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Dolemite Is My Name
DOLEMITE IS MY NAME Written by Scott Alexander and Larry Karaszewski FINAL IN THE BLACK We hear Marvin Gaye's "What's Goin' On" playing softly. VOICE I ain't lying. People love me. INT. DOLPHIN'S - DAY CU of a beat-up record from the 1950s. On the paper cover is a VERY YOUNG Rudy, in a tuxedo. It says "Rudy Moore - BUGGY RIDE" RUDY You play this, folks gonna start hoppin' and squirmin', just like back in the day. A hand lifts the record up to the face of RUDY RAY MOORE, late '40s, black, sweet, determined. RUDY When I sang this on stage, I swear to God, people fainted! Ambulance man was picking them off the floor! When I had a gig, the promoter would warn the hospital: "Rudy's on tonight -- you're gonna be carrying bodies out of the motherfucking club!" We see that we are in a RADIO BOOTH. A sign blinks "On The Air." The DJ, ROJ, frowns at the record. ROJ "Buggy Ride"? RUDY Wasn't no small-time shit. ROJ GodDAMN, Rudy! That record's 1000 years old! I've got Marvin Gaye singin' "Let's Get It On"! I can't be playin' no "Buggy Ride." (beat) Look, I have 60 seconds. I have to cue the next tune. Hm! Rudy bites his lip and walks away. Roj tries to go back to his job. He reaches for a Sly Stone single -- when Rudy suddenly bounds back up. RUDY How about "Step It Up and Go"? That's a real catchy rhythm-and-blues number. -
For DTP Use Only\Desktop Finals
No. In the Supreme Court of the United States FEDERAL COMMUNICATIONS COMMISSION AND UNITED STATES OF AMERICA, PETITIONERS v. CBS CORPORATION, CBS BROADCASTING, INC., CBS TELEVISION STATIONS, INC., CBS STATIONS GROUP OF TEXAS L.P., AND KUTV HOLDINGS, INC. ON PETITION FOR A WRIT OF CERTIORARI TO THE UNITED STATES COURT OF APPEALS FOR THE THIRD CIRCUIT PETITION FOR A WRIT OF CERTIORARI GREGORY G. GARRE Solicitor General Counsel of Record GREGORY G. KATSAS Assistant Attorney General MALCOLM L. STEWART MATTHEW B. BERRY Deputy Solicitor General General Counsel ERIC D. MILLER JOSEPH R. PALMORE Assistant to the Solicitor Deputy General Counsel General JACOB M. LEWIS THOMAS M. BONDY Associate General Counsel Attorney Federal Communications Department of Justice Commission Washington, D.C. 20530-0001 Washington, D.C. 20554 (202) 514-2217 QUESTION PRESENTED Whether the court of appeals erred in holding that the Federal Communications Commission acted arbi- trarily and capriciously under the Administrative Pro- cedure Act, 5 U.S.C. 551 et seq., in determining that the most widely viewed broadcast of public nudity in televis- ion history fell within the federal prohibitions on broad- cast indecency. (I) TABLE OF CONTENTS Page Opinions below........................................ 1 Jurisdiction........................................... 2 Statutes and regulations involved........................ 2 Statement............................................ 2 Reasons for granting the petition....................... 13 A. The decision below is inconsistent with settled principles of deference to an agency’s reasonable interpretation of its own precedent ................ 14 B. The petition should be held pending this Court’s decision in Fox and disposed of as appropriate in light of that decision............................. 21 Conclusion .......................................... 24 Appendix A – Court of appeals opinion (July 21, 2008, as amended on Aug. -
The Politics of Difference and Authenticity in the Practice of Okinawan Dance and Music in Osaka, Japan
