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Arbiter, March 14 Students of Boise State University
Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 3-14-2002 Arbiter, March 14 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. The Bronco QYmI1CISis soY goodbye to seniors -Page6 iter . ; Vol. 15 Issue 47 First Copy Free . I ; Ruch formally asked to resign resign." By Andy Benson sibility, a lack of leadership and a disre- touch with students. resolution. His office referred the The Arbiter gard for the students of Boise State. The resolution stated that upon the Arbiter to previous comments Ruch has Brooke Baldwin, ASBSU Senate pro ASBSU president Nate Peterson receipt of 1,000signatures on the ASBSU made about the petition. tern, said she was disappointed with Ruch's refusal to acknowledge the Boise State President Charles Ruch started the petition last January calling sponsored petition, Ruch would be Last January, Ruch said he was the Senate's resolution. officially received a resolution from thf! for Ruch to step down as university asked to resign. right person for the job and would not "1 think he is blatantly ignoring ASBSU Senate last week calling for his president. The petition reached the 1,00000igna- resign. -
141715257.Pdf
2 April 30, 1996 ..::;:~:(" The Other Press is qot~Jias College's autonorno{ls itudent newspaper. We havi n Congratulations to Douglas College Presi to us. We heard nothing more from you re publishing since 19~~ fJ dent, Dr. Susan Hunter-Harvey. She has Being autonomous ~?. r garding this sensitive subject. the. Douglas Coli~ r,, · been an extremely busy woman during the Being a successful women in your field, it's Society nor the Coli · ··· ·· administration ~n 'II U_. r past school year and, in the process, has odd that you didn't jump at the chance to Press what to pnnt. p M• the managed to achieve significant success in students, can decidi' -~ gpes in encourage other women to strive for excel the paper--by helpi~g 0u · ~ the college community. However, after many lence and equality in their chosen ambitions. J 1 ®4 attempts to interview the president so that Oh well. :~d=~o~~:!~u students may get to know her better, she has The other day, we sent a reporter up to the semest$r af~istratioh, ~nd from local apd nati~nal advet1ising also managed to avoid meeting the student president's office to talk to you, much like we raven~, $ ~ \ J\A press o(Douglas College. The following is an did in the past when Bill Day was the presi L,· . ? open letter to Dr. Susan Hunter-Harvey ex dent of the college. We were always able to ~~et;;a:Tinil~':;y~:S~~ cooJ)e[ative of ~tuck,nt newspapers pressing our concern about this issue. -
ART & POLITICS Graphic Art in the Summer of Discontent
ART & POLITICS Graphic Art in the Summer of Discontent The 2004 election has attracted artists in numbers not seen for a generation. Their designs give progressive politics a distinct visibility. BY FAYE HIRSCH ew York, late June 2004: On a wall of feel-good tape outlines shaped like shirts. In a cel iPod ads showing wired-up kids in silhouette ebratory atmosphere, visitors selected Ndancing against electric-colored backgrounds, their favorites to be printed on the spot there appears, for a few hours, the now-iconic hood as T-shirts (the proceeds, at $30 a pop, ed prisoner who has become the emblem of the Abu went to the Democratic National Ghraib scandal. Like the ad kids, this figure, too, is Committee). Like "Power T's," many rendered in black silhouette on Day-G io; but the exhibitions were up for just a week or wiring connects to a far different tale. Were it not for two, coinciding with the convention. the Internet, medium of choice for latter-day agitprop, Among veteran artists with new work this "iRaq" intervention might seem like urban legend: was Sue Coe, showing drawings at by the time one returns for a reality check, to Broome Galerie St. Etienne for her book, just Street, to Bond and Lafayette, to last night's subway issued, Bully: Master of the Global platform, the poster has vanished. Yet, on the Web, a Merry-Go-Round, which she co-authored record of the action is disseminated, a salvo in the with writer Judith Brody (Four Walls Eight multi-front war against political-and visual-compla Windows, $18). -
Southern California Artists Challenge America Paul Von Blum After the Terrorist Attacks of September 11, 2001, America Experienc
