zone design guidelines are lacking. This series of guidelines for work zone designers covers various work zone safety design topics for states, design manual decision makers, editors, and subject matter experts to develop or enhance their own guidance materials. “Guidelines for Work Zone Designers – Traffic Control Design Overview” provides a general overview in designing a work zone and is not intended to be a stand-alone document for designing work zone traffic control plans. -
Chinese Inventions - Paper & Movable Type Printing by Vickie
Name Date Chinese Inventions - Paper & Movable Type Printing By Vickie Invention is an interesting thing. Sometimes, an invention was developed to fulfill a specific need. Other times, it was simply a chance discovery. Looking back in history, there are two Chinese inventions that fell into the first category. They are paper and movable type printing. Long before paper was invented, the ancient Chinese carved characters to record their thoughts on tortoise shells, animal bones, and stones. Since those "writing boards" were heavy and not easy to carry around, they switched to writing on bamboo, wooden strips, and silk. The new alternatives were clearly better, but they were either still heavy or very costly. Then, during the Western Han dynasty (202 B.C. - 8 A.D.), paper made its debut. Its inventor is unknown. When paper first came out, it was not easy to produce in large quantities. And its quality was poor. Several decades later, a palace official named Tsai Lun (also spelled as Cai Lun) had a breakthrough in the papermaking process. He experimented with different materials and eventually settled on using tree bark, rags, and bits of rope to produce paper. He presented his first batch of paper to the emperor of the Eastern Han dynasty in 105 A.D. Tsai Lun's technique of making paper became an instant hit! It was quickly introduced to Korea and other countries nearby. In 751 A.D., Arabs learned the technique from the Chinese soldiers they captured in a war. They passed it on to Europe and, eventually, other parts of the world. -
Remedy Volume 3 April ‘21
red pocket. REMEDY VOLUME 3 APRIL ‘21 Letter from Table of the Editor Contents It’s been a difficult time. CONTACT US TRADITIONAL MEDICINE 4 Rena Su Last year was a year of tragedy - tinged by a global pandemic, the death of George Floyd, an anti-Asian hate crisis, and the crushing feeling of being alone. Isolated. Website: A DECEMBER DAY 6 redpocketmagazine.ca Kun Zhu However, Red Pocket Magazine’s team was determined to bring some form of goodness back into these moments. After much deliberation, we decided to encourage others to find “Remedy.” We asked E-mail: BETWEEN THE LINES 8 for stories that showed how we heal from emotions just as we heal from a fever or a headache. [email protected] Sophia Guan I must say, I was truly impressed by the sheer quality of the work we received. Every piece was Facebook: ALL I KNOW 12 beautifully crafted and embodied the message we wanted to convey with “Remedy”. facebook.com/redpocketmagazine Anonymous Submission If you find a soothing herbal broth to be your source of comfort, then Rena Su’s “Traditional Instagram: STANDING OVATION 15 Medicine” and Ian Wu’s “High Fever” might resonate with you. @redpocketmagazine Tiya Tanaka If you’ve ever experienced the long-lasting effects of racial discrimination, you might empathize with TikTok: RESPONSE TO FUSION 16 Jasmin Rostamirad’s “Once Upon a Time”. @redpocketmagazine Diane Huang If you find respite with nature and the outdoors, you might enjoy Beverly Ma’s painting “Fish and DAYLIGHT 17 Leaves” or Kun Zhu’s poem “Daylight”.