Planetary Surface Instruments Workshop : Held at Houston, Texas

Total Page:16

File Type:pdf, Size:1020Kb

Planetary Surface Instruments Workshop : Held at Houston, Texas PLANETARY SURFACE INSTRUMENTS WORKSHOP LPI Technical Report Number 95-05 Lunar and Planetary Institute 3600 Bay Area Boulevard Houston TX 77058-11] 3 LPIITR--95-05 PIJANETARY SURFACE INSTRUMENTS WORKSHOP Edited by Charles Meyer, Allan H. Treiman, and Theodor Kostiuk Held at Houston, Texas May 12-13, 1995 Sponsored by Lunar and Planetary Institute Lunar and Planetary Institute 3600 Bay Area Boulevard Houston TX 77058-1113 LPI Technical Report Number 95-05 LPIITR--95-05 Compiled in 1996 by LUNAR AND PLANETARY INSTITUTE The Institute is operated by the Universities Space Research Association under Contract No. NASW-4574 with the National Aeronautics and Space Administration. Material in this volume may be copied without restraint for library, abstract service, education, or personal research purposes; however, republication of any paper or portion thereof requires the written permission of the authors as well as the appropriate acknowledgment of this publication. This report may be cited as Meyer C, Treiman A. H., and Kostiuk T., eds. (1996) Planetary Surface Instruments Workshop. LPI Tech. Rpt. 95- OS, Lunar and Planetary Institute, Houston. 115 pp. This report is distributed by ORDER DEPARTMENT Lunar and Planetary Institute 3600 Bay Area Boulevard Houston TX 77058-1113 Mail order requestors will be invoiced for the cost of shipping and handling. Cover: MIMOS-II, a miniaturized Mossbauer instrument with two detector channels, developed for use in space missions with very limited power resources like the Small Stations of the Russian Mars '96 Mission. LPI Technical Report 95-05 iii Introduction The next steps in the exploration of the solar system will include robotic missions to the surfaces of planets, moons, asteroids, and comets. For the greatest possible returns from these missions, their scientific rationales must be closely coordinated with development of appropriate instrumentation and with the constraints of mission and program planning. Instruments on a spacecraft must take measurements that can answer critical scientific ques­ tions within the mass, time, and energy constraints of its mission. Unfortu­ nately, this ideal state of cooperation is difficult to achieve. Scientists, engi­ neers, and managers often have distinctly different goals, speak different languages, and work on different timescales. The Planetary Surface Instruments Workshop, held at the Lunar and Planetary Institute in Houston, Texas, on May 12-13, 1995, was motivated by one problem of timescales: Today, a planetary surface mission could likely proceed from concept to final manifest faster than a critical instrument could be brought from concept to space-readiness. In order to address this potential problem, we hoped this workshop would initiate cooperation on scientific instruments for planetary (and cometary) surface missions before specific missions are proposed or started. Planning and operation of the Planetary Surface Instruments Workshop followed a few simple principles. The workshop focused on high-level scien­ tific problems common to all solid planetary surfaces, and avoided (where possible) issues peculiar to specific solar system bodies. The workshop focused on analytical instrumentation that would be applicable to solid bodies of the inner solar system (including asteroids and passing comets). The workshop did not deal with specific missions in planning or development, including their scientific goals and instrument selections, except as examples of more general scientific, engineering, or management principles. We sought to invite younger and newer participants in planetary missions and spaceflight instrument development, but did not specifically exclude experienced partici­ pants. The workshop was run on a "no-frills" basis, had no registration fee, and finished under budget. And finally, we committed to completing this technical report for electronic distribution within three months of the work­ shop. The workshop brought together scientists and instrument design engineers from a wide range of fields to consider what scientific instnlments could do from a landed robotic spacecraft. Of the 65 scientists and engineers who attended the workshop, 23 were from university institutions, 5 were from overseas, 5 represented commercial interests, and the rest were from govern­ ment laboratories. A list of participants and their addresses is included at the end of this volume. The attendees were assigned, according to areas of expertise or general scientific discipline, into eight working groups: precise chemical analysis, isotopes and evolved gas analysis, planetary interiors, atmospheres from within, mineralogy, carbon-based compounds and exobiol­ ogy, regoliths in 3D, and field geology/processes. Each group included iv