Journal of American Studies of Turkey 20 (2004) : 17-27 Southern California Artists Challenge America Paul Von Blum After the terrorist attacks of September 11, 2001, America experienced an outpouring of international sympathy. Political leaders and millions of people throughout the world expressed heartfelt grief for the great loss of life in the wake of the unspeakable horror at the World Trade Center, the Pentagon, and in Pennsylvania. Four years later, America has had its world standing and moral credibility substantially reduced. In striking contrast to the immediate aftermath of 9/11, it faces profound isolation and disrespect throughout the world. The increasingly protracted war in Iraq has been the major catalyst for massive international disapproval. Moreover, the arrogance of the George W. Bush administration in world affairs has alienated many of America’s traditional allies and has precipitated widespread global demonstrations against its policies and priorities. Domestically, the Bush presidency has galvanized enormous opposition and has divided the nation more deeply than any time since the height of the equally unpopular war in Vietnam. Dissent against President Bush and his retrograde socio-economic agenda has become a powerful force in contemporary American life. Among the most prominent of those commenting upon American policies have been members of the artistic community. Musicians, writers, filmmakers, actors, dancers, visual artists, and other artists continue a long-held practice of using their creative talents to call dramatic attention to the enormous gap between American ideals of freedom, justice, equality, and peace and American realities of racism, sexism, and international aggression. In 2004, for example, Michael Moore’s film “Fahrenheit 9/11,” which is highly critical of President Bush, has attracted large audiences in the United States and abroad. -
Jall 20 Great Extended Play Titles Available in June
KD 9NoZ ! LO9O6 Ala ObL£ it sdV :rINH3tID AZNOW ZHN994YW LIL9 IOW/ £L6LI9000 Heavy 906 ZIDIOE**xx***>r****:= Metal r Follows page 48 VOLUME 99 NO. 18 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT May 2, 1987/$3.95 (U.S.), $5 (CAN.) Fla. Clerk Faces Obscenity Radio Wary of Indecent' Exposure Charge For Cassette Sale FCC Ruling Stirs Confusion April 20. She was charged with vio- BY CHRIS MORRIS lating a state statute prohibiting ington, D.C., and WYSP Philadel- given further details on what the LOS ANGELES A Florida retail "sale of harmful material to a per- BY KIM FREEMAN phia, where Howard Stern's morn- new guidelines are, so it's literally store clerk faces felony obscenity son under the age of 18," a third -de- NEW YORK Broadcasters are ex- ing show generated the complaints impossible for me to make a judg- charges for selling a cassette tape gree felony that carries a maximum pressing confusion and dismay fol- that appear to have prompted the ment on them as a broadcaster." of 2 Live Crew's "2 Live Crew Is penalty of five years in jail or a lowing the Federal Communications FCC's new guidelines. According to FCC general coun- What We Are" to a 14- year -old. As a $5,000 fine. Commission's decision to apply a "At this point, we haven't been (Continued on page 78) result of the case, the store has The arrest apparently stems from broad brush to existing rules defin- closed its doors. the explicit lyrics to "We Want ing and regulating the use of "inde- Laura Ragsdale, an 18- year -old Some Pussy," a track featured on cent" and /or "obscene" material on part-time clerk at Starship Records the album by Miami-based 2 Live the air. -
Alcohol Banned After Texas-OU Annual Meeting Committee's Walks
TCU Daily Skiff Thursday, October 7, 1993 Texas Christian University, Fort Worth, Texas 91st Year, No. 25 Alcohol banned after Texas-OU annual meeting Police cancel Commerce rally, offer Red River Round-up By R. BRIAN SASSER TCU Daily Skiff o open alco- Texas-Oklahoma weekend in Dal- "N, las may be one of college football's holic containers will be oldest traditions, but for fans plan- allowed in the Central ning on drinking alcohol on Com- Business District. There merce Street, this year is a whole new is no more Commerce game. Street rally." This year, the law against public consumption of alcohol will be enforced, said Ed Spencer, ED SPENCER, spokesman for the Dallas Police Dallas Police Department Department. spokesman "No open alcoholic containers will be allowed in the Central Business certs and other activities that will be District." Spencer said. "There is no gated and ticketed, according to a more Commerce Street rally." Round-up fact sheet. A homicide and several assaults A schedule of Round-up events during last year's Texas-OU week- will appear in a special section of The end convinced the city and the police Dallas Morning Sews on Oct. 8. the TCU Dally Skiff/ Aimee Herring something must be done to insure fact sheet said. The TCU Symphony Orchestra practices in Ed Landreth Hall Auditorium on Tuesday for Wednesday's concert. public safety. Spencer said. Downtown Dallas businesses are "Officers will be courteous, but very receptive to the new tradition fair," he said. "However, if arrests are necessary, arrests will be made." and activities. -
