Glias Newsletter No
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Bankside's Immersive Arts Festival
BANKSIDE’S IMMERSIVE ARTS FESTIVAL 18 SEPTEMBER – 18 OCTOBER 2015 @MERGEFESTIVAL VISIT US AT MERGEFESTIVAL.CO.UK #MERGEBANKSIDE MERGE line-up BANKSIDE TRANSFORMED Plan your visit and find out Welcome to Colourful what’s on at Crossings MERGE 2015 MERGE 2015 Adam Frank, Morgan Silk and Office for Crafted Architecture 03 Colourful Crossings Adam Frank, Morgan Silk and Office for Crafted Architecture Now in its fifth year, immersive arts festival MERGE returns to Bankside Various points along 04 The Chamber of Wishes Southwark Street, SE1 (see Bompas & Parr with a programme set to transform the map on page 20 for locations) 05 On Your Wavelength London riverside destination. Marcus Lyall Southwark / London Bridge This year’s diverse line-up includes 06 Time To Be Late Various performers major names and emerging talent from 18 September – 13 December 07 Interplay the UK and international art world. Using 7 days a week 60 Years, 60 Iconic Images the rich heritage and contemporary TV Times culture of Bankside they will stage £ FREE 08 Caravan Theatre Various artists interactive installations, experimental olourful Crossings sees Southwark 09 Chain Reaction theatre and live music; reinventing Street transformed into an outdoor TROPE historic buildings and open spaces. Cgallery with a series of on-street 10 Nursery Original Series Make a wish in a bioluminescent artworks which will bring pedestrian crossings 28 September – 13 December Various artists to life. These commissions made through the Award winning artist Morgan Silk will be wishing chamber, focus your mind to 12 Food Demonstration Gone Avenue of Art initiative, will take art out of its creating a large-scale anamorphic scene Wrong control a light and sound installation, traditional gallery contexts to transform public using photography. -
Prices Street Consultation Summary
APPENDIX 4 PRICES STREET CONSULTATION SUMMARY The council is working with Better Bankside, the Kirkaldy Testing Museum and the developers of the Bankside Hilton to improve the environment in Prices Street following the completion of the construction of the new hotel. Consultation was carried out from 23 October to 28 November 2014, with proposals to landscape the highway and install planters, street trees, seating, and a special entrance treatment incorporating artwork for the grade II* listed Kirkaldy Testing Works. This note summarises the reasons for investing in the project, the method of consultation, a detailed response to comments made, and next steps for the project. Why invest in improvements at Prices Street? The proposal to make further improvements to Prices Street has arisen from several key opportunities: 1. The need to create new and improved open spaces to provide for the large numbers of new residents and workers moving into the area. By upgrading the public realm we are better able to provide for our communities and meet their expectations. Open space improvements will include street trees and planting will help contribute to improved air quality, sustainable urban drainage, and a high quality amenity and social space for the enjoyment of local residents, workers and visitors. The council has carried out extensive consultation on a programme of public realm improvement works across Bankside called the “Bankside Urban Forest”. One of the key project proposals to come out of the consultation process was to make further improvements to Great Suffolk Street as a key spine which links Bankside and the Elephant and Castle. -
A Career Overview 2019