Planetary Surface Instruments Workshop generalists and specialists, scientists and engineers, as well as "newcomers" and "old hands." Many attendees had significant expertise in more than one area, and were encouraged to contribute to other groups. Many attendees had "vested interests" in specific instruments or scientific areas; we encouraged all to be evenhanded in evaluating their work and that of others. Each group was asked to (1) assess the general scientific questions an­ swerable by robotic spacecraft landed on planetary surfaces, (2) identify the measurements critical to answering those questions, (3) suggest classes of instruments capable of those measurements, and (4) identify areas where the scientifically desired measurements are not feasible using available instru­ ments. Each group was given free reign to address the tasks as they saw fit, thus their reports reflect the organizational and presentational needs of their subject and do not follow a standard format. The groups each made great efforts to relate instrumental measurements to important scientific problems, and organized themselves to write the chapters of this report. Most of the actual writing was done after the workshop. Although the workshop goal was to address "generic" rather than "specific" solar system objects, most of the workshop groups seem to have focused on instrumentation for Mars and comets as examples of landing targets, perhaps influenced by the authoritative COMPLEX report. Perhaps this was also due to the fact that several propos­ als were due for Mars Surveyor and ROSEITAlChampollion in the same timeframe as the workshop. In plenary sessions at the workshop we heard presentations of the "Criti­ cal Science Questions" as laid out by COMPLEX (G. Ryder), each of the NASA Science Working Groups (J. Kerridge, A. Treinlan, T. Swindle, S. Keddie, and M. Zolensky), and the European and Japanese communities (H. Mizutani and J. Zarnecki). We also heard reports on a JPL approach for packaging instruments into "Sciencecraft" (P. Beauchamp), on one Discovery mission proposal (H. Schmitt), and on the need for a long-term strategy for Mars (S. Saunders). These ideas have been considered and discussed in the enclosed chapters from each of the teams at the workshop. This exercise has led to a more focused community of scientists interested in exploring planetary surfaces using instrumental techniques. The workshop brought together scientists and instrunlent design engineers from a wide range of fields to consider what scientific instruments could do from a landed robotic spacecraft. One result is that members of this community are now better able to review proposals and advocate missions to planetary surfaces. The product of the Planetary Surface Instruments Workshop is this report, which contains the attendees' responses to the tasks above. The report is intended to provide support and information to the scientific and engineering communities concerned with the planetary bodies and comets, spacecraft mission, and instrumentation design. It is also intended to provide support and information to NASA programs concerned with instrument development, and to the many NASA Science Working Groups regarding ways in which critical scientific questions can be answered by robotic probes to planetary LPI Technical Report 95-05 V surfaces. Many groups felt that an introductory "tutorial" was important in framing their group's conclusions. Many of the groups also named specific instruments and packages as examples of the current state of instrumentation technology; this naming does not constitute endorsement by NASA or the LPI. This report should not be considered a final statement; by its preliminary informal nature, it cannot be complete nor completely inclusive. Nor is it intended to supplant the conclusions of NASA and NRC advisory boards or previous conference on instruments for planetary missions. If fact, we hope this report will soon be outdated by the emergence of new scientific ques­ tions, new measurement schemes, and new spaceflight instruments suitable for deployment on planetary surfaces. We are, of course, grateful to all the workshop participants, who gave their expertise, time, and travel funds toward completion of this report, and to those who could not attend but also contributed to this document. We are particularly grateful to the group leaders, who agreed to compile input from each group and render it a coherent whole. We appreciate financial sponsor­ ship from the LPI. The workshop itself would not have been possible without support from the Publications and Program Services Department of the LPI. Equally, electronic pu blication of this report would not have been possible without support from the LPI's Center for Computing and Planetary
Recommended publications
  • It Is Easy to Interpret Kurt Vonnegut's Slaughterhouse-Five and Anthony