Bennett Bean Playing by His Rules by Karen S
March 1998 1 2 CERAMICS MONTHLY March 1998 Volume 46 Number 3 Wheel-thrown stoneware forms by Toshiko Takaezu at the American Craft FEATURES Inlaid-slip-decorated Museum in vessel by Eileen New York City. 37 Form and Energy Goldenberg. 37 The Work of Toshiko Takaezu by Tony Dubis Merino 75 39 George Wright Oregon Potters’ Friend and Inventor Extraordinaire by Janet Buskirk 43 Bennett Bean Playing by His Rules by Karen S. Chambers with Making a Bean Pot 47 The Perfect Clay Body? by JejfZamek A guide to formulating clay bodies 49 A Conversation with Phil and Terri Mayhew by Ann Wells Cone 16 functional porcelain Intellectually driven work by William Parry. 54 Collecting Maniaby Thomas G. Turnquist A personal look at the joy pots can bring 63 57 Ordering Chaos by Dannon Rhudy Innovative handbuilding with textured slabs with The Process "Hair of the Dog" clay 63 William Parry maker George Wright. The Medium Is Insistent by Richard Zakin 39 67 David Atamanchuk by Joel Perron Work by a Canadian artist grounded in Japanese style 70 Clayarters International by CarolJ. Ratliff Online discussion group shows marketing sawy 75 Inspirations by Eileen P. Goldenberg Basket built from textured Diverse sources spark creativity slabs by Dannon Rhudy. The cover: New Jersey 108 Suggestive Symbols by David Benge 57 artist Bennett Bean; see Eclectic images on slip-cast, press-molded sculpture page 43. March 1998 3 UP FRONT 12 The Senator Throws a Party by Nan Krutchkoff Dinnerware commissioned from Seattle ceramist Carol Gouthro 12 Billy Ray Hussey EditorRuth -
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Vol. XXIII, Issue 8 "The University Commnitv's Feature Paper " February 8. 2002 Infat les In::::::::::::::'::·;::k::::i:i-WStony oko ospt MsaM14::::'::~i:~ii #:i~if~i:#8~::~~~~:3.:3#::'::::........l:~:iij:g~j::::::::::~::::::::::I·"x~jii~ii~i~............iiii·--·:··:·:.·;·; ~:.::.::.:·..........-·; ........ ....................·· :·:::j::~~.. ........::i::::~:::·:~i :·::::::::::ii·::::::·:a:~:x:,i··:·:: i·· ......... ........................................... ........ ................................. .... :~lri~;:::::·.~:;l-i-·:...........:::::·:~lix:::::::::;li~i~::i~~............·..........................................::::.:....·..........··....................................................................................................................................I.......................................................... ..........';· ·;'''···r,··,···:::............. i:~:~~;:~i~:3:I~i :i::·2:;: ::::: .... .... :· i:7':: :::::·:::!:j-:::::-~g::-· ···-·· ::~ii:::·:::........................... i:gl: ::::: i~~~ii~iii By JonathanJonron: Gelling Ef After te Powr's gone Last Wednesday I had an interesting expe- mostly through the use of illegal rience at the campus bookstore. The security people accounting tricks. It wasn't until just there believed they noticed some kid trying to steal last November that the extent of their a textbook, and as they were asking him about it he fraud became apparent; it was then that broke out in a dash for the door. Obviously, he did- Enron was forced to admit that they n't want to face the consequences -
Forms of Luminosity
Forms of Luminosity LAUREN MAGNUSON GERIG BA, MMus Submitted for the Degree of Master of Philosophy in Music Composition University of Glasgow Department of Music December 2007 © Lauren Magnuson Gerig 2007 1 Abstract Forms of Luminosity is an experimental music-based performance that brings private listening experiences into the public sphere for examination. My research focuses on the relationship between a person, his or her iPod, and the private listening experience thus created. This public-private listening experience was staged as a demonstration of how personal listening experiences contribute to identity development. My interest is in how the iPod and other purchasable commodities have influenced identity development in Western youth culture. Through examination of the relationship between the culture and their consumerism, I argue that identity is definable by substantially more than what we buy. The performance of Forms of Luminosity functions as an experiment of multiple iterations based on the caveat that performances are all subjectively singular incidents, related specifically to the surrounding environment at that moment in time. As well as presenting a tableau of consumerism, control, isolationism, and identity (as they are associated with the iPod), the performance questions whether pre-existing music can be engaging and relevant to an audience. My project uses bricolage and standpoint theory as guiding theoretical principles. A selection of instrumental, electro-acoustic, and popular music is included as a folio that best represents my personal standpoint as a composer. The performance is deconstructed in order to examine both the successful and ineffective elements of this first experiment. Forms of Luminosity is a contribution to contemporary art and music as these are the types of ideas that are being addressed and created by composers, choreographers, and artists active in today’s society. -
