Speech Level Singing Certification
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The Los Angeles Academy of Vocal Arts
University of Central Florida STARS Harrison "Buzz" Price Papers Digital Collections 6-7-1982 Application for Grant: The Los Angeles Academy of Vocal Arts Harrison Price Company Part of the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/buzzprice University of Central Florida Libraries http://library.ucf.edu This Report is brought to you for free and open access by the Digital Collections at STARS. It has been accepted for inclusion in Harrison "Buzz" Price Papers by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Harrison Price Company, "Application for Grant: The Los Angeles Academy of Vocal Arts" (1982). Harrison "Buzz" Price Papers. 121. https://stars.library.ucf.edu/buzzprice/121 I I I l I I I APPLICATION FOR GRANT Prepared for : I · Th e Los An geles Academy of Vocal Arts I June 7 , 1982 I I I I I I I I I I I I HARRISON PRICE COMPANY I June 7, 1982 I Mr. Daniel Selznick Louis B. Mayer Foundation 9441 Wilshire Boulevard I Beverly Hills, CA 90212 I Dear Mr . Selznick: The purpose of this letter is to submit to the Louis B. Mayer Fo undation an application for a planning grant for and I on behalf of the Los Angeles Academy of Vocal Arts. The Lo s Angeles Academy of Vocal Arts is a proposed teaching institution formed under the leadership and direction of Mr. I Seth Riggs. Its program will offer a comprehensive and intensive instruction for a full time enrollment of 20 singers with recognized talent and professional potential . -
Université De Montréal La Technique Vocale De Michael Jackson
Université de Montréal La technique vocale de Michael Jackson : polyvocalité, théâtralité et virtuosité par Mathilde Recly Faculté de musique Mémoire présenté à la Faculté des études supérieures et postdoctorales en vue de l’obtention du grade de Maître ès Art (M.A.) en Musique – Option musicologie Août, 2018 c Mathilde Recly, 2018. Université de Montréal Faculté des études supérieures et postdoctorales Ce mémoire intitulé: La technique vocale de Michael Jackson : polyvocalité, théâtralité et virtuosité présenté par: Mathilde Recly a été évalué par un jury composé des personnes suivantes: Sylvain Caron, président-rapporteur Caroline Traube, directrice de recherche Flavia Gervasi, codirectrice Ingrid Verduyckt, membre du jury Mémoire accepté le: 3 janvier 2019 RÉSUMÉ La voix chantée et la constitution d’un style vocal en musique pop sont riches de possibilités et plus complexes qu’on pourrait le croire au premier abord. En effet, grâce à sa façon d’appréhender les différents paramètres de l’interprétation vocale, un chanteur peut incarner des personnages, des personnalités et évoquer des caractères et des émo- tions qui modulent la signification du texte des chansons. Figure emblématique de la musique pop, Michael Jackson se distingue par sa technique vocale virtuose, une intense théâtralité sur scène, et par la variété des vocalités qu’il a développées et exprimées tout au long de sa carrière. Ce mémoire a pour objectif d’explorer les arcanes de la technique vocale de ce chanteur excep- tionnel, qui exerce encore aujourd’hui une influence sans précédent dans les milieux de la musique pop, rock et soul. Il s’agit plus précisément de comprendre comment la polyvocalité de Michael Jackson s’exprime par le contrôle des mécanismes laryngés (de la voix de poitrine à la voix de tête en passant par la technique du belting) et des effets phonostylistiques tels que le vibrato, le souffle, le cri et le grognement. -
Michael Jackson: from a Vocal Identity to Its Double in Sound
Volume ! La revue des musiques populaires 8 : 2 | 2011 Sex Sells, Blackness too? “The Voice in the Mirror”. Michael Jackson: from a vocal identity to its double in sound Isabelle Stegner-Petitjean Electronic version URL: https://journals.openedition.org/volume/3851 DOI: 10.4000/volume.3851 ISSN: 1950-568X Publisher Association Mélanie Seteun Printed version Date of publication: 15 December 2011 Number of pages: 222-253 ISBN: 978-2-913169-30-2 ISSN: 1634-5495 Electronic reference Isabelle Stegner-Petitjean, ““The Voice in the Mirror”. Michael Jackson: from a vocal identity to its double in sound”, Volume ! [Online], 8 : 2 | 2011, Online since 15 December 2013, connection on 21 September 2021. URL: http://journals.openedition.org/ volume/3851 ; DOI: https://doi.org/10.4000/volume.3851 This text was automatically generated on 21 September 2021. L'auteur & les Éd. Mélanie Seteun “The Voice in the Mirror”.Michael Jackson: from a vocal identity to its doubl... 1 “The Voice in the Mirror”. Michael Jackson: from a vocal identity to its double in sound Isabelle Stegner-Petitjean 2011 young researcher IASPM French-Speaking Europen branch prize* Links to listen to the musical excerpts: http:// www.seteun.net/spip.php?article271 Volume !, 8 : 2 | 2011 “The Voice in the Mirror”.Michael Jackson: from a vocal identity to its doubl... 2 1 MICHAEL JACKSON IS AN ARTIST whose career became, with a definite paroxysm, the emblem of pop music in a trans-cultural and technological twentieth century. He brought to a certain height the paradigms of the international pop aestheticism which are the high-scale impact and broadcasting and shaped an image representative of the synthesis of artistic expression and trans-racial figures which make up the cement of pop music. -