ELAINE PAIGE A CAREER OVERVIEW 2019 Official Website: www.elainepaige.com Twitter: @elaine_paige THEATRE: Date Production Role Theatre 1968–1970 Hair Member of the Tribe Shaftesbury Theatre (London) 1973–1974 Grease Sandy New London Theatre (London) 1974–1975 Billy Rita Theatre Royal, Drury Lane (London) 1976–1977 The Boyfriend Maisie Haymarket Theatre (Leicester) 1978–1980 Evita Eva Perón Prince Edward Theatre (London) 1981–1982 Cats Grizabella New London Theatre (London) 1983–1984 Abbacadabra Miss Lyric Theatre, Hammersmith Williams/Carabosse (London) 1986–1987 Chess Florence Vassy Prince Edward Theatre (London) 1989–1990 Anything Goes Reno Sweeney Prince Edward Theatre (London) 1993–1994 Piaf Édith Piaf Piccadilly Theatre (London) 1994, 1995- Sunset Boulevard Norma Desmond Adelphi Theatre (London) & then 1996, 1996– Minskoff Theatre (New York) 19981997 The Misanthrope Célimène Peter Hall Company, Piccadilly Theatre (London) 2000–2001 The King And I Anna Leonowens London Palladium (London) 2003 Where There's A Will Angèle Yvonne Arnaud Theatre (Guildford) & then the Theatre Royal 2004 Sweeney Todd – The Demon Mrs Lovett New York City Opera (New York)(Brighton) Barber Of Fleet Street 2007 The Drowsy Chaperone The Drowsy Novello Theatre (London) Chaperone/Beatrice 2011-12 Follies Carlotta CampionStockwell Kennedy Centre (Washington DC) Marquis Theatre, (New York) 2017-18 Dick Whttington Queen Rat LondoAhmansen Theatre (Los Angeles)n Palladium Theatre OTHER EARLY THEATRE ROLES: The Roar Of The Greasepaint - The Smell Of The Crowd (UK Tour) -
MERRIE ENGLAND Music by Edward German
Press Information The Finborough Theatre is now fully air conditioned Summer Season | April to July 2012 Part of the Finborough Theatre's Celebrating British Music Theatre series Citric Acid in association with Neil McPherson for the Finborough Theatre presents The first professional London production for 52 years MERRIE ENGLAND Music by Edward German. Libretto by Basil Hood. Directed by Alex Sutton. Musical Direction by Eamonn O’ Dwyer. Designed by Philip Lindley. Lighting by Miguel Vicente. Produced by Luke Holbrook. Costume Design by Sophia Anastasiou. Cast: Sammy Andrews. Alexander Beck. Jamie Birkett. Daniel Cane. Luke Courtier. Stephen Darcy. Virge Gilchrist. Tom Giles. Stuart Hickey. Rachel Holbrook. Nichola Jolley. Christopher Killik. Ruth Leavesley. Brendan Matthew. Michael Riseley. Jody Ellen Robinson. Gemma Sandzer. Rhys Saunders. Originally written for the Savoy Theatre in 1902 and a longtime British musical classic, this rediscovery celebrates both the Queen’s Diamond Jubilee as well as the 150th anniversary of the birth of composer Edward German. Merrie England plays at the Finborough Theatre for a limited run of nine Sunday and Monday evening performances and Tuesday matinees, opening on Sunday, 27 May 2012 (Press Night: Monday, 28 May 2012 at 7.30pm). Edward German's patriotic pageant deals with love and rivalries at the court of Queen Elizabeth I as the monarch visits the townsfolk of Windsor to celebrate May Day. With a plot that includes such historical personages as Sir Walter Raleigh and the Earl of Essex, murder plots and tales of witchcraft unravel to the background of the May Day revels... An English light opera in the style made famous by Gilbert and Sullivan, Merrie England features a prominent chorus and a range of principal numbers including ballads, patter songs, duets and quintets. -
British Mensa Annual Gathering Doubletree Hotel London - Docklands Riverside 265 Rotherhithe St, London
British Mensa Annual Gathering DoubleTree Hotel London - Docklands Riverside 265 Rotherhithe St, London. SE16 5HW This booking form is primarily concerned with those events which need to be pre-booked because they constitute an expense or there are a limited number of places available. Some additional unlimited and free events will be available across the weekend and these can be discovered on the BMAG2016 website. Along with the traditional SIGs display and games room, in recent years a trend towards making and crafting on Sunday afternoon has developed. This year there will be a dedicated space for this on Sunday afternoon. Please note: Times listed for events are for leaving the hotel and approximate return to the hotel. A list of meeting times at venues will be available ahead of the weekend. All travel to events is on foot or by public transport. We recommend purchasing an Oyster Card or using