Mythical Creature Bingo
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Ing Items Have Been Registered
ACCEPTANCES Page 1 of 37 June 2017 LoAR THE FOLLOWING ITEMS HAVE BEEN REGISTERED: ÆTHELMEARC Alrekr Bergsson. Device. Per saltire gules and sable, in pale two wolf’s heads erased and in fess two sheaves of arrows Or. Brahen Lapidario. Name and device. Argent, a lozenge gules between six French-cut gemstones in profile, two, two and two azure, a base gules. The ’French-cut’ is a variant form of the table cut, a precursor to the modern brilliant cut. It dates to the early 15th Century, according to "Diamond Cuts in Historic Jewelry" by Herbert Tillander. There is a step from period practice for gemstones depicted in profile. Hrólfr á Fjárfelli. Device. Argent estencely sable, an ash tree proper issuant from a mountain sable. Isabel Johnston. Device. Per saltire sable and purpure, a saltire argent and overall a winged spur leathered Or. Lisabetta Rossi. Name and device. Per fess vert and chevronelly vert and Or, on a fess Or three apples gules, in chief a bee Or. Nice early 15th century Florentine name! Símon á Fjárfelli. Device. Azure, a drakkar argent and a mountain Or, a chief argent. AN TIR Akornebir, Canton of. Badge for Populace. (Fieldless) A squirrel gules maintaining a stringless hunting horn argent garnished Or. An Tir, Kingdom of. Order name Order of Lions Mane. Submitted as Order of the Lion’s Mane, we found no evidence for a lion’s mane as an independent heraldic charge. We therefore changed the name to Order of _ Lions Mane to follow the pattern of Saint’s Name + Object of Veneration. -
Ancient Greece. ¡ the Basilisc Was an Extremely Deadly Serpent, Whose Touch Alone Could Wither Plants and Kill a Man
Ancient Greece. ¡ The Basilisc was an extremely deadly serpent, whose touch alone could wither plants and kill a man. ¡ The creature is later shown in the form of a serpent- tailed bird. ¡ Cerberus was the gigantic hound which guarded the gates of Haides. ¡ He was posted to prevent ghosts of the dead from leaving the underworld. ¡ Cerberus was described as a three- headed dog with a serpent's tail, a mane of snakes, and a lion's claws. The Chimera The Chimera was a monstrous beast with the body and maned head of a lion, a goat's head rising from its back, a set of goat-udders, and a serpents tail. It could also breath fire. The hero Bellerophon rode into battle to kill it on the back of the winged horse Pegasus. ¡ The Gryphon or Griffin was a beast with the head and wings of an eagle and the body of a lion. ¡ A tribe of the beasts guarded rich gold deposits in certain mountains. HYDRA was a gigantic, nine-headed water-serpent. Hercules was sent to destroy her as one of his twelve labours, but for each of her heads that he decapitated, two more sprang forth. So he used burning brands to stop the heads regenerating. The Gorgons The Gorgons were three powerful, winged daemons named Medusa, Sthenno and Euryale. Of the three sisters only Medousa was mortal, and so it was her head which the King commanded the young hero Perseus to fetch. He accomplished this with the help of the gods who equipped him with a reflective shield, curved sword, winged boots and helm of invisibility. -
Pegasus Back from Kenya Sgt
Hawaii Marine CCE Graduates Bodybuilder A-5 Volume 29, Number 23 Serving Marine Corps Base Hawaii June 8, 2000 B-1 A1111111111111111W 1111111111- .111111111111164 Pegasus back from Kenya Sgt. Robert Carlson Natural Fire provided valuable training for "Communications with the JTF headquar- Press Chief the detachment, according to Capt. ters was difficult at times, as was getting Christopher T. Cable, detachment mainte- maintenance parts here all the way from The Marines of Marine Heavy Helicopter nance officer. They not only experienced Hawaii," Cable explained. "Everyone did a Squadron 463 returned to Hawaii Saturday breaking down and deploying their CH-53D great job though, and we were able to get our after their month-long deployment to Kenya "Sea Stallions," they gained the experience of job done without any problems." in support of Operation Natural Fire. overcoming challenges inherent while con- Cable said the Marines in the detachment Working side-by-side with the U.S. Army, ducting operations in a foreign country. are happy to be back in Hawaii. Navy, and Air Force, Pegasus provided airlift "We were located on an airfield in the city "There are a lot of experienced Marines support for medical assistance and humanitar- of Mombasa, Kenya, about 70 miles south of here, but there are also many who are new to ian operations during the joint-combined the Joint Task Force headquarters in Malindi," the squadron," he said. "This evolution operation. said Cable. "The crew had the chance to see allowed the newer members of the squadron a The detachment of Hawaii Marines assist- what it takes to have two helicopters on-call chance to experience everything involved in ed in training Kenyan, Ugandan and 24 hours a day." deploying to a foreign country. -
