The Development of Local Osirian Forms. an Explanatory Model Lucía DÍAZ-IGLESIAS LLANOS
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The Presence of Myth in the Pyramid Texts
The Presence of Myth in the qnamid Texts A thesis submitted in conformity with the nquirements for the degree of Doctor of Philosophy Graduate Department of Near and Middk Eastern Civilizations University of Toronto National CiBrary Bibiioth ue nationale u*m of Canada du Cana% The author has granteci a non- L'auteur a accordé une licence non exclusive ticence allowing the exclusive pennettant a la National Library of Canada to Bibliothèque nationale du Canada de reproduce, Ioan, distri'btûe or sen reproduire, prêter, disbn'buer ou copies of this thesis in microfonn, vendre des copies de cette thèse sous paper or electronic formats. la fome de microfiche/& de reproduction sur papier ou sur fomiat électronique. The author retains ownership ofthe L'auteur conserve la propriété du copyright in this thesis. Neither the choit d'auteur qni protège cette thèse. thesis nor substantid exûacts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être miphés reproduced without the author's ou autrement reproduits sans son permission. autorisation. THE PRESENCE OF MYTH IN THE PYRAMID TEXTS Doctor of Philosophy 200 1 Jeder Elisabeth Hellum Graduate Department of Near and Middle Eastern Civilizations University of Toronto The Pyramid Texts, written on the waUs of the entrance corridors, antechambers, and funerary chambers of the royal pyramids of the late Fiifth and entire Skth Dynasties, are filied with mythic statements and allusions, without using prose or poetic narrative. They hctioned as a holistic group, each distinct from the other, yet each working within the group to create a situation paraHehg the mythic, celestial worid of the afterlife. -
Ancient Egyptian Religion I: General Concepts and the Heliopolitan Gods
Ancient Egyptian Religion I: General Concepts and the Heliopolitan Gods Shawn C. Knight Spring 2009 (This document last revised March 18, 2009) 1 The nature of Egyptian religion (intro) The Egyptian idea of \deity" is a difficult one to pin down. The most frequently used word for deity, ' 4 ntr (or nTr), resembles the English word god in that it can be used as either a common noun, referring to one of numerous divine beings, or as a proper noun, referring to the Supreme Being. Much more problematic than the word used, however, are the details of what the gods do and even who they are. Gods become conflated with one another; most notably, there are (at least) two gods named Horus, designated \Elder" and \Younger", and they share a number of traits, often being confused (deliberately or mistakenly). The gods usurp one another's roles, or delegate their roles to others, with astounding frequency. It is Set's role to protect the sun god from the serpent of chaos|except when Horus has that function. The Supreme Being is Re-Atum, except when he is Amun-Re, except when he is simply Re or simply Atum or . Adding still further to the complication is the local character of Egyptian religion. Every nome had a patron god, and while some of the gods patronized more than one nome, there was plenty of variety. We have already considered this to some degree: we have noted Thebes, for example, as having Amun for a patron, and observed that the military rise of the Thebans in the Middle and New Kingdoms were responsible for the enrichment and empowerment of Amun's cult. -
The Stela of Khu-Sobek (Manchester Museum)