a contactless bank card for travel to avoid ticket queues. See bmag2016.london or contact organisers for more information For events listed as “no age restriction”, under 16s must still be accompanied by an adult TO RESERVE YOUR HOTEL ACCOMMODATION Please book directly with the Doubletree Dockland Riverside hotel via the special link on www.mensa.org.uk website (go to the BMAG pages in the events section) DoubleTree Hotel London - Docklands Riverside 265 Rotherhithe St, London. SE16 5HW Standard room: £100 per night for single occupancy £112.00 per night for double occupancy Deluxe room: £125 per night for single occupancy £137.00 per night for double occupancy Family room Add £45.00 per night supplement TheDoubleTree London - Docklands Riverside is located along the River Thames with stunning views of Canary Wharf. -
Friends Events May-August 2016
Friends events May-August 2016 How to book It is now possible to book by: Post Please write to Call Centre Museum of London 150 London Wall EC2Y 5HN Telephone Please call the Box Office on 020 7001 9844 Online museumoflondon.org.uk/friendsevents Images Cover: Great Fire of London, seen from Ludgate © Museum of London P4: Tom Jerry and Logic tasting Wine from the Wood at the London Docks, 1821 ©Museum of London P6: The South End of St James’s Street, 1846 Henry Adlard, Jean Marchant © Museum of London P6: Hand-made reconstructions of a pair of 1780s stays, a smock and petticoat, made by students of The School of Historical Dress © The School of Historical Dress P6: Broadway ©London Transport Museum photographic collection Exclusive events programme for the Friends of the Museum of London To book call 020 7001 9844 To find out more about the Friends call Susan Boome on 020 7814 5507 The Museum of London is a registered charity (number 1139250) or visit museumoflondon.org.uk/friends Friends events June p? May-August 2016 Saturday 4 June, 11am Walking tour of the City’s Gardens and Squares p4 Thursday 16 June, 11am Musical Museum p4 Free highlights gallery tours for Friends Thursday 23 June, 1.30pm Royal United Services Institute for Defence & Security Studies p5 We offer a free highlights gallery tour for you and your guest with our knowledgeable visitor hosts. This is an opportunity for you to explore our July p? world-class galleries and learn more about some of our objects. -
Download the Play Where You Work Guide
PLAY WHERE YOU WORK BANKSIDERS This is a guide to inspire you and your team to blur your workside into your playside as you return to the neighbourhood. It is London’s Other Side, a neighbourhood with a bold and independent spirit shaped by its rebellious BANKSIDE IS A PLACE past. Located outside the walls of the City, the area was a natural landing place for free thinkers and this is still celebrated today. As restrictions WHERE PEOPLE HAVE COME ease, we’ve packaged ways to inspire creativity beyond the workplace. Embrace the spirit of our neighbourhood and rediscover Bankside’s cultural TO BE ENTERTAINED FOR offer, right on your doorstep. Thrill your artside, satisfy your curious side and OVER 1000 YEARS. reconnect with Bankside, and each other. For practical initiatives and services to support your return to the workplace, see our Roadmap to return guide. 2 What’s on in Bankside this summer: • Explore Bankside’s art galleries and see the latest blockbuster exhibitions and free displays at Tate Modern, Bankside Gallery and Jerwood Arts. Keep your eyes peeled for the Lates programmes at Tate Modern and Jerwood Arts too. • Bankside is all about the Bard. Catch outdoor theatre productions at Shakespeare’s Globe and The Rose Playhouse’s digital events. For more live performance, visit Cervantes Theatre and Union Theatre at Old Union Yard Arches. SATISFY YOUR • Foodies should check out what’s on at Borough Market. • Southwark Cathedral promises a busy summer programme with art installations and music recitals. • Experience the return of live music at Omeara CULTURAL SIDE from September. -
Beckett at Theyoungvic
