Tne Imagist Poem: Modern Poetry in Miniature Revised Edition By

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• Tne Imagist Poem: Modern Poetry In Miniature Revised Edition by William Pratt Story Line Press Asnlana, Oregon Contents Preface to the Original Edition 9 Preface to the Revised Edition 10 Introduction 19 T. E. HULME: Autumn 47 Conversion 47 Fragments 48 Above the Dock 48 The Man in the Crow's Nest 48 The Poet 49 Mana Aboda 49 The Embankment 49 F. S. FLINT: Chrysanthemums 50 Beggar 51 Fragment 52 The Swan 53 EZRA POUND: The Tree 54 In a Station of the Metro 54 L'Art, 1910 54 Alba 54 Gentildonna 55 April 55 Heather 55 The Return 56 Doria 57 Imerro 57 The Spring 58 The Coming of War: Actaeon 59 The Jewel Stairs' Grievance 60 Ts'ai Chi'h 60 Fan-Piece, for Her Imperial Lord 60 EZRA POUND LiuCh'e 61 Separation on the River Kiang 61 The River-Merchant's Wife: A Letter 62 JAMES JOYCE: I Hear an Army 63 H.D.: Oread 64 Epigram 64 The Pool 64 Never More Will the Wind 65 Orchard 66 Hermes of the Ways 67 Heat 69 Pear Tree 69 Storm 70 Song 71 Evening 72 Sea Rose 72 Helen 73 Love That I Bear 74 Hymn 75 RICHARD ALDINGTON: Lesbia 76 Epigrams 77 Poem 78 Captive 78 At the British Museum 79 Images 80 Evening 81 WILLIAM CARLOS WILLIAMS: Aux Imagistes 82 The Red Wheelbarrow 83 The Locust Tree in Flower 83 Metric Figure 84 Nantucket 84 Flowers by the Sea 85 Poem 85 Daisy 86 Queen-Ann's-Lace 87 Iris 88 Dawn 89 To Waken an Old Lady 89 Portrait of a Lady 90 The Bull 91 El Hombre 92 A Sort of a Song 92 Bird 93 Landscape with the Fall of Icarus 94 T. S. ELIOT: Preludes 95 Morning at the Window 98 AMY LOWELL: Wind and Silver 99 A Decade 99 Night Clouds .99 The Pond 100 A Lover 100 Meditation 100 A Year Passes 100 A Lady 101 Venus Transiens 102 JOHN GOULD FLETCHER: Irradiations VII 103 Irradiations X 103 London Excursion: Station 104 In the Theatre 105 The Skaters 105 D. H. LAWRENCE: Cherry Robbers 106 A White Blossom 106 Green 107 On the Balcony 107 Trees in the Garden 108 The White Horse 108 Nothing To Save 108 November by the Sea 109 Aware 110 Brooding Grief 110 Gloire de Dijon Ill Autumn Rain 112 Swan 113 CARL SANDBURG: Fog 114 Lost 114 Monotone 115 The Harbor 115 Nocturne in a Deserted Brickyard 116 Under the Harvest Moon 116 MARIANNE MOORE: To a Chameleon .117 To a Steam Roller 117 The Fish 118 No Swan So Fine 120 A Talisman 121 WALLACE STEVENS: Nuances of a Theme by Williams 122 Valley Candle 122 Disillusionment of Ten O'clock 123 Domination of Black 124 Farewell Without a Guitar 125 Thirteen Ways of Looking at a Blackbird 125 Study of Two Pears 128 Anecdote of the Jar 129 HERBERT READ: Curfew 130 Night 130 ADELAIDE CRAPSEY: The Warning 131 Niagara 131 Triad 131 November Night 131 MAX MICHELSON: Midnight 132 E. E. CUMMINGS: Impression V 133 Buffalo Bill's 134 l(a 134 ARCHIBALD MACLEISH: Ars Poetica 135 Imagism: A Selected Bibliography 136.