The Politics of Difference and Authenticity in the Practice of Okinawan Dance and Music in Osaka, Japan by Sumi Cho A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology) in the University of Michigan 2014 Doctoral Committee: Professor Jennifer E. Robertson, Chair Professor Kelly Askew Professor Gillian Feeley-Harnik Professor Markus Nornes © Sumi Cho All rights reserved 2014 For My Family ii Acknowledgments First of all, I would like to thank my advisor and dissertation chair, Professor Jennifer Robertson for her guidance, patience, and feedback throughout my long years as a PhD student. Her firm but caring guidance led me through hard times, and made this project see its completion. Her knowledge, professionalism, devotion, and insights have always been inspirations for me, which I hope I can emulate in my own work and teaching in the future. I also would like to thank Professors Gillian Feeley-Harnik and Kelly Askew for their academic and personal support for many years; they understood my challenges in creating a balance between family and work, and shared many insights from their firsthand experiences. I also thank Gillian for her constant and detailed writing advice through several semesters in her ethnolab workshop. I also am grateful to Professor Abé Markus Nornes for insightful comments and warm encouragement during my writing process. I appreciate teaching from professors Bruce Mannheim, the late Fernando Coronil, Damani Partridge, Gayle Rubin, Miriam Ticktin, Tom Trautmann, and Russell Bernard during my coursework period, which helped my research project to take shape in various ways. -
Backstage Auctions, Inc. the Rock and Pop Fall 2020 Auction Reference Catalog
Backstage Auctions, Inc. The Rock and Pop Fall 2020 Auction Reference Catalog Lot # Lot Title Opening $ Artist 1 Artist 2 Type of Collectible 1001 Aerosmith 1989 'Pump' Album Sleeve Proof Signed to Manager Tim Collins $300.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1002 Aerosmith MTV Video Music Awards Band Signed Framed Color Photo $175.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1003 Aerosmith Brad Whitford Signed & Personalized Photo to Tim Collins $150.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1004 Aerosmith Joey Kramer Signed & Personalized Photo to Tim Collins $150.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1005 Aerosmith 1993 'Living' MTV Video Music Award Moonman Award Presented to Tim Collins $4,500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1006 Aerosmith 1993 'Get A Grip' CRIA Diamond Award Issued to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1007 Aerosmith 1990 'Janie's Got A Gun' Framed Grammy Award Confirmation Presented to Collins Management $300.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1008 Aerosmith 1993 'Livin' On The Edge' Original Grammy Award Certificate Presented to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1009 Aerosmith 1994 'Crazy' Original Grammy Award Certificate Presented to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1010 Aerosmith -
Roxbox by Artist (Hed) Planet Earth 2 Play Feat
RoxBox by Artist (Hed) Planet Earth 2 Play Feat. Thomas Jules & Bartender Jucxi D Blackout Careless Whisper Other Side 2 Unlimited 10 Years No Limit Actions & Motives 20 Fingers Beautiful Short Dick Man Drug Of Choice 21 Demands Fix Me Give Me A Minute Fix Me (Acoustic) 2Pac Shoot It Out Changes Through The Iris Dear Mama Wasteland How Do You Want It 10,000 Maniacs Until The End Of Time Because The Night 2Pac Feat Dr. Dre Candy Everybody Wants California Love Like The Weather 2Pac Feat. Dr Dre More Than This California Love These Are The Days 2Pac Feat. Elton John Trouble Me Ghetto Gospel 101 Dalmations 2Pac Feat. Eminem Cruella De Vil One Day At A Time 10cc 2Pac Feat. Notorious B.I.G. Dreadlock Holiday Runnin' Good Morning Judge 3 Doors Down I'm Not In Love Away From The Sun The Things We Do For Love Be Like That Things We Do For Love Behind Those Eyes 112 Citizen Soldier Dance With Me Duck & Run Peaches & Cream Every Time You Go Right Here For You Here By Me U Already Know Here Without You 112 Feat. Ludacris It's Not My Time (I Won't Go) Hot & Wet Kryptonite 112 Feat. Super Cat Landing In London Na Na Na Let Me Be Myself 12 Gauge Let Me Go Dunkie Butt Live For Today 12 Stones Loser Arms Of A Stranger Road I'm On Far Away When I'm Gone Shadows When You're Young We Are One 3 Of A Kind 1910 Fruitgum Co. -
