Aboriginal History and Identity
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Indigenous Exceptionalism and the Constitutional 'Race Power'
Langton.x_Langton.x 1/02/13 9:31 AM Page 1 Indigenous Exceptionalism and the Constitutional ‘Race Power’ Marcia Langton Constitutional recognition of Indigenous Australians is a fraught topic, presenting legal as well as moral challenges, and involves a large set of issues beyond my scope here. I want to explore in this chapter the problem of how to recognise Indigenous Australians in the Constitution, a matter given much thought by the members of the Expert Panel appointed by Prime Minister Gillard in December 2010. Upon the release of the Expert Panel Report in January 2012, some commentators made extraordinary and mistaken claims about its recommendations and findings. One person contended that Aboriginal child bride practices would be legalised, should the government accept these recommendations. Another claim was that it was a racist attack on Australians. None of this is the case, of course, but the hysterical response to the propositions of the Expert Panel, well founded in constitutional law and history, tells us something. Most Australians know very little about our Constitution; few have read it, and even fewer understand it. The main challenge for those who agree with our findings is the poorly understood friction between bring- ing Indigenous Australians firmly into the national polity, and maintaining their exceptionalist status as inexorably different. I hope to suggest a solution to this dilemma; it is not original, 1 SPACE PLACE & CULTURE Langton.x_Langton.x 1/02/13 9:31 AM Page 2 INDIGENOUS EXCEPTIONALISM AND THE CONSTITUTIONAL ‘RACE POWER’ but is a new synthesis of a powerful idea drawn from human rights theory and the Expert Panel’s work. -
Writing Cultures 11/11
.. Aboriginal and Torres Strait Islander Arts Board, Australia Council PO Box 788 Strawberry Hills NSW 2012 Tel: (02) 9215 9065 Toll Free: 1800 226 912 Fax: (02) 9215 9061 Email: [email protected] www.ozco.gov.au cultures . WRITING ..... Protocols for Producing Indigenous Australian Literature An initiative of the Aboriginal and Torres Strait ISBN: 0 642 47240 8 Islander Arts Board of the Australia Council Writing Cultures: Protocols for Producing Indigenous Australian Literature Recognition and protection 18 contents Resources 18 Introduction 1 Copyright 20 Using the Writing Cultures guide 2 What is copyright? 20 What are protocols? 3 How does copyright protect literature? 20 What is Indigenous literature? 3 Who owns copyright? 20 Special nature of Indigenous literature 4 What rights do copyright owners have? 21 Collaborative works 21 Indigenous heritage 5 Communal ownership vs. joint ownership 21 Current protection of heritage 6 How long does copyright last? 22 Principles and protocols 8 What is the public domain? 22 Respect 8 What are moral rights? 22 Acknowledgement of country 8 Licensing for publication 22 Representation 8 Assigning copyright 23 Accepting diversity 8 Publishing contracts 23 Living cultures 9 Managing copyright to protect your interests 23 Indigenous control 9 Copyright notice 23 Commissioning Indigenous writers 9 Moral rights notice 24 Communication, consultation and consent 10 When is copyright infringed? 24 Creation stories 11 Fair dealings provisions 24 © Commonwealth of Australia 2002 Recording oral stories 11 -
Australian Aboriginal Art
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals online Australian Aboriginal Art Patrick Hutchings To attack one’s neighbours, to pass or to crush and subdue more remote peoples without provocation and solely for the thirst for dominion—what is one to call it but brigandage on a grand scale?1 The City of God, St Augustine of Hippo, IV Ch 6 ‘The natives are extremely fond of painting and often sit hours by me when at work’ 2 Thomas Watling The Australians and the British began their relationship by ‘dancing together’, so writes Inge Clendinnen in her multi-voiced Dancing With Strangers 3 which weaves contemporary narratives of Sydney Cove in 1788. The event of dancing is witnessed to by a watercolour by Lieutenant William Bradley, ‘View in Broken Bay New South Wales March 1788’, which is reproduced by Clendinnen as both a plate and a dustcover.4 By ‘The Australians’ Clendinnen means the Aboriginal pop- ulation. But, of course, Aboriginality is not an Aboriginal concept but an Imperial one. As Sonja Kurtzer writes: ‘The concept of Aboriginality did not even exist before the coming of the European’.5 And as for the terra nullius to which the British came, it was always a legal fiction. All this taken in, one sees why Clendinnen calls the First People ‘The Australians’, leaving most of those with the current passport very much Second People. But: winner has taken, almost, all. The Eddie Mabo case6 exploded terra nullius, but most of the ‘nobody’s land’ now still belongs to the Second People. -
Australia Council Nationhood, National Identity and Democracy