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Wallace Stevens

Classic Poetry Series Wallace Stevens - poems - Publication Date: 2004 Publisher: PoemHunter.Com - The World's Poetry Archive A High-Toned Old Christian Woman Poetry is the supreme fiction, madame. Take the moral law and make a nave of it And from the nave build haunted heaven. Thus, The conscience is converted into palms, Like windy citherns hankering for hymns. We agree in principle. That's clear. But take The opposing law and make a peristyle, And from the peristyle project a masque Beyond the planets. Thus, our bawdiness, Unpurged by epitaph, indulged at last, Is equally converted into palms, Squiggling like saxophones. And palm for palm, Madame, we are where we began. Allow, Therefore, that in the planetary scene Your disaffected flagellants, well-stuffed, Smacking their muzzy bellies in parade, Proud of such novelties of the sublime, Such tink and tank and tunk-a-tunk-tunk, May, merely may, madame, whip from themselves A jovial hullabaloo among the spheres. This will make widows wince. But fictive things Wink as they will. Wink most when widows wince. Wallace Stevens www.PoemHunter.com - The World's Poetry Archive 2 Anecdote of the Jar I placed a jar in Tennessee, And round it was, upon a hill. It made the slovenly wilderness Surround that hill. The wilderness rose up to it, And sprawled around, no longer wild. The jar was round upon the ground And tall and of a port in air. It took dominion everywhere. The jar was gray and bare. It did not give of bird or bush, Like nothing else in Tennessee.
O Imperador Do Sorvete E Outros Poemas

WALLACE STEVENS O imperador do sorvete e outros poemas Seleção, tradução, apresentação e notas Paulo Henriques Britto Edição revista e ampliada 14440-miolo-poemas-Wallace-Stevens.indd 3 10/20/17 11:47 AM Copyright ©1923, 1931, 1935, 1936, 1937, 1942, 1943, 1944, 1945, 1946, 1947, 1948, 1949, 1950, 1951, 1952, 1954, 1955 by Wallace Stevens Copyright renovado © 1984 by Holly Stevens Publicado mediante acordo com a Alfred A. Knopf, selo de Knopf Doubleday Group, uma divisão da Penguin Random House, LLC Esta antologia foi feita a partir de: Stevens: Collected Poetry and Prose. Grafia atualizada segundo o Acordo Ortográfico da Língua Portuguesa de 1990, que entrou em vigor no Brasil em 2009. Capa Victor Burton Foto de capa Bettmann/ Getty Images Preparação Silvia Massimini Felix Revisão Silvana Salerno Angela das Neves Dados Internacionais de Catalogação na Publicação (CIP) (Câmara Brasileira do Livro, SP, Brasil) Stevens, Wallace, 1879-1955 O imperador do sorvete e outros poemas / Wallace Stevens ; seleção, tradução, apresentação e notas Paulo Henriques Britto. — 1ª- ed. rev. e ampl. — São Paulo : Companhia das Letras, 2017. Título original : Stevens: Collected Poetry and Prose. ISBN 978-85-359-3008-5 1. Poesia norte-americana I. Título. 17-08012 CDD-811.3 Índice para catálogo sistemático: 1. Poesia : Literatura norte-americana 811.3 [2017] Todos os direitos desta edição reservados à EDITORA SCHWARCZ S.A. Rua Bandeira Paulista, 702, cj. 32 04532-002 — São Paulo — SP Telefone: (11) 3707-3500 www.companhiadasletras.com.br www.blogdacompanhia.com.br facebook.com/companhiadasletras instagram.com/companhiadasletras twitter.com/cialetras 14440-miolo-poemas-Wallace-Stevens.indd 4 10/20/17 11:47 AM Sumário Apresentação ................................................................
Place in the Poetry of Wallace Stevens and Robert Bringhurst