Male Belting: an Exploration of Technique and Style from 1967 to Current
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-1-2018 Male Belting: An Exploration of Technique and Style From 1967 to Current Bruce Earnest University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Music Performance Commons, and the Performance Studies Commons Recommended Citation Earnest, Bruce, "Male Belting: An Exploration of Technique and Style From 1967 to Current" (2018). Dissertations. 1489. https://aquila.usm.edu/dissertations/1489 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. Male Belting: An Exploration of Technique and Style from 1967 to Present by Bruce A. Earnest Jr. A Dissertation Submitted to the Graduate School, the College of Arts and Letters and the School of Music at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Approved by: Dr. Maryann Kyle, Committee Chair Dr. Christopher Goertzen Dr. Susan Ruggiero Dr. Douglas Rust Dr. Jonathan Yarrington ____________________ ____________________ ____________________ Dr. Maryann Kyle Dr. Richard Kravchak Dr. Karen S. Coats Committee Chair Department Chair Dean of the Graduate School May 2018 COPYRIGHT BY Bruce A. Earnest Jr. 2018 Published by the Graduate School ABSTRACT Male belting is found in many different stylistic forms of musical theatre repertoire. Its evolution began in the late 1960s with the emergence of the rock musical phenomenon and the early musicals of Andrew Lloyd Webber. -
Arts & Entertainment
ARTS & ENTERTAINMENT WRITTEN BY GINA M. ESTES PHOTOGRAPHED BY ALISTAIR TUTTON Hurricane Katrina forever changed the lives of those who called New Orleans home. One such resident, vocal coach Suzanne Blanch, packed up her determination and her cat, Junie, to seek refuge from the storm in our beautiful city. She then began changing the lives of Kansas City singers—one note at a time. Her original plan was to dry off, regroup, and reconnect with her friend Cindy Terwilliger, whom she had known since their high school days in Long Island, N.Y. Looking to drum up a little business for her talented friend, Terwilliger, who hosts the Voodoo Kittens Road Trippin’ Blues show on KKFI 90.1 FM, sent out a mass email to the blues community alerting those interested that a very gifted vocal coach was in town for a bit. The enthusiastic response made it crystal-clear that Blanch’s style of teaching was a unique offering to the Kansas City area. In no time at all, local singers—as well as those from the surrounding cities of Lawrence, Kan.; Columbia, Mo.; Springfield, Mo.; Topeka, Kan.; and St. Joseph, Mo.—were eager to schedule lessons with Suzanne Blanch at her Dynamic Voice Studio. Jan Hinton, singer/songwriter, vocal student 62 URBAN TIMES APRIL 2009 Blanch has developed her unique teaching style over the years and is vocal coaches. I’m always on the lookout for new exercises and techniques certified in multiple singing techniques, including Voices Unlimited’s 6-Point to add to my toolbox. It makes me a more effective teacher and keeps things Vocal WAV Method and Eric Bruner’s Sing With Power technique, in which she fresh and interesting.” holds an advanced degree of master teacher. -
Annual Directory of Vocal Coaches
Annual Directory of Vocal Coaches Music-makersWhether tap intoyou’re this a directory novice or to pro connect singer, with this indieone-of-a-kind labels, marketing MC list enables & promo you experts to connect and indie with publicists.experts who Plus can loads address of contact informationyour tospecial aid you needs in promoting as either youra live music singer career, or recording DIY style: artist. T-shirt The and following CD development, information hasblog been sites verified and social by the media listees. tools. ALEX VARDEN available Web: laapa.com ART OF SINGING Los Angeles, CA Clients: all levels - adults and children Basic Rate: please call for info Studio City, CA 323-876-ALEX (2539), SKYPE 818-980-2840 Email: [email protected] BOB AND CLAIRE CORFF VOICE STUDIOS Additional locations: Email: [email protected] Web: vardenmusic.com 323-387-9267 (Bob), 323-387-9276 (Claire) Web: darlenekoldenhoven.com, artofsinging.com Contact: Alex Varden Email: [email protected] 105 Campbell Ave #3 Contact: Darlene Koldenhoven Basic Rate: call for rates Web: corffvoice.com Mandeville, LA Individualized programs include comprehensive Clients: Star Search, Miss Universe, Jazz, R&B, Basic Rate: please call for info 985-674-2992 training in voice technique, vocal coaching, ear- Broadway, Pop, Opera, Country stars. 20 years Clients: Film TV & Stage Personalities, Sports training, stage/audition/studio performance, sight- experience (Europe-USA). Broadcasters 2020 Dickory Ave., Ste. 200 singing, and specialized sonic therapy to enhance the Services: All styles, levels, technique, Harahan, LA potential of the ear and voice. Private lessons in Los performance, confidence. BOB GARRETT 504-738-3050 Angeles or anywhere by Skype.