AUSTRALIA COUNCIL FOR THE ARTS SUBMISSION NATIONHOOD, NATIONAL IDENTITY AND DEMOCRACY INQUIRY October 2019 1 CONTENTS Contents 2 About the Australia Council 3 Executive summary 4 Submission 6 Our arts shape and communicate our cultural identity 6 First Nations arts are central to understanding who we are as Australians 7 Our diverse artistic expression is reshaping our contemporary national identity 9 Our creative expressions are an antidote to declining public trust and social divisions 13 Conclusion 14 Policy options 15 2 ABOUT THE AUSTRALIA COUNCIL The Australia Council is the Australian Government’s principal arts funding and advisory body. We champion and invest in Australian arts and creativity. We support all facets of the creative process and are committed to ensuring all Australians can experience the benefits of the arts and feel part of the cultural life of this nation. The Australia Council’s investment in arts and creativity presents a vital opportunity to develop Australia’s identity and reputation as a sophisticated and creative nation with a confident, connected community. Australia’s arts and creativity are among our nation’s most powerful assets, delivering substantial public value across portfolios: investing in the arts is investing in the social, economic and cultural success of our nation. For half a century the Australia Council has invested in activity that directly and powerfully contributes to Australia’s cultural identity and social cohesion. Our vision Creativity Connects Us1 is underpinned by five strategic objectives: • More Australians are transformed by arts experiences • Our arts reflect us • First Nations arts and culture are cherished • Arts and creativity are thriving • Arts and creativity are valued. -
Teachers' Notes the Little Red, Yellow, Black Book
Educational Resources: Teachers’ notes The Little Red Yellow Black website, http://lryb.aiatsis.gov.au Teachers’ Notes The Little Red, Yellow, Black Book: An introduction to Indigenous Australia An important note to teachers The following points are important considerations to remember when teaching Aboriginal and Torres Strait Islander studies. These cautions should be consulted throughout the course and shared with students. Aboriginal studies and Torres Strait Islander studies are not only about historical events and contemporary happenings. More importantly, they are about people and their lives. Consequently, consideration of, and sensitivity towards, Aboriginal and Torres Strait Islander people are essential, as is collaboration with relevant communities. • Where possible, consult Indigenous people and Indigenous sources for information, many links to which are contained in these notes. Try to work with your local Indigenous community people and elders and respect the intellectual and cultural property rights of Indigenous people. • Consult reliable sources. Be discerning and look for credible information. Indigenous Australians are careful to speak only about the country or culture they’re entitled to speak about. Generally Indigenous people won’t tell others about sacred images or stories, however, over time, and with the effects of colonisation, some things that are sacred, or secret, to Indigenous groups have been disseminated. Be sensitive to requests not to talk about or include some material. Ensure that what you’re reading derives from a community or elders’ knowledge, or from reputable research. Remember too that less-than-polished publications can still be valuable. • Use only the information and images you know have been cleared for reproduction or use in the public domain. -
A Community-Based Approach to Indigenous Self-Determination
POWER FROM THE PEOPLE: A COMMUNITY-BASED APPROACH TO INDIGENOUS SELF-DETERMINATION LARISSA BEHRENDTt Elliott Johnston impresses me most not because of his involvement with the Royal Commission into Aboriginal Deaths in Custody but for his continued conviction about the rightness of social justice despite political climate and personal cost. His membership of the Communist Party no doubt cost him earlier appointment to silk and, as the first Chairperson of the Aboriginal Legal Rights Movement, formalised a long commitment to Indigenous social justice and criminal justice issues. He was, is and remains a practitioner and a judge, admired for his acute legal mind and his ability to mix the right legal reasons with the right moral reasons; something that can be found only in the best legal minds. I would like to talk across a few themes tonight. I want to begin by canvassing the current political landscape to identify the challenges to Indigenous rights and their protection. I would then like to talk about the shortcomings of 'practical reconciliation' and the limitations of current government policy on Indigenous issues at the federal level. I would then like to discuss how this direction has marginalised the rights agenda and impoverished debate on the policy options we have. I will argue that the way forward combines short term solutions with long term goals and that this includes an understanding of the relationship between rights, economic development and governance. As part of that discussion, I would then like to canvas a few areas where increased vision would assist in the protection of Indigenous rights. -
Darkemu-Program.Pdf