    It is easy to interpret Kurt Vonnegut’s Slaughterhouse-Five and Anthony Burgess’ A Clockwork Orange as cynical and pessimistic novels. The profusion of graphic images involving death, gang violence, and war make it difficult to walk away from either text with a hopeful outlook for the future of mankind. Thus, many literary critics label Vonnegut and Burgess as fatalists who argue for an acceptance of deterministic forces that eventually cause humans harm and suffering. However, other critics, such as Liu Hong, Wayne McGinnis, Todd Davis, and Kenneth Womack, all contend that at the end of the day Vonnegut and Burgess offer an opinion of humanity that is hopeful and encouraging. To these critics, the authors ultimately argue that the individual has the ability to determine their own fate in a horrific and often hurtful world. The standard debate concerning these two revolutionary authors has thus been one between a message of either hope or disparagement. It is a debate that has long been discussed among literary critics and continues to be an ever-changing discussion. My contention is that both Vonnegut and Burgess each create a body of work that offers the reader hope, empowerment, and an optimistic outlook of a future that is better than their present, or rather the present setting of their characters. Thus, I agree with critics like McGinnis, who calls Slaughterhouse-Five Vonnegut’s “most hopeful novel to date” (McGinnis 121), or Davis and Womack, who find that A Clockwork Orange’s protagonist ultimately finds a hopeful and optimistic conclusion in embarking “…upon a lifetime of familial commitment and human renewal.” (Davis, Womack 34).
    [Show full text]
  • Elements of Gallows Humor in Vonnegut's Slaughter House Five
    Journal of Literature, Languages and Linguistics www.iiste.org ISSN 2422-8435 An International Peer-reviewed Journal Vol.41, 2018 Elements of Gallows Humor in Vonnegut's Slaughter House Five Negar Khodabandehloo M.A. Student of Payame Noor University, Arak Branch, Iran Mojgan Eyvazi Assistant professor, English Department,Payam-e-Noor University, Tehran, Iran Abstract This study analyzes the outstanding satirist Kurt Vonnegut's novel Slaughter-house-five to demonstrate how the elements of Gallows Humor are applied to provide a better understanding of the author's worldview and of his narrative process. This is an anti-war book in which Vonnegut has attempted to blend the serious theme with humor. Through the choice of his protagonist- Billy Pilgrim- and the manipulation of black humor, Vonnegut exposes the atrocities of war from a new viewpoint. The focal point is to extract the phrases containing gallows humor, a sort of black humor, to be studied and explained by details, accordingly some literary terms are to be precisely defined and the unique style of writing is indispensable. Keywords: Anti-war, Black Humor, Gallows Humor, Satire, Humor, Vonnegut 1. Introduction Gallows humor is a kind of black humor in which the threatened person witnesses the oppression. As the name represents, the person threatened is implicated with no hope and no way to escape from the disaster. The misfortune is obvious to him, and he prefers joking about it instead of feeling sorrow. This section includes a definition of the gallows humor followed by some examples for more clarifications. In an essay posted on the website of the Philosophy Club, which meets regularly in Santa Monica, CA.
    [Show full text]
  • Context and Neglect: Kurt Vonnegut and the Middleclass Magazine
    Context and Neglect: Kurt Vonnegut and the Middleclass Magazine The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:37945101 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Context and Neglect: Kurt Vonnegut and the Middleclass Magazine. Lori Philbin A Thesis in the Field of English for the Degree of Master of Liberal Arts in Extension Studies Harvard University May 2018 Copyright 2018 Lori Philbin Abstract The scholarship focusing on the work of Kurt Vonnegut, Jr. has largely centered on his novels. Most studies have neglected Vonnegut’s start in the popular magazine market writing short stories. A few notable scholars have focused on the stories: Jerome Klinkowitz, Peter J. Reed, Jeff Karon, James Thorson, and Steve Gronert Ellerhoff. Even with the work of such scholars, there have been few studies that consider the context of Vonnegut’s earliest stories and how the influence of the middleclass magazine market not only shaped Vonnegut’s career but had continued impact on his later novels. This study explores Vonnegut’s first eight stories: “Report on the Barnhouse Effect,” “Thanasphere,” “EPICAC,” “All the King’s Horses,” “Mnemonics,” “The Euphio Question,” “The Foster Portfolio,” and “More Stately Mansions.” The stories are considered within the context of their first publication venue, the magazine Collier’s, and how that context shows connections between the stories and his novels such as Player Piano, Cat’s Cradle, and Slaughterhouse-Five.