Heraldry Examples Booklet.Cdr
Book Heraldry Examples By Khevron No color on color or metal on metal. Try to keep it simple. Make it easy to paint, applique’ or embroider. Blazon in layers from the deepest layer Per pale vert and sable all semy of caltrops e a talbot passant argent. c up to the surface: i v Field (color or division & colors), e Primary charge (charge or ordinary), Basic Book Heraldry d Secondary charges close to the primary, by Khevron a Tertiary charges on the primary or secondary, Device: An heraldic representation of youself. g Peripheral secondary charges (Chief,Canton,Border), Arms: A device of someone with an Award of Arms. n i Tertiary charges on the peropheral. Badge: An heraldic representation of what you own. z a Name field tinctures chief/dexter first. l Only the first word, the metal Or, B and proper nouns are capitalized. 12 2 Tinctures, Furs & Heraldic 11 Field Treatments Cross Examples By Khevron By Khevron Crosses have unique characteristics and specific names. Tinctures: Metals and Colors Chief Rule #1: No color upon another color, or metal on metal! Canton r r e e t t s i x e n - Fess - i D Or Argent Sable Azure Vert Gules Purpure S Furs Base Cross Latin Cross Cross Crosslet Maltese Potent Latin Cross Floury Counter-Vair Vair Vair in PaleVair-en-pointe Vair Ancient Ermine Celtic Cross Cross Gurgity Crosslet Fitchy Cross Moline Cross of Bottony Jerusalem A saltire vair in saltire Vair Ermines or Counter- Counter Potent Potent-en-pointe ermine Cross Quarterly in Saltire Ankh Patonce Voided Cross Barby Cross of Cerdana Erminois Field -
Greek Myths - Creatures/Monsters Bingo Myfreebingocards.Com
Greek Myths - Creatures/Monsters Bingo myfreebingocards.com Safety First! Before you print all your bingo cards, please print a test page to check they come out the right size and color. Your bingo cards start on Page 3 of this PDF. If your bingo cards have words then please check the spelling carefully. If you need to make any changes go to mfbc.us/e/xs25j Play Once you've checked they are printing correctly, print off your bingo cards and start playing! On the next page you will find the "Bingo Caller's Card" - this is used to call the bingo and keep track of which words have been called. Your bingo cards start on Page 3. Virtual Bingo Please do not try to split this PDF into individual bingo cards to send out to players. We have tools on our site to send out links to individual bingo cards. For help go to myfreebingocards.com/virtual-bingo. Help If you're having trouble printing your bingo cards or using the bingo card generator then please go to https://myfreebingocards.com/faq where you will find solutions to most common problems. Share Pin these bingo cards on Pinterest, share on Facebook, or post this link: mfbc.us/s/xs25j Edit and Create To add more words or make changes to this set of bingo cards go to mfbc.us/e/xs25j Go to myfreebingocards.com/bingo-card-generator to create a new set of bingo cards. Legal The terms of use for these printable bingo cards can be found at myfreebingocards.com/terms. -
Theosophical Symbology Some Hints Towards Interpretation of the Symbolism of the Seal of the Society
Theosophical Siftings Theosophical Symbology Vol 3, No 4 Theosophical Symbology Some Hints Towards Interpretation of the Symbolism of the Seal of the Society by G.R.S. Mead, F.T.S. Reprinted from “Theosophical Siftings” Volume 3 The Theosophical Publishing Society, England "A combination and a form, indeed, Where every god did seem to set his seal, To give the world assurance of a MAN." As the question is often asked, What is the meaning of the Seal of the Society, it may not be unprofitable to attempt a rough outline of some of the infinite interpretations that can be discovered therein. When, however, we consider that the whole of our philosophical literature is but a small contribution to the unriddling of this collective enigma of the sphinx of all sciences, religions and philosophies, it will be seen that no more than the barest outlines can be sketched in a short paper. In the first place, we are told that to every symbol, glyph and emblem there are seven keys, or rather, that the key may be turned seven times, corresponding to all the septenaries in nature and in man. We might even suppose, by using the law of analogy, that each of the seven keys might be turned seven times. So that if we were to suggest that these keys may be named the physiological, astronomical, cosmic, psychic, intellectual and spiritual, of which divine interpretation is the master-key, we should still be on our guard lest we may have confounded some of the turnings with the keys themselves. -
The Wild Boar from San Rossore