1 Bringing the connection to the arts “Broadcast Australia is proud to partner with one of Australia’s most recognised and iconic performing arts companies, Bangarra Dance Theatre. We are committed to supporting the Bangarra community on their journey to create inspiring experiences that change society and bring cultures together. The strength of our partnership is defined by our shared passion of Photo: Daniel Boud Photo: SYDNEY | Sydney Opera House, 14 June – 14 July connecting people across Australia’s CANBERRA | Canberra Theatre Centre, 26 – 28 July vast landscape in metropolitan, PERTH | State Theatre Centre of WA, 2 – 5 August regional and remote communities.” BRISBANE | QPAC, 24 August – 1 September PETER LAMBOURNE MELBOURNE | Arts Centre Melbourne, 6 – 15 September CEO, BROADCAST AUSTRALIA broadcastaustralia.com.au Led by Artistic Director Stephen Page, we are Bangarra’s annual program includes a national in our 29th year, but our dance technique is tour of a world premiere work, performed in forged from more than 65,000 years of culture, Australia’s most iconic venues; a regional tour embodied with contemporary movement. The allowing audiences outside of capital cities company’s dancers are dynamic artists who the opportunity to experience Bangarra; and represent the pinnacle of Australian dance. an international tour to maintain our global WE ARE BANGARRA Each has a proud Aboriginal and/or Torres reputation for excellence. Strait Islander background, from various BANGARRA DANCE THEATRE IS AN ABORIGINAL Complementing Bangarra’s touring roster are locations across the country. AND TORRES STRAIT ISLANDER ORGANISATION AND ONE OF education programs, workshops and special AUSTRALIA’S LEADING PERFORMING ARTS COMPANIES, WIDELY Our relationships with Aboriginal and Torres performances and projects, planting the seeds for ACCLAIMED NATIONALLY AND AROUND THE WORLD FOR OUR Strait Islander communities are the heart of the next generation of performers and storytellers. -
He Wants to Save the Present with the Indigenous Past
_ _______________________________________________________________________________________________________________________________________________________________________________ He Wants to Save the Present With the Indigenous Past Bruce Pascoe’s book “Dark Emu” sparked a reconsideration of Australian history. Now he hopes to use his writing to revive Aboriginal community. Bruce Pascoe in a field of mandadyan nalluk, also known as “dancing grass.”Credit...AnnaMaria Antoinette D'Addario for The New York Times By Damien Cave Aug. 20, 2020 WALLAGARAUGH, Australia — Bruce Pascoe stood near the ancient crops he has written about for years and discussed the day’s plans with a handful of workers. Someone needed to check on the yam daisy seedlings. A few others would fix up a barn or visitor housing. Most of them were Yuin men, from the Indigenous group that called the area home for thousands of years, and Pascoe, who describes himself as “solidly Cornish” and “solidly Aboriginal,” said inclusion was the point. The farm he owns on a remote hillside a day’s drive from Sydney and Melbourne aims to correct for colonization — to ensure that a boom in native foods, caused in part by his book, “Dark Emu,” does not become yet another example of dispossession. “I became concerned that while the ideas were being accepted, the inclusion of Aboriginal people in the industry was not,” he said. “Because that’s what Australia has found hard, including Aboriginal people in anything.” The lessons Pascoe, 72, seeks to impart by bringing his own essays to life — and to dinner tables — go beyond appropriation. He has argued that the Indigenous past 2 should be a guidebook for the future, and the popularity of his work in recent years points to a hunger for the alternative he describes: a civilization where the land and sea are kept healthy through cooperation, where resources are shared with neighbors, where kindness even extends to those who seek to conquer. -
Draft Transcript UTS Zoom Event with Verity Firth and Bruce Pascoe
2012 National Disability Award winner Draft Transcript Draft Transcript UTS Zoom event with Verity Firth and Bruce Pascoe Friday, 29 May 2020 About This Document This document contains a draft transcript only. This draft transcript has been taken directly from the text of live captioning provided by The Captioning Studio and any errors spotted by the captioner have been corrected; however, it may still contain errors. The transcript may also contain ‘inaudibles’ if there were occasions when audio quality was compromised during the event. The Captioning Studio accepts no liability for any event or action resulting from this draft transcript. The draft transcript must not be published without The Captioning Studio’s written permission. DRAFT Transcript produced by The Captioning Studio W: captioningstudio.com T: (08) 8463 1639 Page 1 2012 National Disability Award winner Draft Transcript VERITY FIRTH: Hello, everyone. I'm just going to wait for our webinar to fill up a bit. I can see the participants rising. We've had a wonderful response to this conversation today with Bruce Pascoe, so I'm just watching you all come in from the waiting room and we'll start in a minute or two. This is fantastic. We're reaching almost 500 people now logged on. I will wait for another minute and then we'll start our conversation so we can kick off on time. Alright, I'm just sorting out my own picture here so I can see Bruce. Thank you, everybody. Thank you very much for joining us today for this special Reconciliation Week event. -