    [Show full text]
  • Cat's Cradle: the Apocalyptic Creativity of Kurt Vonnegut
    Re ds111 clt• fa111dios Norte11111erica110.1·, 11. º 6 ( /998). pp. 25 - J.J CAT'S CRADLE: THE APOCALYPTIC CREATIVITY OF KURT VONNEGUT J ESÚS LERATE DE C ASTRO Uni versidad de Sevilla From the earlicst times down to our own days, St. John 's vision of the Apocalypsc has been the source for a considerable corpus of imaginativc works which have cxplored the rclationship bctween individual and community by meaos of the historical proccss of fin itudc. It is thercfore not surprising that apocalyptic imagination reaches its greatest heights in hi storical and cultural periods which are marked literally or symbolically by a profound sense of destruction and death. While therc is no doubt that this elemcnt of pessimism pcrmeates much of apocalyptic literaturc. it must be noted that, strictly speaking, the biblical concepl of the Apocalypse has a clear prophetic oricntation. To quote Lois Zamora: Apocalypse is not mere/y a synonym for disaster or catadysm or chaos. It is. in fact, a synonym for «rcvelation», and if the Judeo-Christian revelation of the end of history includes - indced, catalogues- disasters. it also envisions a millennial order which represents the potcnti al antithesis to the undeniable abuses of human history. ( 1O) The same paradoxical inteJTelation bctwccn destruction and construction. bctwecn catastrophe and revelation, is thc structural principie articulating the narrative world of Ca1 's Cradle ( 1963 ). Kurt Vonnegut's fourth novel can be interpretcd from a ncgative standpoint laying cmphasis, as Stanley Schatt <loes, on the idea that its apocalyptic ending does not entail any kind of universal revelation or transformation, since «lhere is no suggestion ..
    [Show full text]
  • On Updike and Vonnegut
    Dawes 1 Review Greg Dawes Somewhere Beyond Vertigo and Amnesia: Updike's Toward the End of Time and Vonnegut's Timequake Two of our elder statesmen, two of our most renowned novelists, John Updike and Kurt Vonnegut, have published science fiction novels on the notion of time. In their context time can be construed in a number of ways. In a general sense both Updike and Vonnegut are nearing the end of their (biological) time, both having published an enormous amount of enlightening fiction. We are also coming upon the end of the millenium and we appear to be witnessing the decline of the American empire. Both novels, Updike's Toward the End of Time and Vonnegut's Timequake deal with these existential and social issues and attempt to prod us into doing something about the socio- economic and political changes that are taking place in the late 1990s. In an essay on Vonnegut's critics, John Irving, it seems to me, sums up poetically Vonnegut's and Updike's intentions as novelists: Catharsis--perhaps it is also an unpopular word today, or at least an old- fashioned one--relies on upsetting readers. You purge fear through evoking it, you purify pain by rendering it, you bathe the heart with tears. Vonnegut can hurt you, and he does; he means to, too. When the sunny dreams and the harmless untruths evaporate--and they always do--a ruined planet is what we look upon; his books make us wish we were better.1 Copyright © 1998 by Greg Dawes and Cultural Logic, ISSN 1097-3087 Dawes 2 Timequake is written with irony, humor and sarcasm to wake us from our stupor and apathy and to warn us of what awaits if we do not try to radically transform this society.