The Stela of Khu-Sobek1 (Manchester Museum) This limestone stela of the Manchester Museum (measured 16.5 cm wide and 28 cm high) was found in Abydos in 1901 by J. Garstang.2 It is of poor quality but important since it records an early of war of Egypt with its northern enemies. Htp-di-(n)swt wsir nb AbDw (di.f ) prt-xrw t Hnkt xpS Apdw Ssr3 mnxt snTr mrHt xt nb(t) nfr(t) wab(t) A royal offering of Osiris, lord of Abydos, (giving) an invocation offering of bread and beer, foreleg (of an ox) and fowl, linen and clothing, incense and oil, every good and pure thing n kA n (i)r(i)-pa(t) HAt(i)-a Dd nfrt, wHm mrrt4 m Xr(t)-Hrw5 nt ra nb, wartw6 aA n nwt, xw-(wi)- sbkw7 rn.f nfr DAA8 for the ka of the member of the elite, high official, who has said good things, repeated /proclaimed9 what was desired during the course of every day, great district official of the town, Khu-Sobek whose good name is Djaa, ir.n itA10 wartw tfnwt,11 nbt imAx, 1 The principal references for these notes are T. Eric Peet, The Stela of Sebek-khu, Manchester Museum Handbooks 75 (1914), and J. Baines, The Stela of Khusobek: Private and Royal Military Narrative and Values, in Form und Mass, Beiträge zur Literartur, Sprache und Kunst des alten Ägypten, Otto Harrassowitz, Wiesbaden, pp. 43-61. 2 See J. Garstang, El Arábah, Quaritch, London, 1901, Pls. IV, V; P. -
Journal of Egyptian Archaeology, Vol. 46, 1960
THE JOURNAL OF Egyptian Archaeology VOLUME 46 DECEMBER I960 PUBLISHED BY THE JOURNAL OF Egyptian Archaeology VOLUME 46 PUBLISHED BY THE EGYPT EXPLORATION SOCIETY 2 HINDE STREET, MANCHESTER SQUARE, LONDON, W. 1 i960 CONTENTS PAGE EDITORIAL FOREWORD ............ I THE PHILADELPHIA-CAIRO STATUE OF OSORKON II . Bernard V. Bothmer . 3 THE INSCRIPTIONS ON THE PHILADELPHIA-CAIRO STATUE OF OSORKON II Helen K. Jacquet-Gordon . 12 MENEPTAH'S AID TO THE HITTITES . G. A. Wainwright ... 24 A SELECTION OF TUTHMOSIDE OSTRACA FROM DER EL- BAHRI W. C. Hayes ... 29 THE STATUETTE OF AN EGYPTIAN HARPER AND STRING- INSTRUMENTS IN EGYPTIAN STATUARY . .J. Leibovitch . -53 THE TITLE IN THE OLD KINGDOM . H. Goedicke .... 60 PAPYRUS LYTHGOE : A FRAGMENT OF A LITERARY TEXT OF THE MIDDLE KINGDOM FROM EL-LISHT . W. K. Simpson ... 65 A CANONICAL MASTER-DRAWING IN THE BRITISH MUSEUM E. Iversen . • 71 A BLOCK OF AMENOPHIS IV FROM ATHRIBIS . H. W. Fairman ... 80 SOME PRE-'AMARNAH SUN HYMNS . H. M. Stewart ... 83 NOTES ON PTOLEMAIC CHRONOLOGY . T. C. Skeat . -91 BIBLIOGRAPHY: GRAECO-ROMAN EGYPT: GREEK INSCRIP TIONS (1959) . • • • • • . P. M. Fraser ... 95 BRIEF COMMUNICATIONS: Was Osiris an ancient king subsequently deified?, by Sir Alan Gardiner, p. 104; A new fragment of the battlefield palette, by J. R. Harris, p. 104; The origin of black-topped red pottery, by A. J. Arkell, p. 105; The nature of the brick-work calculations in Kah. Pap. xxm, 24-40, by W. K. Simpson, p. 106; The supposed Year 21 of Akhenaten, by H. W. Fairman, p. 108; Ptolemy son of Pelops, by T. B. -
(Ancient Athribis) in the Nile Delta 174 TOMASZ DERDA, ADAM ŁAJTAR
INSTITUT DES CULTURES MÉDITERRANÉENNES ET ORIENTALES DE L’ACADÉMIE POLONAISE DES SCIENCES ÉTUDES et TRAVAUX XXVI 2013 TOMASZ DERDA, ADAM ŁAJTAR Inscriptions on Ceramics from Tell Atrib (Ancient Athribis) in the Nile Delta 174 TOMASZ DERDA, ADAM ŁAJTAR Archaeological excavations carried out from 1985 to 1995 by the Polish-Egyptian Mission on Kôm Sidi Yusuf in Tell Atrib (ancient Athribis, the capital of the tenth Lower Egyptian nome) brought to light a considerable part of the town dating from the Hellenistic and Roman periods.1 Within the remains of mud-brick architecture, predominantly of domestic and industrial character, large quantities of artifacts were discovered, among them a rich and interesting collection of terracotta fi gurines,2 and a signifi cant amount of pottery, both locally produced and imported.3 Inscribed fi nds, excluding stamped amphora handles of the Hellenistic and Early Roman periods,4 were rare. Besides hieroglyphic inscriptions on loose stone blocks,5 shabtis6 and other small objects,7 and a Greek graffi to on a piece of limestone – perhaps a signature of an artist