Report: Communications Legislation
The Senate Environment and Communications Legislation Committee Communications Legislation Amendment (Regional and Small Publishers Innovation Fund) Bill 2017 February 2018 © Commonwealth of Australia 2018 ISBN 978-1-76010-710-9 Committee contact details PO Box 6100 Parliament House Canberra ACT 2600 Tel: 02 6277 3526 Fax: 02 6277 5818 Email: [email protected] Internet: www.aph.gov.au/senate_ec This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Australia License. The details of this licence are available on the Creative Commons website: http://creativecommons.org/licenses/by-nc-nd/3.0/au/. This document was printed by the Senate Printing Unit, Parliament House, Canberra Committee membership Committee members Senator Jonathon Duniam, Chair LP, Tasmania Senator Janet Rice, Deputy Chair AG, Victoria Senator Anthony Chisholm ALP, Queensland Senator Linda Reynolds CSC LP, Western Australia Senator John Williams NATS, New South Wales Senator Anne Urquhart ALP, Tasmania Participating member for this inquiry Senator Sarah Hanson-Young AG, South Australia Senator Rex Patrick NXT, South Australia Committee secretariat Ms Christine McDonald, Committee Secretary Mr Colby Hannan, Principal Research Officer Ms Georgia Fletcher, Administration Officer iii iv Contents Committee membership ................................................................................... iii Chapter 1: Introduction ..................................................................................... 1 Conduct of the inquiry ........................................................................................... -
Emerging Environmental Issues for Indigenous Peoples in Northern Australia - Marcia Langton
QUALITY OF HUMAN RESOURCES: GENDER AND INDIGENOUS PEOPLES – Emerging Environmental Issues For Indigenous Peoples In Northern Australia - Marcia Langton EMERGING ENVIRONMENTAL ISSUES FOR INDIGENOUS PEOPLES IN NORTHERN AUSTRALIA Marcia Langton School of Anthropology, University of Melbourne, Australia Keywords: indigenous peoples and environmental issues, Aboriginal impact, people in landscapes Contents 1. Introduction 2. Science Fictions 2.1. Wilderness 2.2. The Nature of Aboriginal Land 2.3. Changes in the Nature of Aboriginal Land Use 3. Pre-settlement Aboriginal Environmental Impact 3.1. Fire and Human Shaping of the Landscape 3.2. Fire: the Recent Debates 4. Re-implicating Aboriginal People in Landscapes 4.1. Dhimurru Aboriginal Land Management Corporation 4.2. Bawinanga Aboriginal Corporation 4.3. Arafura Wetlands 5. Conclusion Bibliography Biographical Sketch 1. Introduction The quest for environmental justice for Australian indigenous people requires, among other things, a critical examination of historical assumptions, which shape arguments concerning the role of Aboriginal people and their traditional environmental knowledge in the management of their cultural and physical landscapes. This paper surveys some recent literature and indigenous conservation developments that provide evidence of the re-implication of Aboriginal people in the management of tropical northern Australia. For 205UNESCO years the legal fiction of terra – nullius EOLSS rendered native title, Aboriginal Land Law And Aboriginal Persons As Land Owners Under That -
Participating Publishers
Participating Publishers 1105 Media, Inc. AB Academic Publishers Academy of Financial Services 1454119 Ontario Ltd. DBA Teach Magazine ABC-CLIO Ebook Collection Academy of Legal Studies in Business 24 Images Abel Publication Services, Inc. Academy of Management 360 Youth LLC, DBA Alloy Education Aberdeen Journals Ltd Academy of Marketing Science 3media Group Limited Aberdeen University Research Archive Academy of Marketing Science Review 3rd Wave Communications Pty Ltd Abertay Dundee Academy of Political Science 4Ward Corp. Ability Magazine Academy of Spirituality and Professional Excellence A C P Computer Publications Abingdon Press Access Intelligence, LLC A Capella Press Ablex Publishing Corporation Accessible Archives A J Press Aboriginal Multi-Media Society of Alberta (AMMSA) Accountants Publishing Co., Ltd. A&C Black Aboriginal Nurses Association of Canada Ace Bulletin (UK) A. Kroker About...Time Magazine, Inc. ACE Trust A. Press ACA International ACM-SIGMIS A. Zimmer Ltd. Academia Colombiana de Ciencias Exactas, Fisicas y Acontecimiento A.A. Balkema Publishers Naturales Acoustic Emission Group A.I. Root Company Academia de Ciencias Luventicus Acoustical Publications, Inc. A.K. Peters Academia de las Artes y las Ciencias Acoustical Society of America A.M. Best Company, Inc. Cinematográficas de España ACTA Press A.P. Publications Ltd. Academia Nacional de la Historia Action Communications, Inc. A.S. Pratt & Sons Academia Press Active Interest Media A.S.C.R. PRESS Academic Development Institute Active Living Magazine A/S Dagbladet Politiken Academic Press Acton Institute AANA Publishing, Inc. Academic Press Ltd. Actusnews AAP Information Services Pty. Ltd. Academica Press Acumen Publishing Aarhus University Press Academy of Accounting Historians AD NieuwsMedia BV AATSEEL of the U.S.