    [Show full text]
  • A Postmodern Iconography: Vonnegut and the Great American Novel
    A POSTMODERNICONOGRAPHY: VONNEGUTAND THE GREATAMERICAN NOVEL "Call me Jonah". The opening line of Cat's Cradle, Kurt Vomegut's end-of-the-world masterpiece, unmistakably echoes that of Moby-Dick, Herman Melville's end-of-the-world masterpiece. Indeed, such echoes are audible elsewhere in Cat's Cradle, from the "cetacean" Mount MacCabe, which looks like a whale with a snapped harpoon protruding from it, to the great Ahab-like quarrel with God, humorously figured in Bokonon's thumb-nosing gesture at the novel's end. In pointing to Moby-Dick, as likely a candidate as ever was for the "great American novel". Vonnegut registers his own entry into the contest, but here it is also bound up in the laughable impossibility of the project. The novels of Kurt Vonnegut are not generally the first to come to mind when one thinks of the great American novel. Indeed, this latter, elusive thing-impossible and, perhaps, not even desirable-has long been a bit of a joke, the sort of thing an aspiring writer claims to be working on, or (even more likely) something a writer's parents, friends, and others say that he or she is working on. The great American novel is always a dream deferred; it cannot really exist, it seems, for that very reality would probably undermine any novel's greatness. The "great American novel" really belongs to the nineteenth century, not the twentieth. It existed there as a dream of writers and critics, desperate to carve a distinct national culture from the variously influential European traditions.
    [Show full text]
  • Kurt Vonnegut Addresses an Array of Topics
    Non-Profil Org. US. Postage PAID Bronx, NY 10458 I'crmil No. 7608 P.O. Box B ROSE HILL CAMPUS, BRONX, NEW YORK 1-ordham Univ. FORDHAM UNIVERSITY LINCOLN CENTER, NEW YORK NEW YORK Bronx, NY 10458 Volume 73, Number 10 Serving Campus and Community Since 1918 - Celebrating Fordham University's 150th Year Thursday, April 4,1991 | Kurt Vonnegut addresses an array of topics Presents views from warj&jvriting "I myself prefer to laugh because By Jennifer Gaultieri there is less cleaning up to do," he said. STAFF WRITER Talking about his occupation, this writer with a master's degree in an- thropology claimed, "There is no such Novelist Kurt Vonnegut, Jr., lec- profession as mine. There are only tured on politics, current events and about 300 storytellers ... Essentially, writing on Tuesday, March 26, in the my profession does not exist." McGinley Ballroom. Vonnegut is the Vonnegut said he chose writing as author of several books, including a career because, "I had to get out of Slaughter House 5 and Cat's Cradle. anthropology. I just thought primative The 68-year-old writer criticized " God was supposed people were too stupid. I can't stand the United States' recent invasions to be the apocalypse. them." of Panama and Kuwait. He said he Most stories, according to Vonnegut, supported the troops in Suadia Ara- Now we're saving have basically one of four basic plots. bia by tying a yellow ribbon around He calls Ihese plots "man in hole," "boy an old crab apple tree in front of him the trouble.
    [Show full text]
  • Kennedy^ Disputes CD Cost Figures Luednesdoy—V
    2 0 - KVfcJNING HERALD.Jues., Oct 21, 1980 Reqion---- — ----------------- -------- .... C Coventry seeks review of need for planner HaurliPBtpr »:o\ KVI'R\ — The resignation of Roy McLain, who said the vacancy performed "exceedingly well” in his tative to the Windham Regional nolly said he has been interviewing representative leaves Coventry Town Planner Gregory Padick, should not be advertised until staff four years in the post. “His work Planning Agency; and two vacancies candidates for a replacement and without a vqiop in th? regional effective Qct. 31, has prompted the needs are reviewed. He mentioned with the Planning and Zoning Com­ in the Town Highway Department. expects to make a recommendation organization. 'The- town.’s second Town Council to seek a review of the budget constraints which last mission. the council and myself has Schefisch had been part-time dog representative, Michael LitwinKa," whether the full-time position should year forced the council to consider been'invaluable." Connolly said. warden for 12 years, Connolly said, for appointment soon. resigned earlier this year and the Clear ■ be retained. cuts in town staff. The council also was notified Mon­ “under very trying conditions." Con- Desmone’s resignation as WRPA vacancy hasn’t been filled. la y p M v . I—n and cold tonight. The council, officially notified of , The council, receiving the .new day night of the Nov. 3 cptirement of W EATHER Details on page 2. Padick's resignation Monday night, Town Plan of Development Monday Robert Schefisch, canine control of­ asked Town Manager Frank Connolly night, also heard a plea from Marilyn ficer; the resignation of CETA Coventry to evaluate staff needs and report to Richardson' of.