3500-Arcadegamelist.Pdf
No. GameName PlayersGroup 1 10 Yard Fight <Japan> Sport 2 1000 Miglia:Great 1000 Miles Rally (94/07/18) Driving 3 18 Challenge Pro Golf (DECO,Japan) Sport 4 18 Holes Pro Golf (set 1) Sport 5 1941:Counter Attack (World 900227) Shoot 6 1942 (Revision B) Shoot 7 1943 Kai:Midway Kaisen (Japan) Shoot 8 1943:The Battle of Midway (Euro) Shoot 9 1944:The Loop Master (USA 000620) Shoot 10 1945k III (newer, OPCX2 PCB) Shoot 11 19XX:The War Against Destiny (USA 951207) Shoot 12 2 On 2 Open Ice Challenge 3/4P Sport 13 2020 Super Baseball <set 1> Sport 14 3 Count Bout/Fire Suplex Fighter 15 3D_Aqua Rush (JP) Ver. A Maze 16 3D_Battle Arena Toshinden 2 Fighter 17 3D_Beastorizer (US) Fighter 18 3D_Beastorizer <US *bootleg*> Fighter 19 3D_Bloody Roar 2 <Japan> Fighter 20 3D_Brave Blade <Japan> Fighter 21 3D_Cool Boarders Arcade Jam (US) Sport 22 3D_Dancing Eyes <Japan ver.A> Adult 23 3D_Dead or Alive++ Fighter 24 3D_Ehrgeiz (US) Ver. A Fighter 25 3D_Fighters Impact A (JP 2.00J) Fighter 26 3D_Fighting Layer (JP) Ver.B Fighter 27 3D_Gallop Racer 3 (JP) Sport 28 3D_G-Darius (JP 2.01J) Sport 29 3D_G-Darius Ver.2 (JP 2.03J) Sport 30 3D_Heaven's Gate Fighter 31 3D_Justice Gakuen (JP 991117) Fighter 32 3D_Kikaioh (JP 980914) Fighter 33 3D_Kosodate Quiz My Angel 3 (JP) Ver.A Maze 34 3D_Magical Date EX (JP 2.01J) Maze 35 3D_Monster Farm Jump (JP) Maze 36 3D_Mr Driller (JP) Ver.A Maze 37 3D_Paca Paca Passion (JP) Ver.A Maze 38 3D_Plasma Sword (US 980316) Fighter 39 3D_Prime Goal EX (JP) Sport 40 3D_Psychic Force (JP 2.4J) Fighter 41 3D_Psychic Force (World 2.4O) Fighter 42 3D_Psychic Force EX (JP 2.0J) Fighter 43 3D_Raystorm (JP 2.05J) Shoot 44 3D_Raystorm (US 2.06A) Shoot 45 3D_Rival Schools (ASIA 971117) Fighter 46 3D_Rival Schools <US 971117> Fighter 47 3D_Shanghai Matekibuyuu (JP) Maze 48 3D_Sonic Wings Limited <Japan> Shoot 49 3D_Soul Edge (JP) SO3 Ver. -
Origem: Wikipédia, a Enciclopédia Livre
Kiss Origem: Wikipédia, a enciclopédia livre. Kiss Kiss, Monster Tour, Hellfest 2013. Informação geral Origem Nova Iorque, NY País Estados Unidos 1 Gênero(s) Hard rock, heavy metal, glam metal, rock and roll Período em 1973 - atualmente atividade Gravadora(s) Casablanca, Mercury,Roadrunner, Kiss Records Afiliação(ões) Wicked Lester, Avantasia,Frehley's Comet, Vinnie Vincent Invasion, White Tiger, Black 'N Blue, Badlands, Grand Funk Railroad Black Sabbath, E.S.P. Influência(s) Humble Pie Marc Bolan Grand Funk Railroad Cream Black Sabbath Jimi Hendrix The Yardbirds The Stooges The Kinks Mott the Hoople T.Rex David Bowie Jeff Beck New York Dolls Slade Led Zeppelin 2 Página oficial KissOnline Integrantes Paul Stanley Gene Simmons Eric Singer Tommy Thayer Ex-integrantes Peter Criss Ace Frehley Eric Carr Bruce Kulick Vinnie Vincent Mark St. John Kiss é uma banda de hard rock dos Estados Unidos, formada em Nova Iorque em 1973 por Paul Stanley e Gene Simmons. Conhecida mundialmente por suas maquiagens, e por seus concertos muito elaborados que incluem guitarras esfumaçantes, cuspir fogo e sangue, pirotecnias e muito mais. Antes de chegarem à sua formação atual, a banda passou por algumas mudanças de formação, sendo Stanley e Simmons os dois últimos integrantes da formação original da banda. O Kiss já recebeu 28 discos de ouro.3 A banda já vendeu mais de 40 milhões de álbuns somente nos Estados Unidos, e desde sua formação já vendeu mais de 100 milhões de álbuns.4 Constitui um dos maiores impactos culturais da década de 1970, valendo-se de roupas e, sobretudo, maquiagens nunca antes vistas, que marcariam a história da música. -
Karaoke with a Message – August 16, 2019 – 8:30PM