or a legend to a sculptured monument8 – only graffi ti and dipinti on ceramic surfaces can be mentioned. This article aims to present these sparse fi nds.9 * The authors wish to thank Professor Karol Myśliwiec, the Director of the Polish-Egyptian Mission at Tell Atrib, for his permission to study and publish this material. We thank Anna Południkiewicz, Agata Ulanowska, Tomasz Górecki, Grzegorz Majcherek, and Henryk Meyza for information on various aspects of the fi nds, especially the ceramological data. Ms. Południkiewicz also provided us with information about the archaeological contexts and supplied a large part of the illustrations used in this paper. -
Inscriptions from the Palace of Amenhotep III William C
Inscriptions from the Palace of Amenhotep III William C. Hayes Journal of Near Eastern Studies, Vol. 10, No. 2. (Apr., 1951), pp. 82-112. Stable URL: http://links.jstor.org/sici?sici=0022-2968%28195104%2910%3A2%3C82%3AIFTPOA%3E2.0.CO%3B2-7 Journal of Near Eastern Studies is currently published by The University of Chicago Press. Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/about/terms.html. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/journals/ucpress.html. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. The JSTOR Archive is a trusted digital repository providing for long-term preservation and access to leading academic journals and scholarly literature from around the world. The Archive is supported by libraries, scholarly societies, publishers, and foundations. It is an initiative of JSTOR, a not-for-profit organization with a mission to help the scholarly community take advantage of advances in technology. For more information regarding JSTOR, please contact [email protected]. http://www.jstor.org Thu Oct 25 06:12:06 2007 INSCRIPTIONS FROhI THE PALACE OF AMENHOTEP I11 WILLIAM C. -
Demotic Dictionary Project
oi.uchicago.edu PHILOLOGY DEMOTIC DICTIONARY PROJECT Janet H.Johnson This year, as for the past several years, the Demotic Dictionary staff concentrated on checking drafts of entries for individual letters in the Egyptian "alphabet" and preparing and entering computer scan copies of the actual Demotic words. The only student work ing on the project this year was Thomas Dousa, whose command of Egyptian and Greek and the extensive literature in both has allowed him to make major contributions to the checking and rewriting of first draft entries. Thanks to a very generous bequest from Professor and Mrs. George R. Hughes, we anticipate being able next year to hire a recent Ph.D. graduate as Research Associate to work full time on checking of draft and preparation of scans and copies. The checking and rewriting of first draft entries involves double checking of all in formation provided in the entry and the incorporation of several categories of informa tion that we decided to include after the first drafts had been written. Many of these categories are being added to provide social or cultural information as part of the "meaning" of a word. For example, whenever the "word" is the name of a deity, a refer ence is provided to every geographic location (e.g., a specific city or cemetery) with which the deity is associated in the texts of the corpus from which the Chicago Demotic Dictionary is being drawn. Similarly, whenever the "word" being discussed is the name of a geographic location, reference is made to all deities mentioned in the texts of our corpus in conjunction with that geographic location. -
The Secret Name of Ra