    [Show full text]
  • The Universe Contents 3 HD 149026 B
    History . 64 Antarctica . 136 Utopia Planitia . 209 Umbriel . 286 Comets . 338 In Popular Culture . 66 Great Barrier Reef . 138 Vastitas Borealis . 210 Oberon . 287 Borrelly . 340 The Amazon Rainforest . 140 Titania . 288 C/1861 G1 Thatcher . 341 Universe Mercury . 68 Ngorongoro Conservation Jupiter . 212 Shepherd Moons . 289 Churyamov- Orientation . 72 Area . 142 Orientation . 216 Gerasimenko . 342 Contents Magnetosphere . 73 Great Wall of China . 144 Atmosphere . .217 Neptune . 290 Hale-Bopp . 343 History . 74 History . 218 Orientation . 294 y Halle . 344 BepiColombo Mission . 76 The Moon . 146 Great Red Spot . 222 Magnetosphere . 295 Hartley 2 . 345 In Popular Culture . 77 Orientation . 150 Ring System . 224 History . 296 ONIS . 346 Caloris Planitia . 79 History . 152 Surface . 225 In Popular Culture . 299 ’Oumuamua . 347 In Popular Culture . 156 Shoemaker-Levy 9 . 348 Foreword . 6 Pantheon Fossae . 80 Clouds . 226 Surface/Atmosphere 301 Raditladi Basin . 81 Apollo 11 . 158 Oceans . 227 s Ring . 302 Swift-Tuttle . 349 Orbital Gateway . 160 Tempel 1 . 350 Introduction to the Rachmaninoff Crater . 82 Magnetosphere . 228 Proteus . 303 Universe . 8 Caloris Montes . 83 Lunar Eclipses . .161 Juno Mission . 230 Triton . 304 Tempel-Tuttle . 351 Scale of the Universe . 10 Sea of Tranquility . 163 Io . 232 Nereid . 306 Wild 2 . 352 Modern Observing Venus . 84 South Pole-Aitken Europa . 234 Other Moons . 308 Crater . 164 Methods . .12 Orientation . 88 Ganymede . 236 Oort Cloud . 353 Copernicus Crater . 165 Today’s Telescopes . 14. Atmosphere . 90 Callisto . 238 Non-Planetary Solar System Montes Apenninus . 166 How to Use This Book 16 History . 91 Objects . 310 Exoplanets . 354 Oceanus Procellarum .167 Naming Conventions . 18 In Popular Culture .
    [Show full text]
  • The Durrells in Corfu,” a Six-Part Drama Based on a True Story
    Q2 3 Program Guide KENW-TV/FM Eastern New Mexico University October 2016 Hamilton’s AMERICA When to watch from A toZ listings for Channel HD3-1 Channel 3-2 – October 2016 are on pages 18 & 19 After You’ve Gone – Saturdays, 8:00 p.m. Red Green Show – Thursdays, 9:30 p.m.; Saturdays, 8:30 p.m. American Woodshop – Saturdays, 6:30 a.m.; Thursdays, 11:00 a.m. Religion and Ethics – Sundays, 3:30 p.m.; Wednesdays, 5:00 p.m. America’s Heartland – Saturdays, 6:30 p.m. Report from Santa Fe – Saturdays, 6:00 p.m. America’s Test Kitchen – Saturdays, 7:30 a.m.; Mondays, 11:30 a.m. Rough Cut – Saturdays, 7:00 a.m. Antiques Roadshow – Mondays, 7:00 p.m./8:00 p.m. (no 8:00 p.m. play on Scully/The World Show – Tuesdays, 5:00 p.m. 3rd, 24th)/11:00 p.m. (11:30 p.m. on 17th); Sundays, 7:00 a.m. Second Opinion – Sundays, 6:30 a.m./6:00 p.m. (except 9th) Ask This Old House – Saturdays, 4:00 p.m. Sewing with Nancy – Saturdays, 5:00 p.m. Austin City Limits – Saturdays, 9:00 p.m./12:00 midnight Sit and Be Fit – Monday, Wednesday, Friday, 12:00 noon BBC World News – Weekdays, 6:30 a.m./4:30 p.m. Song of the Mountains – Thursdays, 8:00 p.m. Beads, Baubles and Jewels – Mondays, 12:30 p.m. Sportslook – Thursdays, 9:00 p.m. Beauty of Oil Painting – Fridays, 12:30 p.m; Saturdays,12:00 noon Star Gazers – Wednesdays, 10:57 p.m.; Saturdays, 10:57a.m./9:57 p.m.; Body Electric – Weekdays, 5:30 a.m.