209.qxp 01-12-2009 12:04 Side 55 UDSTILLINGSHISTORIER OG UDSTILLINGSETIK ● NORDISK MUSEOLOGI 2009 ● 2, S. 55-79 Speaking to the Eye: The wild boar from San Rossore LIV EMMA THORSEN* Abstract: The article discusses a taxidermy work of a wild boar fighting two dogs. The tableau was made in 1824 by the Italian scientist Paolo Savi, director of the Natural History Museum in Pisa from 1823-1840. The point of departure is the sense of awe this brilliantly produced tableau evokes in the spectator. If an object could talk, what does the wild boar communicate? Stuffed animals are objects that operate in natural history exhibitions as well in several other contexts. They resist a standard classification, belonging to neither nature nor culture. The wild boar in question illustrates this ambiguity. To decode the tale of the boar, it is establis- hed as a centre in a network that connects Savi’s scientific and personal knowled- ge, the wild boar as a noble trophy, the development of the wild boar hunt in Tus- cany, perceptions of the boar and the connection between science and art. Key words: Natural history museum, taxidermy, wild boar, wild boar hunt, the wild boar in art, ornithology, natural history in Tuscany, Museo di Storia Naturale e del Territorio, Paolo Savi. In 1821, a giant male wild boar was killed at There is a complex history to this wild boar. San Rossore, the hunting property of the We have to understand the important role this Grand Duke of Toscana. It was killed during a species played in Italian and European hun- hunt arranged in honour of prominent guests ting tradition, the link between natural histo- of Ferdinand III. -
The Integration of Mythical Creatures in the Harry Potter Series
University of Hawai‘i at Hilo HOHONU 2015 Vol. 13 orange eyes. (Stone 235) Harry's first year introduces the The Integration of Mythical traditional serpentine dragon, something that readers Creatures in the Harry Potter can envision with confidence and clarity. The fourth year, however, provides a vivid insight on the break Series from tradition as Harry watches while “four fully grown, Terri Pinyerd enormous, vicious-looking dragons were rearing onto English 200D their hind legs inside an enclosure fenced with thick Fall 2014 planks of wood, roaring and snorting—torrents of fire were shooting into the dark sky from their open, fanged From the naturalistic expeditions of Pliny the mouths, fifty feet above the ground on their outstretched Elder, to the hobbit's journey across Middle Earth, necks” (Goblet 326). This is a change from the treasure the literary world has been immersed in the alluring hoarding, princess stealing, riddle loving dragons of presence of mythical and fabulous creatures. Ranging fantasy and fairy tales; these are beasts that can merely from the familiar winged dragon to the more unusual be restrained, not tamed. It is with this that Rowling and obscure barometz, the mythical creature brings with sets the feel for her series. The reader is told that not it a sense of imagined history that allows the reader to everything is as it seems, or is expected to be. Danger is become immersed in its world; J.K Rowling's best-selling real, even for wizards. Harry Potter series is one of these worlds. This paper will If the dragon is the embodiment of evil and analyze the presence of classic mythical creatures in the greed, the unicorn is its counterpart as the symbol of Harry Potter series, along with the addition of original innocence and purity. -
Serpent Symbols and Salvation in the Ancient Near East and the Book of Mormon
Journal of Book of Mormon Studies Volume 10 Number 2 Article 8 7-31-2001 Serpent Symbols and Salvation in the Ancient Near East and the Book of Mormon Andrew C. Skinner Follow this and additional works at: https://scholarsarchive.byu.edu/jbms BYU ScholarsArchive Citation Skinner, Andrew C. (2001) "Serpent Symbols and Salvation in the Ancient Near East and the Book of Mormon," Journal of Book of Mormon Studies: Vol. 10 : No. 2 , Article 8. Available at: https://scholarsarchive.byu.edu/jbms/vol10/iss2/8 This Feature Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Journal of Book of Mormon Studies by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Title Serpent Symbols and Salvation in the Ancient Near East and the Book of Mormon Author(s) Andrew C. Skinner Reference Journal of Book of Mormon Studies 10/2 (2001): 42–55, 70–71. ISSN 1065-9366 (print), 2168-3158 (online) Abstract The serpent is often used to represent one of two things: Christ or Satan. This article synthesizes evi- dence from Egypt, Mesopotamia, Phoenicia, Greece, and Jerusalem to explain the reason for this duality. Many scholars suggest that the symbol of the serpent was used anciently to represent Jesus Christ but that Satan distorted the symbol, thereby creating this para- dox. The dual nature of the serpent is incorporated into the Old Testament, the New Testament, and the Book of Mormon. erpent ymbols & SSalvation in the ancient near east and the book of mormon andrew c. -