Contwe're ACT
Media contacts for Linkin Park: Dvora Vener Englefield / Michael Moses / Luke Burland (310) 248-6161 / (310) 248-6171 / (615) 214-1490 [email protected] / [email protected] / [email protected] LINKIN PARK ADDS BUSTA RHYMES TO 2008 SUMMER TOUR ACCLAIMED HIP HOP INNOVATOR WILL PERFORM WITH LINKIN PARK, CHRIS CORNELL, THE BRAVERY, ASHES DIVIDE ON PROJEKT REVOLUTION MAIN STAGE REVOLUTION STAGE HEADLINED BY ATREYU AND FEATURING 10 YEARS, HAWTHORNE HEIGHTS, ARMOR FOR SLEEP & STREET DRUM CORPS TOUR BEGINS JULY 16 IN BOSTON Los Angeles, CA (June 3, 2008) – Multi-platinum two-time Grammy-winning rock band Linkin Park has announced that acclaimed hip-hop innovator Busta Rhymes will join their Projekt Revolution 2008 lineup. Rhymes and Linkin Park recently collaborated on “We Made It,” the first single and video from Rhymes’ upcoming album, Blessed. By touring together, Linkin Park & Busta are taking a cue from the chorus of their song: “…we took it on the road…”. As recently pointed out in Rolling Stone’s “Summer Tour Guide,” the tour will see nine acts joining rock superstars Linkin Park, who are also offering concertgoers a digital souvenir pack that includes a recording of the band’s entire set. As the band’s co-lead vocalist Mike Shinoda told the magazine, “That puts extra pressure on us to make sure our set is different every night.” The fifth installation of Linkin Park’s raging road show will see them headlining an all-star bill that features former Soundgarden/Audioslave frontman Chris Cornell, electro-rockers The Bravery and Ashes Divide featuring Billy Howerdel, known for his work with A Perfect Circle. -
Alexandra Grant
LOWELL RYAN PROJECTS Alexandra Grant Lives and works in Los Angeles, CA Education 2000 MFA, Drawing and Painting, California College of Arts and Crafts, San Francisco, CA. 1995 BA, History and Studio Art, Swarthmore College, Swarthmore, PA. Solo Exhibitions 2020 Solo Booth, Marfa Invitational, Marfa, TX. 2019 Born to Love, Lowell Ryan Projects, Los Angeles, CA. 2017 Shadows, Galerie Gradiva, Paris, France. ghost town, Galería Marco Augusto Quiroa en Casa Santo Domingo, Antigua, Guatemala. Antigone is you is me, Eastern Star Gallery, Archer School for Girls, Los Angeles, CA. 2016 Shadows, Ochi Gallery, Sun Valley, ID. ghost town, 20th Bienal de Arte Paiz, Guatemala City, Guatemala. 2015 A Perpetual Slow Circle, Ochi Gallery, Sun Valley, ID. 2014 Century of the Self, Lora Reynolds Gallery, Austin, TX. 2013 Forêt Intérieure/Interior Forest, Mains d’Oeuvres, Saint Ouen, France. Forêt Intérieure/Interior Forest, 18th Street Arts Center, Santa Monica, CA. 2011 The Womb-Womb Room, Night Gallery, Los Angeles, CA. Collaboration with Channing Hansen. 2010 Bodies, Honor Fraser Gallery, Los Angeles, CA. 2008 A.D.D.G. (aux dehors de guillemets), Honor Fraser Gallery, Los Angeles, CA. 2007 MOCA Focus Show, Curated by Alma Ruiz, Museum of Contemporary Art, Los Angeles, CA. 2004 Homecoming, Gallery Sixteen:One, Santa Monica, CA. Selected Group Exhibitions 2019 Oneric Landscapes, Five Car Garage, Los Angeles, CA. 2018 Freewaves: Dis…Miss, curated by Anne Bray, Sam Francis Gallery, Crossroads School, Santa Monica, CA. BENT, Merchant Gallery, Santa Monica, CA. The mecca, California, Eastern Star Gallery in partnership with The Lodge, Los Angeles, CA. 4851 West Adams Blvd. -
Columbia Chronicle (02/21/1994) Columbia College Chicago
Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 2-21-1994 Columbia Chronicle (02/21/1994) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (02/21/1994)" (February 21, 1994). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/191 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. exclusive Page9 THE CDLUMBIA COLLEGE !VOLUME 27 NUMBER 14 FEBRUARY 21, 1994j By Joseph Schrank Nn.~~Uilo> Clips, clips, and more clips! That was the leading bit of advice from Chicago'sjoumalism experts to aspiring Columbia College minority journalists trying to break into the business. Mae than 200 Columbia students met professionals during Cohunbia. s 4th Annual Minority Joumalism Job Fair, held Feb. S in the Holrin Annex c:L the Wallash building. The event, co-sponsored by the Clttcato H•adllne Club and Columbia's Career Pkmnlnt and Plllc•ment Of/lei, offered stu dents advice and workshops, networking and mentoring. Lee Bey, Chicago Sun-Times reporter on left shares lnf'orrna1~on The morning part of the program about job opportunities with Kwane Burton, at the Journalism Job consisted of a panel discussion by Fair held at Hokln Hall.