    [Show full text]
  • Planetary Surface Instrument Workshop Report (1995)
    PLANETARY SURFACE INSTRUMENTS WORKSHOP Edited by Charles Meyer, Allan H. Treiman, and Theodor Kostiuk Held at Houston, Texas May 12–13, 1995 Sponsored by Lunar and Planetary Institute Lunar and Planetary Institute 3600 Bay Area Boulevard Houston TX 77058-1113 LPI Technical Report Number 95-05 LPI/TR--95-05 ii Planetary Surface Instruments Workshop Compiled in 1996 by LUNAR AND PLANETARY INSTITUTE The Institute is operated by the Universities Space Research Association under Contract No. NASW-4574 with the National Aeronautics and Space Administration. Material in this volume may be copied without restraint for library, abstract service, education, or personal research purposes; however, republication of any paper or portion thereof requires the written permission of the authors as well as the appropriate acknowledgment of this publication. This report may be cited as Meyer C., Treiman A. H., and Kostiuk T., eds. (1996) Planetary Surface Instruments Workshop. LPI Tech. Rpt. 95- 05, Lunar and Planetary Institute, Houston. 115 pp. This report is distributed by ORDER DEPARTMENT Lunar and Planetary Institute 3600 Bay Area Boulevard Houston TX 77058-1113 Mail order requestors will be invoiced for the cost of shipping and handling. Cover: MIMOS-II, a miniaturized Mössbauer instrument with two detector channels, developed for use in space missions with very limited power resources like the Small Stations of the Russian Mars ’96 Mission. LPI Technical Report 95-05 iii Introduction The next steps in the exploration of the solar system will include robotic missions to the surfaces of planets, moons, asteroids, and comets. For the greatest possible returns from these missions, their scientific rationales must be closely coordinated with development of appropriate instrumentation and with the constraints of mission and program planning.
    [Show full text]
  • Spicer 1 Cracked Messiah
    Spicer 1 Cracked Messiah: Parody and Parable in Kurt Vonnegut’s Troutean Novels Sarah Spicer Trout was out there talking to and gesturing at the lidless wire basket as though it were an editor in an old-fashioned book-publishing house, and as though his four-page handwritten yellow manuscript were a great novel, sure to sell like hotcakes. He wasn’t remotely crazy. He would later say of his performance: ‘It was the world that had suffered the nervous breakdown. I was just having fun in a nightmare, arguing with an imaginary editor about the advertising budget, and about who should play whom in the movie, and personal appearances on TV shows and so on, perfectly harmless funny stuff.’ (Vonnegut, Timequake 228) Introduction This quotation demonstrates three important qualities of Kurt Vonnegut’s most famous recurring character, Kilgore Trout: first, Trout’s simultaneous unorthodoxy and comic wisdom; second, his relationship to his own writing; and third, his metafictional relationship to writing in general. In this paper, I will show how Trout manifests these qualities throughout his repeated incarnations as a fool figure, a science fiction writer, and a complex and ambivalent alter ego for Vonnegut, a novelist who is crucial to our understanding of the American postmodern ethos. Vonnegut is typically studied along with other postmodern novelists (such as Nabokov, Eco, and Burroughs), and as such, his work is understood in the context of the contradictions, distortions, and frenetic intertextuality present in much postmodern work. Metafiction, fabulation, and pastiche are all strategies of postmodernism that Vonnegut makes use of.
    [Show full text]