Samuel Beckett Today / Aujourd’hui 29 (2017) 243–255 brill.com/sbt Beckett at the Young Vic From the Marginal to the Major-Marginal Matthew McFrederick Teaching Fellow in Theatre, University of Reading, uk [email protected] Abstract This article will examine the formative years of the Young Vic in London when pro- ductions of Waiting for Godot, Endgame and Happy Days were staged and embraced by a new generation of theatregoers and practitioners in a metropolitan theatre that began at the edge of the city’s mainstream theatre culture. Through a range of archival resources and an interview with the Young Vic’s founding director, this essay will dis- cuss the reception of these performances and their ability to engage with young audi- ences. It will conclude by tracing the YoungVic’s more recent association with Beckett’s drama, as the theatre has grown into an independent force competing with larger, tra- ditional theatre institutions. Résumé Cet article évoque la formation du Young Vic à Londres, plus précisément les années où y ont été réalisées les mises en scène d’En attendant Godot, de Fin de partie et de Oh les beaux jours pour une nouvelle génération de spectateurs ou de gens du théâtre, immédiatement convaincus, dans un théâtre métropolitain mais qui avait débuté en marge de la culture théâtrale traditionnelle. À partir d’un grand nombre d’archives, d’un interview du directeur et fondateur du Young Vic, cet essai traitera de l’accueil qu’ont rencontré ces spectacles et de leur capacité à intéresser les jeunes publics. -
Black and Asian Theatre in Britain a History
Black and Asian Theatre in Britain A History Edited by Colin Chambers First published 2011 ISBN 13: 978-0-415-36513-0 (hbk) ISBN 13: 978-0-415-37598-6 (pbk) Chapter 8 ‘All a we is English’ Colin Chambers CC BY-NC-ND 4.0 8 ‘All A WE IS English’1 Britain under Conservative rule in the 1980s and for much of the 1990s saw black and Asian theatre wax and then wane, its growth the result of earlier forces’ coming to a head and its falling away a consequence of cuts allied to a state-driven cultural project that celebrated the individual over the collective and gave renewed impetus to aggressive, narrow nationalism. How to survive while simultaneously asserting the heterodox, hybrid nature of non-white theatre and its contribution to British theatre was the urgent challenge. Within two years of the Thatcher government’s election to power in 1979, Britain saw perhaps the most serious rioting of its postwar era, which led to major developments in public diversity policy, though less significant change at the level of delivery. The black community could no longer be taken for granted and was demanding its rights as British citizens. The theatre group that epitomized this new urgency and resilience and the need to adapt to survive was the Black Theatre Co-operative (BTC).2 The group was founded by Mustapha Matura and white director Charlie Hanson in 1978 after Hanson had failed to interest any theatres in Welcome Home Jacko, despite Matura’s standing as the leading black playwright of his generation. -
DAVID WOOD a Chronology
DAVID WOOD A Chronology CHILDREN’S PLAYS AND MUSICALS (acting editions published by Samuel French) 1967 THE TINDERBOX (book, music and lyrics). (Based on the story by Hans Andersen) Swan Theatre, Worcester. Unpublished. 1968 THE OWL AND THE PUSSYCAT WENT TO SEE... (co-written with Sheila Ruskin, based on the verses and stories of Edward Lear). Swan Theatre, Worcester. Subsequently WSG Productions Ltd. production at Jeannetta Cochrane Theatre, London (1969) and many more London Christmas seasons. * 1969 LARRY THE LAMB IN TOYTOWN (co-written with Sheila Ruskin, adapted from the stories of S.G. Hulme-Beaman). Swan Theatre, Worcester. Subsequently WSG Productions Ltd production at Shaw Theatre, London, 1973. * 1970 THE PLOTTERS OF CABBAGE PATCH CORNER (book, music and lyrics). Swan Theatre, Worcester. Subsequently Knightsbridge Theatical Productions Ltd/WSG Productions Limited production, Shaw Theatre 1971 and 1972 and Whirligig Theatre tour including Sadler’s Wells Theatre, London, 1979. 