Another Protest Song: Karaoke with a Message – August 16, 2019 – 8:30PM a project of Angel Nevarez and Valerie Tevere for SOMA Summer 2019 at La Morenita Canta Bar (Puente de la Morena 50, 11870 Ciudad de México, MX) karaoke provided by La Morenita Canta Bar songbook edited by Angel Nevarez and Valerie Tevere ( ) 18840 (Ghost) Riders In The Sky Johnny Cash 10274 (I Am Not A) Robot Marina & Diamonds 00005 (I Can't Get No) Satisfaction Rolling Stones 17636 (I Hate) Everything About You Three Days Grace 15910 (I Want To) Thank You Freddie Jackson 05545 (I'm Not Your) Steppin' Stone Monkees 06305 (It's) A Beautiful Mornin' Rascals 19116 (Just Like) Starting Over John Lennon 15128 (Keep Feeling) Fascination Human League 04132 (Reach Up For The) Sunrise Duran Duran 05241 (Sittin' On) The Dock Of The Bay Otis Redding 17305 (Taking My) Life Away Default 15437 (Who Says) You Can't Have It All Alan Jackson # 07630 18 'til I Die Bryan Adams 20759 1994 Jason Aldean 03370 1999 Prince 07147 2 Legit 2 Quit MC Hammer 18961 21 Guns Green Day 004-m 21st Century Digital Boy Bad Religion 08057 21 Questions 50 Cent & Nate Dogg 00714 24 Hours At A Time Marshall Tucker Band 01379 25 Or 6 To 4 Chicago 14375 3 Strange Days School Of Fish 08711 4 Minutes Madonna 08867 4 Minutes Madonna & Justin Timberlake 09981 4 Minutes Avant 18883 5 Miles To Empty Brownstone 13317 500 Miles Peter Paul & Mary 00082 59th Street Bridge Song Simon & Garfunkel 00384 9 To 5 Dolly Parton 08937 99 Luftballons Nena 03637 99 Problems Jay-Z 03855 99 Red Balloons Nena 22405 1-800-273-8255 -
THAT PRETTY PRETTY; OR, the RAPE PLAY by Sheila Callaghan
THAT PRETTY PRETTY; OR, THE RAPE PLAY by Sheila Callaghan DRAMATIS PERSONAE: AGNES VALERIE RODNEY OWEN JANE FONDA / JANE Acknowledgement: The section of the play where the women throw themselves onto the ground in choreographed fits is an edited excerpt from Charles L. Mee's play BIG LOVE. A stroke (/) marks the point of interruption in overlapping dialogue. When the stroke is not immediately followed by text, the next line should occur on the last syllable of the word before the slash— not an overlap but a concise interruption PROLOGUE VALERIE and AGNES appear in the darkness, face-forward, in single lights. Bon Jovi's "You Give Love A Bad Name" is playing faintly in the background. A fellow croons along dismally and drunkenly with the song. AGNES Val? VALERIE Yeah? AGNES I'm a little drunk. VALERIE You drink too much. AGNES What state are we in? VALERIE You're a dumbass. AGNES We've done this a lot. VALERIE 1 I know. AGNES We're gonna run out of states. VALERIE Dumbass SUPREME. We still have Colorado, Delaware, Michigan, Louisiana, Alabama, Arkansas, / Ohio, Missouri, Nebraska, North Carolina AGNES Then we'll get caught. Or something. I don't want... um… VALERIE I thought we didn't care if we got caught. AGNES We just… wanna keep going for as long as we can. Because we fucking HATE THEM ALL. Okay. Not just the ones with bombs in their trunks. VALERIE That's right. AGNES And we hate fucking people telling us how to act. VALERIE Right. AGNES About our bodies. -
MARK SPICER Genesis's Foxtrot* One of the Most Ironic
MARK SPICER Genesis’s Foxtrot* One of the most ironic developments in Billboard chart history occurred in July 1986, when Genesis, basking in the success of having finally scored their first (and only) U.S. #1 hit with Invisible Touch were knocked out of the top spot just one week later by their former frontman Peter Gabriel, who, in turn, scored his first (and only) U.S. #1 with Sledgehammer. While I must admit to having a personal affection for their later records, I think it is safe to say that most fans would prefer to forget the slick, synthesizer-driven pop that characterized much of Genesis’s output in the 1980s and 1990s, and instead look back fondly to the first half of the 1970s — the golden age of British progressive rock — when the group was famous for crafting epic rock pieces in which the