Thesecret name of Ra Ra, the SoleCreator was visible to the peopleof Eglat asthe discol the sun,but they knew him in manyother {orms. He could appearas a crownedman. a falconor'a man with a falcon'shead and, as the scarabbeetle pushes a round ball of dungin front of it, the Egyptians picturedRa asa scarabpushing the sun acrossthe sky. In caverns deepbelow the earthwere hidden another seventy-five forms ofRa; mysteriousbeings with mummiEedbodies and heads consisting of birds or snakes,feathers or flowers,The namesof Rawere as numerousas his forms; he wasthe ShiningOne, The Hidden One, The Renewerof the Earth,The lfind in the Souls,The ExaltedOne, but therewas one name ofthe SunGod which hadnot beenspoken sincetime began.To know this secretname ofRa wasto havepower overhim andover the world that he hadcreated. Isislonged for suchapower. Shehad dreamed that oneday she *.ould havea marvellousfalcon-headed son called Horus andshe wantedthe throne of Ra to giveto her child. Isis wasthe Mistressof Magic,wiser than millionsofmen, but sheLrrew that nothingin creationwas powerful enoughto harmits creator.Her only chance vr'as!o turn thepower of Ra againsthimself and atlast Isisthought of a crlel andcunning plan. Everyday the SunGod walkedthrough his kingdom, attendedby a crowd ofspirits andlesser deities, but Rawas growingold. His eyeswere dim, his stepno longerfirm andhe had evenbegun to drivel. One morning Isismingled with a group of minor goddessesand followedbehind the King of the Gods.She watched the faceofRa until shesaw his salivadrip onto a clod o{ eanh.\0hen shewas sure that no-onewas taking any noticeo{ her, shescooped up the earth andcarried it awav.Isis mixed the earthwith the salivaofRa to form clay andmodelled a wickedJookingserpent. -
The Iconography, Magic, and Ritual of Egyptian Incense
Studia Antiqua Volume 7 Number 1 Article 8 April 2009 An "Odor of Sanctity": The Iconography, Magic, and Ritual of Egyptian Incense Elliott Wise Follow this and additional works at: https://scholarsarchive.byu.edu/studiaantiqua Part of the History Commons BYU ScholarsArchive Citation Wise, Elliott. "An "Odor of Sanctity": The Iconography, Magic, and Ritual of Egyptian Incense." Studia Antiqua 7, no. 1 (2009). https://scholarsarchive.byu.edu/studiaantiqua/vol7/iss1/8 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Studia Antiqua by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. AN “ODOR OF SANCTITY”: THE ICONOGRAPHY, MAGIC, AND RITUAL OF EGYPTIAN INCENSE Elliott Wise ragrance has permeated the land and culture of Egypt for millennia. Early Fgraves dug into the hot sand still contain traces of resin, sweet-smelling lotus flowers blossom along the Nile, Coptic priests swing censers to purify their altars, and modern perfumeries export all over the world.1 The numerous reliefs and papyri depicting fumigation ceremonies attest to the central role incense played in ancient Egypt. Art and ceremonies reverenced it as the embodi- ment of life and an aromatic manifestation of the gods. The pharaohs cultivated incense trees and imported expensive resins from the land of Punt to satisfy the needs of Egypt’s prolific temples and tombs. The rise of Christianity in the first century ce temporarily censored incense, but before long Orthodox clerics began celebrating the liturgy in clouds of fragrant smoke. -
Ancient Egyptian Dieties
Ancient Egyptian Dieties Amun: When Amun’s city, Thebes, rose to power in the New Kingdom (1539-1070 B.C.), Amun became known as the “King of the Gods.” He was worshipped as the high god throughout Egypt. Able to take many shapes, Amun was sometimes shown as a ram or goose, but was usually shown in human form. He is fundamentally a Creator God and his name, Amun, means “The Hidden One.” Amun-Re: Originating in the Middle Kingdom, (2055 - 1650 B.C.), Amun-Re is a fusion of the Gods Amun and Re. He combined the invisible power of creation and the power visible in heat and light. Anubis: Usually represented as a black jackal, or as a human with a canine head, Anubis was a guardian of mummies, tombs, and cemeteries, as well as an escort of the deceased to the