1971 FLIBBERTY AND THE PENGUIN (book, music and lyrics). Swan Theatre, Worcester. Subsequently Whirligig Theatre pilot tour, 1978. * 1972 TICKLE (one act) (book, music and lyrics). The Dance Drama Theatre tour. Subsequently Wakefield Tricycle Company production at Arts Theatre, London, 1977. THE PAPERTOWN PAPERCHASE (book, music and lyrics). Swan Theatre, Worcester. Subsequently Whirligig Theatre tour, including Sadler’s Wells Theatre, London, 1984.* 1973 HIJACK OVER HYGENIA (book, music and lyrics). Swan Theatre, Worcester. 1975 OLD MOTHER HUBBARD (book, music and lyrics). Queen’s Theatre, Hornchurch. 1976 THE GINGERBREAD MAN (book, music and lyrics). Towngate Theatre, Basildon. Subsequently, Cameron Mackintosh/David Wood production, The Old Vic (1977 and 1978) and many other London seasons. -
An Article in Southwark Magazine
Attractions Attractions powered Universal Testing Machine he built with the place. It’s astonishing that it’s still is preserved. here, and it’s so important that it survives. It’s This pioneering machine was historically a crucial part of the legacy of why buildings used for testing the suitability of building and bridges stand up, and underpins the materials for major infrastructure projects world’s standard of engineering established in that include Hammersmith Bridge and this building in Southwark Street.” Wembley Stadium. Museum trustee Sarah Jarvis says: “What OLD OPERATING THEATRE David was doing was very controversial at the When visitors head up the narrow 52-step time, as he was going against the way people staircase in the Old Operating Theatre, they were working. He was saying the only way to will be rewarded with a unique chance to ensure building and construction materials learn about the history of medicine. are safe is to test them rigorously and The oldest surviving surgical theatre in objectively, and to basically build on fact – Europe is tucked away next to the iconic not opinion.” Shard building, and is housed in the attic The volunteer-run museum opens on of the old St Thomas Hospital’s 18th the first Sunday and the third Wednesday of century church. every month, and regularly features as part of Sarah Corn is a year into her role as events such as Open House, London History director of this popular venue that opens Day and the Thames festival. seven days a week and annually has around Jarvis says Kirkaldy Testing Museum is 40,000 visitors. -
Mike Robertson
ROAR House, 46 Charlo2e Street, London W1T 2GS 0207 4275681 [email protected] www.colekitchenn.com twi8er.com/ColeKitchenn facebook.com/ColeKitchenn MIKE ROBERTSON LIGHTING DESIGNER 2007 Olivier Award Winner, 2010 Whatsonstage Award nominee DEAR WORLD Charing Cross Theatre Dir: Gillian Lynne VOLCANO (World Premiere) Vaudeville Theatre West End/Tour Dir: Roy Marsden DRY ROT UK Tour Dir: Ron Aldridge FRAGILE/THE FATHER Belgrade Theatre, Coventry Dir: Joe Harmston MURDER ON THE NILE Theatre Royal Windsor/Tour Dir: Joe Harmston FUNNY PECULIAR UK Tour Dir: Bob Tomson THIRD FLOOR Trafalgar Studios for Sally Humphreys Dir: Russell Labey ABOUT BILL Landor Theatre Dir: Charlotte Westenra COMPANY Southwark Playhouse Dir: Joe Fredericks BY JEEVES Landor Theatre Dir: Nick Bagnall OEDIPUS Nottingham/Edinburgh Festival 2011 Dir: Giles Croft VERDICT UK Tour/Bill Kenwright Ltd Diir: Joe Harmston LARK RISE TO CANDLEFORD No.1 National Tour for Bill Kenwright Dir: Joe Harmston CAROLINE O'CONNOR: THE SHOWGIRL WITHIN, LYNDA CARTER: AT LAST all at Garrick Theatre, West-End FRANCES RUFFELLE: BENEATH THE DRESS, JASON ROBERT BROWN CONCERT for Speckulation Entertainment BIBLICAL TALES New End Theatre Dir: Steven Berkoff BILLY LIAR West Yorkshire Playhouse Dir: Nick Bagnall WOLFBOY Trafalgar Studios Dir: Russell Labey EDUCATING RITA Watermill Theatre, Newbury Dir: Jamie Glover ON THE WATERFRONT Theatre Royal, Haymarket/World Tour Dir: Steven Berkoff Nottingham Playhouse/Edinburgh *2010 Whatsonstage Award nomination: Best Lighting Design WOLFBOY George Square