multiple shifts of texture, affect, tonality and groove echo those typically found, say, in a large-scale symphonic work by Liszt or Holst. Like Yes, Emerson, Lake & Palmer (ELP), Gentle Giant, King Crimson, Jethro Tull, Soft Machine, Henry Cow, and their other compatriots in British progressive rock during this remarkable period, Genesis did not set out to create music that was immediately catchy or danceable (although one can certainly imagine dancing, however awkwardly, to many of their odd-metered grooves). Theirs was serious music intended for serious listeners. Indeed, as John Covach has put it, “there was the perception [among fans] that these musicians were attempting to shape a new kind of classical music — a body of music that would not disappear after a few weeks or months on the pop charts, but would instead be listened to (and perhaps even studied), like the music of Mozart, Beethoven and Brahms, for years to come.” (Covach, 1997: 4) Figure 1 shows a chronology of Genesis albums released through October 1977, when guitarist Steve Hackett left the group and the three remaining members decided to continue as a trio. -
Ohne Titel.Pages
(Banner by Sven Kramer, krameronline.eu) A big welcome to our new readers. I hope you enjoy reading the newsleAer and you will join in with some contribuBons....stories, quesBons, photos, leAers, dream set list or any other good idea related to Russ and his work. Many thanks For all the birthday greeBngs you sent For Russ. I was able to put most oF them into one email and the rest I Forwarded on to him. Did you hear Russ on Johnnie Walker's Sounds oF the 70s? If not, below is a link For Listen Again but don't leave it too long. Sue THIS MONTH... Russ: "October seemed to come and go so quickly.... More about the Johnnie Walker radio prog., Sounds of The SevenAes - JW. asked me some quesAons about the song wriAng process and, in parAcular, the wriAng of ‘New York Groove’. Strange really, because it’s the one song that I wrote enArely in the studio, as we were recording. The show also featured ‘Since You Been Gone’, 'Hold Your Head Up' and 'God Gave RnR To You’….Good fun! "I had a good moment in the past Month - Pete Thorp phoned and asked if I would be home, because, he was coming past my place and would pop in for a cup of tea - [ Pete was the other guitar player in the RouleSes with Bob Henrit, Mod Rogan and Myself in the sixAes, when we backed Adam Faith] - Anyway, I told Pete I would be in, and it would be great to see him. -
Tony's Itunes Library
Music 2053 songs, 6:16:50:58 total time, 9.85 GB Name Time Album Artist ABC 2:54 The Ultimate Collection The Jackson 5 Across 110th Street 3:51 Midnight Mover - The Bobby Womack ... Bobby Womack Addiction 4:27 Late Registration Kanye West AEIOU 8:41 Freestyle Explosion, Vol. 3 Freeze African Dance 6:08 1989 Keep On Movin' Soul II Soul African Mailman 3:10 Nina Simone Piano Afro Loft Theme 6:06 Om 100: A Celebration of the 100th Re... Various Artists The After 6 Mix (Juicy Fruit Part Ll) 3:25 Juicy Fruit Mtume After All 4:19 Al Jarreau After The Love Is Gone 3:58 The Best Of Earth, Wind & Fire Vol.II Earth Wind & Fire After the Morning After 5:33 Maze ft Frankie Beverly Again 5:02 Once Again John Legend Agony Of Defeet 4:28 The Best Of Parliament: Give Up The ... Parliament Ai No Corrida 6:26 The Dude Quincy Jones Ain't Gon' Beg You 4:14 Free Yourself Fantasia Ain't No Mountain High Enough 3:30 25 #1 Hits From 25 Years, Vol. I Diana Ross Ain't No Stopping Us Now 7:03 Boogie Nights Soundtrack McFadden & Whitehead Ain't No Sunshine 2:07 Lean On Me: The Best Of Bill Withers Bill Withers Ain't No Sunshine 3:44 Greatest Hits Dangelo Ain't No Sunshine 11:04 Wattstax - The Living Word (disc 2 of 2) Isaac Hayes Ain't Nobody 4:48 Night Clubbing Rufus and Chaka Kahn Ain't too proud to beg 2:32 The Temptations Ain't We Funkin' Now 5:36 Classics, Vol.