The “Cure of the Ground”: Place in the Poetry of Wallace Stevens and Robert Bringhurst by Kirsten Hilde Alm B.Sc., University of Saskatchewan, 2001 M.A., Trinity Western University, 2011 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY In the Department of English © Kirsten Hilde Alm, 2016 University of Victoria All rights reserved. This dissertation may not be reproduced in whole or in part, by photocopying or other means, without the permission of the author. ii The “Cure of the Ground”: Place in the Poetry of Wallace Stevens and Robert Bringhurst by Kirsten Hilde Alm B.Sc., University of Saskatchewan, 2001 M.A., Trinity Western University, 2011 Supervisory Committee Dr. Nicholas Bradley, Supervisor Department of English Dr. Iain Macleod Higgins, Departmental Member Department of English Dr. Margaret Cameron, Outside Member Department of Philosophy iii Abstract This study analyzes the Canadian poet, typographer, and translator Robert Bringhurst’s (b. 1946) extensive engagement with the poetry, poetics and metaphysical concerns of the American modernist poet Wallace Stevens (1879-1955). It asserts that Bringhurst’s poetry responds to Stevens’ poetry and poetics to a degree that has not previously been recognized. Although Bringhurst’s mature poetry—his works from the mid-1970s and after—departs from the obvious imitation of the elder poet’s writing that is present in his early poems, it continues to engage some of Stevens’ central concerns, namely the fertility of the liminal moment and/or space and a meditative contemplation of the physical world that frequently challenges anthropocentric narcissism.
The Sensuous Order, Faith and Love in the Poetry of Wallace Stevens

Western Kentucky University TopSCHOLAR® Masters Theses & Specialist Projects Graduate School 8-1-1972 The eS nsuous Order, Faith and Love in the Poetry of Wallace Stevens Sheila Conway Western Kentucky University Follow this and additional works at: http://digitalcommons.wku.edu/theses Part of the English Language and Literature Commons Recommended Citation Conway, Sheila, "The eS nsuous Order, Faith and Love in the Poetry of Wallace Stevens" (1972). Masters Theses & Specialist Projects. Paper 1020. http://digitalcommons.wku.edu/theses/1020 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Masters Theses & Specialist Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. THE SENSUOUS ORDER, FAITH, AND LOVE IN THE POETRY OF WALLACE STEVENS A Thesis Presented to the Faculty of the Department of English Western Kentucky University Bowling Green, Kentucky In Partial Fulfillment of the Requirenents for the Degree Master of Arts Sheila M. Conway August, 1972 THE SENSUOUS ORDER, FAITH, AND LOVE IN THE POETRY OF WALLACE STEVENS APPROVED 7 9 (Date) Director of Thesis 77? c T 0e&n of the Gradusrte College ACKNOWLEDGMENTS With gratitude I wish to express my appreciation for the encouragement and help received in the completion of my graduate studies and thesis to Dr. William E. McMahon, my director, to his wife and member of my com- mittee, Dr. Dorothy McMahon, and to Dr. Nancy Davis who very kindly and generously gave of her time in reading this thesis and serving as a member of my committee.
COPYRIGHT NOTICE: Eleanor Cook: a Reader's Guide to Wallace Stevens Is Published by Princeton University Press and Copyrighted, © 2007, by Princeton University Press

COPYRIGHT NOTICE: Eleanor Cook: A Reader's Guide to Wallace Stevens is published by Princeton University Press and copyrighted, © 2007, by Princeton University Press. All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher, except for reading and browsing via the World Wide Web. Users are not permitted to mount this file on any network servers. Follow links for Class Use and other Permissions. For more information send email to: [email protected] Biography Individual poets, whatever their imperfections may be, are driven all their lives by that inner companion of the conscience which is, after all, the genius of poetry in their hearts and minds. I speak of a companion of the conscience because to every faithful poet, the faithful poem is an act of conscience. (OP 253, LOA 834, 1951) Wallace Stevens lived from 1879 to 1955. He was born in Reading, Pennsyl vania, of chieﬂy Dutch and German ancestry. He recognized family traits in himself. “The Dutch are all like that,” he once wrote, “as weird as the weather”—a simile that bears watching (L 146, 1909). He recommended studying one’s family tree as a way of becoming absorbed in American history, and he spent time and money studying his own in his later years. He took pride in “being one of these hard-working and faithful people” (L 782, 1953). (The word “faithful” turns up more than once when Stevens talks about his own art.) He remained deeply interested in the language and habits and beliefs of his ancestors, including the fact they saw visions.
Stevens and Aristotle: the Mimetic Connection