Make Your Own Lion and Unicorn Puppets
Scotland’s historic properties feature lots of lions and unicorns – they’re in Scotland’s royal coat of arms. Lions were thought to represent bravery and strength – the king of the animal world. The unicorn has been a Scottish royal symbol for around 600 years and – believe it or not – is Scotland’s national animal. Unicorns symbolised innocence and power. People considered them wild and untamed, so they’re often shown chained around their neck. When James VI of Scotland unified Scotland and England in 1603, he changed his coat of arms to include one unicorn and one lion either side of a shield. TOP TIPS FOR MAKING YOUR PUPPETS This activity ideally needs a printer and some brass paper fasteners. If you don’t have a printer, why not use the templates as inspiration for drawing your own versions! And if you don’t have paper fasteners (split pins), you could experiment with tying a big knot in some string or wool, threading the string through a small hole in your papers (a hole punch would create too big a hole) and tying another big knot on the other side. If you’ve got beads or buttons you could also use these to secure the wire/string/wool either side of the paper body parts you’re attaching together. The lion that greets The unicorn from visitors arriving at the King’s Fountain Edinburgh Castle. at Linlithgow Palace. Resource created for Historic Environment Scotland by artist Hannah Ayre. 1. Print out the template onto 2. Cut out the shapes card or print onto paper, then glue onto card such as a cereal box, then colour in the shapes. -
Protect Your Horses and Livestock from Toxic Plants
Protect Your Horses and Livestock From Toxic Plants A guide to identifying and controlling common, toxic noxious weeds and other toxic plant species. Protect your horses and livestock from toxic plants: A guide to identifying toxic noxious weeds and other toxic plant species Written by Genyce Hanson, with Alison Halpern, Wendy DesCamp, and Kittanya Locken; further reviewing by Tim Miller, Jennifer Andreas, Tricia MacLaren, Anna Lyon, Joan Mason and Casey Gozart. Layout by Kittanya Locken, with Becca Sotelo. Noxious weed classification in Washington: Class A: are nonnative, invasive plants whose distribution in Washington is still limited. Eradication of all Class A plants is required by law. Class B: are nonnative, invasive plants whose distribution is limited in some regions of Washington State, but widespread in others. Class B noxious weeds are designated for mandatory control in regions where they are still limited or absent. Class C: meet the criteria of noxious weeds but control is not required by the State Weed Board; county weed boards may require control of Class C noxious weeds if they are a local concern. Please check with your county weed board to learn more about the noxious weed control requirements where you live. WSDA Quarantine List: The Washington State Department of Agriculture (WSDA) maintains a quarantine list of plants whose sale or distribution is prohibited in Washington State. On the front cover: A palomino mare grazes in a safe, well-managed pasture with her foal. Photo credit: Sue Bird. On the back cover: Dairy cows enjoy a view of Rainier in a healthy, weed-free pasture. -
Dragon and the Phoenix Teacher's Notes.Indd
Usborne English The Dragon and the Phoenix • Teacher’s notes Author: traditi onal, retold by Lesley Sims Reader level: Elementary Word count: 235 Lexile level: 350L Text type: Folk tale from China About the story A dragon and a phoenix live on opposite sides of a magic river. One day they meet on an island and discover a shiny pebble. The dragon washes it and the phoenix polishes it unti l it becomes a pearl. Its brilliant light att racts the att enti on of the Queen of Heaven, and that night she sends a guard to steal it while the dragon and phoenix are sleeping. The next morning, the dragon and phoenix search everywhere and eventually see their pearl shining in the sky. They fl y up to retrieve it, but the pearl falls down and becomes a lake on the ground below. The dragon and the phoenix lie down beside the lake, and are sti ll there today in the guise of Dragon Mountain and Phoenix Mountain. The story is based on The Bright Pearl, a Chinese folk tale. Chinese dragons are typically depicted without wings (although they are able to fl y), and are associated with water and wisdom. Chinese phoenixes are immortal, and do not need to die and then be reborn. They are associated with loyalty and honesty. The dragon and phoenix are oft en linked to the male yin and female yang qualiti es, and in the past, a Chinese emperor’s robes would typically be embroidered with dragons and an empress’s with phoenixes.