afterlife. Atum: According to the most ancient Egyptian creation myths, Atum is the creator of the world. He also brought the first gods Shu (air), Tefnut (water), Geb (earth), and Nut (sky) to Egypt. He is also god of the setting sun. Atum was represented in many forms such as a human, a human with the head of a ram, and a combination of an eel and a cobra. Bastet: Originating as early as Dynasty II (2820-2670 B.C.), Bastet was represented as a cat or a woman with a lioness’s head. She eventually became Egypt’s most important “cat goddess.” If Bastet took the form of a cat she was considered content, but if Bastet was a lioness she was considered an angry goddess. -
LO to Be Able to Discuss the Ancient Egyptian Gods and Goddesses
L.O. to be able to discuss the Ancient Egyptian gods and goddesses NAME: Ra GOD OF: the sun Ra was the most important god to all the Egyptians. It was believed that he was swallowed by Nut the sky goddess every night and born again in the morning. The Egyptians also believed that Ra travelled through the underworld at night, where he appeared as a man with the head of a ram! NAME: Anubis GOD OF: the dead and the process of embalming It was thought that jackals watched over the dead as they were seen in cemeteries a lot. Anubis helped to embalm Osiris when he was killed by Seth. Egyptian priests would wear a mask of Anubis during mummification ceremonies. NAME: Osiris GOD OF: the dead and the underworld. Osiris was also a god of resurrection and fertility. The Egyptians believed that he gave them the gift of their most important crop, barley. Osiris was the husband of Isis and the father of Horus. NAME: Nut and Geb GOD/GODDESS OF: Nut – the sky, Geb – the earth Nut’s body is stretched across the sky and covered in stars. She and Geb are the parents of Isis and Osiris. Nut is the sister/wife of Geb and it is believed that Nut swallowed Ra, the sun god at the end of every day and gave birth to him again in the morning. It was believed that earthquakes are caused by Geb’s laughing. NAME: Sekhmet GODDESS OF: war Sekhmet means ‘the powerful one’! She is sometimes called the daughter of the sun god Ra. -
The Routledge Dictionary of Egyptian Gods and Goddesses
The Routledge Dictionary of Egyptian Gods and Goddesses The Routledge Dictionary of Egyptian Gods and Goddesses provides one of the most comprehensive listings and descriptions of Egyptian deities. Now in its second edition, it contains: ● A new introduction ● Updated entries and four new entries on deities ● Names of the deities as hieroglyphs ● A survey of gods and goddesses as they appear in Classical literature ● An expanded chronology and updated bibliography ● Illustrations of the gods and emblems of each district ● A map of ancient Egypt and a Time Chart. Presenting a vivid picture of the complexity and richness of imagery of Egyptian mythology, students studying Ancient Egypt, travellers, visitors to museums and all those interested in mythology will find this an invaluable resource. George Hart was staff lecturer and educator on the Ancient Egyptian collections in the Education Department of the British Museum. He is now a freelance lecturer and writer. You may also be interested in the following Routledge Student Reference titles: Archaeology: The Key Concepts Edited by Colin Renfrew and Paul Bahn Ancient History: Key Themes and Approaches Neville Morley Fifty Key Classical Authors Alison Sharrock and Rhiannon Ash Who’s Who in Classical Mythology Michael Grant and John Hazel Who’s Who in Non-Classical Mythology Egerton Sykes, revised by Allen Kendall Who’s Who in the Greek World John Hazel Who’s Who in the Roman World John Hazel The Routledge Dictionary of Egyptian Gods and Goddesses George Hart Second edition First published 2005 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005.