STEVENS AND ARISTOTLE: THE MIMETIC CONNECTION by Barbra Nightingale A Thesis Submitted to the Faculty of the College of Humanities in Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, Florida December, 1985 STEVENS AND ARISTOTLE: THE MIMETIC CONNECTION by Barbra Nightingale This thesis was prepared under the direction of the candidate's thesis advisor , Dr. Howard D. Pearce , Department of English, and hus been approved by the members of her supervisory committee. It was accepted in partial fulfillment of the requirements for the degree of Master of Arts. SUPERVISORY COMMITTEE: Thesis Advisor ii ABSTRACT Author: Barbra Nightingale Title: Stevens and Aristotle: The Mimetic Connection Institution: Florida Atlantic University Degree: Master of Arts Year: 1985 A detailed analysis of Wallace Ste vens's poetics reveals close parallels with Aristotle's theory of mimesis. These parallels are most notable in regard to the defi- nition of mimesis as it pertains to poetry, language , nature, r eality , and i mag i n a t i on . An exploration of thes e parallels firmly establishes Stevens as an Aristotelian , and therefore provides an important aid in understanding his use of poetic devices such as diction, m~~aphor, and persona. i i i CONTENTS Introduction Chapter One: Mimesis, Language, and the Poet 8 Chapter Two: Nature and Reality 30 Conclusion 46 iv INTRODUCTION Wallace Stevens's poetry and poetics have been much discussed since mid-century, and he has been connected or compared to such literary figures as Dante, Milton, Whitman, Emerson, Eliot, Cummings, and Williams as well ....- as associated with major movements such as neo-Classi-~ cism, Romanticism, Imagism, and Modernism (Willard 103-05) He has even been linked with Plato, with one critic call- ing Stevens's "Notes Toward a Supreme Fiction" the "ulti- mate Plato" (Sheehan 165); but except for oblique ref- erences, acknowledgment and comparison of Stevens's affinities with Aristotle concerning mimetic theory is lacking.
The Aspiring Clown of Wallace Stevens: a Study of 'The Omedic an As the Letter C' As Preliminary Statement

Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1966 The Aspiring Clown of Wallace Stevens: a Study of 'The omediC an as the Letter C' as Preliminary Statement. George Stephan Lensing Jr Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Lensing, George Stephan Jr, "The Aspiring Clown of Wallace Stevens: a Study of 'The omeC dian as the Letter C' as Preliminary Statement." (1966). LSU Historical Dissertations and Theses. 1157. https://digitalcommons.lsu.edu/gradschool_disstheses/1157 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. This dissertation has been „„ nrxrt 66-1U.9U7 microfilmed exactly as received LENSING, Jr., George Stephan, 1940- THE ASPIRING CLOWN OF WALLACE STEVENS: A STUDY OF ’’THE COMEDIAN AS THE LETTER C" AS PRELIMINARY STATEMENT. Louisiana State University, Ph.D., 1966 Language and Literature, modern University Microfilms, Inc., Ann Arbor, Michigan THE ASPIRING CLOWN OP WALLACE STEVENS* A STUDY- OP "THE COMEDIAN AS THE LETTER C" AS PRELIMINARY STATEMENT A Dissertation Submitted to the Graduate Faoulty of the Louisiana State University and Agricultural and Meohanioal College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by George Stephan Lensing, Jr. B.A., University of Notre Dame. 1962 May, 1966 ACKNOWLEDGMENT For his professional assistance and generous personal encouragement In the completion of this work, I wish to acknowledge my gratitude to my adviser, teacher, and friend, Dr.
Information to Users

INFORMATION TO USERS While the most advanced technology has been used to photograph and reproduce this manuscript, the quality of the reproduction is heavily dependent upon the quality of the material submitted. For example: • Manuscript pages may have indistinct print. In such cases, the best available copy has been filmed. • Manuscripts may not always be complete. In such cases, a note will indicate that it is not possible to obtain missing pages. • Copyrighted material may have been removed from the manuscript. In such cases, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, and charts) are photographed by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each oversize page is also filmed as one exposure and is available, for an additional charge, as a standard 35mm slide or as a 17”x 23” black and white photographic print. Most photographs reproduce acceptably on positive microfilm or microfiche but lack the clarity on xerographic copies made from the microfilm. For an additional charge, 35mm slides of 6”x 9” black and white photographic prints are available for any photographs or illustrations that cannot be reproduced satisfactorily by xerography. Order Number 8717608 The decomposer’s art: Ideas of music in the poetry of Wallace Stevens Boring, Barbara Holmes, Ph.D. The Ohio State University, 1987 Copyright ©1987 by Boring, Barbara Holmes. All rights reserved. UMI 300 N. ZeebRd. Ann Arbor, MI 48106 PLEASE NOTE: In all cases this material has been filmed in the best possible way from the available copy.
Vol. 5, No. 3 and 4 (Fall 1981)

The Wallace Stevens Journal Volume 5 Number 3/4 Fall 1981 Art as a Cry Against Extinction- James S. Leonard... Wallace Stevens’ Romantic Landscape, Notes on Meditation: “No Possum, No Sop, No Taters”- Allen Chavkin... Stevens at the Front: “Lettres d’un Soldat” -Glen Macleod.. “A Mythology Reflects Its Region”: Stevens and Thoreau - Errot M. McGuire.. Communications.. COVER: By Kathy Jacobi from Stevens’ poem. “The Snow Man”. The Wnllocp Strwtrs Jourrinl is published by the Wallace Stevens Society; administrative and editorial offices are located at California State University, Northridge, Department of English, 18111 Nordhoff Street, Northridge, California 91324. Thesubscription fee is $12.00 annually. Subscription to The jouriinl carries with it membership in the Society. Contributions, advertising matter and subscriptions should be addressed to the administra- tive offices of TIM journnl. Manuscripts will not be returned unless accompanied by a self- addressed, stamped envelope. The Wallace Stevens Journal EDITOR EDITORIAL STAFF ART EDITOR R.H. Deutsch Robin Russell Kathy Jacobi ASSOCIATE EDITORS BUSINESS STAFF CONSULTATION John N. Serio Herbert Turman Roy Harvey Pearce George S. Lensing Jody Chinchuck Joseph Riddel Robert Wicks A. Walton Litz NEWS & COMMENTS James I’. Jeschke J.M. Edelstein The Wallace Stevens Society EXECUTIVE COUNCIL TREASURER BRITISH REPRESENTATIVE Charles Kaplan Herbert Turman Frank Kermode Mary Klinger George Drury Smith CHAIRMAN CANADIAN REPRESENTATIVE Ann Stanford R.H. Deutsch G.D. Killam Donald E. Stanford William Walsh Warren Wedin LEGAL COUNSEL Clair Christensen o Copyright 1981 by the Wallace Stevens Society Art as a Cry Against Extinction in the Poetry of Wallace Stevens JAMES S. LEONARD and CHRISTINE E.
New Verse Anthologies, 1913-53 Warren Scott Hec Ney Loyola University Chicago, [email protected]

Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2014 Anthologizing Modernism: New Verse Anthologies, 1913-53 Warren Scott heC ney Loyola University Chicago, [email protected] Recommended Citation Cheney, Warren Scott, "Anthologizing Modernism: New Verse Anthologies, 1913-53" (2014). Dissertations. Paper 891. http://ecommons.luc.edu/luc_diss/891 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2014 Warren Scott heC ney LOYOLA UNIVERSITY CHICAGO ANTHOLOGIZING MODERNISM: NEW VERSE ANTHOLOGIES, 1913-53 A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN ENGLISH BY W. SCOTT CHENEY CHICAGO, IL MAY 2014 Copyright by W. Scott Cheney, 2014 All rights reserved. ACKNOWLEDGMENTS I must begin by thanking my mentors at Loyola University Chicago. Dr. Victoria Anderson mentored and challenged me in the ways I thought about composition pedagogy. Dr. Badia Ahad presented African-American literature like no other teacher and patiently answered my many questions. Dr. Paul Jay provided helpful advice and opened up the field of cultural studies for me in his Networked Public Culture seminar. Dr. Pamela Caughie pushed me to seek excellence as a graduate student, and her untiring work as an advocate for every graduate student in English is extraordinary. Dr. Steven Jones first helped me to critically interpret technology and games.
ABSTRACT Title of Dissertation: TEXTBOOK COMPOSERS: a PERFORMANCE STUDY of AMERICAN MODERNISM

ABSTRACT Title of Dissertation: TEXTBOOK COMPOSERS: A PERFORMANCE STUDY OF AMERICAN MODERNISM Josiah Stocker, Doctor of Musical Arts, 2019 Dissertation Directed By: Professor Rita Sloan University of Maryland School of Music, Piano Division The technical difficulties we face and the interpretive decisions we make when playing 20 th century music are essentially the same as with music from earlier periods. When playing more recent works, we benefit from first-hand accounts which are more readily available, and have greater interpretive freedom in playing music that does not have an established tradition. Studying a composer’s writings on theory will aid in analyzing a piece which may not follow traditional rules of form and harmony, and descriptions by their contemporaries can help us in understanding the printed markings in pieces which contain improvisation, extended techniques, or other unusual instructions. For my dissertation, I have addressed some difficulties unique to American music from the early- to mid-twentieth century. I selected music for three programs, using scores, the writings of composers, critics, and performers, as well as recordings, in my background research. My program notes document this process, and present conclusions which I hope will be useful to other musicians. The repertoire includes art song, chamber music, and solo piano music by Henry Cowell, Elliott Carter, and Vincent Persichetti. These three composers wrote books and essays about the theoretical and artistic ideas behind their own music and that of their contemporaries. Cowell’s groundbreaking New Musical Resources gave a remarkably concise and prescient overview of possible innovations in rhythm, texture, and harmony, many of which are worked out in his later compositions.
The Retranslation of Wallace Stevens' “Of Mere Being”

DOI: http://dx.doi.org/10.5007/2175-8026.2019v72n2p57 THE RETRANSLATION OF WALLACE STEVENS’ “OF MERE BEING” Paulo Henriques Britto1* 1PUC-Rio, Rio de Janeiro, Rio de Janeiro, Brasil Abstract: An analysis of the 2017 retranslation into Brazilian Portuguese of a poem by Wallace Stevens originally translated in 1987, with a detailed contrastive study of the two versions of the poem’s last line, which had been inadequately translated in 1987. Keywords: Poetry Translation; Wallace Stevens; Retranslation * É tradutor e professor de tradução, criação literária e literatura no Departamento de Letras da PUC-Rio, nos níveis de graduação e pós-graduação, no programa de Estudos da Linguagem e no de Literatura, Cultura e Contemporaneidade. É autor de dez livros (poesia, icção e ensaio). Como tradutor, é responsável por mais de 110 livros publicados, em sua maioria obras de icção, mas também de poesia e não-icção. phbritto@hotmail. com. ORCID: 0000-0002-8979-2424. Esta obra tem licença Creative Commons 58 Paulo Henriques Britto, he retranslation of Wallace Stevens’ “Of Mere Being” OF MERE BEING he palm at the end of the mind, Beyond the last thought, rises In the bronze decor, A gold-feathered bird Sings in the palm, without human meaning, Without human feeling, a foreign song. You know then that it is not the reason hat makes us happy or unhappy. he bird sings. Its feathers shine. he palm stands on the edge of space. he wind moves slowly in the branches. he bird’s ire-fangled feathers dangle down. Upon reading two poems by Wallace Stevens for the irst time—“Domination of Black” and “Sea Surface Full of Clouds”—I was so impressed that I immediately began to translate them.